Metal Band Crimson Guardian Release Album ‘Sands of Time’

Crimson Guardian, A NW Original Hard Rock/Metal Band, have just dropped their their latest album ‘Sands of Time’. The new album offers a classic rock sound but with a modern twist. Crimson Guardian are often compared to legends like Black Sabbath,  style wise but with their own unique sound. This provides rock and metal fans a great opportunity to discover a new ‘metal friendly’ sound, which is sure to appeal. Their classic metal style mixed with new blood of a more modern day edge has created a vibe and a class all to there own. Crimson Guardian stands out from

Voice Season 10 Casting Finals Participant Releases Debut Music Video

HARTLAND, MI – Trey McLaughlin Music (TMM) announced today that Trey Connor will release the official music video for his new single “Hold On” on a date in late August that is yet to be announced. The video parallels the song’s theme about living life in the moment and holding on to things that make you happy.  Images captured during the making of the video will be pushed out on the artist’s social media pages during the next few weeks and the video is planned for promotion by several online locations. Fans are directed to monitor the artist’s social media pages for more

The Gore Boyz release official video for “Kisses For the Road”

“Kisses For the Road” is on FIRE!!! – The Gore Boyz released their official video for “Kisses For the Road” on YouTube in April 2017. Since then, they have almost 145k views on their video, the number 2 slot on The Digital Radio Tracker Indie Chart and, just announced, The Akademia Music Award winner Best Pop Music Video in June 2017. (http://www.theakademia.com/music/wfuDA2RNRL2URfdurU3N.html) ‘The Gore Boyz (TGB) have fascinating talent and performance instincts; commingling to illustrate a jumpin pop track with all of the right elements.’ Check out their Award Winning Video HERE! https://youtu.be/54zsqKKSkp4?list=PLqd6hPCSoUP5SO8FtNx1MBhEmd2aMHcmG About TGB – The Gore Boyz from

Art Tawanghar: “Buddha Lounge” – the essence of versatility and brilliance

In his career Art Tawanghar has accumulated many accolades and awards while touring around the world and performing in front of thousands of people. An official Grammy® voting artist Art has also appeared on the Billboard Charts, staking his claim to the #1 spot for many weeks! He has released his latest album which is entitled “Buddha Lounge” and once again it proves Tawanghar to be a musical mastermind. Little is known about him, other than the fact that he is the essence of versatility and brilliance, but he is very well known for his music in which he combines

Lexisugar: “The Journey” is going to grab your attention

Currently there are many names bigger than Lexisugar when it comes to R&B and Soul mass acclamation. This may be because the Nigerian born record producer, audio engineer, musician, singer, songwriter, music consultant and owner of LexiSugar music group, has been working behind the lines, creating instrumentals and soundtracks for artists, movies and TV shows, as well as mixing and mastering records for various clients. It may be that he has had a better handle on staying out of the news than most of his peers, because he is certainly better at his job than most. However no need to

Green Light Silhouette: “The Mind Suggests Less Knowing” – a smart album!

Green Light Silhouette is a group with influences ranging from Alt/Rock to Folk, Hardcore/Punk and everything in between. Loaded with members coming from other bands they put this project together because they all have the same passion for creating music. Green Light Silhouette currently is Neal Mckenzie (Vocals, Guitar), Nick Yanez (Lead Guitar), Ryan Macauley (Bass, Vocals, Synth) and Joel Heun (Drums). Rock music is the art of feeling weightless. It’s about shaking yourself free of the burden, the obligation, the ball-and-chain boredom of modern life. About how three-chords and a melody can make the bad stuff seem less bad.

TheKunig: “Urban Album” – stretching for a new musical vernacular

Featured many times on BBC Introducing and as well as on BBC Radio 6, TheKunig’s music has also been played regularly on radio stations across the globe. TheKunig skillfully combines jazz, synth sounds, samples, his own vocals and those of talented featured singers into very smooth and groovy compositions that are as alluring to the dancefloor as they are to a set of headphones. Rap music is not generally equated with atmosphere and transcendence, but TheKunig provides a great example of how rap can be just as otherworldly as other genres. He provides the experience on tracks such as “What?” and “From

Vitne: “Jupiter” – a fantastic listening experience!

Vitne, born Joseph Kimbrell in Charleston, SC USA, began playing in punk rock bands at the age of 15, eventually co-founding the band Golden Palace in 2004. With Golden Palace, he honed his guitar playing, began songwriting and upon relocating to Norway in 2010, he polished his vocal skills as a singer in the underground sleaze rock scene of Oslo. During this time he met Julian Angel of the hair metal band Beautiful Beast and the two have been working closely ever since. In 2013 Kimbrell adopted the name Vitne (meaning “witness” in the Norwegian language), starting his solo career

Bathe in the Fire: “I Won’t Give In” – the perfect balance between aggro and melodic

Bathe in the Fire is a worldwide collaborative project featuring artists from all over the globe, including the United States, Amsterdam, Australia and Canada. The songwriters and performers change with each song, while the only fixed constant of this alternative rock project remains the singer, Scott.  BITF released their first EP, ‘Antihero’ in 2014 with the 2016 follow-up ‘The Sky in Front of Me’ ready for distribution during July 2016. The name ‘Bathe in the Fire’ comes from the philosophy of constant reinvention through trials of adversity. “Bathe in the fire and be reborn”.  The collective has just released the single, “I Won’t Give In”, which is

Matt Allen: “Last Time” solidifies his legitimacy as an solo artist

After graduating from WAAPA in 2010 as the Most Outstanding Contemporary Music Student, Australian and precisely Perth-based Pop/ R&B singer-songwriter, Matt Allen, wrote and recorded his debut album, “Over”. The album’s title track received 8th place in the prestigious 2012 Australian Songwriting Awards, whilst the lead off tune, “Stay The Night” was awarded a Runner Up in the 2012 International Song Contest. Allen recently released his follow up EP ‘Last Time’ and we caught up with the single, “Last Time”. Matt Allen’s music succeeds at capturing your attention because it’s groove-based, which is to say, it’s neither pop-based nor logic-based. Those

Illuid Haller: “Magic Theatre” shows a unique flexibility and verve

Illuid Haller aka GwangHyeon shows a unique flexibility and verve, a glowing life that drips, melts, and molds around the original sounds to be found on the album, “Magic Theatre”. He never competes with his contemporaries for attention, but it is always clear that he absolutely could, no matter their standing or legacy. And yet, it seems, as if he had popped up out of nowhere. It’s particularly difficult to imagine Illuid Haller sitting in his basement or bedroom when listening to this recording. Whether working in strands of hip-hop, psychedelic ambient, acid jazz, or whatever might come to his mind, there’s something inherently glowing about his beats. All those genres are jammed together into a single album; he finds joy and fun in them all, so why bother trying to deny any of it?

Throughout these different styles, Illuid Haller’s beaming musical smile acts as a unified presence of his visual approach to music. One moment he’ll work out some jazz fusion as on the title track, “Magic Theatre” with its schizophrenic sax, and then he’ll produce a hip-hop groove for “Under The Water, or an acid jazz soundscape on “Play Bill” and neither suffers in comparison.

Listening to the album, there’s no one genre in which you’ll come away feeling that it’s the one he should be working in, forsaking all others. It helps that he makes all of his tracks sound good, regardless of style, because of his reliance on imagery in sound. Each instrumental tells a story.

Illuid Haller has never sounded as powerful as on the stark and busy piano arrangements of “The Moon”, and “I Love You”, while the over-driven “I Love You Too”, hits one of his better, more eclectic creative flows. The stunning track finds Illuid bouncing through a dirty, crunchy guitar sound, and a jittery bass jam. “Fraud/The Beat” swipes into an experimental-infused bounce without a moment’s notice, while “Adjective” adds a breathy female vocal to the proceedings.

The bigger theme, of course, is that Illuid Haller is much more than just some run-of-the-mill electronic producer. He’s got soul and tons of creativity, and he knows how to use it in a way that doesn’t seem overbearing, yet it is completely left-field, filled with disparate voice samples and diverse rhythms and sounds.

No matter how hard producers may try, there’s something that will always feel completely inhuman about electronically induced music. It’s in the details, which is to say that they’re all perfect. The computer-aided genre is practically a glass-half-full demonstration of science versus human art. What happens when you create art using the meticulously fine-tuned exactness of science? Electronic music, apparently.

Effectively, the concept of creating something real has been usurped by the concept of creating something perfect in the electronic field. However this theory does not hold true for Illuid Haller who tries to buck the trend by striving towards realness as opposed to perfection.

This, in a nutshell, is what makes the South Korean-born producer such an interesting case study: He manipulates electronic music to a place where it seems handmade. It helps that he has been playing jazz piano for about seven years. And nowhere is it clearer than on fleshed-out, organic sounding tracks like “Queen Majesty” and “Night and Day”.

I could go on about the effortless likability of “Magic Theatre”, but the most critical takeaway is how nuanced every single track is, on behalf of Illuid Haller’s unparalleled attention to the manipulation of detail. He capitalizes on what other artists consider superfluous, and he does it with a finesse that seems completely natural. As the pomp of big-blasting EDM subsides, there’s never been a better time to be an innovative talent with an ear for exciting music. Illuid Haller aka GwangHyeon is that talent.

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