Announcing the 2017 Inductees into the Album Cover Hall of Fame

Latest class of honorees in the 6 major categories – as voted on by a world-wide panel of music, art and marketing experts in the area of album cover art & packaging – represents the “who’s who” of creative and production talent, with many recognized names from the fine art and design world. Chicago, IL – based organization selects the designers, illustrators, photographers, art directors and patrons whose works were released between the years 1960 – Present. Since officially launching the site in 2012, we’ve inducted five classes of Inductees based on the results from the group’s yearly surveys (the

Twice The Holiday Feel-Good Vibe From NYC Indie Rockers

The Baghdaddios Celebrate Homeless Benefit’s 20th Anniversary – and Release a Brand New Holiday Single! For 25 years The Baghdaddios have churned along, trolling the seedier dive bars of New York City that were fortunate enough to have a sound system and a cabaret license.  Occasionally they graced the spotlight of some higher profile venues (including their third-ever show at iconic punk birthplace CBGB).  Somewhere along the way, between the indie CD releases, music videos, trips to other countries and criss-crossing various part of the U.S., they got a bright idea in their 5th year that resulted in the proverbial

INTERVIEW with Alternative Rock Band RAVENSCROFT

Ravenscroft is a seasoned foursome of alternative rock musicians comprising Ralph Buso (Vocals), Pat Magrath (Drums), Brett Octane, (Guitar) and Devin Baker (Bass). The band’s six song EP is set to be released January 2018. In the meantime the powerhouse unit has dropped two lead singles to whet anticipating appetites. Two of the band’s members took the time to answer some curiosities in the following interview. How long has the current line-up of Ravenscroft been together and how did you get together in the first place? Brett Gorke (Guitarist): Approximately three years. Due to personal issues the original guitar player was unable to continue with Ravenscroft. At that

Ann Taylor: “Sober” – an anthem that is so calm and haunting it could put you into a trance

Canadian Record Label Illium Audio signed Ann Taylor in 2017. A singer-songwriter living in Calgary, Ann fell in love with songwriting, propelling her towards the release of her first EP “Roses” in February 2016. She is a versatile artist who has explored genres as diverse as folk, pop and electronic music, and is able to blend them together to form unique and playful new sounds. In addition to her solo work, Ann is a member of musical collective “Plus”. Set to release a full length album in 2018, she is currently working on an EP, and has released the single,

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords

The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Emerald Suspension conjures up such an iconic and menacing sound

Minneapolis collective Emerald Suspension is the experimental art collective that combined stock market and economic data to make experimental music on their album, “Playing the Market.  Their creative spirit now takes on new life with their second full length album, “DIVINATION. If you took all the sweet-greasy-tasty bits of techno, big beat, industrial, punk and rock and smashed it down into one real trip of an album, you’ll end with some of the tracks from “DIVINATION”. Emerald Suspension is loud, aggressive, and in sync with its own transgressions, and with each passing track, they increasingly sound like a genre of one.

In small doses, it’s thrillingly visceral stuff. But over multiple tracks, the relentlessly pounding breakbeats, the eclectic spoken word interludes, the wayward samples and sounds can hit you like a sledgehammer. The title track “Divination” is polished, aggressive, eclectic, and shows just how talented Emerald Suspension really is. It’s a slow, strong big beat tune mixed with cyberpunk sensibilities, harsh and distorted guitars and noisy twisted synths.

“Six Feet Closer” is an awesome track with a bigger than life beat layered with industrial styled rhythms. Infused with both male and female robotic vocal interludes, the song will remind you of something out of a terrifying sci-fi movie. Once you come to appreciate the crazy and the unexpected, you’ll come to love every song on Emerald Suspension deliver.

And the reason is easily explained. For all the experimental sounds the structure of their songs are fairly conventional, it’s what’s inside those structures that differentiates itself from the mainstream pack.

This formula allows the least adventurous of us to not be frightened away by totally unrecognizable soundscapes. Yet at the same time there are truly few bands that are able to conjure up such an iconic and menacing sound as can be heard on “Mildred Pierce / Millard Fillmore”, without directly falling into some hardcore genre.

There’s no pretension to these tracks, no slick intro’s or interludes involved; all that are present here are some of the most explosive tracks ever recorded, put together in a tight and cohesive manner. There’s no carry over, no self-indulgent rehashing of themes; each track on offer is identified by its own singular and distinguished sound.

“Not Available” is filled to the brim with ingenious hooks and sounds, plus a huge pile of character making sure that there can be no chance that Emerald Suspension will be overlooked in the near future.

A steady beat plows its way throughout this song as an inspired keyboard line tumbles its way around the listener’s ears. It’s all incredibly effective, and somewhat soothing at the same time, if that sounds at all possible!

Across the board everything put out on these tracks is phenomenal, whether it be deftly distorting the hell out of guitars, or turning keyboard samples in on themselves, the production work is unrivaled at times.

Expanding on ideas introduced elsewhere, and maybe in a mixed bag of genres, it is clear that Emerald Suspension is playing with something new here. This is the sound of the future, happening right now, and the excitement of these tracks seeps through on every note, sound and noise.

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