Conscious Rapper Apex aka Levi delivers “The Elevation Clause”

Culture is the best way for self-expression to cultivate if used in the right manner. In this techno savvy era, the authenticity of culture is somewhere getting lost, for everyone wants to join the rat race. One best way to pass this important message to the mass is through music, especially hip hop and rap. This art form has already been used as the platform to speak out loud about the different things taking place in the society. The umbrella term hip hop has a significant part known as conscious rapping performed by rappers who deliver social awareness message to

WATCH VIDEO: “Israeli’s Netta, the 2018 EuroVision Winner Jacked My Chicken Dab Style” – Claims‎ Nigerian Swiss Based Artist NazB

Nigerian Swiss Based Artist Naz B has reacted to the recent victory of Israeli Netta at the 2018 Eurovision song contest with the song “Toy” which was allegedly written and composed by Doron Medalie and Stav Beger.  The West African rapper claimed that the Chicken Dab Style which influenced Netta’s win was his trademark chicken dance moves that attracted overwhelming votes for her with her pink-haired backing singers and dancers. Thousands of people from all over the world enjoyed the spectacular live shows at Lisbon’s Altice Arena last week, with over 200 million viewers tuning in on television as it

NEWS FROM HNA MUSIC NEW RELEASE “DJ” PDS NOW AVAILABLE

The dance pop song, DJ, on the EP entitled DJ is full of excitement and delight! An upbeat, feel-good song to dance to, exercise to or merely listen to as you’re driving local or on a road trip needing a few tracks to keep you engaged, three tracks thumpin. The ecstatic track sure to make you smile while you’re moving to the beat. An upbeat, feel-good song and with an actual story behind it. The song about young women who loves music and DJ who’s delivering it a shared interest soon a relationship; music DJ, and love. The story and

Seattle legend Ian Crawford releases his debut album “Grand Wheel”

Grand Wheel, Ian Crawford’s debut album, was released on April 1st, 2018. This album, years in the making, proves worth the wait. Each track feels like an adventure, part of the larger picture that is the album. Grand Wheel flows effortlessly between songs, masterfully transitioning between both songs and stylings. Ian Crawford is a Washington native, who has played with a number of artists throughout the years since he began playing music in adolescence. Prior to releasing Grand Wheel, he released No Contest (2016) with his band The Contestants. Twitter / Instagram / Spotify / iTunes

Dunja World: “One” – warm instrumentation and a finely tuned arrangement

Dunja World is a classically trained pianist, singer-songwriter now residing in New York. As a survivor of Civil War in 1999, Dunja came to the US with no friends or family, and has since used her talent to compose music for film, television, and commercials. She has performed at prestigious venues, including the White House, and has worked with well-known film directors and music producers. Dunja worked with One Foundation to create her current release – “One” – a simple, yet affecting, song with a message of peace, that could be easily translated and sung by a wide range of

Trae Morris: “The Door” maintains a build-up with veteran techniques

Born in Mississippi and raised in Fayetteville, North Carolina Trae Morris is an independent R&B artist who launched his career in 2014 when he signed with vHIZions Management for artist development; shortly thereafter, he would co-write and release his debut single “Deeper.” After relocating to Atlanta in 2015, Morris aligned with the JP Agency. This would connect Morris with the trio known as Those Guys Music, comprised of singer/songwriters Amore Jones, Steven Ashley, and Grammy Award winning producer and engineer Jeremiah Adkins. In the fall of 2016, Those Guys Music produced the summertime track “End the Night”, written by Dee

Kilo M.O.E’s Rambo Video Delivers On Its Long Awaited Build Up

After Going Almost 3 years without a visual Kilo M.O.E finally delivers the goods with a dual punch from his latest Single Rambo. As the first official preview of the Shoot- Which Also Featured M.O.E’s Debut Single to the Feddy Andretti project ‘Braggin’ produced by Twanbeatmaker, Kilo M.O.E’s “Go To” for Production. “I am The Sh**; And ain nobody out here like us”, M.O.E Taunts as He flexes his muscle in the South Florida Back drop. The track’s accompanying music video sees Kilo M.O.E Spitting his bars by himself in various locations where he coincidentally started his rapidly growing Record Label O.M.G

The Upper Tunist to release self-titled new album!

Jason Hunter is a driven producer, artist and musician with a stunning sonic vision. He makes music as “The Upper Tunist”, and he is about to release a solid brand new album by the same name. This project was a huge labor of love and passion for Jason, who spent a lot of time and all of his hard-earned money trying to produce the best possible music. His creativity went so far that he even invented his own, genre, MIXTAPE music! With this cool genre idea, it’s really hard to predict exactly what the next song will sound like, because

ECHOGLASS – The enveloping embrace of the resonant pianos and layered guitar-driven rhythms

Formed in 2016 ECHOGLASS are composed of frontman DA McKenna, guitarist Remmy, bassist Bo Calista and drummer Bam. They are currently independent and release their music on Darkhouse Recordings. With their heritage deep in the great North West of England music scene, they are inspired by the artists, poets and legends of the region like Shaun Ryder, Ian Curtis, Pete Shelley, Gary Aspden, LS Lowry, The Beatles, James, Oasis, Mark E. Smith, Ian Brown and Morrissey to name but a few. The group’s debut single, “Last to Know” was released in 2017 and draws upon their period roaming the great American wilderness.  This was followed by second singles, “Blackburn Boulevard” released

DAV!D&CLARA: “BODY WORK” – a celebration of epic musical proportions

The new album by DAV!D&CLARA: half man, half machine. Together they have created what is a self-professed “collection of guilty pleasures”. 14 tracks that are fun, inventive, and meteoric on impact from start to finish. An electronic celebration marking the duos 10th year making music. “BODY WORK”, available now on Bandcamp with full booklet. Crashing into the atmosphere this summer to iTunes all other digital and streaming services. Get DAV!D&CLARA’s new album “BODYWORK”. Bandcamp: http://tinyurl.com/p3ls2cu iTunes: http://tinyurl.com/q5muhky Spotify: http://tinyurl.com/pk8gaxa Amazon: http://tinyurl.com/osxgoys SUBSCRIBE to DAV!D&CLARA:  Website: http://www.davidandclara.com Twitter: http://twitter.com/davidandclara Facebook: http://facebook.com/davidandclara YouTube: http://www.youtube.com/thedavidandclara Spotify: http://tinyurl.com/pk8gaxa BODY WORK by DAV!D&CLARA

Moo-You: “#IAMMOOYOU” – intelligent and thought-provoking

Born in 1985 and raised in Houston, Texas with a great respect and love for music of all genres. Some of Moo-You’s biggest influences musically are 2pac, Nas, Scarface, Mary J Blige, Outkast, Michael Jackson, Eminem, and Bun-B. We see the same things in “#IAMMOOYOU” that we saw in Moo-You’s previous efforts: amazing beats that literally drip and drool in that Southern easy-going swag, with the masterful production that is a standard for anything and finally, the intelligent, thought-provoking, tasty lyrical goodness that we have come to know so well from Moo-You and his compatriots.

All of those virtues, should, in theory, make a valid competitor for a hip hop record of the year, and to be honest, I really believe this will top many “Best Of” lists in that vein. Maybe even my own. However, there is something to be said about the nature of hip hop today, and even more so with formal albums.

The game has changed a lot, and what I have always loved about rappers like Moo-You is that they stay true to what they believe in. When other artists follow the herd, eyes set on the pot of gold at the end of the rainbow, Moo-You has stayed true to his roots.

We find some truly great things happening in #IAMMOOYOU”, like the steady head-nodding banger “Childhood”, or the edgy slow-burner, “Hear Me Out”, with Moo-You on the wheels in the chorus, as well as laying down booming, stand-off raps. Moving further down the track-list we discover that this is not a standard gangsta pride show.

It truly contains tracks that tell a story. Standouts in this department, include “I Apologize”, the soulful and cinematic “Let’s Talk” and “Feeling You”, where Moo-You more than flexes his vocal chords. His ‘gruff and ready’ voice and distinctive flow, is unlike anybody else in the game right now, and is perfectly showcased in the album’s catchiest song, “Only One”.

In the unfortunate arena of making music in hopes of turning a profit, especially with the way hip hop exists today, one is likely to make more money on an album if one snags a ton of guest artists and features. Not so for Moo-You who carries the 12 tracks entirely on his own shoulders.

It’s easy to see why he has managed to turn out an album as consistently energetic and bouncy as this. After all, his eternal baritone-rumble feels edgy and immediate, as packs his verses with tricky internal rhymes, and everything he says feels like something never said better before. Better, he’s developed a new tendency toward forehead-slapping punch-lines.

The production also outfits Moo-You with the type of mature but pavement-splitting instrumentals that he can make his name rapping on.  And in the end, it’s his ability to make a coherent puzzle out of the 12 tracks and stretching the boundaries of his sound that makes “#IAMMOOYOU” such a satisfying listen, and a consistently great rap album by a consistently great emcee. Let’s not take it for granted.

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