Kiki Sire: “Rutina” – exciting rhythms and smooth vocals

Kiki Sire is a Singer/Songwriter, Musician, Composer and graduate of the Matanzas School of Musica in Cuba where he studied alongside many great Cuban musicians by day and performing salsa music in the festivals and clubs of Havana, Varadero and Mantanzas by night. Kiki who has performed with many great musicians, has made regular appearances on TV and Radio and won many awards and talent contests for his singing. “Rutina” is a salsa album composed, performed and produced by Kiki Sire containing 8 original compositions. Kiki Sire is undoubtedly well versed in the art of musical conversation, as he is

Owl Company: “Horizon” carves out blistering rhythms

Owl Company is a band from São Paulo, Brazil that combines hard rock influences from the 70s to the 90s with modern rage and brutality, creating a sound that is fresh, aggressive, and engaging. Launched in 2015 the band has built a strong presence in São Paulo, playing all the premier venues in town. Their first single “Condescend,” quickly grabbed attention locally and now the band is setting its sights on crashing international borders. Owl Company’s chosen vehicle to get them where they need to be going is their full-length debut album “Horizon”, set to drop July 14th 2017. The

Harmony Drive: “Be There” – fresh, upbeat and vibrant music!

Most times you can gauge the potential quality of a creative project just by gazing through its credits. In this case, the single by Norwegian band Harmony Drive – “Be There”, was recorded in Denver, Colorado. With help of production duo Glenn Sawyer & Rich Veltrop (Tom Petty, Ozzy Osbourne, Macy Gray), and Dave Elitch (Mars Volta, Killer be killed) on drums. The music video, filmed in Norway and the Philippines, features the multi-talented Supermodel, TV-host, and Surfer Mona Lisa Neuboeck. Of course for the potential quality to transform into effective quality you need a stunning song and band. Lars

Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

The Gibb Collective: “Please Don’t Turn Off The Lights” – a musical tribute

The Gibb Collective is a musical tribute, and a family legacy.  On the input of Maurice’s daughter, Samantha, the children of Andy, Barry, Robin and Maurice Gibb have found a new way to honor their fathers through breathing new life into the more than memorable Bee Gee classics of the 60’s and 70’s. And what better title for the 10-track album, than “Please Don’t Turn Off The Lights”. Even though, to be fair to their fathers, ‘turning the lights off’ of the Bee Gees is an impossible task, considering the indelible mark they have left in the history popular music.

The Gibb Collective was founded in 2016 by Maurice’s daughter, Samantha, and quickly blossomed from a single – “New York Mining Disaster 1941” recorded by Samantha – into their first full album. The album is a collection of covers infused with new life and recorded by the children and the younger sister of all four Gibb brothers, and will aptly be released on April 14th, during the 50th Anniversary of the Bee Gees.

The Bee Gees have been such an awesome musical force for so many years, singing, songwriting, arranging and producing some of the most influential and important songs of the 20th century. It’s even more impressive when you realize that they were writing and performing songs as a band since their teens.

Their songwriting was strong and their 3 part harmonies really come through on an array of wonderful songs. They were also great storytellers and their songs seemed to be used as a platform to tell the various experiences and tales that they had conceived in their minds.

The hallmark of the Bee Gees on their early albums is their incredible creativity in making memorable melodies, sung in perfect harmonies. I think only a few other groups were able to write so many tunes that you can preserve in your head at first listening.

The Gibb Collective takes that solid basis and elaborates their own personal interpretations of the songs on this album. Some tracks stick closely to the original arrangements, while others take a sharp left turn into diverse orchestrations.

None however, lose the original, intrinsic musical field of reference, of its original version. The sound is extremely pure and deep and you can admire the outstanding orchestral arrangements executed in each reworked song version. I was amazed at how wonderful this album is to listen to all the way through.

To me one of the real underrated Bee Gee jewels of this album is “I Can’t See Nobody”. This was the B-side of “New York Mining Disaster 1941” back in the 60’s, and is genuinely beautiful in its own right. I always believed it could have been a monster hit in its day.

Hearing it redone now by Berry Gibb Rhoades hasn’t changed my mind. The classics obviously need no introduction and the re-workings are brilliantly done: “New York Mining Disaster 1941” by Samantha Gibb and “I Started A Joke” by Robin John Gibb, are interpretations of the highest caliber.

Peta Gibbs luscious version of “Fool For A Night” was another pleasant surprise, as was the electro-pop version of “Angel of Mercy” by Samantha & Adam Gibb. But without a doubt my absolute favorite track on the album has to be “Please Don’t Turn Off The Lights”, sung by the entire collective, and which I think captures the Bee Gees’ spirit of musical intent- the melody, the harmony and ultimately, the unity.

For updates follow The Gibb Collective on Facebook and Twitter (@GibbCollective).

About The Author

One Response

  1. Stephen Reply

Reply