Harmless Habit: “FRONTERROR” – a marvel of rock hard timelessness

Harmless Habit sound as confident as a band that have already paid their dues, and established a sound that is just as good or better than the bands that inspired them, and now give us a two way mirror into the rawness of their creative process with their 6-track album, “FRONTERROR” which feels heavy, hypnotic, emo(tional) and transformative. The best three words to describe this recording would simply be…TURN THIS UP!  The album kicks off full force and doesn’t really take the pedal off the metal until very late in the album, and only for a few seconds. So if driving,

Musicbyko: “Life In Element” – a melded perspective derived from a focused vision

Rap and hip-hop is no longer strictly about an artist’s lyrical ability, there is a series of beats and melodies that need to come together in perfect harmony to create the sonic excellence that fans demand to hear. To that end, Musicbyko is the embodiment of real modern rap in a production heavy hip-hop environment that has very little care for bars. This Bay Area rapper from Oakland, CA, has a message of ambition and a constitution of excellence that he is attempting to establish within his craft. It is clear that he has grown into more than just a

Maelstroms by Julian Kerins injects new life into Rock

Julian Kerins is a New York based singer-songwriter whose music is the end result of an eclectic amalgam of influences that have been centered around a Rock backing. His latest debut EP Maelstroms has reached the ears of this writer to wondrous effect. The EP blends Classical, Opera, Avant-garde, Folk, some Eastern influence and even a touch of Jazz to create a beautiful menagerie of melancholic delight. If you’re looking for an overwhelmingly passionate listening experience that just may leave you in tears (with the heart wrenching operatic ballad “In Billowing Skies” or the simply monolithic hard Rock foray that

Los Angeles songwriter/producer Betty Moon celebrates her latest single Parachute with a new music video

The video takes viewers up above the cityscapes and back again. (LOS ANGELES, CA) – Betty Moon continues to build upon her assent on the international streaming music charts with the release of her new music video for Parachute. With the single being released last week, the video compliments a very personal song about self-empowerment and escaping to live the life you’ve always dreamed about. The 90s tinged pop video boasts large doses of nostalgia, rock n roll and mixes things up with Moons fashionably unique brand of indie rock, mainstream and electronic influenced music. The video premiered this morning

‘Sound of the City’ A New Four-Part Episode Docu-series is Launched by A Houston Record Company

‘Sound of the City’ gives viewers a behind-the-scenes look at what it takes to produce an album by following the creation of Wreckshop Nation’s collaborative new project titled ‘Unity Vol. 1.’ The docu-series premiered Sept. 17, 2018. Wreckshop Nation (WSN) is an independently owned entertainment company focused on promoting and producing digital content, products, and services for artists while simultaneously embracing the Southern Hip-Hop culture that developed in Houston during the late 1990’s “Wreckshop Records” era and still thrives today. Wreckshop aims to be more than just a label, but a brand; it is striving to be a centralized platform

The Keymakers: “Tell Me Something” – represents that urban love vibe

The Keymakers is the duo musical project from Rome Alexander and Rederic. Born and raised in Pittsburgh, the two brothers now live together in Boston. Individually, the boys have been making music for as long as they can remember. Singer-songwriter Rome, officially started his musical journey back in 2010 with his first release, and has since put out several songs to critical acclaim through various platforms. Most recently he had the idea to continue his passion almost exclusively as a writer before taking on this project with his brother. Rederic started his work in music between learning and playing piano,

The Sound And Vision International Film & Technology Festival Launches Saturday, September 22nd in NYC

The Sound And Vision International Film & Technology Festival Launches Saturday, September 22nd in NYC, Offering Uncanny Films To Viewers Of All Ages. The Sound And Vision International Film & Technology Festival will have its official premier Saturday, September 22nd, 2018 at two iconic Midtown Theaters in New York City, celebrating the convergence of art, science, music and cinema. Innovative new short films, animations and documentaries will be displayed that will captivate your mind and stir your soul. Uncanny new films, displaying cutting-edge innovation, never before seen, brilliant new films from all over the globe that will converge together to

Love Ghost: “Scarlet Letter” – an at once compelling and distressful storyline

The scarlet letter is meant to be a symbol of shame, a stigma someone bears for a misdeed he or she has committed. The term often refers to public shame forced upon a person as a means of ostracizing him or her. Those branded with a scarlet letter feel the punitive vengeance of an unforgiving society. Instead it becomes a powerful symbol of identity, in the latest video of the song, “Scarlet Letter”, taken off the album “Lobotomy” by the Los Angeles alternative rock band, Love Ghost. The video tells the story of the band’s violist, Mya Greene and her

Vessel Decimal – “CONVERSION: Level One” guided by a sense of purpose

The appeal of Vessel Decimal – a band founded in Cleveland, Ohio in 2007 – lies in the sheer strength of the songwriting. Moreover there are powerful riffs, and you’ll get lost in the grooves, absorbing the punishing crush of the bottom end, but also reflecting on the narrative elements found on the brand new album, “CONVERSION: Level One”. Vessel Decimal are all about the balance found in the music, and the spiraling riffs that define their sound demonstrate that time and time again. It’s nice though that the band takes the time to back off, to allow you to

Better Royals are energetic and groove-happy!

Better Royals unites pop singer Jenny B (seen on Broadway and Discovery Kids-TV), hit hip-hop artist Klokwize (‘A Little Respect’ with Suga Free), and the crew’s longtime live percussionist Rich Stone (heard with Polar Planet, Mission Transmission, Klokwize & more) for a festive Hip-Hop, House and EDM project designed for dance floors and drop tops. The collective’s self-titled debut EP features production from Grammy-nominated Bruno Mars producer ‘Uncle’ Dave Foreman, as well as legendary rapper Rakim’s son Tahmell Beats, Ant Quint, Miles Elliot, and Chris Azure. The 6 track “Better Royals” EP is unlike the gluey, glazy bedroom recordings that

Dezzyano: “Hello World: The Renaissance” – a cohesive feel and tone throughout the album

Now I’ll be honest, before this album was released, I didn’t know much about Dezzyano, the rapper raised 5 mins from Atlanta on Six Flags Dr. I decided to give it a go. And I became a very unlikely Dezzyano fan. The 16 track album, “Hello World: The Renaissance” starts off strong with ‘Anita Baker’. It has an extremely catchy refrain built on a bass and horn driven soul soundscape. This sets the tone for the album, which sees Dezzyano finding different ways of telling his story with catchy hooks and intense verses. From a critical standpoint, this album has some epic beats provided by Cappavelli1, however, Dezzyano definitely makes this project what it is.

There are plenty of gems on this album, particularly near the beginning and end; everything stays consistently tight all the way through. We learn all the way through “Hello World: The Renaissance”   that Dezzyano is a stand-up guy, doesn’t take crap and can steal your girl. He is able to draw a common thread between a variety of tracks with a cohesive feel and tone throughout the album.

But this recording makes another thing clear – Dezzyano is capable of the fortunate trend of pleasing everyone at once, and as a result, songs like “Grammys”, “Webbie” and the impressive “Feather” jump right out of the speakers and grab you by the throat.

But his thing is full of standouts, from “Runner”, “Express Mail” and “Trap Nigga” to “Feel It”, showing that Dezzyano is at his best when he is less reflective, fiery, brazen and loaded with bars that are unrestrained and gutsy.

He exudes confidence with every single breath he breaths into the microphone, swinging comfortably from every snare hit to bass thump. Even the couple of tracks that you might not consider standouts sound strong, due to Dezzyano’s super confidence.

He serves beats like “OTW” and “Duece” with pure swag and rhythmic ability. He doesn’t even need to rhyme about anything important or relevant; he’s got enough punchlines and self-confidence to cover that up.

Dezzyano manages to spend the entire record outshining every single beat, making every soundscape his own. Overall, it sounds like a triumph. What is most important to note is that Dezzyano would not be content to become the underground king of the south, as he has already made the declaration of wanting to strive to be the best rapper alive.

This is a tall order coming from an artist most people haven’t even heard of yet. Dezzyano’s sense of ambition pushes him to change up his themes, update his beats and extend his style, from track to track, far enough to keep his listeners interested, making the fluidity of the album an even more impressive feat.

On “Hello World: The Renaissance”, Dezzyano’s flow is in top form, he oozes charisma, and all of the songs on this album are enjoyable, regardless of which your favorites may be. These songs are all highlights because it feels like Dezzyano’s actually means what he’s rapping, rather than just trying to put out what he thinks people want to hear.

This album showcases the fact that Dezzyano represents an excellent blend of lyrical talent and catchy pop sensibility.

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