Michelle Miller Bell Drops The Official Video For The Song “Keeping My Faith In You”

The official video for the song “Keeping My Faith In You”, by Michelle Miller Bell, was was created to encourage those who are disturbed, angry and frustrated because of all the violence in the streets we see daily, and because of the Coronavirus epidemic that has taken so many lives. Be encouraged and keep your faith in God, for He is more than able to sustain you in the midst of all that is going on around you.  If you enjoyed the video, be sure to leave a like, rating and a comment. Also, if you enjoy listening to

Diva Prime – “The Diva in Me” demonstrates emotional intelligence and a focused vision

Diva Prime is a multi-talented artist from Mobile, AL. During April 2020, she celebrated her first year anniversary as a new independent artist in the industry. And she couldn’t celebrate it in more appropriate way than with the release of her impacting 6 track project “The Diva in Me”. Diva is the epitome of urban music stands for, as she blends rap, pop and R&B over skittering hip-hop beats. She is insanely talented, and pulls from all different sounds in this project to make it beautiful and uniquely her own. Her lyrics are insane, like she could simply be an

Damian Sage – “The Hardest Goodbye” – probably one of his best songs ever

How can anyone not like Damian Sage? He delivers, plain and simple. Each and every time. He is an extremely talented artist, versatile and engaging. From Blues to Rock, to Indie and Alternative sounds, he never misses a beat. A native of New York, Damian Sage is a singer and songwriter based in Los Angeles, CA. On July 27th, he is releasing his new single – “The Hardest Goodbye” – through Dark Spark Music, a label headed by former Guns N Roses manager, and Grammy Award winner, Vicky Hamilton. An artist of integrity and guts, Damian has never sold out

QUEENMAKER – “Under the Kiss” affirms the band’s grip on 80’s rock music

Featuring Jennie Väänänen on vocals and Rob Nasty handling all instruments, QUEENMAKER are a new band from Sweden who are bringing back the glam rock sound of the 80’s with their two-song release “Under the Kiss” on the A-side, and “Hold on to Love” on the flipside. The 80s was the decade in which modern rock and metal was born. Sure, the titans of the 70’s drew up the rules, but virtually every mutated representation that exists today can virtually trace its origins back to the seismic years of the eighties. QUEENMAKER though, don’t bring us the mutated version, they

Quinten Tyvon Drops Groovy, Uplifting, & Powerful Electronic/Pop Single ‘All For You’

Quinten Tyvon releases his latest mesmerizing and powerful electronic/pop single ‘All For You.’ The track contains uplifting chords, a groovy beat, and a powerful vocal performance by Quinten Tyvon. The single starts with the atmospheric chord progression and a driving bass line that immediately sets the tone for the rest of the track. The song then proceeds to introduce electronic elements that give the track it’s pop and atmospheric feel. Gluing all of the elements together is Quinten Tyvon’s grand, clean, and infectious vocal. Undoubtedly, ‘All For You’ can take anyone into a musical escapade as it contains every feel-good

Robert Eberle, Versa the Band & Don Da Menace – “Enough”

 The Black Lives Matter movement is a hard-hitting subject that undeniably deserves a voice through song and protests. 15-year-old Robert Eberle joined forces with fellow musicians Versa the Band & Don Da Menace to create the powerful anthem “Enough” to express their feelings and frustration about police brutality and the mistreatment of people of color. Fans of political hip-hop who are looking to hear a new voice speak out for current events will enjoy this track, featured on most streaming networks with an exclusive video on YouTube. The dynamic blend of emotions and original talent makes “Enough” a track

“Dream On” is the debut single from the new German-based band The Velvet Rocks

“Dream On” is the debut single from the new band The Velvet Rocks, based in Munich, Germany. American/Russian singer Dmitry Iogman, Gustavo Castillo Estrada from Mexico and the German/Italian singer Sandro Schmalzl will take you on an unheard of and unexpected ride, combining the genre of rock with classical music. The beauty of their operatic voices unite with rock music and a Queen-like guitar solo in this all-time favorite hit rock song from 1982, originally performed by Nazareth. The Velvet Rocks are produced by the musical genius Christian Lohr. Sandro, Gustavo and Dmitry studied together and started The Velvet Rocks

Rare Phantom – “Blistering Luv” – Melding pop, hip-hop and modern R&B into one frothy whole

Rare Phantom is a multi-genre artist from Boston with a particular affection for R&B/Hip-hop. His image and persona draws people’s attention and makes them curious to see what he stands for. However, his message, is to show that one cannot be defined by image alone, and that we need to look a whole lot deeper to understand or judge people. Individuality and self-expression, are keywords in Rare Phantom’s vocabulary, and are values he strives to communicate and pass on to his audience. Currently he is pushing his single, “Blistering Luv” produced by CURTI$Y. Rare Phantom’s blend of straight-talking, blunt content

Melua – debut single and music video – “Waves”

Tapio Fagerström (Bass), Ville Saarinen (Guitar), Olli Rautio (Guitar), Petri Koskela (Drums), and Jussi Rautio (Synths), make up the alternative rock band Melua, who have just released the song “Waves”, and the supporting music video by @simppafi. If you’ve been waiting for a time to check out this band, wait no more: this song is the perfect entry point. The song utilizes the band’s penchant for lush instrumentation to full effect, creating a mood and atmosphere that builds into a goosebump-raising climax. Melua strikes a great balance between the song’s poignant moments and the more soaring sections. Furthermore, they write

Melua – debut single and music video – “Waves”

Tapio Fagerström (Bass), Ville Saarinen (Guitar), Olli Rautio (Guitar), Petri Koskela (Drums), and Jussi Rautio (Synths), make up the alternative rock band Melua, who have just released the song “Waves”, and the supporting music video by @simppafi. If you’ve been waiting for a time to check out this band, wait no more: this song is the perfect entry point. The song utilizes the band’s penchant for lush instrumentation to full effect, creating a mood and atmosphere that builds into a goosebump-raising climax. Melua strikes a great balance between the song’s poignant moments and the more soaring sections. Furthermore, they write

Illuid Haller: “Magic Theatre” shows a unique flexibility and verve

Illuid Haller aka GwangHyeon shows a unique flexibility and verve, a glowing life that drips, melts, and molds around the original sounds to be found on the album, “Magic Theatre”. He never competes with his contemporaries for attention, but it is always clear that he absolutely could, no matter their standing or legacy. And yet, it seems, as if he had popped up out of nowhere. It’s particularly difficult to imagine Illuid Haller sitting in his basement or bedroom when listening to this recording. Whether working in strands of hip-hop, psychedelic ambient, acid jazz, or whatever might come to his mind, there’s something inherently glowing about his beats. All those genres are jammed together into a single album; he finds joy and fun in them all, so why bother trying to deny any of it?

Throughout these different styles, Illuid Haller’s beaming musical smile acts as a unified presence of his visual approach to music. One moment he’ll work out some jazz fusion as on the title track, “Magic Theatre” with its schizophrenic sax, and then he’ll produce a hip-hop groove for “Under The Water, or an acid jazz soundscape on “Play Bill” and neither suffers in comparison.

Listening to the album, there’s no one genre in which you’ll come away feeling that it’s the one he should be working in, forsaking all others. It helps that he makes all of his tracks sound good, regardless of style, because of his reliance on imagery in sound. Each instrumental tells a story.

Illuid Haller has never sounded as powerful as on the stark and busy piano arrangements of “The Moon”, and “I Love You”, while the over-driven “I Love You Too”, hits one of his better, more eclectic creative flows. The stunning track finds Illuid bouncing through a dirty, crunchy guitar sound, and a jittery bass jam. “Fraud/The Beat” swipes into an experimental-infused bounce without a moment’s notice, while “Adjective” adds a breathy female vocal to the proceedings.

The bigger theme, of course, is that Illuid Haller is much more than just some run-of-the-mill electronic producer. He’s got soul and tons of creativity, and he knows how to use it in a way that doesn’t seem overbearing, yet it is completely left-field, filled with disparate voice samples and diverse rhythms and sounds.

No matter how hard producers may try, there’s something that will always feel completely inhuman about electronically induced music. It’s in the details, which is to say that they’re all perfect. The computer-aided genre is practically a glass-half-full demonstration of science versus human art. What happens when you create art using the meticulously fine-tuned exactness of science? Electronic music, apparently.

Effectively, the concept of creating something real has been usurped by the concept of creating something perfect in the electronic field. However this theory does not hold true for Illuid Haller who tries to buck the trend by striving towards realness as opposed to perfection.

This, in a nutshell, is what makes the South Korean-born producer such an interesting case study: He manipulates electronic music to a place where it seems handmade. It helps that he has been playing jazz piano for about seven years. And nowhere is it clearer than on fleshed-out, organic sounding tracks like “Queen Majesty” and “Night and Day”.

I could go on about the effortless likability of “Magic Theatre”, but the most critical takeaway is how nuanced every single track is, on behalf of Illuid Haller’s unparalleled attention to the manipulation of detail. He capitalizes on what other artists consider superfluous, and he does it with a finesse that seems completely natural. As the pomp of big-blasting EDM subsides, there’s never been a better time to be an innovative talent with an ear for exciting music. Illuid Haller aka GwangHyeon is that talent.

OFFICIAL LINKS:  SOUNDCLOUDINSTAGRAMBANDCAMPFACEBOOK

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.