Dakú Lights: “Illuminate” – a consistent palette of genre-melding pop offerings

London based alternative pop band, Dakú Lights, was formed in April 2016 by the three band members who are represented by their own distinct color to match their personality, with Bhavini being red, Haiiiro as pink-orange and Panda as purple. They have a unique blend of music which incorporates Pop, Kpop, EDM and Urban influences. Currently pursuing a record deal, the band is focused on producing high quality music and building their stage presence for international audiences. Dakú Lights recently released their 5-track EP, entitled “Illuminate”. The title takes a cue from the band’s name, as Dakú means ‘dark’ in

Henry Metal: “So It Hath Begun” will grab you by the balls with a cruel squirrel grip

Henry Metal might have a fine veil of satire embracing the project, but he makes just about the best tribute to the excess of the 80’s and 90’s hard rock and metal genres ever. He has just released his 9 track album, entitled “So It Hath Begun” which contains great songs, which are very easy to bang your head and sing along with. The tracks all have a grooving and slamming feel, plus cool shredding and solos. In fact Henry Metal sounds no different to any of those legendary rock and metal bands from the golden era. You either get

Aeronaut: “Skara” – excellent progressive buildups and rhythmic backflips

Aeronaut can be described as Progressive Rock, Post-Rock, Indie, or simply Alternative Rock, but that doesn’t really matter. All I know is that this project delivers very interesting, fresh, and well-rounded music. Aeronaut has a huge dynamic range, from extremely fast and heavy with smooth, powerful vocals to very relaxing and atmospheric. The music is very melodic, clear and well-produced, the song “Skara” flows and changes to new and exciting ideas. The guitars are very lush and full sounding, during both heavier and mellow parts, while the bass and drums thump and bang in all the right places. Aeronaut is

Eric Hausmann: “Soaked” manages to tap into a very specific emotional core

Eric Hausmann is a multi-instrumentalist and film composer. He has produced music for a number of Malaysian films, in addition to scoring for a variety of New York film productions. He performs live as a guitarist with Portland’s Tres Gone, and Malaysia’s Space Gambus Experiment. He is formerly a member of The Gone Orchestra and Brainwarmer. Hausmann recently released “Soaked” a seven track recording which is described as “A cross-section of Asian dub-fused rock n’ roll with deep India influences.” But it’s probably more than that, as I’m hearing post-rock, world fusion, and ambient rock influences injected into these tracks. Eric

MOOD: “The Wave” is in the right lane!

Hip-hop has changed – there’s no debating that – but change isn’t always indicative of something bad. That being said, it’s refreshing to hear more rapping, with the exception of one or two bridges, versus the continual rap/sing mix that’s permeated mainstream as of late. You’re allowed to appreciate more than one way of creating music and while a lot of rappers have the notion that they should be singing as well, there’s a place for it all, especially if you don’t have a decent singing voice. You obviously can’t disregard one lane of Hip-hop while claiming to be a

EsZ: “If You Didn’t Get This Message, Call Me” – an audacious creative effort

On his new album, “If You Didn’t Get This Message, Call Me”, EsZ aka Erron’s Attic comes out swinging from the first song, a great balance between classic Hip Hop and modern. As usual EsZ gets well thought out ideas through his songs in innovative ways; you definitely get the feeling he has the lyrical substance he wants to express. Although we’re in a dismal era of Rap currently, this could be one of those instant underground classics. EsZ catalog is filled with parables, fables, morals and lamentations, forms of storytelling that compress people and experiences into neat, digestible lessons.

Luna 13 – the solid foundation for gut-ripping synths

The award winning Los Angeles band Luna 13 is forging a new genre of music they call Black Metal/Bass Music. Their brutal yet groove based electro-metal incorporates elements of electronica, death metal, and industrial rock – all done with electronics, which means no string instruments. Music maker Dr. Luna, creates a metal sound with synthesizers and by wrapping heavy distortion around sub-bass. Luna 13 who has been performing live for a few years now, opening for death metal/industrial and electronica projects alike, came into its own when Lilith Bathory joined in 2015. Since, Lilith, the band’s front woman, has been booking modeling jobs

Dezzyano: “Hello World: The Renaissance” – a cohesive feel and tone throughout the album

Now I’ll be honest, before this album was released, I didn’t know much about Dezzyano, the rapper raised 5 mins from Atlanta on Six Flags Dr. I decided to give it a go. And I became a very unlikely Dezzyano fan. The 16 track album, “Hello World: The Renaissance” starts off strong with ‘Anita Baker’. It has an extremely catchy refrain built on a bass and horn driven soul soundscape. This sets the tone for the album, which sees Dezzyano finding different ways of telling his story with catchy hooks and intense verses. From a critical standpoint, this album has

Sick.Life: “Dreamers” – showcasing the diversity and talent of the roster

Sick.Life a collective of artists and an independent music label based in El Paso, Texas. A couple of months back they released their critically acclaimed album, entitled “Contagion”. Now off that album comes the single “Dreamers” produced by NZO, and featuring Josh Brown on the chorus and bridge, while the verses are handled in order of appearance, by Sonny Weston, Lavoe, C.Notes and E$ BFNE. For hip-hop fans growing up in the 21st century, the Sick.Life collective is simply a perfect match between raw lyrical muscle and dynamic production. I listened to the track last night with the intention of

Cassie Holt and The Lost Souls: “Curvy Girl” makes a strong statement

These days, it seems anyone can make an R&B record. However, recording a soul track takes that special intangible element that not all have. Cassie of Cassie Holt and The Lost Souls, offers cadences that move in an affable manner as she declares her sense of self-worth on her latest single release, “Curvy Girl” which tackles the theme of body positivity. She never rushes the pace. She intones in different ways to let the song build in complexity. Think of it as the aural equivalent of a Lego set. One can use the simple bricks in different styles and colors

An Old Friend: “I am, I was” reaches for stratospheric heights

An Old Friend is an upcoming Alternative Rock band based out of Long Island, New York, they have been said to be significantly ahead of most contemporary peers in their stylistic niche; they show an ability to stray from the norm and focus on truly innovative fragments, as opposed to one linear hook yearning for radioplay. Founded in 2011 An Old Friend continue a career of sustained excellence, the new 6-track EP, “I am, I was”, bursts out of your speakers and infects your heart and mind like few other modern-day recordings.

Not only is the production quality of the music at an excellent level, but the variety and maturity of each of the songs contained in this recording reaches for stratospheric heights — and most of the time achieves that goal.

The ferocious strategy of members Eddy Barrera (Guitar/Vocals), Joe Ciminello (Bass/Vocals), Cody Kohler (Guitar/ Lead vocals) and Frank Facompre (Drums) for winning over new fans one at a time, sears through in their songs, simultaneously delivered with burning twin-guitar fury and Cody Kohler’s emotional vocals. Those who aren’t moved by his frequently extraordinary wails just aren’t listening.

No song sums up the group’s sound better than the first song released from the EP, the single, “They Feed On Me At Night”. It slowly crawls out of the box before bursting into a sprawling explosion before quickly settling into a throbbing drum & bass background for Kohler’s vocal gymnastics.

It’s a piece of music that holds you by the throat and by the heart at the same time, flexing emotional muscles few bands can produce, let alone sustain. It’s the sound of a band that knows who they are, yet never settles for a simple status quo.

The “I am, I was” EP is a perfect blend of all the band’s musical and lyrical embodiments, littered with enough roller-coasting nuance to keep you on the edge of your seat all the way through.

Whether it is the enduring chorus of “Meeting The Fox” or the heartbreaking hook of “Lady” there is an irrefutable confidence behind every bridge, verse, and refrain found on “I am, I was”. Heavy, highbrow, and infectious as ever, this is alternative rock as it was always meant to be.

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