Tisabel: “GENRE HOPPING” bristles with energy and artistic audacity

Longtime Musical director and vocalist Tony Isabel aka Tisabel boasts an unprecedented skill set. He writes, arranges, sings, plays, and performs. He busts taboos, flashes unstoppable ambition, blends genres together like paint. Soulful ballads and funky grooves, ambient new age soundscapes, Hip-hop fantasy, and divine EDM devotion. For these qualities alone, he deserves respect. However, as you know, respect is also kind of a bullshit concept. Your favorite songs may not grace anyone else’s mixes; your favorite artists may not have ever left town. A century of recorded music has given us a galaxy of worthy tunes. But the gravitational

Lee Lee Lanea: “Basswhipped” resonates gloriously

Beats aren’t gendered. So why are we still in the dark ages when it comes to gender equality in the music studio? Women represent less than 5% of music producers and engineers. Yes, the music industry—like every industry on this patriarchal planet—is sexist. That is not news. But this means we’re missing out on a whole world of sounds, stories, and perspectives. Our culture has systematically ingrained this idea that technology is more of a man’s thing. Then of course there’s the fact that most men get freaked out when women do things better than them or even as good

Nothing But You, Nicky has released her latest single on Phoenix Records

American singer Nicky has released her latest single on Phoenix Records. Her much anticipated single entitled, “ON MY OWN,” is available via all digital channels as of now. The single was composed by Multi-award winning composer Emine Sari, produced by Cihat Atlig, with vocal production and engineering by Multi-platinum winning engineer Joel Evenden. “ON MY OWN” showcases Nicky’s strength, both vocally and emotionally, as she performs her bold, unapologetic lyrics. She uses her music to tell stories and to capture the true emotion behind the music. Inspired by artists such as Ella Fitzgerald and Whitney Houston, Nicky also draws influences

DownTown Mystic: “On E STREET” is filled with exceptional music!

Sha-La Music, Inc. announces the release of On E Street, a 4 song EP by US Rocker DownTown Mystic on UK Label Nub Music. The EP’s release date is December 1 and will be digitally distributed via ADA/Warner Music. The EP features rare studio performances by the Rock’n’Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band – drummer “Mighty” Max Weinberg & bassist Garry Tallent. Despite having played with Springsteen for over 40 years and studio work for various artists, Max & Garry have only played together on the same session for only a few artists. This puts DownTown Mystic in some very exclusive company. DownTown Mystic started as the alter ego of

Mobb Boss: “Lil Lady” – the depth, perspective and hunger of a performer

Being respected, revered and admired as an emcee is what often elevates a rapper from being one who merely strings together words that rhyme into an appreciated lyricist of the highest order. However, while there are a long string of spitters and scribes that have come along, the elite few who have found themselves mentioned in conversations and debates when discussing quality artists, have one thing in common: a track record of consistently delivering music that make the most of their lyrical abilities and serve as a piece of themselves. When speaking of today’s pack of underground orators, Mobb Boss

“All Your Bull” – A Politically motivated song from The Chile Colorado band

Rock band Chile Colorado’s debut album’s success at Rock Radio was a headline on the Newswire Jumbotron in Times Square, Manhattan, New York, across the street from the Hard Rock Cafe this month. The Chile Colorado band is next scheduled to release the digital single “Getting Restless” to Active Rock and Mainstream Rock Radio from the new self-titled album after having achieved 100 College Radio stations “Adding” the set for airplay. The ‘Chile Colorado’ album features Ron Wright, songwriter, lead guitar, and vocalist, with Paul Goss on bass & background vocals, and John Ferraro on drums. All three are veteran

Pastor Peter Unger Releases New Single “The Memories of God”

NASHVILLE, TENNESSEE, USA — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. He further explained that those, for whom faith and a personal relationship with God most defined what it meant to

King Draper: “1992” – simplistic in its premise but unquestionably real in its execution

You can’t write about underground or independent hip-hop and not write about King Draper. Or at least I seemingly can’t. For the past couple years the man’s been a nearly constant presence in my journalistic exploits. And now, I’m sitting down again to review his latest 11 track project, “1992”.  The King hits me with dope music and I write about it, and I’m more than happy with the arrangement. If you’ve peeped any of King Draper’s projects before, what you get from this project won’t surprise you. Draper with his soulful, jazzy, production and his smart anecdotes detailing tales

Edgler Vess: “Violet” – essential to your hip-hop collection

Every album that Edgler Vess releases, breathes with a distinct personality, each a shape-shifting assemblage of personage and programming that sounds more like a kind of miraculous hyperlinked sound collage than rap. His lyrical feats go unmatched for sheer idiosyncrasy and insight; beyond rap enthusiasts, many of his strongest supporters are probably writers and music heads. A master of the microphone and the beats, Vess has constantly swapped out his tools and themes, avoiding revision and instead choosing innovation. When Edgler Vess does what he does, he’s impossible to ignore. He’s profound, he’s impressive, and he’s damn entertaining. In short,

J-Hamz: “I Stack Up Remixes” – breaking free from the formulaic!

A medical doctor by day, J-Hamz is a classically trained pianist who produces electronic by night. J-Hamz has been featured in various music magazines and radio stations. His “I Stack Up” track was a Beatport Staff Pick as well as charting in the top ten electro house and big room charts. The EP “I’d Do Anything” also charted on Beatport and has received airplay on over a 100 college FM radio stations. J-Hamz together with Jaculator also received a nomination for the 2017 Edmonton Music Awards’ as DJ/Electronic Recording of the Year for the aforementioned EP. In his 6th release,

Isaac Diskin’s music is robust and hits to the core!

Isaac Diskin is an 18 year old multi-instrumentalist from Cincinnati Ohio who writes and producers all his own music. Each selection on Diskin’s self-titled debut album is steeped in a kind of 1970s mystique – this atmosphere is all encompassing from start to finish. The record does the time warp and brushes against your ear with a nostalgic bliss. Some songs are downright raw and lazy and won’t be pushed or forced to a faster pace or conclusion, which is absolutely brilliant, considering the modern day muck, racing to climb up the music charts.

Isaac Diskin is entirely comfortable in this effort which was entirely done in his bedroom. Confidence reigns supreme in his vocals and the instrumentation, and you can tell Diskin’s creatively in control. It’s a worthy effort, it’s groovy, but one which which you may not love to death on the first listen. However it will eventually, and almost certainly, set your heart on fire after multiple listens.

The album grew on me slowly because there is no sense of urgency in any of these selections. Each musical moment pauses, examines itself and reflects. Even in its most energetic or intense moments, there is a sense of ‘cool’ pervading the pieces. It’s the kind of soundtrack you play when you want to get lost in your own mind…and that of the narrator. Much like the legendary seventies albums did.

Right from the start, this album will slowly grab the listener and suck him or her into each of its musical stories. The production and recording quality courtesy of Isaac Diskin is robust and hits to the core with plenty of organic sounds like jangling acoustic guitars, and real drums, played on several tracks by Owen Berg.

Sometimes these instruments, along with the keyboards, are in your face, but incredibly warm and rich, reminding me of the well recorded classic rock records, from the 60’s & 70’s, all the while capturing a totally modern American Rock singer/songwriter.

I love the keyboards tastefully flowing through so many tracks, especially on “Nothing Seems The Same” and “Interlude Pt.1”, as well as Diskins’ guitar playing rips on “Number Four” and “Interlude Pt.2”, or both on “Silent Room”. There is an incredible depth to the songs here, with so many of Isaac Diskin influences coming to the fore.

This is really good stuff and although I can’t quite put my finger on one single thing that more than anything else attracts me to it – I liked the guitar playing, the keyboards, and the percussion, just as much as I enjoyed the melodies and the vocals. One thing is certain, Diskin certainly has a unique way of creating his own musical pallet.

His multifaceted musical style really shines in this album and doesn’t seem to range too far out in any one direction. To sum it up in 5 words: “A great way to start!” To stretch it out a bit, I’d just say that it’s really refreshing to find a young artist who thinks about conveying something real through his lyrics and music, rather than just finding neat, rhyming hooks that can be Auto-tuned to make the playlist. I had never even heard of this guy until three days ago, so I’ve probably said too much already!

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