“HAZEY (The EP)” finds a way to highlight every element of its artistry

Hazey aka Yung Doowee is a 19 year old producer and artist from Dallas, Texas. He moved to Portland 2 years ago and has devoted himself to his music. His latest EP release is the 10 track self-titled “HAZEY (The EP)”. Hazey oscillates between extremes of exhilarating and surreal, through the album, both musically and lyrically. There’s plenty of wheedled and growled phraseology, as well as temperate and tuneful melodic singing, too. Hazey, makes the eccentricities of “HAZEY (The EP)” sound like embryonic visions of a future, calculating take on trap music. The results are something to behold. In its

Flexico Deeskie: ‘Leanin’’ falls within trap’s ever-expanding parameters

Flexico Deeskie comes out of Dallas, TX, to where he moved from Kansas City, MO, in 2005. Fresh on the grid, he became an active artist in July of this year, and has been steadily dropping singles to build his catalog and fan base. Flexico’s emphasis on a positive attitude and grinding, pops up regularly as does his commitment and dedication to his craft. These trademarks of his personality and style, are of course very much evident in the single project, ‘Leanin’’. Trap music’s roots date back quite a few years, and it’s been a presence in rap’s mainstream in

“Trump in the Trunk” attacks political, social and cultural issues

From Backwards is a master at creating high quality music with low quality satire. The only thing more surprising than how well those two aspects mesh, is how well he performs them on stage. His genius, however, lies within the fact that while he will laugh at (not with) almost everything he does, his audience will nod and move in sheer appreciation that someone is able to articulate the frustrations they otherwise are unable to deal with. From Backwards is the much needed fifth of whisky to last year’s presidential debates. Hip-hop and politics have been together for a long

Alien Skin: ‘1980 REDUX’ takes synth-pop to a different set of limits

There aren’t many synth-pop bands that I deem buyable today. I could probably count them all on my left hand. And if I only included the bands that actually played authentic 80’s analogue-driven synth-pop, I’d probably be left counting my stiff middle finger.  Sure digital and sampling can mimic just about any sound today…if you know what to mimic of course! Our current generation of electronic heroes can knock up the most devastating beats, create massive drops, and stirring buildups, so synth-pop might seem like the simplest form of electronica to them. Technically that is. Because musically we’re talking two

C-Los N.S: “Ye-Tape” features a wide range of thought-provoking lyrics

Songwriter and Rap Artist C-Los N.S (Carlos Ruelas) was born in Santa Rosa, California (East L.A.), and raised in Racine, Wisconsin. He recently released his mixtape, entitled “Ye-Tape”. After listening to it three times, I must say that this album is a mature product. C-Los N.S sounds like he has graduated from the rap game. He has an intelligent narrative that goes along with the music, while the experience is filled with more emotionally charged singles rather than club bangers. The production created is haunting with each song bringing about a different mood but it fits the messages masterfully. Beginning

Third Realm: “The Suffering Angel” – a bold and compelling addition to the group’s growing legacy

Recently signed to Distortion Productions, Third Realm is the eclectic dark electronic project founded in 2000 by Nathan Reiner of Buffalo, New York. The danceable darkwave band with powerful industrial tones, is known for their shadowy, sexed-up blend of synth rock and intense vocals. On their brand new album, “The Suffering Angel”, the collective spends half the time perfecting their gritty, driven sound and the other half eclipsing all expectations of their efforts. The result is an intense listen with tremendous highs, and outstanding performances by members, Nathan Reiner (Lead Vocals/Music Production/Songwriter), Arrow Fitzgibbon (Guitar/Keyboards/Backing Vocals/Sampler), Melanie Beitel (Keyboards/Backing Vocals)

Nika Starr: “Connection” – succinct, sassy, and sincere

Nika Starr, female Soul/RnB singer from Toronto, is currently working with her mentor DT the Artist for Artist Development from the ‘Ground Up Program’. Her latest single is “Connection” which was produced by ClevaMix Records with an instrumental from ShamGodBeats. Being a woman in a male-dominated music industry, means they always want to back you into a corner and force you to wear a label. Unfortunately, that means you either fall into one of two categories: sexy or cute, and maybe lust or love. Now more than ever people need to be reminded that women can be in more than

Liam Merrigan: “Broke Beyond Tomorrow” – a high sense of life and perception

Liam Merrigan is 29 year old singer-songwriter from Kintbury Berkshire UK. The 10 track album of original songs, “Broke Beyond Tomorrow” deals with Liam life experiences – either lived first hand or witnessed. I enjoyed the intimate nature of the recording, which sounds as if Merrigan was playing a beat old guitar on a stool 10 feet in front of you. Totally stripped down, this album demonstrates the great craft of the songs, as well as Liam’s expressive voice, and of course his acoustic guitar. Liam is the English equivalent of rejuvenated Neil Young in his observational skills. Liam Merrigan puzzles

Etop: “Masterworks” is ground-breaking and innovative

Etop is not your typical electronic artist. If someone says to you that Etop plays electronic music do not go thinking that he plays heavy beats and dance songs. Well he does, but not quite the way you’re thinking. Etop is everywhere. He can go to a bubblegum electronic pop tune, to a groovy dance song, all the way over to a depressing ballad. And then he can do something better than just about anyone else…go back in time. No, this is not another installment of Return To The Future. He really goes back to the past, and out of

Andre Gimaranz: ‘Supermoon’ – a rare jewel!

After 15 years as a session musician, Brazilian guitarist, singer and songwriter, Andre Gimaranz’s first solo album, ‘Handmade’, was released in 2015 gaining instant attention from the industry and fans alike, resulting in Gimaranz being considered one of the best new live acts in Brazil. In 2015 and 2016, Andre was a nominee in the categories ‘Song of the Year’ and ‘Artist of the Year’ at the IMEA Awards. He recently dropped the highly acclaimed single, ‘State of Rage and Fear’, and has now followed that up with his brand new full-length album, entitled ‘Supermoon’. Every once in a while, after making

King Tut & HU$$: “Like A King” is consistently inventive

It’s hard to think of a hip-hop track with more heart, one with a narrative more thoroughly interwoven with the love of the grind and big dreams, than “Like A King”, the track by King Tut & HU$$, the restless experimenter of from Dallas, TX. Producer HU$$ is not unfamiliar with R&B, Jazz, and southern vibes, combined with a unique mixture of Dance, Trap and Hip Hop drums and the occasional Soul sample to form his signature sound.

 “Like A King” is a steady, buoyant track, moving at a hypnotizing pace and with a slightly eastern texture. But uniting it all is an almost pervasive feeling of warmth, a sense that its creator comes from a world where he’s surrounded by positive energy and a fair amount of confidence.

What prompts this heartfelt track from being maudlin in any way, is how grounded the emotion is — and also the rapping, which is kinetic and steadfast. King Tut is consistently inventive, pugnacious with syllables and prone to stick to a deep captivating flow.

Surprisingly there is no spitfire flow or earworm hooks, yet a few conscientious emcees might learn a thing in two from King Tut & HU$$ when it comes to making poignant songs whose sonic qualities are as good as their messages.

King Tut introduces himself as a sensitive man reflecting on his aspirations and creating a positive future for himself. He attacks the beat effortlessly as his flow swerves over the booming bass HU$$ has built this production on, while he lyrically celebrates his inclinations.

There is no overwrought attempt at a radio record. Nor is this is an obligatory song “for the chicks”, or a manufactured hit for “the clubs,” or whatever that even means these days. Those are the type of songs that often suck the narrative arc out of a project.

“Like A King” is an underground rap track for listeners reared on melodic trap variations like 21 Savage and Metro Boomin. It’s super low-key, resonating with a haunting beat by HU$$ and tale-telling rhymes by King Tut.

This is the ‘new wave’ of rap music, where there are meant to be no lies in the lyrics, the settings that are described should sound like recollections, like reliving the moments that have happened or things that the narrator is prepared to do. ‘Authentic’ is the word that has been used most when this sub-genre is mentioned.

“Like A King” carries many of these traits, and for all intents and purposes this may be King Tut & HU$$’ answer, to Chicago’s drill music. And it’s really good.

Contact: RealHussMusic@gmail.com for inquiries and collaborations

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