Valerie Warntz: “I Don’t Love You Anymore” – structured and inspired song-craft

Valerie Warntz is a 19-year-old singer-songwriter who has been musically inclined since childhood. She decided to be a musician at 9-years-old enrolling into The Sviridov’s School of Arts where studied guitar and piano. During her educational years, she won various awards and at the age of sixteen she wrote her first song “I Don’t Love You Anymore”, which she has now released as a single and music video. The song is also on her debut album “Revelation”. The track is intentionally as heartfelt as it is pensive. Lyrically, Valerie doesn’t leave anything hanging; the song sort of has its completion,

Michael A. Galianos: “My Heart Is Breaking” (Featuring Dan Exactly)

Michael A. Galianos has just released the single “My Heart Is Breaking” (Featuring Dan Exactly) with words and music by Michael A. Galianos and Dan Exactly. Michael A. Galianos is a singer/songwriter from Bergenfield, NJ. He has recorded one EP and two albums since 1997, beginning with the EP “Feel”, under the moniker of M.A.G. (Mad Ass Greecians). In 2006, he released his first full length, “Cerebral Snapshots”. In 2011, he released his second album, “Beautiful Discovery”. His sound is melodious pop/rock, along the vein of The Beatles, The Beach Boys and Big Star, with the occasional delve into the experimental.

Dustin Steen: “Mixed Genres” has a strong spiritual element

With an onslaught of pressure from modern record labels to produce high-selling records frequently and consistently, and the need to secure a loyal consumer base, an artist’s ability to experiment and evolve with his or her sound seems somewhat futile in the modern era. It seems that musicians throughout every genre are bound by the limitations of what sound will sell, often creating a disassociation between artistic freedom and production demands. With such high stakes, it takes immense talent and perhaps sheer disregard for self-preservation for an artist to experiment successfully with the many facets of the musical lexicon. Perhaps

Dakú Lights: “Illuminate” – a consistent palette of genre-melding pop offerings

London based alternative pop band, Dakú Lights, was formed in April 2016 by the three band members who are represented by their own distinct color to match their personality, with Bhavini being red, Haiiiro as pink-orange and Panda as purple. They have a unique blend of music which incorporates Pop, Kpop, EDM and Urban influences. Currently pursuing a record deal, the band is focused on producing high quality music and building their stage presence for international audiences. Dakú Lights recently released their 5-track EP, entitled “Illuminate”. The title takes a cue from the band’s name, as Dakú means ‘dark’ in

Henry Metal: “So It Hath Begun” will grab you by the balls with a cruel squirrel grip

Henry Metal might have a fine veil of satire embracing the project, but he makes just about the best tribute to the excess of the 80’s and 90’s hard rock and metal genres ever. He has just released his 9 track album, entitled “So It Hath Begun” which contains great songs, which are very easy to bang your head and sing along with. The tracks all have a grooving and slamming feel, plus cool shredding and solos. In fact Henry Metal sounds no different to any of those legendary rock and metal bands from the golden era. You either get

Aeronaut: “Skara” – excellent progressive buildups and rhythmic backflips

Aeronaut can be described as Progressive Rock, Post-Rock, Indie, or simply Alternative Rock, but that doesn’t really matter. All I know is that this project delivers very interesting, fresh, and well-rounded music. Aeronaut has a huge dynamic range, from extremely fast and heavy with smooth, powerful vocals to very relaxing and atmospheric. The music is very melodic, clear and well-produced, the song “Skara” flows and changes to new and exciting ideas. The guitars are very lush and full sounding, during both heavier and mellow parts, while the bass and drums thump and bang in all the right places. Aeronaut is

Eric Hausmann: “Soaked” manages to tap into a very specific emotional core

Eric Hausmann is a multi-instrumentalist and film composer. He has produced music for a number of Malaysian films, in addition to scoring for a variety of New York film productions. He performs live as a guitarist with Portland’s Tres Gone, and Malaysia’s Space Gambus Experiment. He is formerly a member of The Gone Orchestra and Brainwarmer. Hausmann recently released “Soaked” a seven track recording which is described as “A cross-section of Asian dub-fused rock n’ roll with deep India influences.” But it’s probably more than that, as I’m hearing post-rock, world fusion, and ambient rock influences injected into these tracks. Eric

MOOD: “The Wave” is in the right lane!

Hip-hop has changed – there’s no debating that – but change isn’t always indicative of something bad. That being said, it’s refreshing to hear more rapping, with the exception of one or two bridges, versus the continual rap/sing mix that’s permeated mainstream as of late. You’re allowed to appreciate more than one way of creating music and while a lot of rappers have the notion that they should be singing as well, there’s a place for it all, especially if you don’t have a decent singing voice. You obviously can’t disregard one lane of Hip-hop while claiming to be a

EsZ: “If You Didn’t Get This Message, Call Me” – an audacious creative effort

On his new album, “If You Didn’t Get This Message, Call Me”, EsZ aka Erron’s Attic comes out swinging from the first song, a great balance between classic Hip Hop and modern. As usual EsZ gets well thought out ideas through his songs in innovative ways; you definitely get the feeling he has the lyrical substance he wants to express. Although we’re in a dismal era of Rap currently, this could be one of those instant underground classics. EsZ catalog is filled with parables, fables, morals and lamentations, forms of storytelling that compress people and experiences into neat, digestible lessons.

Luna 13 – the solid foundation for gut-ripping synths

The award winning Los Angeles band Luna 13 is forging a new genre of music they call Black Metal/Bass Music. Their brutal yet groove based electro-metal incorporates elements of electronica, death metal, and industrial rock – all done with electronics, which means no string instruments. Music maker Dr. Luna, creates a metal sound with synthesizers and by wrapping heavy distortion around sub-bass. Luna 13 who has been performing live for a few years now, opening for death metal/industrial and electronica projects alike, came into its own when Lilith Bathory joined in 2015. Since, Lilith, the band’s front woman, has been booking modeling jobs

Low Saturation: “Dust” – the shine is as powerful and bright as the underlying substance

Low Saturation is an electronic alternative rock band from St. Petersburg, Russia. The band consists of Dmitry Promohov (Composer, Lyrics) and Sergei Ustinov (Vocals). The project has recently released its double sided single entitled “Dust” which is backed by the instrumental “Gray Shaded Days”. Low Saturation is a complex but not too complicated group, who make superb music. Their songs are filled with well-crafted and sublime artistry that is never pretentiousness.

Low Saturation’s alternative-rock is more than just loud noises and forging emotional bonds as quickly and cheap as possible. The single “Dust” proves that Dmitry Promohov understands how to build up a song, to create a shared sense of vulnerability and wind it up slowly with a spiraling lead synth that sparkles as it ascends together with Sergei Ustinov’s vocal mantras.

There are moments on the track where the shine is as powerful and bright as the underlying substance. And all the while Low Saturation keeps grounded by focusing on the lyrics, which offer both depth and meaning.

For all its initial bombast, the band never forgoes subtlety and value by delivering a comically over-sized metal march with guitars swinging like battle axes, and a farcical load of synthesized testosterone, like many of their alternative counterparts.

Instead Low Saturation is bold and adventurous, without sounding experimental and by the same measure reaches absolute peaks in their musical execution. While my exposure to Low Saturation is only a few days old, they have quickly climbed to towards the top of my list of favorite artists.

“Dust” is a solid mid-tempo track, with a great arrangement and impressive chord progressions, garnered with surreal synths and strings. The gorgeously deep and resonating vocals fit the soundscape like a comfortable pair of shoes.

The result is a musically strikingly track that invokes many emotional responses and that fans will be able to understand in its entirety. And though the song has a good commercial rock sensibility, it doesn’t attempt to sellout to the cause. Technically the recordings is fantastic, the audio quality incredible, and the engineering is equally good.

The ‘B-side’ track “Gray Shaded Days” is a melodic and atmospheric instrumental driven by a slow and thick rolling bassline, carefully chosen twinkling piano notes, and a soaring guitar melody.  Low Saturation obviously set a high goal for themselves musically with the release of “Dust” and have successfully risen to the challenge!

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