Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

J Tizzle: “The Chill Zone Vol 2” – a professional and intricate sound design

J Tizzle (Jeffery Townsend Sr.) describes his music as ‘Hip-Hop inspired by World Fusion’. Listening to his upcoming EP, “The Chill Zone Vol 2”, set for official release on 5-22-2017, that statement could not be closer to the truth…in part. Why? Because to be perfectly honest, it offers a whole lot more, including elements from classical instrumentation and chill, jazz or ambient sounds. In an era when EDM stardom can be as close as a light-up mask, clever anonymous alias, and management-directed collaborations, J Tizzle  has continually avoided the gimmicks and concentrated on a production palette that electronic music lovers crave and rappers are looking to hijack use fro sampling.

Gearing up to be the next EDM crossover talent, J Tizzle’s new effort, “The Chill Zone Vol 2”, showcases a producer far removed from all of the sounds moving tickets at America’s major festival events: hip-hop, indie pop, and EDM. This recording is more intimate, made for one-on-one consulting, maybe through a set of high-tech headphones, or a good old quadraphonic sound system. Either way it needs to be something that can low thumping bass frequencies.

The incendiary tempo and tone of “Secret Passion” and the downtempo thrill of “Chill Zone Part Two”, or the banging percussion of “Mind Voyage”, attest to J Tizzle’s malleable production tactics.

In between there are the standouts – the piano driven funky twists of “Escape To Paradise”, the bass drum thumping of “Heart Wave” and the melodic slow burner, “Off And Away”.  All though these tracks J Tizzle offers a professional hat-tip to a producer/multi-instrumentalist that regularly re-invents his own artistic rules, and more broadly, the rules of electronic music.

J Tizzle is on an earnest mission to push the acceptable, tasteful boundaries of his genre. Having no vocals on the recording allows him free space to show off his production talents without bending around a singer or rapper’s top line. J Tizzle continues to be an advocate for space within his music.

He consistently strips tracks of drums and elects to use an alternative element to drive the track, only to turn back to heavy percussion and his notorious focus on the low-end. Upon listening to the EP, it’s clear that J Tizzle hasn’t strayed too far from what defines his sound, but there is certainly a more mature, professional and intricate sound design that upholds portions of the record.

Overall, “The Chill Zone Vol 2” is very well-polished and is an audible display of J Tizzle growth into his role as an electronic producer. Even though the album is incredibly accessible, it never feels like something the listener has heard already.

The sheer notion that J Tizzle has had the confidence to release his debut album “Cosmic Journey” in 2014 and the EP “The Chill Zone Vol. 1” in 2015, and then dropped another EP, entitled “Transition” in 2015, and now follows it up with this EP, proves that this is a man who cares about maintaining his creative process – and the undisputed quality of this recent work indicates that he’s not just surviving in the industry; he’s thriving.

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