Kiki Sire: “Rutina” – exciting rhythms and smooth vocals

Kiki Sire is a Singer/Songwriter, Musician, Composer and graduate of the Matanzas School of Musica in Cuba where he studied alongside many great Cuban musicians by day and performing salsa music in the festivals and clubs of Havana, Varadero and Mantanzas by night. Kiki who has performed with many great musicians, has made regular appearances on TV and Radio and won many awards and talent contests for his singing. “Rutina” is a salsa album composed, performed and produced by Kiki Sire containing 8 original compositions. Kiki Sire is undoubtedly well versed in the art of musical conversation, as he is

Owl Company: “Horizon” carves out blistering rhythms

Owl Company is a band from São Paulo, Brazil that combines hard rock influences from the 70s to the 90s with modern rage and brutality, creating a sound that is fresh, aggressive, and engaging. Launched in 2015 the band has built a strong presence in São Paulo, playing all the premier venues in town. Their first single “Condescend,” quickly grabbed attention locally and now the band is setting its sights on crashing international borders. Owl Company’s chosen vehicle to get them where they need to be going is their full-length debut album “Horizon”, set to drop July 14th 2017. The

Harmony Drive: “Be There” – fresh, upbeat and vibrant music!

Most times you can gauge the potential quality of a creative project just by gazing through its credits. In this case, the single by Norwegian band Harmony Drive – “Be There”, was recorded in Denver, Colorado. With help of production duo Glenn Sawyer & Rich Veltrop (Tom Petty, Ozzy Osbourne, Macy Gray), and Dave Elitch (Mars Volta, Killer be killed) on drums. The music video, filmed in Norway and the Philippines, features the multi-talented Supermodel, TV-host, and Surfer Mona Lisa Neuboeck. Of course for the potential quality to transform into effective quality you need a stunning song and band. Lars

Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

J-Luck: “Money, Money, Money” – a marvelous concoctions of swagger and street storytelling

Joe Moore aka J-Luck is originaly from Houston Texas but now resides in Klamath Falls, Oregon . J-Luck is an independent hip hop artist and engineer who has been recording music for over a decade. He uses his craft to narrate his life experiences and his point of view. Signed to Above Reality Records, J-Luck has released 5 albums and a few months back dropped his latest single, entitled “Money, Money, Money” (Produced By Ceasar Beats).

Just as every fire needs heat, fuel, and an oxidizing agent to ignite, every motivational speaker needs a social or economic crisis to inspire and uplift. J-Luck is a rhyme dealer pushing equal parts production heat, lyrical fuel, and an oxygen consuming flow.

The street motivator hardly shies from the task at hand, and thus “Money, Money, Money” hits those reeling from their state of discontent like a ton of bricks, or better yet, a thousand gallons of free gasoline. He comes to our current malaise to remind us of the importance of making money in this society.

J-Luck’s lyrics are a dynamic and entertaining celebration of the hardscrabble entrepreneurship and day-to-day grind of street life, and they are backed by the triumphant, synth-bass-and-clap production techniques that were once the hallmark of the rap renaissance.

Here his approach is amplified by significant doses of repeated anxiety: “Money, Money, Money, I need that…Money, Money, Money, I want that… Money, Money, Money, hit that… Money, Money, Money.” The track is full of moments of determined uplift in the face of a struggling economy and a declining music industry. J-Luck could well be trying to motivate himself as much as he is motivating us: “Time is money I charge a fee. Dollar signs is all I see…”

His illuminations peer directly at his grind and the need to get the cash rolling in. The track’s money-oriented think verses are marvelous concoctions of swagger and street storytelling, all the while forging the kind of hood-repping rap that brought a large part the genre to its popular high-point.

In essence “Money, Money, Money” (Produced By Ceasar Beats) is a highly charged banger where there’s a unique pleasure in hearing a rapper deliver It’s the kind of track that makes you stop what you’re doing and just pay attention to the story that’s being told.

Being an underground rapper, the world as a whole might not be paying attention to J-Luck just yet, but he’s getting his point across to a dedicated fan base that appreciates him probably more than a mainstream audience ever will.

OFFICIAL LINKS: Keep It Real Inc.Above Reality RecordsFacebookTwitter

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