Andre Gimaranz: ‘Supermoon’ – a rare jewel!

After 15 years as a session musician, Brazilian guitarist, singer and songwriter, Andre Gimaranz’s first solo album, ‘Handmade’, was released in 2015 gaining instant attention from the industry and fans alike, resulting in Gimaranz being considered one of the best new live acts in Brazil. In 2015 and 2016, Andre was a nominee in the categories ‘Song of the Year’ and ‘Artist of the Year’ at the IMEA Awards. He recently dropped the highly acclaimed single, ‘State of Rage and Fear’, and has now followed that up with his brand new full-length album, entitled ‘Supermoon’. Every once in a while, after making

Moorhouse: “I Love You to the Moon and Back” ft. The Cellophane Heart – brings a new slant to the genre

Irish DJ and producer Moorhouse has dedicated the song, “I Love You to the Moon and Back”, to his daughter, Abbie. It speaks about their relationship and what the future holds. Canadian artist, The Cellophane Heart, provided the vocals for the track, and the song was produced in Moorhouse’s home studio in Waterford, Ireland. The track offers a lively, upbeat 90s dance pop sound mixed with current top 40 influences from Baz Luhrmann and N-Trance. This track means a lot. And there is a reason for that. Sure, it may be electronic dance music, but it’s…different. EDM music is becoming

THE RIFT: “Rock Narcotic”shows off some impressive performance abilities

Los Angeles hard rock trio THE RIFT is made up of brothers Aris Anagnos (Vocals, Guitar), John Anagnos (Bass) and Ovais Malik (Drums). Since forming in 2009, they have played alongside the likes of Exodus, Yngwie Malmsteen, The Misfits, among others. Their 2016 full-length debut “INVENTIONS” caught the attention of the media, industry insiders and radio stations, as well as Grammy winning producer Brandon Friesen who has worked with Alice in Chains and Nickelback . Now 2017 sees the band release their brand new single “Rock Narcotic”, which is music on THE RIFT own terms, and really, that’s all you

LeeSon Bryce: “The Proelium EP” – some of the most diverse talent around this genre

Briceson Lee, artistically known as LeeSon Bryce, was born in Kansas City, MO and raised in Lee Summit, MO (south of Kansas City). First as a drummer for his church since the age of 12, then as a college graduate, manager, and an affiliate owner of a nutrition company LeeSon has always been influenced by music. Now at 23, he is adamant in pursuing what has always been his true passion. Teaming up with other local artists and DJs such as Oblivinatti and Buck, LeeSon Bryce sets out to prove himself in the music industry. The first challenge comes from

MusicMegaBox.net – Listen To Music In Your Own Language!

It is always comforting to see that the website you just accessed is available in your language. Well, MusicMegaBox.net (you can read more about this music service here) is proud to release its French and German versions. While it may not be a problem to look for the music you like in English, which is a universal language, used on every website available on the Internet, using your own language means accessing a greater variety of details. You will know the meaning of every word on the website and you will certainly find what you’re looking for a lot faster.

Liquid Lunch: “Sketches 2 Seed” – an infectious and smoldering staple

Ken Eagle and Michele Akers discovered each other’s musical abilities after meeting at a dance in May 2014 and formed a duo in late October of the same year. They booked their first gig a month later…prior to having any material ready, and were forced to burn the midnight candle before successfully completing the gig with a 40 song repertoire. The duo, Liquid Lunch has now played in excess of 200 Gigs, performing at more than 50 different venues and travelling in excess of 160,000kms across the state of South Australia. Through it all Eagle and Akers, now bring to

DabriaLive Records Presents the heart and soul singer Anette Mendoza

Anette Mendoza, one of the original members of the Dabria duet which originated in 2011, has performed by request in various places such as Japan, Korea, UAE, and Indonesia among others establishing a solid reputation as a singer and performer. Anette, who started singing when she was 5, has also recorded the song, “I will do anything for love”, with Philippine artist – and first ‘Pilipinas Got Talent’ winner – Jovit Baldivino. Inspired by her late father, who himself was an excellent singer, Anette decided to sing professionally at the tender age of 7, starting out with covers by artists

KonQuestNow: “NOP (No One’s Perfect)” ft. STP & J.Morgan – an assemblage of uncanny language

The preconceived notions of what a KonQuestNow (VerseBorn & Wreck The Rebel) track is going to be like are plentiful well before you even press play. This has been a boon to their career, in what has become a viral habit of either hating or loving something based almost solely on your own personal internet culture and what your daily feed prompts you to feel about a certain subject. The collective’s name has become synonymous with great lyrics, superb beats, and originality. On their latest track “NOP (No One’s Perfect)”,  produced by Wreck The Rebel, featuring  STP & J.Morgan,  KonQuestNow

Enzo Sprigg: “Cosmic Bipolar Nebula” – therapeutic and cathartic

Enzo Sprigg is a creative electronic singer-songwriter, as well as a visual artist who illustrates his own album covers, creates the costumes in his videos and has even hand drawn and animated videos for his songs. Sprigg has just recently thrown down his therapeutic and cathartic 12-track “Cosmic Bipolar Nebula”, his third album. It’s with his continued freedom and internal exploration that Enzo Sprigg returns with a new recording, while showing a mature growth from his earlier releases. The album opens with “Raygun Love Transmission”, a beautifully sewn together song with distorted instrumentals and yearning vocals that create luscious textures

Stori Brooks: “Parachutes” – a potential for greatness

Stori Brooks has been a lot of things in her career: producer, poet, conflicted rapper, scenic storyteller. While her versatility keeps her afloat, it’s tough to get a bead on exactly who Brooks is and what she stands for—is she the conscious backpacker or the straight-talking street girl? She embodies the urban alternative, and she’s working on an album, to be entitled, “EVERYTHING IS GR8”, that offers her full narrative. The first single, “Parachutes”, taken off the upcoming album offers insight into her essence, finding the rapper at her most reflective. Maybe she’s assessing her current status and how she

Grant Maloy Smith: “DUST BOWL – AMERICAN STORIES” – musical snapshots of real life

When we listen to award-winning Americana singer-songwriter, Grant Maloy Smith, we often hear a shrug, a battered heart, and the steely reason of hard-earned wisdom all bundled into a single powerfully ragged voice that resonates rather extraordinarily with the plight of mankind. Smith has a gift for articulating the predicament of the downtrodden and misunderstood. A knack for stepping inside his fellow man’s shoes and feeling the wear on the sole, the dirt between the treads, and the awkwardness of the fit. Explaining the making of the album “DUST BOWL – AMERICAN STORIES”, Smith stated: “The songs spell out an arc from the pastoral beginning, when wheat prices were high and times were good, through the darkest days of suffering and struggle, and ultimately to redemption – when finally the rain came down.  Dust Bowl has been a labor of love for most of three years now. As much as I created these songs, they have changed me, too.” 

I’m beginning to think Grant Maloy Smith is a genius. It’s one of the ironies of the music business that he is not hugely, enormously, grandiosely big. Smith is every bit as talented a songwriter as any latter-half-of-the-20th-century roots music composers I can think of.

Smith is one of the few who makes you understand, appreciate and enjoy the undeniable link between music, people and nature. “DUST BOWL – AMERICAN STORIES” makes a clear case for this link without ever sounding like any other singer-songwriter I know of; another testament to his outstanding songwriting and performing talents.

Grant Maloy Smith’s songs are like musical snapshots of real life. The songs run the gauntlet of emotions, from anger to joy, from melancholy to heartened, from love to loss. “DUST BOWL – AMERICAN STORIES” has it all.

It amazes me how Smith can blend the various song styles into a recording that flows so effortlessly, as he moves though Bluegrass, Country and Folk themes – All naturally held together by his extraordinary voice and range.

From the moment I put on the first cut, “Old Black Roller”, I couldn’t believe how the music saturated me, and how I wanted to hear it again, catching the words, and the intonations before going on to the second cut, “Lily Of The Valley”, which was even more addictive than the first.

Though Grant Maloy Smith is brilliant on just about everything he does on this album, to my mind, he is exceptional when it comes to the slower songs. His voice has that heartrending broken tone that squeezes every bit of emotion out of the lyrics.

Hence my fervent attraction to songs like “Isht A Lhampko (Have Strength)” – probably one of the most captivating tunes on the entire album for me.  But he is just as moving on “All The Long Way”, “Daddy, If You Have To Go” and “And The Rain Comes Down”. It helps of course that the list of instrumentation and players on this album is almost endless. Injecting a warm luscious sound into the recordings.

If you have a predilection for rhythmic, upbeat numbers to stomp to, then “So Far Away”, “Me Time” and “I Come From America”, will do nicely for you. All the songs on “DUST BOWL – AMERICAN STORIES”, however, are skillfully written and instrumented, crossing roots genres and throwing a healthy bite of social commentary in your face to remind you that Smith is nobody’s top 40 wimp.

There are only a small handful of artists on this planet at any given time worth listening to musically. Grant Maloy Smith is definitely one of them.

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