Voice in the Attic – “Warts & All” – his strongest record thus far

I discovered BC Bogey aka Voice in the Attic during 2015, listening to the single “Over”, and fell in love with this project instantly. BC Bogey is a critically acclaimed songwriter, multi-instrumentalist, award-winning music video director and classically trained singer, who works with Grammy-winning musicians and sound engineers from Europe and the USA. The way he can easily glide through the organic chill of some songs, into the homey, campfire-like tunes, then to the fully fleshed-out modern twist of others, will always surprise me. He puts so much effort into the music and the lyrics, it’s always worth supporting him.

ECHOGLASS – “Hard” – Blistering guitars, muscular bass and drums

The Lancashire, Blackburn-based collective, ECHOGLASS, is a musical vehicle for core members DA McKenna, Remmy and Bo, who release their creations through Darkhouse Recordings. Their work is musically and lyrically distinct, and from the beginning they have always transcended the generic constraints of UK indie pop, punk and rock. Reinventing their blended sound on each release. While most of their contemporaries are electronic based clones, ECHOGLASS’ latest single “Hard”, inspires and delights with its guitar driven engine room. Going against the current tide, the band’s music is intense, introspective and acutely observant – a wholly alternative world view. The lead vocals are

Kee Beez – “Keep It 100” – cocked, locked, and ready to rock!

Kee Beez grew up in the SF Bay area California with his ability to produce, perform and record. The Rap and Hiphop artist is fresh off his 10 track project “Keep It 100” from Da Kee Records. The recording has a refreshing flow to it that hip hop albums lately have been totally lacking. It exhibits a hip hop artist, holding out his pen-game and showing you a compass pointing to the true core of the hip hop culture that most albums fail to point to as of recent years. And it’s not just someone barely mumbling over lyrics with

Abeille – “Feels” – sensitivity and consummate craftsmanship

Abeille (meaning ‘honeybee’ in French) is an indie jazz-pop duo out of Nashville and Portland. This long distance project is made up of Emily Jewel and Samuel Terrazzino, who currently released their debut single “Feels”. “This song goes past the meaning of just two individuals finding each other,” explains the duo, continuing: “At the time this song was written we had just started playing music together again after a multi-year hiatus of minimal contact. This song was the turning point in our relationship from being just friends to something more.” They have since gone from being just friends, to a

DopeAMean – “Blue Faces” – There are plenty of highlights to be raved about!

DopeAMean born Josephis Wade, started rapping in 2004 with a rap group formerly known as Y.B.E. (Young Black Entrepreneurs). A decorated US Army Veteran, Wade was born in Columbus Georgia USA, to Lisa Denise Ceesay Pollard – a single mother. Raised in Metro-Atlanta, Ga and Auburn, Al, DopeAMean currently resides in Denver, and is the proud owner of the record label, Every-Thing Dope LLC. His latest project is 14 track album, “Blue Faces”. It’s enthralling on a sonic level, and the rapper keeps up lyrically, his flow more than malleable enough to fit with any groove put forward. It is

Frado180 – an instrumental artist and aspiring Hip hop producer from New York City, NY

Starting out as a passionate hip-hip DJ at the age of 15, Frado180 worked hard at the local gas station in order to own his first Turntable. And he never had to look back as a local group 2 in Room with hit single “Wiggle it” fame soon discovered his talent and helped him produce his first demo. At that moment his propulsive force of music truly began to take shape by its zig-zagging through genres, settling on moments of analogue clarity as well as digital refraction. Frado180 got his first real break when he landed a gig at a

Nachamuni – “Deep Down” a total floor filler with an infectious groove!

“Deep Down” is the new EDM single from electronic music producer Nachamuni, who is based in Vienna Austria. The track extends the reach of his signature sound. Most significantly, the Deep House track showcases a shift toward the high-minded, super-precise catchy pop production vibe of most modern electronic producers. The growling basslines have the potential to draw law enforcement officers to your doorstep, depending on the decibel level and kindness of your neighbors. Its structure dominates the landscape with both breathtaking impact and precision. The track refuses to recycle an old beat, gradually building from a melodic and soulful vocal

Alysha Releases Official Video for “David Attenborough”

A bit over a month ago, London born Alysha, a 17 year old teen with enormous talent as a singer and songwriter, would have probably not imagined for her career to catapult in such a sort of magical way. Every artist, before they begin their road to stardom and even throughout, always dream all they want to do to achieve their goals. We hear many stories of singers that were many times turned down by the industry, one that said industry sometimes gets a tough reality check, when they realize that the artist is now a superstar (on a different

Matthew Schultz x Gyptian Present ‘Turn Me Up’

Multi-Talented U.S. artist, Matthew Schultz unveils his latest crossover cut, ‘Turn Me Up’ – a fire collaboration with revered Reggae-Dancehall singer Gyptian. Matthew Schultz and Gyptian touch down with a standout reggae-influenced dance track featuring hypnotic synths & punchy percussion. Coupled with a languid, chilled out dance vibe and mesmeric rhythms – ‘Turn Me Up’ is the perfect song for radio, streaming & dance floors alike. Along with a remix from X-Change – the single is positioned for a whole host of love worldwide. Matthew Schultz is a multi-instrumentalist, producer, singer and performer who started out playing guitar in Chris

“1969” is the new Single and Video by THE FUZES

“1969” is a brand new single by the Swedish based band, The Fuzes. The track elaborates on historical events that took place in the USA that year. The song features Martin Dagger Granhage (Guitars, Bass, Lead Vocals) who is also the producer. Nathanaël Bartolo is on Drums. The Fuzes have 3 albums under their belts, which includes “Moving On”(2004), “In From The Shadows” (2005) and “Shake Your Body” (2006). Their latest work, is the group’s first recording in 12 years.  Visit The Fuzes website here: http://www.thefuzes.net/ Check out the past albums here: Apple: https://music.apple.com/us/album/shake-your-body/163988247 Deezer: https://www.deezer.com/sv/track/70066783 You Tube: https://youtu.be/IXaI6dyjtvI Check the band

Illuid Haller: “Magic Theatre” shows a unique flexibility and verve

Illuid Haller aka GwangHyeon shows a unique flexibility and verve, a glowing life that drips, melts, and molds around the original sounds to be found on the album, “Magic Theatre”. He never competes with his contemporaries for attention, but it is always clear that he absolutely could, no matter their standing or legacy. And yet, it seems, as if he had popped up out of nowhere. It’s particularly difficult to imagine Illuid Haller sitting in his basement or bedroom when listening to this recording. Whether working in strands of hip-hop, psychedelic ambient, acid jazz, or whatever might come to his mind, there’s something inherently glowing about his beats. All those genres are jammed together into a single album; he finds joy and fun in them all, so why bother trying to deny any of it?

Throughout these different styles, Illuid Haller’s beaming musical smile acts as a unified presence of his visual approach to music. One moment he’ll work out some jazz fusion as on the title track, “Magic Theatre” with its schizophrenic sax, and then he’ll produce a hip-hop groove for “Under The Water, or an acid jazz soundscape on “Play Bill” and neither suffers in comparison.

Listening to the album, there’s no one genre in which you’ll come away feeling that it’s the one he should be working in, forsaking all others. It helps that he makes all of his tracks sound good, regardless of style, because of his reliance on imagery in sound. Each instrumental tells a story.

Illuid Haller has never sounded as powerful as on the stark and busy piano arrangements of “The Moon”, and “I Love You”, while the over-driven “I Love You Too”, hits one of his better, more eclectic creative flows. The stunning track finds Illuid bouncing through a dirty, crunchy guitar sound, and a jittery bass jam. “Fraud/The Beat” swipes into an experimental-infused bounce without a moment’s notice, while “Adjective” adds a breathy female vocal to the proceedings.

The bigger theme, of course, is that Illuid Haller is much more than just some run-of-the-mill electronic producer. He’s got soul and tons of creativity, and he knows how to use it in a way that doesn’t seem overbearing, yet it is completely left-field, filled with disparate voice samples and diverse rhythms and sounds.

No matter how hard producers may try, there’s something that will always feel completely inhuman about electronically induced music. It’s in the details, which is to say that they’re all perfect. The computer-aided genre is practically a glass-half-full demonstration of science versus human art. What happens when you create art using the meticulously fine-tuned exactness of science? Electronic music, apparently.

Effectively, the concept of creating something real has been usurped by the concept of creating something perfect in the electronic field. However this theory does not hold true for Illuid Haller who tries to buck the trend by striving towards realness as opposed to perfection.

This, in a nutshell, is what makes the South Korean-born producer such an interesting case study: He manipulates electronic music to a place where it seems handmade. It helps that he has been playing jazz piano for about seven years. And nowhere is it clearer than on fleshed-out, organic sounding tracks like “Queen Majesty” and “Night and Day”.

I could go on about the effortless likability of “Magic Theatre”, but the most critical takeaway is how nuanced every single track is, on behalf of Illuid Haller’s unparalleled attention to the manipulation of detail. He capitalizes on what other artists consider superfluous, and he does it with a finesse that seems completely natural. As the pomp of big-blasting EDM subsides, there’s never been a better time to be an innovative talent with an ear for exciting music. Illuid Haller aka GwangHyeon is that talent.

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