Marcus Christ is the American prodigy known for his hit hooks, killer songs, and melodic voice.

Marcus Christ continues to move forward in the entertainment industry. He has just recently released two single songs edited for radio play called “It’s Like” and “If I Knew”, for sale on Cdbaby.com. Marcus Christ is the American prodigy known for his hit hooks, killer songs, and melodic voice. Marcus Christ was just recently released from jail after pleading no contest to vandalism charges. As an artist Marcus Christ has had problems in the past “expressing himself”. Marcus Christ expects his double album “Prince of the Universe” to showcase various producers, but especially his own productions. Marcus Christ admits he

AMARU: “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)” is totally on fire!

AMARU – a singer-songwriter and a trained actor, originally from the Republic of Suriname residing in The Netherlands since 1991 – has found critical success with enough Pop, Rock, R&B and Electronic influenced songs that there’s plenty of demand for more, but there’s nothing like hearing the gloriously hard-nosed Dutch artist rap a beat to shreds. This is something he does not often do. Now on his latest release – “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)” – we get to savor just that. The song is rap remix of the title track of his debut album, and is a completely new version,

Hookdiggy: “On My Way” ft. Sunja Dannette – full feel-good potential

2019 sees Atlanta-based Hookdiggy, continuing his growing momentum and his promise to put out well written hip-hop that appeals not only to fans of the genre, but fans of creative and innovative lyrical content. In fact he goes beyond that with his latest track, “On My Way” ft. Sunja Dannette. Utilizing full-bodied smooth instrumentation, Hookdiggy manages to pull off an almost cinematic-like ambiance throughout. The intoxicating mix of jazz, hip-hop, and neo-soul with a dash of dance is maintained at a very high level from beginning to end while the musicianship is top-notch every step of the way. Hookdiggy, together

Tony Marino: “Family and Friends” – a wildly rhythmic demonstration of every crowd-pleasing twist

Tony Marino – the South Philly composer, pianist, and bandleader – has been passionately carrying the torch for his love of Latin Jazz sounds since the release of his debut Cd “Tony Marino & Havana Heat: The Latin Jazz Project” which was dropped in January 1997. The artist who fell in love with the piano at just 7 years of age, has since recorded 10 more albums. Each bringing to the fore his songwriting and performing skills learned over the years, after crossing paths with Bill DelGovenatore, Frank DiBussolo, Al Stauffer, Tom Lawton and Ernest Hopkins – all of whom had an

KC Sisters: “Walk With Me” – sincere, authentic and absolute!

The KC Sisters aren’t old enough to remember when radio programmed pop records next to country, rock, folk, and beyond, but their artistic DNA tells them that’s the way music was meant to be heard. Their sound on the EP, “Walk With Me”, is like a warm embrace from a loved one. It’s sincere, authentic and absolute, taken from a legacy of sound that comes from their fondness for the all-girl groups of the 1960s. The Casey sisters – Deanna, Noelle, Tasha, Elise and Kathleen – highlight their acapella harmonization, as well as their mastery as skilled musicians, playing piano,

GentleBeatz: “Soul City” – the rhythm and flow of free form poetry

Sometimes a recording catches you off guard, rising from nowhere and worming its way into your ears with new sounds and ideas. Such a recording grows on you over time, and eventually can reorient what music and sounds you thought you liked. “Soul City” released on December 31 by artist and producer GentleBeatz, is such an EP. Emotionally rich, musically rich, and technically brilliant, it appeared with little fanfare or publicity to mesmerize our senses. GentleBeatz is an artist and producer currently residing in Mozambique. The eclectic creative crafts his tracks in the lo-fi hip-hop/chill-hop genres. Here he includes flavors

Younk makes the music business transparent and accessible to all!

Success in the music business has always depended on connections. The only way to make it was to know the right people or be lucky enough to play in front of someone with influence. Today, everything has changed. Younk now allows artists to get their music heard by listeners, quickly build a fanbase, and even create professionally produced Tracks and music videos with recording industry experts (when they receive enough support from the community). Younk’s group of show-business experts and world-famous producers make, for the first time, the music business transparent and accessible for all. There’s no red tape to

SKOWT is Revolutionizing the Independent Music Industry!

Kuala Lumpur: SKOWT, an innovative new music platform which caters to unsigned and independent talents, presented awards for the SKOWT-VIMA Best New Act at the SKOWT-VIMA Microawards Music Showcase at Oasis Discovery Centre (ODC), Ara Damansara. Present at the ceremony were Skowt Head of Operations Kumar Krish, Head of Talent Khai Aziz and founder of VIMA Siva Zaphod Chandran. The top 3 winners were Mero (1st Place), Tash (2nd place) and Airwaves on Fire (3rd place). Quote from  the winner, Meroshana Thaiyalan – Singer songwriter, classical veenai instructor, doctor: “Winning the SKOWT-VIMA award has been a surreal experience for me. From

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Wes Yee is a music producer and podcaster turned artist. He is the host of the top ranked podcast, The Music Journal, which he also audio engineers and produces the music for. He grew up playing music he didn’t like on instruments that he did like, which ultimately led to him becoming a producer of music that he is passionate about. After years of working behind the scenes, the artists he worked with inspired him to want to start putting out his own music under his name. If you ask Wes Yee what took him so long to finally put

Dreamstate: “Two Hands” grabs you at first listen and becomes more meaningful every time through

Maryland based music group Dreamstate is made up of Josh Hilson, Tyler Gagnon, and Kyle Santos. All of who come from diverse musical backgrounds, ranging from country music to Hip Hop and R&B. They’ve blended their influences into smooth R&B melodies, overlaying lush electronic pop sounds in their very own DreamLabs studio. 2018 saw the release of the band’s critically acclaimed debut EP “Take Care”. From which comes the single, “Two Hands”, which also has a video in the making. It’s an emotionally moving track which features a catchy and uplifting chorus with the impressive vocal style of lead singer

Shehzad Bhanji: “Profound Beginnings” – a strong sense of melody

As far as guitarists go, Shehzad Bhanji is a master of his craft. While not quite as well-known as some of his contemporaries (Steve Vai and Joe Satriani come to mind in his field) he’s more than proven himself on his previous 2016 album –  “Never Say Goodbye”. His latest album – “Profound Beginnings” – is completely instrumental and reminiscent of the material on the previous album. So if you enjoyed that one, you’ll certainly adore this one. If you haven’t yet heard “Never Say Goodbye”, I urge you to do that to. This will give you a better understanding of the subtle progression in Bhanji’s music.

Perhaps what is most striking about this release is Shehzad Bhanji’s  even stronger sense of melody. While this was also clearly evident on his previous work, the focus on melody is considerably more noticeable here, and is really what sets Bhanji apart from the pack of metal shredders. Shehzad Bhanji’s playing also dispels the myth that instrumental guitar rock lacks emotion and is all about speed shredding.

Every song on this release displays a depth of emotion and a genuine love of the guitar. Each song brings a little something different to the table so you will hear plenty of melodic lines; bone-hard riffing and explosive shredding too. But each is delivered in easily consumable doses, and do not numb the aural senses as much as captivate them.

“Profound Beginnings” features some excellent multi-tracking and the production in general is of an extremely high quality all-round. Its audio engravings are unsurprisingly all composed by Shehzad Bhanji himself. His guitar is seated right at the forefront of the mix, enjoying a prestigious clarity and power, backed luscious bass, drums, pianos and tones of electronic sounds too.

The omniscient presence on this album though, goes to the prodigious playing of Bhanji, his inventive riffs and streaming solos clearly propelling the music. And more than that, it sounds huge, especially for a solo guitar record. On my first listen I was blown away by its cavernous sound; it’s a mighty behemoth of depth.

Producer Bhanji and the studio crew at Shehzad Bhanji Studio Qatar and Songbuilder Studios (USA), have done a fantastic job of recording this, while the mixing by Nate Lanzino and the mastering by Stephan Antonelli is superb too.

The proof of all the above though, is in the pudding, so to speak, and it’s precisely the opening track of the album “Till We Meet Again”, which is also offered as a FREE download on Bhanji’s Soundcloud profile. The song opens with a cinematic darkwave intro before exploding into a fiery guitar rocker driven to soaring heights by Bhanji’s Gibson.

From that moment onward Bhanji takes the listener on melodic and dynamic electric guitar journey that has moments of delicate introspection, as on “Straight From the Heart” and “Meaning of Love”, or the sheer rock ecstasy on “Without You”. In between there are sprawling melodic moments like “Crazy In Love” and “Midnight in Doha”, as well as crunchy adrenaline pumpers such as “Steal You Away”.

This album is rife with excellence, germinating with quality, a sublime composition of symphonic ingenuity. You will hear sets of percussive power chords that subsequently muscles along through a multitude of musical passages, at times evoking the mysticism of Eastern music, at others the grass-nibbling rawness of American Blues-based rock.

It’s the perfect example of that ability to change course mid-song, mid-riff, mid-note that Shehzad Bhanji imbues into his music. The songs drag you through its residence, allowing just enough time to succulently indulge in each room’s sonorous charm, before hauling you off to see what the next doorway has in store.

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