Kiki Sire: “Rutina” – exciting rhythms and smooth vocals

Kiki Sire is a Singer/Songwriter, Musician, Composer and graduate of the Matanzas School of Musica in Cuba where he studied alongside many great Cuban musicians by day and performing salsa music in the festivals and clubs of Havana, Varadero and Mantanzas by night. Kiki who has performed with many great musicians, has made regular appearances on TV and Radio and won many awards and talent contests for his singing. “Rutina” is a salsa album composed, performed and produced by Kiki Sire containing 8 original compositions. Kiki Sire is undoubtedly well versed in the art of musical conversation, as he is

Owl Company: “Horizon” carves out blistering rhythms

Owl Company is a band from São Paulo, Brazil that combines hard rock influences from the 70s to the 90s with modern rage and brutality, creating a sound that is fresh, aggressive, and engaging. Launched in 2015 the band has built a strong presence in São Paulo, playing all the premier venues in town. Their first single “Condescend,” quickly grabbed attention locally and now the band is setting its sights on crashing international borders. Owl Company’s chosen vehicle to get them where they need to be going is their full-length debut album “Horizon”, set to drop July 14th 2017. The

Harmony Drive: “Be There” – fresh, upbeat and vibrant music!

Most times you can gauge the potential quality of a creative project just by gazing through its credits. In this case, the single by Norwegian band Harmony Drive – “Be There”, was recorded in Denver, Colorado. With help of production duo Glenn Sawyer & Rich Veltrop (Tom Petty, Ozzy Osbourne, Macy Gray), and Dave Elitch (Mars Volta, Killer be killed) on drums. The music video, filmed in Norway and the Philippines, features the multi-talented Supermodel, TV-host, and Surfer Mona Lisa Neuboeck. Of course for the potential quality to transform into effective quality you need a stunning song and band. Lars

Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

San Francisco-based band, The Muddy Roses will capture your attention with the new EP

The San Francisco-based band, The Muddy Roses, consists of three primary collaborators – Elizabeth Lewis (Lead Vocals), John LoGiudici (Vocals, Guitars) and Diana Greenberg (Vocals, Violin, Guitar) who are ably assisted by Andrew Waegel (Vocals, Pedal Steel, Banjo), Dean Kattari (Bass, Production) and Rob Davis (Drums).   Their brand new self-titled EP has been produced by Dean Kattari, who has produced live, in-studio recordings for artists ranging from Adele to ZZ Top. The attention to detail and creativity is over the top on this recording. From beginning to end, this record drips class, talent and truth. No hype or trash here, every song delivers a message, and some real zingers for your heart. It usually takes years of work to pull off a record like this. It flows with an Americana roots soul, all shrouded in a subtle veil of heartbreaking country melancholy.

The Muddy Roses

The Muddy Roses

The voices really complement each other, be it a ballad or the more upbeat country shakedowns. The opening song “Long Black River” really establishes the overall tone and vibe of this album. It’s a very organic, light, rootsy type sound that permeates throughout this song and EP.

But that’s only in the sound, because the lyrical themes on this recording are as heavy as a wounded heart can be. The first taste of the bleeding heart syndrome is fully explored in the emotional-filled ballad, “The Hurting Side”. This is Elizabeth Lewis at her despairing best. And while nostalgia will determine how much you love this song, Lewis’ voice will make sure you do.

“Good Love Gone Wrong” is an upbeat barn–stomper that has its core theme described in its title. The first word that came to mind at this midway point of the EP was “refreshing”. I’m nauseated by the abundance of autotune, synthesized beats, etc., used in modern “Country” or “Americana” based music. If I wanted to listen to pop, I’d listen to pop.

I have to say, if anything, The Muddy Roses actually go against the grain with this one. The instrumentals and vocal styles are reminiscent of traditional Americana of decades past, and that theme carries throughout the whole recording. However, the EP manages to capture some of that old roots charm without sounding stale or boring. On the contrary, somehow The Muddy Roses manages to sound very “fresh” throughout.

No matter how much I’m able to appreciate the up-tempo songs, it’s clearly the ballads that capture my attention, and none better than “Nothing To Trade”. Full of subtle, yet complex vocal harmonies that tease and please my ears, along with resonating instrumentation, this song, paired with “The Hurting Side”, is the pick of the bunch in my book. Again, this is where Elizabeth Lewis is at her soul-stirring best, yet you will not hear one bit of schmaltz or kitsch in her voice.

The other impressive quality that kept haunting me throughout the recording was the excellent fiddle playing which infuses these tracks. All-round though, this is an awesome group, with delightful harmonies, tight instrumentals, and original songwriting. Purely on the performances they have produced on this EP, The Muddy Roses practically deserve their own genre.

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