VAVO: “No Friend Zone” captures millennial youthfulness and free spirit

New York-based EDM duo VAVO was formed in 2015 by the talents of Vancouver native Jesse Fischer and London born Alden Martin. VAVO’s early works featured a progressive, electro sound, which appealed to a wide audience, and it included their remix of Martin Garrix’s “Scared To Be Lonely,” their first solo single “Ace Of Spades,” “Astronomia 2K17,” and their remix of TheFatRat’s “Fly Away.” The duo started 2018 off with a bang, dropping ‘How Low’ with John Christian on Tiesto’s Musical Freedom Records. In March, VAVO debuted a new creative direction – an EDM/Pop crossover sound that has resonated with

Quinn Soular: “Ovah & Ovah” ft. Ziggi Recado – both impressionistic and insightful

Quinn Soular has released his 3rd official single “Ovah & Ovah” which is a summer banger featuring guest vocals from Dutch-Caribbean Reggae superstar Ziggi Recado. Born on the Island of St. Maarten, Quincy Adolphin aka Quinn Soular is a Pop and R&B singer-songwriter who has his own music production company, QP (The Quinn Productions). If you’re a fan or just a longtime R&B historian in general, you probably know that some of the game’s most renowned voices were cultivated in choir stands and churchyards. Sure, R&B’s secular content often clashes with the gospel’s divine intent but the similarities are unmistakable.

Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

Emmanuel Dalmas a company founder and high level executive in the scientific industry from the South West of France, also moonlights as a multi-genre music composer. Dalmas has been steadily building his music catalog since kicking things off in 2016 from his home studio. He produces instrumental and vocal tracks, engaging talented male and female voices to complete his projects, which in turn are made available for both commercial and non-commercial use. Emmanuel Dalmas recently dropped his latest single, “This Is Love That I’m Feeling”, done in collaboration with Kirby Howarth, who added the vocals and lyrics to Dalmas’ music and

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then

MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

Jaron Pearlman aka MVJOR ARCVNA, is an audio engineer, backing musician, and songwriter who grew up in Asheville NC, and is now based in Atlanta GA. Over the years he has toured and recorded with a wide range of artists, including The Indigo Girls, The Shadowboxers, Amor Kismet, Mercury Jackson and more. MVJOR ARCVNA is revered by many critics – and certainly by us – as one of the most quintessential independent producers currently around, standing almost alone in his ability to mix catchy crossover EDM-Pop sounds with complex rock-styled songwriting, and igniting the electronic underground in a truly unprecedented fashion.

DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

Boasting a sound that goes from his favored deep house grooves to hip-hop, DJ Mizzy, born Claudel Larose, is an international DJ and producer raised just outside of New York. Inspired by artists such as Sander van Doorn, DJ Yonny, and Avicii, Mizzy has a strong passion for his work. Throughout his 18 years of DJing, Mizzy has traveled all over the world to perform, using the original Technic SL1200 turntable as his prime tool. His latest endeavor is “Prost”, a German influenced track with a melodic tone, incorporating a subtle Caribbean flair. DJ Mizzy’s melodies are emotionally evocative and

Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

As one half of the production duo Darkroom Productions, Juan Donovan has produced with his partner Jamal Roberts some of today’s hottest artists. That list includes R Kelly, Wale, Young Money, Maino, JellyRoll, 24Hrs (Royce Rizzy), Brick Squad, G-Unit, Bad Boy, and more. The duo also won multiple awards for its phenomenal work on HBO’s classic hit series “The Wire”, which garnered them featured in major publications such as FADER, The New York Times, VIBE, and dozens more. It’s not surprising then that Juan Donovan would want to drop a record that’s as much a personal statement as a collection

American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

J-Luck: “Money, Money, Money” – a marvelous concoctions of swagger and street storytelling

Joe Moore aka J-Luck is originaly from Houston Texas but now resides in Klamath Falls, Oregon . J-Luck is an independent hip hop artist and engineer who has been recording music for over a decade. He uses his craft to narrate his life experiences and his point of view. Signed to Above Reality Records, J-Luck has released 5 albums and a few months back dropped his latest single, entitled “Money, Money, Money” (Produced By Ceasar Beats).

Just as every fire needs heat, fuel, and an oxidizing agent to ignite, every motivational speaker needs a social or economic crisis to inspire and uplift. J-Luck is a rhyme dealer pushing equal parts production heat, lyrical fuel, and an oxygen consuming flow.

The street motivator hardly shies from the task at hand, and thus “Money, Money, Money” hits those reeling from their state of discontent like a ton of bricks, or better yet, a thousand gallons of free gasoline. He comes to our current malaise to remind us of the importance of making money in this society.

J-Luck’s lyrics are a dynamic and entertaining celebration of the hardscrabble entrepreneurship and day-to-day grind of street life, and they are backed by the triumphant, synth-bass-and-clap production techniques that were once the hallmark of the rap renaissance.

Here his approach is amplified by significant doses of repeated anxiety: “Money, Money, Money, I need that…Money, Money, Money, I want that… Money, Money, Money, hit that… Money, Money, Money.” The track is full of moments of determined uplift in the face of a struggling economy and a declining music industry. J-Luck could well be trying to motivate himself as much as he is motivating us: “Time is money I charge a fee. Dollar signs is all I see…”

His illuminations peer directly at his grind and the need to get the cash rolling in. The track’s money-oriented think verses are marvelous concoctions of swagger and street storytelling, all the while forging the kind of hood-repping rap that brought a large part the genre to its popular high-point.

In essence “Money, Money, Money” (Produced By Ceasar Beats) is a highly charged banger where there’s a unique pleasure in hearing a rapper deliver It’s the kind of track that makes you stop what you’re doing and just pay attention to the story that’s being told.

Being an underground rapper, the world as a whole might not be paying attention to J-Luck just yet, but he’s getting his point across to a dedicated fan base that appreciates him probably more than a mainstream audience ever will.

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