Solomon’s Architects – “The Edge Of It All” goes beyond pure musical pastiche

Bryant Micheal Waghorn can make your head spin with his creativity and output as a singer, songwriter, project leader and musical collaborator. The album, “The Edge Of It All” by his pet project Solomon’s Architects, featuring multi-instrumentalist and producer Luc Michaud, as well as collaborator Josie Elysia, is a nod to the great pop, prog and rock crossover artists such as Peter Gabriel, the elaborate tropes of The Mars Volta, the complex bombast of King Crimson and the shuddering rhythms of Rush, with a thick smudging of REM-styled, organic singer-songwriter flair. Add a clear-headed ear for melody and arrangement to

Matt Draco – “Get Off” – a cautionary tone that’s burned into every word!

Raised in Inglewood, California, Matt Draco’s prowess blends his aggressive West Coast personality with his nimble New York inspired rhyme schemes. As a child he studied the lyricism of creatives such as Notorious B.I.G, J. Cole, and Jay-Z, and by the time he was 14, Matt also taught himself how to compose orchestral music, enhancing his musical understanding and vision. By the age of 18, Matt Draco had the honor of conducting University Preparatory School’s orchestra twice, with two different pieces composed by himself. He then returned to his native Hip-hop roots releasing a series of freestyles and singles on

Kiing Dee! – “Black Kings (ft. King Los) flows with such a captivating style!

Kiing Dee! has been boxing since the age of 6. He grew up in the Pawtucket/Providence area where he fights out of Big Six Boxing academy. He has won many regional tournaments as well as fighting in the 2016 Olympic Trials Qualifiers and previously being ranked #2 in the country. Kiing Dee! went professional in 2018 but an Achilles injury changed his life. It forced him to do the only thing he could do while recovering on his couch and that was make music. Once he realized that people actually liked his music, he decided to take it seriously. Constantly

DREAM BIG EMPIRE presents Blacc Cuzz – “Wadd Up Doe” – outbursts of authenticity and real Hip-Hop

Blacc Cuzz is committed to forging a glorious way forward in his career. More importantly, he’s underscoring his critical lapses in the past for sake of the young guns who may admire him. At this stage, the Pittsburgh, PA, born and raised creative, who fashions himself as a self-made businessman in the mold of Jay-Z, is well aware of his status as an artist and record label boss at Dream Big Empire. The good-natured don of the working class can rap like the most vulgar deacon you’ll ever meet, driven by reactionary outbursts of authenticity and real Hip-Hop. Much like

Ramirez Coiva – “I’m Walking Away” shines in the way the guitar and string arrangements are so well put together

Ramirez Coiva regards himself as a Citizen of the World, who has been writing and making music since 2000. His single “I’m Walking Away” was written and recorded in Istanbul (Turkey), a couple of years ago. The song is a hybrid between the alternative rock guitar sound of the past and a look toward a more modern, sleeker pop sound. One thing is clear on this track, there are very few people that can match Ramirez Coiva’s all-embracing songwriting talent. Regardless of style, whether it’s heavy guitars or strings, keyboards and drums, a great song is a great song, and

“Time” – The new single and video release by APKLYPZ

“Time” in the world of APKLYPZ is the unknown march into darkness. The trippy mind-bending perceptions of infinity. The psychedelic wanderings of a consciousness loose in the cosmos. The groove between space and time, the analog and the digital, reality and illusion.  Audiovisual artist APKLYPZ combines dense dreamy trip-hop and psychedelic visuals to create a cinematic experience called a “form of escapism” by Electro Wow. Every APKLYPZ production is a vivid world of expression and “…an enthralling and emotive listen which is accompanied by a spellbinding video”. Seasoned by decades as a bass auteur and years as a globetrotting

“KETAMER” – Doc Ketamer is absolutely at the top of his game

Doc Ketamer is a DJ / producer born in Naples. At the age of 20 he started traveling throughout Europe organizing juggling shows. From the year 2000 he began to collaborate and play with different sound systems. In those years he focused on live sets. In this same period he founded the KML sound system KML, which almost immediately joined the larger collective Black Sheep. After this experience, and having played all over Europe, DJ Ketamer – as he was called then – rediscovered his passion for vinyl and began playing different styles on various occasions in social centers and

International Independent Entertainer, Cips is preparing his latest album and tour!

Cips, pronounced (Sip’s) is an international independent entertainer who has done various showcases and has toured multiple times across Canada and United States. Cips has currently accomplished three Canadian tours and two American tours so far. Performing in various major cities across Canada and United States such as Vancouver, Toronto, New York, Miami, Houston, Detroit, Chicago, Pittsburgh, Philadelphia, etc. Cips has also worked alongside various artists in the music Industry such as Sayzee, Big Trill, Merkules, Stitches, and many more. His latest project titled ‘Codeine Cowboyz’ was completely created, mixed and mastered in Miami, FL, produced by Supply & Demand,

THE BRKN releases “The Motions” from their upcoming debut EP titled “No. 3”

Punk n’ Rock newcomers THE BRKN debuted their first single and accompanying video for the song “Your Existence” this summer and the buzz started to build. The band has already racked up over 113k streams on Spotify playlists. See the video for Your Existence here – https://youtu.be/vSJiJrb87h4 THE BRKN is Jacob Cade – Vox and lead guitar, Kick Stevens – rhythm guitarist, Mike Bokenkamp – drums and Tristan Verghese – bass. The band recently released the second song and video for “The Motions” from their upcoming debut EP titled “No. 3” which will be out in early 2020. See the

Moonie Music Releases “Good Vibes” From The Album “Carolina Kid”

An unequivocal depiction of truly operating in the assurance and faith of purpose. We say it’s the spirit that comes from the Most High, others may call it a good vibe! Moonie Music, who previously starred in the “Man Up” movie as Brian co-starring alongside Lecrae. He also worked alongside KB, Trip Lee and Reach records while on the Man Up tour. He has music featuring Sho Baraka in the Christian arena and music featuring Da Baby and Renni Rucci in the secular arena. His new album “Carolina Kid” is a ministry album and was released 11/18/2019. He has re-dedicated

Rampancy at Midnight: “In Which This” – emoting with an extroverted fever that rocks!

Rampancy at Midnight (RaM) is a conceptual project based in Lexington, KY that intertwines and defies genre while blending personal experiences with thought provoking story telling. RaM just released their second 6 track EP entitled “In Which This” on April 28th, 2017. Rampancy at Midnight is one of those rare bands that will have a bigger impact on musicians and indie listeners than the mainstream crowd. In my opinion, that’s the best way to thrive in the music world and the best way to leave it – more appreciation, more dedication, and more intimacy with the fans.

“In Which This” takes you on a trip not unlike a breezy motorcycle ride on a warm summer’s day. From the minute “Evolve” builds up and explodes to a blend of grungy rock riffs and shoegaze vocals, Rampancy at Midnight gives us the full throttle spectrum of what alternative rock music listeners are looking for.  Indeed, this record provokes a surprisingly strong range of emotions.

From the petrol-fuelled propulsion of “Rapture” through to the spacey psychedelia of “Colombia” and melodic punk hooks of “Opposition”, Rampancy at Midnight prove to be a square peg within the round hole of the indie music landscape of the 21st Century.

If you are a fan of shoegaze, discordant tortured guitars and atmospheric production, step right up. Production is classic washy atmospheres of layered overdriven guitars and vocals. The vocals are sometimes near-field, then distant, but always compelling.

Keeping ahead of the curve and remaining just as confident.While others similar in genre hide behind their walls of sound and reverb, Rampancy at Midnight embraces the noise, emoting with an extroverted fever that, quite frankly, rocks.

It’s in the way that RaMs guitars veer in and out of each other, either exploding in grinding fuzz or clean strummed on “Divulgence”, that demonstrates the uniqueness of an artist not afraid of playing music that often oversteps its borders, as it does on “Sociopathic Tendencies”. Where others would lose the skewed melody, cover it up and beat it down with various walls of sound, Rampancy at Midnight set it on a pedestal.

RaM even further separate itself from the crowd, grunging out hard and coarsely laying out a sing-a-long of sorts that contradicts everything that you’d expect from an artist with shoegaze tendencies. That is until you hear the echoing explosions of distorted guitar bouncing around each other.

Rampancy at Midnight pulls you in with the accessibility of alternative rock but keep you sticking around for the caress of their conceptual sound.

In this rare case it can be said that RaM really is trying to reinvent the wheel on “In Which This”, and rather than remain true to any given musical identity they expand their sonic palette and continue to re-imagine what reverb-soaked over-driven guitars sounds can accomplish when framed in an experimental light.

Rampancy at Midnight music is distorted enough to appeal to grunge fans and there are enough dreamy pop hooks to branch out to fans of the shoegazer genre. Not to mention that their sound is both aggressive and standard enough to appeal to hardcore and alternative rock listeners.

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