Andre Gimaranz: ‘Supermoon’ – a rare jewel!

After 15 years as a session musician, Brazilian guitarist, singer and songwriter, Andre Gimaranz’s first solo album, ‘Handmade’, was released in 2015 gaining instant attention from the industry and fans alike, resulting in Gimaranz being considered one of the best new live acts in Brazil. In 2015 and 2016, Andre was a nominee in the categories ‘Song of the Year’ and ‘Artist of the Year’ at the IMEA Awards. He recently dropped the highly acclaimed single, ‘State of Rage and Fear’, and has now followed that up with his brand new full-length album, entitled ‘Supermoon’. Every once in a while, after making

Moorhouse: “I Love You to the Moon and Back” ft. The Cellophane Heart – brings a new slant to the genre

Irish DJ and producer Moorhouse has dedicated the song, “I Love You to the Moon and Back”, to his daughter, Abbie. It speaks about their relationship and what the future holds. Canadian artist, The Cellophane Heart, provided the vocals for the track, and the song was produced in Moorhouse’s home studio in Waterford, Ireland. The track offers a lively, upbeat 90s dance pop sound mixed with current top 40 influences from Baz Luhrmann and N-Trance. This track means a lot. And there is a reason for that. Sure, it may be electronic dance music, but it’s…different. EDM music is becoming

THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Anxious Giant: “Vaudeville EP” ties together in a rhythmic, soulful and harmonic way

Anxious Giant is a 3-piece band that developed out of the solo projects of west coast artist Joel Strauss, and is completed by bassist Jesse Visser and drummer Robb Ryan. The current music scene is a place of confusion. Rap and EDM music are ruling the charts, while R&B seems to be in a slight rut. Some bands are timidly bringing back punk music; others are trying to continue on the strength of alternative rock which has been dying for years. Then there is another less conspicuous legion of creatives who have begun molding the most disparate sounds and styles, in an attempt to move themselves, and popular music, out of its stagnant rut into a more progressive mindset, and among these is Anxious Giant with their latest release “Vaudeville EP”.

The cover artwork

The cover artwork

Anxious Giant is experimenting with the idea of combining Alternative, Indie, Folk and Art Rock together with a form of Psychedelic Pop. Ready to take on the title of ‘The Next Big Thing’, the most fascinating aspect of the band’s music is the high-toned voice of lead singer Joel Strauss.

Most often the center of every song, Joel’s voice powers through the hooks and crannies of the peculiarly attractive arrangements. His vocals tend to be robustly reverbed, giving it somewhat of a mystical feel while remaining one of the most unique voices in the current indie scene.

Anxious Giant is the perfect storm, if you will, of talent, courage and musicianship. They make music that touches the heart, body, and mind. Not many bands pull off this feat.

Anxious Giant’s music is quite eclectic, as the band refuse to be pigeonholed by any one ‘type’ of music. Joel Strauss on the other hand is an oddity, a near-genius, and a wordsmith, who has also been blessed with the voice of an angel.

The songs on the “Vaudeville EP” are very melodic with a lot of variety from tune to tune, yet everything ties together in a rhythmic, soulful and harmonic way. From the minute Anxious Giant’s kick off the 6 track recording with “Vaudeville”, you know you are listening to one of the most interestingly creative indie bands currently on the scene.

If there’s a song on here that shows Anxious Giant’s in full bloom, it’s “Lantern (featuring Bryan Steeksma)”. Not only is it the album’s most idiosyncratic song, but it’s the track that best reminds you how the band’s patience in song execution pays off.

Joel Strauss

Joel Strauss

A harmonic swell carefully and steadily builds throughout the track as the gorgeous lead and backing vocals are fortified by the luscious clean guitars and string orchestration. There’s such a sense of being at peace in the song’s slow ebb and flow that any melancholy tones that can be read into it serves nostalgia more than loss.

The band’s experimental bents are intact and treated as a light trimming to the meat-and-potatoes indie rock of “Seam” where e Strauss’ powerful vocals drive the gravelly mid-tempo gem. The percussive “Wildheart” has all the characteristics of Anxious Giant’s sweet-and-sour catalog; both lyrically and musically.

Like many of the band’s compositions, this also has subtle tractor beams, pulling you in over repeated listens. The electrified “Yellowstone Park” is delivered thickly rhythmic and melodic, over a bass-heavy and over-driven guitar progression, allowing for the band’s more harmonic interplay to stretch its legs during one of their most radio-ready songs.

In their inherent sullenness, Anxious Giant’s finds ways to create happy and sad vignettes that appeal to the hopeless romantic in ways that are nearly invasive. Joel Strauss remains adept at worming his melodies into the hidden folds of weary hearts, though simple platitudes are never the focus of his output, preferring esoteric lyrics and elusive thematic interpretations. Epic yet intimate, the “Vaudeville EP’s” slow-build grandiosity brings a whole new musical scenario to indie rock.

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