The Gibb Collective: “Please Don’t Turn Out the Lights” – perfectly cut gems!

October marks the 45th anniversary of the Bee Gees song “Please Don’t Turn Out the Lights,” and fans of the musical super group of the 1970s, have reason to be excited. The Gibb Collective is a musical tribute, and a family legacy.  On the input of Maurice’s daughter, Samantha, the children of Andy, Barry, Robin and Maurice Gibb have found a way to honor their fathers by infusing new lymph  into the more than memorable Bee Gee classics of the 60’s and 70’s. And what better title for the 10-track album, than “Please Don’t Turn Out The Lights”. Though I

John-Marc Lucid: “Judas” ft. Fyah Sthar – breathes down-to-earth authenticity

Music is a very powerful and mystical force. It speaks to people on a much deeper level than conversation. It really reaches the soul. With his new track “Judas” ft. Fyah Sthar, John-Marc Lucid hits us with music that indeed does reach our souls, an intriguing melody, piercing lyrics and outstanding musicianship included. The new release by the Texas based Dancehall and Reggae artist is a joint venture with Fyah Sthar, and together they breathe down-to-earth authenticity, making for an airy, buoyant listening experience. Lucid is a creative mind that doesn’t bother about drawers or labels – his music explores

Innocent Bystanders: “Attractive Nuisance” – a roller coaster of emotion and excitement

Based in Kensington and Mission Hills, Innocent Bystanders was founded by musicians who played regularly in various bands in high school and college, who got together to form a band to play fundraising events for a local law school. They perform a wide-range of rock and soul, focused on the music of the 1960s and 1970s. The band is made up of Steve Berenson (Drums), Steve Semeraro (Electric Guitar, Vocals), Kaimi Wenger (Keyboards, Vocals), Jessica LaFave (Saxophone), Ben Nieberg (Acoustic Guitar, Vocals) Kath Rogers (Vocals) and Donny Samporna (Bass guitar). Their “Attractive Nuisance” EP of original music was recorded at

Roger Cole & Paul Barrere: “Let It Go” combines musical inspiration and travelling emotions

Meaningful lyrics, amazing songwriting, superb heart-warming yet angry sound, musical teamwork, everything is so perfect in this track. Such a gorgeous and refined melody and philosophical lyrics is worth being remembered for all of the current generation. The guitarist uses swampy resonating sound so beautifully and the drummer plays simple but tight groove, with every drum fill-in is on the sweet musical spots. The bassist backs up the music stably as the boys sing the vocals with conviction. This is one of my current desert Island #1’s in the Roger Cole & Paul Barrere catalog. Yes, the track “Let It

Markus Scott: “Live Life With No Regrets” – confidence is sky high on this project

Born in New York City, Markus Scott grew up in humble surroundings, and his family were always on the move resulting in him constantly transferring schools. He excelled at reading and writing poetry, before discovering that he could rap when he won a freestyle battle with a signed artist at a house party in Harlem. He soon learned to DJ too, and with his first check from summer youth, Markus went to a pawn shop and brought a laptop. He then brought a DAW, and microphone from Guitar Center and began researching how to mix and edit his vocals. He

Christopher Rapkin: “Focus In” – substance over style!

Composer, arranger, producer, multi-instrumentalist and singer. Christopher Rapkin is many things, including founding member of Digital Composers Guild, and a music industry consultant. During September Rapkin released his 10 track heavy guitar album, entitled “Focus In”. Listening to Rapkin on this album it also becomes clear that he could be known as a great guitar virtuoso and a perfectionist. Christopher is the guitarist who sings and he does it quite well, in my opinion even better than Steve Vai. Also he is a good composer, all of his albums are full of songs of different styles. So he’s the man

Ziggy: “Breathe” – music for a new generation of kids

Zachary Raul Reyes aka Ziggy was born in Arcadia, California, but spent a lot of time moving around since his dad was in military service, ending up in a town in Ohio called Middletown where he spent most of my elementary and high school career. Growing up, music was his life. At 13 he received his first guitar, as a gift from his mom. He took two lessons before teaching himself how to write tabs and understanding harmony. From there Reyes ventured into listening to Hip hop and metal before discovering Dubstep, which represented a complete change of direction. Suddenly

Lynne Taylor Donovan: “Sooner or Later” – a swirling pool of rich technique and tender ability

“Sooner or Later”, the new release by independent Canadian Country songstress, Lynne Taylor Donovan, is the third single from the Nashville sessions that produced her hugely successful Euro-UK #1 hit “Strong One” and the follow-up European #2 hit “Am I Dreaming”. The reigning queen of indie country music has a knack for finding a way into the hearts of her global fan base. “Sooner or Later” has a warm and deep intention, reflecting Donovan’s eloquent and versatile tidings, showcasing her country gravitas, and a swirling pool of rich technique and tender ability. A careful sensory indulgence is heard in the

Odd-Arne Jacobsen: “While I Was Crossing The Bridge” – a gift to the world

Musician, songwriter and guitarist extraordinaire, Odd-Arne Jacobsen has worked with most of the leading artists in his home country of Norway, in both theatre and music, and has also presented his craft internationally. He has had his own television show in Russia, as well as a solo concert at the Moscow International Jazz Festival, and has toured the USA, Mexico, Russia, France, China, Kuwait, Scotland, and Japan. In 1990 he undertook a solo concert of his own compositions in New York, becoming the first Norwegian guitar player ever to hold a solo concert in Weil Recital Hall at Carnegie Hall.

Jennifer Hope Releases “My December” for Music for Relief’s One More Light Fund in memory of Chester Bennington

JENNIFER HOPE LAUNCHES DOWNLOAD TO DONATE FUNDRAISING CAMPAIGN TO BENEFIT LINKIN PARK’S MUSIC FOR RELIEF CHARITY Singer-Songwriter Jennifer Hope, has released her cover version of Linkin Park’s “My December” to raise awareness, and contributions for Music for Relief’s One More Light Fund in memory of Chester Bennington. The track is available for download until October 27, 2017 at GoFundfMe. A one dollar donation is all that is required to receive a download code, but any additional amount is appreciated and your extended generosity can further help many in their time of need. All donations go to the charity through the

Joshua Lane: “Woke & Rambling” – a strong underground feel

Joshua Lane is a 22 year old artist out of Fort Wayne, Indiana. Lane is a man on a mission, as he explains: “I’m focusing on making my own kind of music in hip hop that has consistent, in depth knowledge about what’s going in my life as well as everyone else’s reality as well. I moved to D.C. to promote and network for the past 8 months. I want to use my platform to give back to ones in need and help our communities out so there’s less hostility and more love in the world.” To put on a Joshua Lane record is to commit to a certain amount of intense collective energy. Anything much more than that—left-field lyricism, hooks that sink their claws into you, a collection of beats that cohere into some loose future-is-now synthesis of hip-hop—is a bonus, if an expected one.

“Woke & Rambling” takes everything that is great about hip-hop and makes a shining example of it. The beats are tight and fresh; the lyrics, as expected, are deep and creative, and just off kilter enough to give it that alternative signature. It also takes everything that is less than desirable about hip hop and manages to make these topics and conventions exciting, too.

Different genres affect me in various ways. A solid Metal album can make me feel like I should be a Viking, a great Indie Rock album can make me want to bob my head to the self-produced goodness, and a gorgeous Post-Rock album can conjure up images of incredible landscapes. Hip-Hop is simply refreshing. A

great Hip-Hop album is like drinking a perfectly-cooled glass of water after a day of being thirsty. “Woke & Rambling” is that glass of water.

Apart from blowing everybody for being innovative, mind-blowing, and just goddamn refreshing, the jazz and soul influences in the production come out at the right times. The lyrics are introspective and intelligent, but not too much to digest such that it’s only an album for specific moods.

It’s got a strong underground feel without seeming like some crappy mixtape slapped together with equipment from the 70’s. This album goes great as something to listen to in those moments of introspection. The songs can be listened to as standalone tracks, but the overall feel of the album from beginning to end is just as good.

On “Woke & Rambling”, Joshua Lane has created undoubtedly an immediately catchy work, with some memorable choruses and insightful wordplay that is easily a career high for this artist. Joshua Lane redefines himself as a very certain type of artist. For the most part, his lyrics, ideas, and themes feel very insider and close to his heart, which is what makes him standout.

What does Joshua Lane hope to accomplish with “Woke & Rambling”? This isn’t a rhetorical question or an attempt to chide: I’d like, sincerely, to know what it is he was seeking when he began cobbling this album together and how that goal might have changed in the recording process.

To the average Joe, the closest one comes to being as cool as a Hip-Hop artist is by turning up the beats, cranking the windows way down in a pumped up car, while rolling down Main St. The new album, by Joshua Lane is not only deserving of cruising glory – but should be high on the list of any Hip-Hop connoisseur.

From track one, “Dear Hiphop” and other outstanding tracks such as “Relapse”, “Journal”, “Rambling”, “One World” and “Are We Alive”  effectively create a complex, layered symphony of sounds, melodies and dynamics which leaves the listener in a pure state of Hip-Hop satisfaction.

Joshua Lane exhibits an astounding sense of timing, never allowing the listener to grow tired or disinterested, but rather continually chasing the next high until the song reaches its conclusion.

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