Digital Gringo: “Project Mayhem” cannot be described as anything less than brilliant!

Right of the cuff, two things caught my attention about Modesto, California creative, Digital Gringo. Firstly, his biography reads: “Digital Gringo is a rapper that raps”. And secondly, how many rappers do you know that rhyme perfectly to the funky beat foundation of Earth Wind & Fire’s “Let’s Groove”? But my enchantment with this atypical rapper didn’t stop there, while listening to his aptly named 12 track album – “Project Mayhem”. In fact, as a description, ‘mayhem’ may actually be an understatement once you’ve run through the entirety of this recording. The tones and moods on this album run from

Omar Bowing: “Women” – the expansive arrangement gives it a progressive bent

Omar Bowing is an independent musician and songwriter located in Austin, Tx. Omar who plays the guitar and guitarviol works with a revolving group of musicians to bring his songs to life. In particular he often collaborates with Tyson Yen, who has lent his voice to almost all of Bowing’s tracks. Omar Bowing’s latest musical creation is simply entitled “Women”. Though mirroring the endeavors of history-making females, the track intends to be a respectful tribute to women in general – from mothers to wives, and sisters to nieces, daughters, friends and co-workers, etc. And in fact the track releases on

Glocck Vee: “IDGF ABOUT YO HITTAS” delivers sharp, telescopic views

Glocck Vee, is an American rap artist from Albuquerque, NM. He has overcome adversity in his childhood and now makes music about his experiences.  His latest single “IDGF ABOUT YO HITTAS” features Mike Beezy Bad Azz, a recording artist, and engineer. Glocck Vee currently works with Juelz Santana, Big Trill, And Maino, and has also collaborated with Mr.Pookie from Dallas TX, Stoney Crook Records. This is a track driven by reactionary outbursts of authenticity and real hip-hop. It’s a robust and dynamic project. Glocck Vee is pure, and, arguably, blunt. His latest single loads several compelling rounds of rage. And

The Jon Johns: “Road Trip Mixtape” – an adventurous attitude!

The Jon Johns are a duo of musicians/producers who have been making music together since 2018. Their music binds the past and the present together into a harmonious sound with musical influences from the 60’s to now. One-hundred-percent independent, the Jon Johns do everything from writing, playing, recording, producing, mixing and releasing their own music. They currently have their 9 track “Road Trip Mixtape” out now. Within minutes of the mixtape kicking into life, this supremely confident recording suggests a band at the peak of their powers, occupying their own orbit. It starts with “Make My Day”, a vast, expansive

Marcela Iglesias: “Human Doll” (feat. Eric ‘Well Written’ McCoy) – fun, bouncy and all around enjoyable

Love it or hate it, you cannot deny that Plastics of Hollywood are gaining traction and making serious waves in the entertainment industry. Spearheaded by Los Angeles, California, Talent manager and producer Marcela Iglesias, the community of plastic surgery enthusiasts are spreading their reach into the film, TV and music spheres. From Ken dolls to Jessica Rabbit and Britney Spears lookalikes Plastics of Hollywood have spent millions of dollars on surgery and aesthetic procedures altering and adapting their looks. Their aim is to simply feel happy and fulfilled in bodies they adore. By the very nature of its scope Plastics

Interview with Californian band City Kings

City Kings is an alternative rock band from Chino, California. Though mainly known for playing heavier hard rock sounding tunes, the band has a very versatile array of musical knowledge. They perform acoustic and softer renditions of their songs on streets of the Inland Empire, or original versions of songs on stages in local venues. The three-piece collective is made up of Chris, Adrian and Ruben. How and when did the City Kings project start and who are the collaborators involved? Christian Blankenship (City Kings): City Kings was basically started on Craigslist! I met our singer and guitarist Adrian after

Midas Well: “3am”- moments of pure body-high pleasure

Midas Well is a singer, songwriter, and multi-instrumentalist currently residing in Austin, Texas. His album “Golden Rule” is coming soon to all streaming platforms via Jurnt Entertainment, along with his single “3am”. Midas raises the stakes in this stunning narrative. In lesser hands, all this creative weight could feel leaden. But Midas proves himself to be a craftsman, and gets the job done. Midas Well is a great musical artist and his new single shows that in a beautiful showcase of music.  “Golden Rule” is an album with a generous helping of highlights, not least because of Midas’ enviable vocal

DJ Raw B & Luke Sick: “Head Chucka” – a panoply of mic and beat making skills

DJ Raw B & Luke Sick are a hip-hop duo from the Bay Area. Their friendship grew into a partnership that led to collaborations on past tracks and projects. An album had been a goal for the duo, and that dream has finally been realized with “Born Illness”, an eight track LP that’s currently available on all music platforms. The album was produced via a digital collaboration between DJ Raw B and Luke that spanned the course of a year. This release shows a rapper and a beat maker who prove that they are not going anywhere soon. Both unwrap

Sevy Campos: “Thirsty” ft. Samuel Wallace – a Pop-EDM crossover flavor

Born in Arles, Southern France, Sevy Campos began to sing and play guitar at a very early age with the desire to follow in the footsteps of the famous Gipsy Kings, who are from his hometown. During his teen years Sevy across all of Europe, and lived in the UK for 5 years He then returned to France before going to Germany. His song “Thirsty” ft. Samuel Wallace, has been aired on MTV, and is currently play-listed on more than 160 radio and TV channels around the globe. Currently preparing his upcoming album, Sevy Campos is also planning to announce

OfficialVybe: “Anubis” – authentic, unaffected and uninfluenced

Two years after being a coma for 47 days due to open heart surgery, North Liberty, Iowa rapper Vybe aka OfficialVybe, is back with a brand new 18 track album, entitled “Anubis”. The rapper who initiated his craft under the guidance of Russell Barbary has since been produced by Grammy Award winner Matty Trump, on his single “Activist”, and has his songs available on over 600 stores in more than 120 countries. This album is chock full of more cast iron monster tunes than any mainstream rap album this year. In the world of casual rap fans, there are three

Eric Hausmann: “Soaked” manages to tap into a very specific emotional core

Eric Hausmann is a multi-instrumentalist and film composer. He has produced music for a number of Malaysian films, in addition to scoring for a variety of New York film productions. He performs live as a guitarist with Portland’s Tres Gone, and Malaysia’s Space Gambus Experiment. He is formerly a member of The Gone Orchestra and Brainwarmer. Hausmann recently released “Soaked” a seven track recording which is described as “A cross-section of Asian dub-fused rock n’ roll with deep India influences.” But it’s probably more than that, as I’m hearing post-rock, world fusion, and ambient rock influences injected into these tracks.

Eric Hausmann crafts some of the grooviest, gorgeously lush instrumental tracks out there. Capable of widescreen, ethereal beauty one moment and skull rattling bass heaviness the next, Hausmann manages to tap into a very specific emotional core that doesn’t rely solely on loud/soft dynamics to elicit responses in the listener.

Rather there’s a general sense of expectation throughout, knowing that at any time gorgeous, ephemeral moments could erupt in a spasm of seizure-inducing rhythms. Throughout, you’re essentially left waiting for the next massive surge in intensity and, when it comes, it functions as a welcome relief that borders on the euphoric, having been finally afforded the release the listener craves with being taken to the next sonic level.

Opening track “Sub Con Pulse” features a quick but gradual build that abruptly devolves into oppressively heavy, though no less majestic, bass and pummeling percussion. This is the kind of magisterial immensity that begs to be labeled as cinematic, causing all senses to tremble and one’s vision to blur as the sounds reverberate within one’s head, causing massive vibrations to emanate throughout the whole of the body. The bass alone is enough to rupture any number of speakers and eardrums and can be felt throughout the whole of one’s body with a startling clarity.

Rather than losing anything in the transition from slumbering to full-on roar, the individual elements, of the fully awake and blissful reggae slumber on “We Are On Our Way To Dub”, are heightened and snapped fully into focus, immediately and often rudely thrust out of the gauzy haze of sleep by chiming guitars and adlib vocal interludes.

The individual elements on “Bhangropolis” are broken down into a handful of distinct Eastern and Western sounding instruments that all begin with a smoldering melancholy but within mere minutes, erupts into massive walls of joyous percussion and sitar melody.

Never becoming formulaic, Eric Hausmann’s approach on standout songs such as “Ayam Dub”, “Want To Dub Right Now” and “Darker Travels”, show this project to be rare purveyors of a certain sort of sonic uniqueness within this type of instrumental idiom that leaves the listener wondering just where the song structure and instrumentation itself will be headed next. The only certainty is plenty of dub effects and echoes.

Essentially, Eric Hausmann creates some of the coolest, most beautiful instrumental post-rock out there, crafting massively orchestral orientated pieces out of minimalist organic sounding elements, forgoing the slow gradual builds in favor of drastic dynamic shifts. This only serves to heighten the visceral impact music like this can have on the listener.

Forgoing the genre’s tendency toward the easy emotional sell, however, Hausmann manages to create a sound wholly his own while still operating fully within the basic frameworks of the post-rock, ambient, world music and instrumental rock genres.

All the necessary sonic touchstones are there only slightly skewed to create something wholly new and different. Within a bunch of genres in which most bands become interchangeable, Eric Hausmann once again manages to set himself completely apart.

SUB CON PULSE from Eric Hausmann on Vimeo.

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