MOSTLY EMPTY Release the Official Video for “After Life”

MOSTLY EMPTY is a musical act from Pittsburgh, PA, created by Nicaraguan-American musician Mariano Torrez in 2018. The name came at a time where the artist felt he had not much left to give and was willing to put it all out there to express himself freely. Deeply personal experiences have allowed the artist to voice personal feelings through these songs. His songs evoke feelings experienced over multiple stages of his life, ranging from deep anger, doubt, regret, and hopefulness.  MOSTLY EMPTY’s latest track, and video clip, “After Life”, tells a story of confronting the bad in life and

ELEPHANT HEART RELEASES NEW SONG AND ACCOMPANYING VIDEO FOR “LOVE IS THE WEAPON”

Embodying a genre-inclusive approach, Elephant Heart emits an inimitable and irresistible frequency tuned in to electro, world music, and pop, creating music that delivers a bright sound with their melodic choruses, multicultural influences, musical builds and heartfelt lyrics. Their new song and accompanying video, “Love is the Weapon,” is out now via their independent imprint, Chumba Music via BMG. See the video for “Love is the Weapon” premiering now:  https://youtu.be/5b6OMi-y0pk Stream it:  https://elephantheart.ffm.to/loveistheweapon  Elephant Heart is a musical collective started by married couple Jason and Victoria Evigan. The two express their music and its message through various collaborations, a

Defalva – “Energy – On the Voyage Through Life” is certainly a ground shifting album

Per Defalva, simply known as Defalva started up as an artist in Sweden with several exhibitions. Per later turned towards music to expand his artist expressions. During the last 20 years he has released several records of original music. Most of them featuring the collaboration of producer Andreas Hedberg. In 2019 he released the 10 song concept album, entitled “Energy” – the sixth album in the series “On the Voyage Through Life”. “The theme is about the good or bad that fills people with energy,” explains Defalva. “This time the sound style is influenced by synth, electronic dance music, techno

Japanese Singer Yukiya Endo Releases “Deep Blue” Song & Video!

“Deep Blue” the song and video by Yukiya Endo, is the love story between a being from the sea and a girl met at the aquarium. He however later discovers that she had eyes not for him but for the world extending behind the glass, and ends heartbroken, his first love being also his last love.  About Yukiya Endo: Born: August 1 / Origin: Philippines / Blood type: unknown Height: 180㎝ / Weight: 73㎏ / Shoe size: 28 (Japan) Hobbies: novels, games / Special skills: BreakDance, improvisation freestyle In September 2014, Yukiya Endo performed at Mesellba Grand Prix, where

ROCK GUITARIST ANNOUNCES NEW RELEASE, “KRANK THA MUTHA UP”

Guitar shredding instrumentalist Seismic Anamoly has released his newest CD “Krank Tha Mutha Up”. The CD contains 8 original tracks giving those not yet acquainted with Seismo a thorough dose of smokin’ hot, funked-up ear kandy. The CD has been proudly published at CD Baby. Containing Rock and Metal Guitar Instrumentals, the release is composed of standout guitar tunes that rock/metal/funk music lovers around the world are sure to appreciate. Seismic Anamoly was launched in 2002 by Michael S., who resides in Anchorage, AK, USA. Seismo has been composing and playing since 2000, and his work is done primarily utilizing

YOVANNI – ‘Stay Away’ has a powerhouse vocal, with vivid and moving lyrics

‘Stay Away’ by YOVANNI is an incredible track from beginning to end. The melody and lyrics will get you singing along, and stick in your head. It’s going to be one of those songs that will have real staying power on playlists. It is a slow-building alternative rock track that explodes into a soaring chorus which really showcases the singer’s distinctive and powerful voice. YOVANNI is also an award-winning and versatile performer having recorded various EDM bangers. The artist who moved from Cuba to Miami as a child has had formal singing lessons, and performed as backing singer to many

ERIC SILVERMAN RELEASES NEW SONG AND VIDEO

ERIC SILVERMAN RELEASES NEW SONG AND VIDEO FOR “AS MY COUNTRY DRIFTED AWAY (I GOT STONED)” FROM HIS DEBUT SOLO EP ROOKIE OUT ON FEBURARY 28 “People talk, they should scream” – Eric Silverman exclaims on the song and video for as “As My Country Drifted Away (I Got Stoned)” from his sharply infectious debut solo EP Rookie out on February 28. See the video here-https://youtu.be/Q6mFxAA3B9g  When Silverman and Grammy-nominated producer Damien Lewis went into the studio they were looking to explore a feeling and sound for a later project but emerged a week later with a record that

Chords Of Eve – “Dear Engineer” exposes the listener to sounds that intrigue

Chords Of Eve is an American music project, created in 2019 and consisting of multi-instrumentalist Atlas Cage, featuring various female vocalists and the debut of vocalist Casey Ardmore. The band defines their music as pop, electronica, alternative and trip hop, and have described their sound as “futuristic psych pop”. “We want those who listen to our music to feel connected, even in times where they could feel the most isolated,” says the project leader. “We want people to feel as if someone understands them, that they have been seen.” Chords Of Eve’s resonating bass sinks repeatedly to thumping depths on

John Vento and The Nied’s Hotel Band certify exactly who they are!

A 2019 Billboard Magazine Emerging Artist John Vento is a successful Pittsburgh businessman and passionate singer-songwriter. He is also part of The Nied’s Hotel Band, originated in 2003 and voted Pittsburgh’s “Best Bar Band” in the 2016. The band gets its name as a tribute to Jim Nied, proprietor of the landmark Pittsburgh tavern “Nied’s Hotel”. What we enjoy here is the band’s latest album that’s well-crafted and structured to represent the feeling of real Americana driven rock n’ roll. Every song on here is great from first to last, in an even twelve count. I think The Nied’s Hotel

Savannah – “We Are Us” – is honest and raw at heart, ambitious in sound

Savannah Nider was born and raised in Pawnee City, Nebraska. She grew up passionate about family, sports, speech, and music. At 15, Savannah was given the opportunity to work alongside Geno LeSage, Steve Cox, and Kenny Royster who were involved in the careers of Grammy award-winning artists including Collin Raye and many others. After losing her grandmother to pancreatic cancer, completing college, and getting married, Savannah moved to Nashville to fulfill the promise of a music career. She met Joie Scott, a well-known songwriter in Nashville, who influenced Savannah’s songwriting ability and co-wrote her first song “Until Always,” which she performed

Bigfoot Barefoot bring so many sounds to the table!

Jacksonville, Florida collective Bigfoot Barefoot delivers a blend of Rock, Reggae, and Funk. They have been influenced by acts from Lynard Skynard to Sublime and have created their own genre which they classify as Trader Joes Rock. The band, made up of Frank Zeno (Vocals, Guitar), Justin Hites (Bass) and Ken Bevill ( Percussion, Drums) has already opened for Slightly Stoopid, Bad Brains, The Supervillians, Passafire, The Hip Abbduction, and Alien Ant Farm to name a few. Besides the aforementioned genre description’s it’s difficult to pin-point their sound, which I think is often the trademark of really good bands, even though a lot of labels do sometimes come to mind.

There’s a sort of surf rock sensibility, but it’s a lot more complex than that music usually is. One thing sure is that there is a serious pulse behind their songs, but it’s never antagonistic or forced. The band has a trippy, easy-going funky feel on their self-titled album, but it never feels cheap or chewy.

Lyrically, the songs are pretty profound and tend to be as inscrutable as any verses you might find in any Sublime album. Regardless if the sound is upbeat or down, there’s always an energy driving it that really hooks the ear, making almost every song seem like a contrast of itself – Bigfoot Barefoot are like the sweet and sour chicken of the music world.

Anyway, the point is, it’s an infectious and slippery album. It plays with the mind and heart while refusing to sit still long enough to be pigeonholed. Considering that nowadays cookie-cutter music is pretty much everywhere ad nauseam, it’s a treat to find something so indecipherably beautiful still out there to be enjoyed.

Today, it’s rare to stumble across an album that works on so many levels: musically, lyrically, and overall as an album. Bigfoot Barefoot bring so many sounds to the table that a single would be a redundant vehicle for them. Their tracks shine with so much creative ideas that are woven in pretty much any musical genre one can fit into an album release.

How else would you get such diverse songs as the soulful and funky “Hey Hey” on the same album as the reggae influenced “Badfish”, or the crunchy, upbeat and overdriven “Operator” garnished with a fiery guitar solo and all. Intoxicating, fluid, and haunting, these guys have truly invented their own musical genre, s claimed.

Every time I listen to “Don’t Forget Your Shoes”, I’m reminded of the true power that music possesses. There is no limit to creative expression; only what the imagination can conjure. When an artist channels his or her innermost passions, they craft an aural expression of individuality for the world to behold.

In a time where trends seem to dominate everything, it’s refreshing to hear a band that just does whatever the fuck it wants to. And that’s pretty much what happens here. It’s rare to encounter an album this stylistically eclectic yet so true to the artists’ sense of self.

You can really tell that Bigfoot Barefoot decided to pursue their own curiosity on instead of the neatly laid out path that logically follows trends. Bigfoot Barefoot is not focused on meeting or even exceeding your expectations on this album, they’re vying for intrinsically-sparked creativity and the inventiveness that follows suit. And that is probably more than you were expecting anyway!

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