DownTown Mystic: “On E STREET” is filled with exceptional music!

Sha-La Music, Inc. announces the release of On E Street, a 4 song EP by US Rocker DownTown Mystic on UK Label Nub Music. The EP’s release date is December 1 and will be digitally distributed via ADA/Warner Music. The EP features rare studio performances by the Rock’n’Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band – drummer “Mighty” Max Weinberg & bassist Garry Tallent. Despite having played with Springsteen for over 40 years and studio work for various artists, Max & Garry have only played together on the same session for only a few artists. This puts DownTown Mystic in some very exclusive company. DownTown Mystic started as the alter ego of

Mobb Boss: “Lil Lady” – the depth, perspective and hunger of a performer

Being respected, revered and admired as an emcee is what often elevates a rapper from being one who merely strings together words that rhyme into an appreciated lyricist of the highest order. However, while there are a long string of spitters and scribes that have come along, the elite few who have found themselves mentioned in conversations and debates when discussing quality artists, have one thing in common: a track record of consistently delivering music that make the most of their lyrical abilities and serve as a piece of themselves. When speaking of today’s pack of underground orators, Mobb Boss

“All Your Bull” – A Politically motivated song from The Chile Colorado band

Rock band Chile Colorado’s debut album’s success at Rock Radio was a headline on the Newswire Jumbotron in Times Square, Manhattan, New York, across the street from the Hard Rock Cafe this month. The Chile Colorado band is next scheduled to release the digital single “Getting Restless” to Active Rock and Mainstream Rock Radio from the new self-titled album after having achieved 100 College Radio stations “Adding” the set for airplay. The ‘Chile Colorado’ album features Ron Wright, songwriter, lead guitar, and vocalist, with Paul Goss on bass & background vocals, and John Ferraro on drums. All three are veteran

Pastor Peter Unger Releases New Single “The Memories of God”

NASHVILLE, TENNESSEE, USA — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. He further explained that those, for whom faith and a personal relationship with God most defined what it meant to

King Draper: “1992” – simplistic in its premise but unquestionably real in its execution

You can’t write about underground or independent hip-hop and not write about King Draper. Or at least I seemingly can’t. For the past couple years the man’s been a nearly constant presence in my journalistic exploits. And now, I’m sitting down again to review his latest 11 track project, “1992”.  The King hits me with dope music and I write about it, and I’m more than happy with the arrangement. If you’ve peeped any of King Draper’s projects before, what you get from this project won’t surprise you. Draper with his soulful, jazzy, production and his smart anecdotes detailing tales

Edgler Vess: “Violet” – essential to your hip-hop collection

Every album that Edgler Vess releases, breathes with a distinct personality, each a shape-shifting assemblage of personage and programming that sounds more like a kind of miraculous hyperlinked sound collage than rap. His lyrical feats go unmatched for sheer idiosyncrasy and insight; beyond rap enthusiasts, many of his strongest supporters are probably writers and music heads. A master of the microphone and the beats, Vess has constantly swapped out his tools and themes, avoiding revision and instead choosing innovation. When Edgler Vess does what he does, he’s impossible to ignore. He’s profound, he’s impressive, and he’s damn entertaining. In short,

J-Hamz: “I Stack Up Remixes” – breaking free from the formulaic!

A medical doctor by day, J-Hamz is a classically trained pianist who produces electronic by night. J-Hamz has been featured in various music magazines and radio stations. His “I Stack Up” track was a Beatport Staff Pick as well as charting in the top ten electro house and big room charts. The EP “I’d Do Anything” also charted on Beatport and has received airplay on over a 100 college FM radio stations. J-Hamz together with Jaculator also received a nomination for the 2017 Edmonton Music Awards’ as DJ/Electronic Recording of the Year for the aforementioned EP. In his 6th release,

Reverse Mechanic: “Cruise Control” – The lyrical skill, the tempo changes, the technique, all of it!

Reverse Mechanic is a completely independent hip hop artist breakin’ it down in Minneapolis, MN. As a former published poet with a Bachelor’s in creative writing, he has been doing the reverse limbo, raising the bar for lyricists since 2012. His recent music videos on YouTube have helped him gain notoriety, winning several Artists and Repertoire Awards from Beat100, as well as entertaining fans throughout the year. Reverse Mechanic’s latest album “The Mixed Ape”, which has been in the works for a while, is almost set for release. In the meantime he has dropped a new single, “Cruise Control” (Co-Prod.

Samie Bisaso releases the video for “This Is Why”

What if I were to demand that you love me?  Would you?  You might say, “Why should I love you?”  And you would be right to want reasons for my demand for your love. God has demanded our love (Matthew 22:36–38); it’s the most important commandment of all, according to Jesus.  Shouldn’t we ask for reasons to love Him? The Bible contains many answers to the question of why a person should love God. Sometimes though, we don’t have the time or are in the right place to search through the bible for answers. However music is often the simplest

SuriLee: “Don’t Know” – an unapologetically honest and raw side of the human spirit

SuriLee AKA Samhita is a singer, songwriter, lyricist, composer, producer in Pop and R&B genres. Suri was brought up in Mumbai, India. Her passion for singing started in early childhood, when Bollywood songs mesmerized her. SuriLee, who initially studied singing with Sri Sumati Sarangapani – before he upped and went abroad – was forced to be patient about a career in music due to her family’s traditional values which opposed a career in entertainment. Suri eventually ended up studying in the USA where she studied Accounting at the University of Baltimore and earned a Bachelor’s Degree in 2006, as well

The Gibb Collective: “Please Don’t Turn Off The Lights” – a musical tribute

The Gibb Collective is a musical tribute, and a family legacy.  On the input of Maurice’s daughter, Samantha, the children of Andy, Barry, Robin and Maurice Gibb have found a new way to honor their fathers through breathing new life into the more than memorable Bee Gee classics of the 60’s and 70’s. And what better title for the 10-track album, than “Please Don’t Turn Off The Lights”. Even though, to be fair to their fathers, ‘turning the lights off’ of the Bee Gees is an impossible task, considering the indelible mark they have left in the history popular music.

The Gibb Collective was founded in 2016 by Maurice’s daughter, Samantha, and quickly blossomed from a single – “New York Mining Disaster 1941” recorded by Samantha – into their first full album. The album is a collection of covers infused with new life and recorded by the children and the younger sister of all four Gibb brothers, and will aptly be released on April 14th, during the 50th Anniversary of the Bee Gees.

The Bee Gees have been such an awesome musical force for so many years, singing, songwriting, arranging and producing some of the most influential and important songs of the 20th century. It’s even more impressive when you realize that they were writing and performing songs as a band since their teens.

Their songwriting was strong and their 3 part harmonies really come through on an array of wonderful songs. They were also great storytellers and their songs seemed to be used as a platform to tell the various experiences and tales that they had conceived in their minds.

The hallmark of the Bee Gees on their early albums is their incredible creativity in making memorable melodies, sung in perfect harmonies. I think only a few other groups were able to write so many tunes that you can preserve in your head at first listening.

The Gibb Collective takes that solid basis and elaborates their own personal interpretations of the songs on this album. Some tracks stick closely to the original arrangements, while others take a sharp left turn into diverse orchestrations.

None however, lose the original, intrinsic musical field of reference, of its original version. The sound is extremely pure and deep and you can admire the outstanding orchestral arrangements executed in each reworked song version. I was amazed at how wonderful this album is to listen to all the way through.

To me one of the real underrated Bee Gee jewels of this album is “I Can’t See Nobody”. This was the B-side of “New York Mining Disaster 1941” back in the 60’s, and is genuinely beautiful in its own right. I always believed it could have been a monster hit in its day.

Hearing it redone now by Berry Gibb Rhoades hasn’t changed my mind. The classics obviously need no introduction and the re-workings are brilliantly done: “New York Mining Disaster 1941” by Samantha Gibb and “I Started A Joke” by Robin John Gibb, are interpretations of the highest caliber.

Peta Gibbs luscious version of “Fool For A Night” was another pleasant surprise, as was the electro-pop version of “Angel of Mercy” by Samantha & Adam Gibb. But without a doubt my absolute favorite track on the album has to be “Please Don’t Turn Off The Lights”, sung by the entire collective, and which I think captures the Bee Gees’ spirit of musical intent- the melody, the harmony and ultimately, the unity.

For updates follow The Gibb Collective on Facebook and Twitter (@GibbCollective).

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