Sydney-Based DJ Vareso Releases “Learn To Love” EP

Vareso is a Sydney based DJ with a dream of sharing his love for electronic music from a very young age. Starting his career off in small night clubs around Sydney in 2012 Vareso has played all around the country supporting world class acts. With his release of his latest album “Learn To Love” it is now time to take it to the next level! Follow Vareso: Spotify: https://open.spotify.com/artist/4eDBQ5X2VYYYb1IlAaGT5l?si=f7fKYTz9RbKwfA6aJPi1kw SoundCloud: https://soundcloud.com/varesoofficial YouTube: https://www.youtube.com/channel/UCHUX1gcnnxQRUZCdHJlyyRA Facebook: https://www.facebook.com/varesoofficial Instagram: https://www.instagram.com/dj_vareso/?hl=en Twitter: https://twitter.com/Varesoofficial Snapchat: varesoofficial Promoted via Club Restricted Promo www.clubrestrictedpromo.com https://www.facebook.com/clubrestrictedpromo/

Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

J-Luck: “Money, Money, Money” – a marvelous concoctions of swagger and street storytelling

Joe Moore aka J-Luck is originaly from Houston Texas but now resides in Klamath Falls, Oregon . J-Luck is an independent hip hop artist and engineer who has been recording music for over a decade. He uses his craft to narrate his life experiences and his point of view. Signed to Above Reality Records, J-Luck has released 5 albums and a few months back dropped his latest single, entitled “Money, Money, Money” (Produced By Ceasar Beats).

Just as every fire needs heat, fuel, and an oxidizing agent to ignite, every motivational speaker needs a social or economic crisis to inspire and uplift. J-Luck is a rhyme dealer pushing equal parts production heat, lyrical fuel, and an oxygen consuming flow.

The street motivator hardly shies from the task at hand, and thus “Money, Money, Money” hits those reeling from their state of discontent like a ton of bricks, or better yet, a thousand gallons of free gasoline. He comes to our current malaise to remind us of the importance of making money in this society.

J-Luck’s lyrics are a dynamic and entertaining celebration of the hardscrabble entrepreneurship and day-to-day grind of street life, and they are backed by the triumphant, synth-bass-and-clap production techniques that were once the hallmark of the rap renaissance.

Here his approach is amplified by significant doses of repeated anxiety: “Money, Money, Money, I need that…Money, Money, Money, I want that… Money, Money, Money, hit that… Money, Money, Money.” The track is full of moments of determined uplift in the face of a struggling economy and a declining music industry. J-Luck could well be trying to motivate himself as much as he is motivating us: “Time is money I charge a fee. Dollar signs is all I see…”

His illuminations peer directly at his grind and the need to get the cash rolling in. The track’s money-oriented think verses are marvelous concoctions of swagger and street storytelling, all the while forging the kind of hood-repping rap that brought a large part the genre to its popular high-point.

In essence “Money, Money, Money” (Produced By Ceasar Beats) is a highly charged banger where there’s a unique pleasure in hearing a rapper deliver It’s the kind of track that makes you stop what you’re doing and just pay attention to the story that’s being told.

Being an underground rapper, the world as a whole might not be paying attention to J-Luck just yet, but he’s getting his point across to a dedicated fan base that appreciates him probably more than a mainstream audience ever will.

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