Andre Gimaranz: ‘Supermoon’ – a rare jewel!

After 15 years as a session musician, Brazilian guitarist, singer and songwriter, Andre Gimaranz’s first solo album, ‘Handmade’, was released in 2015 gaining instant attention from the industry and fans alike, resulting in Gimaranz being considered one of the best new live acts in Brazil. In 2015 and 2016, Andre was a nominee in the categories ‘Song of the Year’ and ‘Artist of the Year’ at the IMEA Awards. He recently dropped the highly acclaimed single, ‘State of Rage and Fear’, and has now followed that up with his brand new full-length album, entitled ‘Supermoon’. Every once in a while, after making

Moorhouse: “I Love You to the Moon and Back” ft. The Cellophane Heart – brings a new slant to the genre

Irish DJ and producer Moorhouse has dedicated the song, “I Love You to the Moon and Back”, to his daughter, Abbie. It speaks about their relationship and what the future holds. Canadian artist, The Cellophane Heart, provided the vocals for the track, and the song was produced in Moorhouse’s home studio in Waterford, Ireland. The track offers a lively, upbeat 90s dance pop sound mixed with current top 40 influences from Baz Luhrmann and N-Trance. This track means a lot. And there is a reason for that. Sure, it may be electronic dance music, but it’s…different. EDM music is becoming

THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Black Malachite: “Nightfall” – a captivating series of musical sketches

The decision by any musical project to go without a vocalist will lead to either disaster or a determination to avoid redundancy. Add to that the fact that most bands live and die by the growth and maturity of their music. While niche music is a bit safer from this sort of unspoken principle, stagnation is still just one recycled hook away. With an instrumental band, that challenge becomes even more dubious. The onus for success in these situations lies solely in their music’s ability to provide an engaging, emotional narrative without the safety net of a vocalist’s easily delivered charisma.

Standouts group like Russian Circles, Mogwai, Godspeed You! Black Emperor, and others have made their mark by challenging themselves to continually progress, discovering every possible space in which their music can thrive. But of the many underground instrumental acts that have managed this task, Black Malachite are perhaps the most impressive.

A current of vitality and renewal lights up the project’s latest up, “Nightfall”. Here, finally, is the next phase for Black Malachite. The album is thrillingly unpredictable yet familiar in its finest moments. The foregone-conclusion crescendos of sound have been replaced with luscious peaks and serene valleys. Their fundamental sense of grandeur hasn’t totally disappeared, but it has given way for increased elemental texture and serene warmth.

“Nightfall”, is more cohesive and focused than, for example, their self-titled release dropped at the beginning of the year, which stylistically darted in more diverse directions. Though this album also delves in the ‘opposites-attract-theory’ of acoustic and electronic elements playing against each other, the distinction of the differences is less marked and more fluid.

“Nightfall” proves that Black Malachite has a slightly different outlook when it comes to instrumental music. Instead of having the usual sprawling arrangements, and elongated moments lasting an eternity that most instrumental bands are addicted to, Black Malachite takes a different route.

For this Southern Californian solo artist, who has released three EPs, and four albums, it’s a matter of collapsing those expansive sonic narratives that are inside his head, into an equally captivating series of musical sketches – 12 to be exact, each lasting between 3 to 5 minutes – and each with its own story that is still fully capable of conjuring wonder and amazement.

Resonating guitars, rich pianos and dark ambience all reside together in songs that stretch from fully fleshed-out cuts like “NightFall” and “Daybreak” to the stripped down piano arrangements of “No Longer A Weapon” and “Eon”. In between, the songs mark a promising path for Black Malachite, most notably the guitar driven standouts “Just One More…” and “In Parting, We Trust”, which are my favorites.

All in all Black Malachite retains his vitality in strong melody and careful melodramatic disposition, added to meticulous layering and guitar lines that go straight for the heart on a couple of songs. This record captures a passionate artist finding bountiful new land to explore.

There’s plenty of dynamic songwriting, which is more than enough for a rewarding listening experience. Folks who are already fans of this project are likely to be very happy with yet another solid effort, while newcomers will have a twinkle in their eyes, for finding something truly interesting to listen to.

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