Midwest Hiphop duo Strangers Of Necessity drop their new single “Abundance”

Strangers Of Necessity are an American hip-hop duo, based in the Midwest, consisting of prolific producer, CoryaYo and veteran lyricist, Fooch the MC. They linked via Twitter and quickly became friends, sparking an immediate chemistry and need to make quality music together; hence the name Strangers Of Necessity. They instantly began recording music and doing shows locally, generating a nice buzz in the area. Their sound is best described as a fresh take on that golden era of hip-hop, blending tasteful jazz and soul samples, crisp snares, boomy kicks on wonky patterns with a soulful delivery, dense schemes and potent

Kilo M.O.E. – ‘Fly G’z and Palm Treez’ – serves as the perfect canvas for the rapper’s elite lyricism

The Baltimore-based producer, songwriter, rapper, Kilo M.O.E.’s evolution over his past three albums has been inspiring to see. I’ll always admire artists who push themselves creatively, and that’s exactly what, Kilo M.O.E. has done on his fourth studio album, ‘Fly G’z and Palm Treez’, and it pays off in leaps and bounds. Each instrumental is rich and developed, serving as the perfect canvas for the rapper’s elite lyricism. Something that this recording and Kilo M.O.E.’s recent albums have done well is allow him the freedom to rap for the sake of his craft within the confines of the album’s larger

Jim Wyly – “You Took Me” – It’s rhythmically tight, warm and edgy

Texas singer songwriter Jim Wyly is back with another soul-stirring track from his “The Artisan” album. Over 40 years deep into his craft, the Austin troubadour sounds like a home-cooked meal. He deals out comfort food for the head, heart, and soul. All of this serves his finely drawn guitar lines, bourbon-stained-like vocals, and funky acoustic-driven grooves as thick as molasses. A subtle blend of blues, country, folk and southern rock runs right down the middle of “You Took Me”. “Musicians’ musician” is an overused term. Why wouldn’t anyone with two good ears appreciate Jim Wyly? As Jim doesn’t cater

Hanen Release Brand New Video For The Song “Breathe”

It’s never been easier for artists to stay independent. Of course you can get good music producers, good visual directors for videos, good rappers and good singers to feature on your track without a great budget, but you have to search the world over to find deals you can afford, or convince creatives to work with you. Texas born artist, now living in the LA area, Hanen, somehow got it all together on his latest track called “Breathe”. He sings soulfully and raps with an urban edge all by himself, backed by an atmospheric slow-burning, and ear-warming beat made by

Angry B – “Hey Corona! (Nice to Meet Ya)” – reflects the realities with a good dose of wit

On his latest single, “Hey Corona! (Nice to Meet Ya)”, underground music hobbyist Angry B pinned his rap skills and dark wit, to the sounds of mainstream pop and a funky EDM template. He blurs the lines between genres with the top of the charts — and only the top — in his sights. As can be deciphered from the song title, Angry B pulls his aspirations from the dramatic Covid-19 disease hitting mankind across the globe. “It’s one of the most critical situations we’ve had and there will be a lot of sad stories connected with it,” says Angry

Izzie’s Caravan – “Leo’s Guitar EP” – an understated guitar virtuoso

On the recording, “Leo’s Guitar EP”, Izzie’s Caravan and his guitar conspire to use every single crayon within the blue color box to deliver one of the best underground independent studio blues releases I’ve heard this year. Among others, Izzie takes his cue from greats such as Lightnin’ Hopkins, Buddy Guy, John Lee Hooker, and Eric Clapton. So you can expect a wide and wholesome finger bending spectrum of sounds. The aforementioned guitar heroes are points of reference, not simple deductions for resemblance. The opening song, “Two’s In The Bush”, has a highway drive, and jangly timbre that’s upbeat and

‘Mind Blown’ – The Video and Brand New Single by EyeKonic

EyeKonik is an artist with a focus on creating punchy and appealing pop music with a personal twist. Recently, he released a brand new single called ‘Mind Blown’. What really makes this track stands out is definitely the fact that it’s so well produced, and the performance value is excellent as well. EyeKonik sings with passion and intensity, and the artist’s vocals soar through the atmospheric melodies and punchy tones of this mix. Fans of artists as diverse as Mac Miller, Michael Jackson, Prince, and Eminem are definitely going to enjoy this amazing single. Check out the newly released music

Sundance Jump with W. Dire Wolff release the Indie Rock Video “Zodiac Killer”

Zodiac Killer is a wild Indie Rock song with crazy slide guitar laid over a rockabilly beat. The song is about a woman who frequents a night club called Zodiacs by nights, and cruises around town by day. Deep Purple Sage is a CD, Vinyl, and Digital release by Sundance Jump with W. Dire Wolff. The album blends Alternative Rock with Psychedelic Acid Rock. Recorded in Joshua Tree, California at Skylab Studios; the album has an underlying desert theme.  The LP is recorded in the old school style of Acid Rock vintage tube amp guitar sounds, mixed through analog

THE BRKN DEBUT EP ‘NO. 3’ OUT NOW VIA INGROOVES

FRONTMAN JACOB CADE’S ‘ACOUSTIC HANG WITH JACOB FROM THE BRKN’ WILL LIVE STREAM VIA THE BANDS INSTAGRAM AND FACEBOOK THROUGH THE END OF APRIL AT 6PM PST/7PM MST/9PM EST THE BRKN recently released their debut EP No. 3 via Right Brain Music Group/Ingrooves. Their new video for their song “Broke” has garnered over 100 views in just two weeks. Since the band’s spring tours have been cancelled due to the Coronavirus, frontman Jacob Cade will be live streaming acoustic sessions every Tuesday through April via the band’s Facebook and Instagram. Tune in at 6PM PST/7PM MST/9PM EST at https://instagram.com/thebrkn or https://facebook.com/thebrkn and #BeatTheVirusWithTheBRKN. “We’re

D-Witt flexes the pen of a budding cinematic storyteller

I recently heard about an artist called D-Witt from Rockford, IL.  Illinois is the home of some prestigious sons who have left unforgettable marks on hip-hop’s history. I’m expecting an unfiltered rebel who is unafraid to bare his soul and burn down buildings. A fearless heart is a quality that makes fearless art, and I hope that’s exactly what D-Witt has arrived to present us.  So I press play on the first track called “Enemy”. The sound is open and strong-willed. There’s no doubting that D-Witt has something to say. The amount of care that goes into his lyricism stamps

MAGAZINE GAP: “Ran For Cover” – a weighty, emotion-packed mini-epic

Music should be all like this. Not in style or sound, but in dedication, passion and craftsmanship. This is what we, as customers, should demand from record companies at all times. The question is do major record companies even exist anymore. I don’t mean in brand names and websites, I mean really exist- with functional A&R departments able to search, spot and sign potentially great artists. I don’t think so. It’s a job I know well, having worked in major A&R departments for over 25 years that have signed some of the biggest multi-platinum selling artists ever to have walked this planet. Before becoming platinum sellers, these were just ordinary artists playing small town gigs, yet it took some A&R executives only 8 bars of music to sign who would later become global superstars.

So how come a band like  MAGAZINE GAP, who have various single and EP releases, and have toured extensively, still release music independently via small record labels?  Three boys from London, dreamed, worked hard, and delivered exquisite music to us, now they should be rightfully collecting for their endeavors, not fighting to promote and distribute it, right? Wrong!

The record industry has changed, for the worse, and record companies do not exist in the real world anymore, they’re just simple supermarket brands like Walmart or Tesco. They fill the shelves with as much junk as possible so you can fill your shopping cart. Thank god MAGAZINE GAP has the balls to continue working within a vacant industry beating their own path to where they need to go.

Their brand new single, “Ran For Cover”, isn’t the typical follow-up track from the British crossover band that’s been turning out first rate material since the beginning of their musical adventure. It doesn’t feel rushed and it doesn’t sound like the trio wanted to capitalize from the same things they’ve done so brilliantly before.

But there are certain elements in their enchanting musical equation that cannot, and should not be erased – An addictive blend of rhythm and tone, supplied by drummer Brian McCook and keyboard player Alex Ho. A flowing melody, sparkling hooks and poignant story-spinning lyrics, with James Keen’s guitar and mellifluously soulful vocals riding high over hugely emotional choruses – and in fact, they are all perfectly in place on the latest single. Yet there is something different in the formula…

The first thing that hits you on this track is the concise but sweeping horn arrangements, then comes the bouncing Reggaeton rhythm and rolling basslines, but atop of this cogently energetic soundscape MAGAZINE GAP narrates a tale of melancholic nostalgia – a veteran musician and performer reflecting on his life choices.

Usually when writing, this London based trio – that has toured the UK, USA and the Far East, fairly extensively – find that weighty, emotion-packed mini-epics come to them thick and fast. “Ran For Cover” is no exception to the rule, and adds another feather in their songwriting caps.

So while staying with their sound and changing some variables, MAGAZINE GAP has evolved into something even better than they were before – if that sounds at all possible to you. “Ran For Cover” is not just a good follow-up to anything that came before it, but it’s indeed an ideal follow-up.

The band is steadily creeping its way to a variety of audiences and formats, and we’ll see that even more with this new single. “Ran For Cover” doesn’t just have the feel of a record that could dominate it’s genre, but popular music in general. Did you hear that, Mr. A&R man!

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