JT Music: “Never Give Up”(ft. Fabvl & Divide) – totally unmatched in their genre!

JT Music is a nerdcore hip-hop group formed by artists Christian Ames and John Gelardi in December 2008. With 10 years of experience under their belt, Ames and Gelardi have taken their project to a new level. Every Saturday at 12 pm EST, JT Music posts a music video on YouTube based on video games, often in the form of rap battles between video game characters. With 2.2 million subscribers on YouTube, JT Music gets 25-30 million views on their videos per month. Some of their most popular videos include “Sans and Papyrus Song – An Undertale Rap” with 45

Katie Garibaldi Music Video “Safe and Warm” Premieres On The Christian Beat

Katie Garibaldi is an award-winning singer/songwriter and guitar player whose characteristic Christian-contemporary blend with Americana roots. This gives her a dreamy and soulful musical sound drenched in sparkling memorable melodies. The prolific songwriter hailing from San Francisco, CA, continues to stretch the boundaries of any genres walls with the release of her latest album, Home Sweet Christmas, a collection of original holiday and faith-inspired songs that embrace Garibaldis operatic vocal prowess and soulful folky affection, but also branch out into traditional country and gospel atmosphere. This week, Garibaldi releases the official music video for “Safe And Warm (Lullaby For Jesus)”

Multi-Talented P Tee Money Gets Back On The Track With ”I’m Not Afraid” album

P Tee Money is an English DJ/EDM, Electronic Artist; a royal descendant of Nigeria bloodline was born in London, England and studied Aeronautical Engineering in the military. He discovered his passion for music at a very young age, drawing influence from a variety of genres and especially from artists such as George Duke and Earth Wind & Fire. From his love of music, he eventually settled down in progressive house, the genre that he connected most. His productions cross a wide range of electronic music styles, from House, deep house, indie-dance, progressive, future, electro-pop and chill out. Despite being a

J-Hamz ft. Jesse Peters: “Keep On Lovin’ Official Remixes” – smooth groove and audio euphoria

Electronic music producer and classically trained pianist J-Hamz has accumulated a series of accolades which include Beatport Staff Picks and Top 10s, FM radio play across Canada and the USA, and nominee for Electronic Recording of the Year 2017 at the Edmonton Music Awards. He has had his songs remixed by producers in Canada, the United States, Germany, Japan, and Russia, including “Keep On Lovin’” – featuring lyrics and vocals by Jesse Peters – in a remix contest with Digital Empire Records. Now the hard working producer has just dropped his 8th release – “Keep On Lovin’ Official Remixes” featuring

C-Neil: “A Working Progress” ft. Timara Rogers – enthralling and emotional

C-Neil is a talented artist, songwriter, and producer based in Arkansas. He has worked in the music business since he was 15 years old. For years, he rapped and produced for artists local to St. Louis before moving to Atlanta to hone his craft. C-Neil has performed at several showcases in Arkansas, St. Louis, and Atlanta, including the Royal Peacock and the Urban Network Festival in Memphis. Despite being well-received, C-Neil, inspired by his mother, turned to his roots to gospel music. His latest release, “A Working Progress”, opens up about the obstacles he has faced. The track also features

Harmless Habit: “FRONTERROR” – a marvel of rock hard timelessness

Harmless Habit sound as confident as a band that have already paid their dues, and established a sound that is just as good or better than the bands that inspired them, and now give us a two way mirror into the rawness of their creative process with their 6-track album, “FRONTERROR” which feels heavy, hypnotic, emo(tional) and transformative. The best three words to describe this recording would simply be…TURN THIS UP!  The album kicks off full force and doesn’t really take the pedal off the metal until very late in the album, and only for a few seconds. So if driving,

Musicbyko: “Life In Element” – a melded perspective derived from a focused vision

Rap and hip-hop is no longer strictly about an artist’s lyrical ability, there is a series of beats and melodies that need to come together in perfect harmony to create the sonic excellence that fans demand to hear. To that end, Musicbyko is the embodiment of real modern rap in a production heavy hip-hop environment that has very little care for bars. This Bay Area rapper from Oakland, CA, has a message of ambition and a constitution of excellence that he is attempting to establish within his craft. It is clear that he has grown into more than just a

Maelstroms by Julian Kerins injects new life into Rock

Julian Kerins is a New York based singer-songwriter whose music is the end result of an eclectic amalgam of influences that have been centered around a Rock backing. His latest debut EP Maelstroms has reached the ears of this writer to wondrous effect. The EP blends Classical, Opera, Avant-garde, Folk, some Eastern influence and even a touch of Jazz to create a beautiful menagerie of melancholic delight. If you’re looking for an overwhelmingly passionate listening experience that just may leave you in tears (with the heart wrenching operatic ballad “In Billowing Skies” or the simply monolithic hard Rock foray that

Los Angeles songwriter/producer Betty Moon celebrates her latest single Parachute with a new music video

The video takes viewers up above the cityscapes and back again. (LOS ANGELES, CA) – Betty Moon continues to build upon her assent on the international streaming music charts with the release of her new music video for Parachute. With the single being released last week, the video compliments a very personal song about self-empowerment and escaping to live the life you’ve always dreamed about. The 90s tinged pop video boasts large doses of nostalgia, rock n roll and mixes things up with Moons fashionably unique brand of indie rock, mainstream and electronic influenced music. The video premiered this morning

‘Sound of the City’ A New Four-Part Episode Docu-series is Launched by A Houston Record Company

‘Sound of the City’ gives viewers a behind-the-scenes look at what it takes to produce an album by following the creation of Wreckshop Nation’s collaborative new project titled ‘Unity Vol. 1.’ The docu-series premiered Sept. 17, 2018. Wreckshop Nation (WSN) is an independently owned entertainment company focused on promoting and producing digital content, products, and services for artists while simultaneously embracing the Southern Hip-Hop culture that developed in Houston during the late 1990’s “Wreckshop Records” era and still thrives today. Wreckshop aims to be more than just a label, but a brand; it is striving to be a centralized platform

Jus Guap: “Roger That (2017 Remix)” – jumps through conceptual hoops!

Jus Guap is a 19 year old artist from Brooklyn, New York. He runs a Record Label called ‘The Kingdom’ that features 7 artists from the same age group. There is not one song that from Jus Guap that has a similar sound to the next. Guap states that his all end goal is to change the world using his music as one of his major weapons. Jus Guap has just dropped his creatively eclectic track, entitled “Roger That (2017 Remix)”. If there is an animating principle that runs through Jus Guap’s work, it’s a willingness to challenge expectations at every turn. Here he takes the Nicki Minaj, Lil Wayne & Tyga track, and gives it a solid ass-whipping.

Jus Guap

Jus Guap

The Brooklyn rap ace has swapped out the traditional pillar of hip-hop’s sound for freaky synths that clone a brass ensemble. He has forced himself to jump through conceptual hoops, and completely eschew all of hip-hop’s clichés. And he has built a show-time styled rap song around the power of electronics.

All of this headiness makes a bit more sense when you consider that this is a nineteen year old creative with his own record label. Meaning youthful exuberance meets absolute creative freedom.

A match they could never even make in hip-hop heaven, even if such a place existed. The call of commercialism and the regular stereotypes desired by the marketplace are just too strong for an industry that has long lost itself after the nineties. Certainly, it’s difficult to question the quality of the raw materials used here.

Jus Guap skillfully evokes the hum of his electronic machinery with their bleeps, bloops, and shuddering waves of groovy static. And he does it without any condescending attitude towards the song’s original performing trio of the Minaj, Wayne & Tyga.

Though it does come as a surprise that Guap’s rapping is so technically impressive throughout “Roger That (2017 Remix)”, and even on the more conventional, but still eclectic “Sailboat”. The young rapper dexterously spits tongue-twisting lines with his steadily-paced delivery bringing to mind a host of his better known peers.

Jus Guap’s songs manage to succeed on his own terms, independent of any overarching narrative. He sets up the storyline and then goes in with turns of phrases and playful anachronisms. His songs have zero-gravity, as the gleaming synths and skittering drums float skyward with no conventional bassline to hold them down.

And on “Roger That (2017 Remix)”, Guap allows his tightly-wound delivery to go slack here, imbuing the track with a looseness and personality that’s sorely missing from much of hip-hop today, or at least since Andre3000 and Ludacris stopped releasing intelligible material. Again, it’s a lot better than what Minaj, Wayne & Tyga did on this track.

Jus Guap

Jus Guap

It’s only so often that a hip-hop artist or group comes along with something that could be described as truly unique. This is a testament to Brooklyn artist Jus Guap, who can legitimately boast his own original sound on “Roger That (2017 Remix)”.

Before fingers leave play buttons, ears are subjected to rapper Guap’s sure-footed spitting over rapidly moving musical notes that listeners of a certain age won’t even be able to register. It’s clear that the performances aren’t there to make us feel comfortable, although between the challenges we are let in on some moments of familiarity.

On the other hand Jus Guap’s style does not sound like futuristic, experimental rap music, from an artist that has stumbled upon a hip-hop time capsule that they’ve become obsessed with. Unlike a lot of today’s more alternative rap acts, Guap borrows from all sources, near and far.

His beats may be exquisitely ultra-modern in their conception, but his rapping style could come straight out of the glorious nineties. So while he aims to push boundaries, he does so in a way that demonstrates a love for the music and culture that forms its source material.

Jus Guap toys a bit with the hip-hop’s conventions, but he also hears the genre as one that’s big and inclusive enough for whatever newfound sounds he comes up with. And he is right. Hip-hop has always been a more fluid and advanced form of music than its detractors, or even some of its devotees, are willing to believe, and it damn sure has room for performers, creators and re-creators like Jus Guap.

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