“OXYGEN” – New music video and song with a strong message by Rikke Normann

“OXYGEN” – Box fresh music video and song with a strong message by Rikke Normann –  “Take my hand I’ll help you to your feet again, give you oxygen to breathe” With her brand new single “OXYGEN” Rikke Normann wants to give hope to the hopeless and shed light on a very important and personal topic; mental health awareness and suicide prevention. “The most important song I’ve ever written is finally out! I’m so glad to share OXYGEN with you!” Rikke declares to her followers on release day. Today the official video to this stunning little pop gem and important message

Sofia Evangelina: “This Is Your Song” – a powerful force, full of life and personality

More so than many of her peers, 16 year old Sofia Evangelina can really let it rip. With a crystal timbre, she seems destined to howl away on hits for years to come. It’s tempting to root for Sofia – she possesses one of the better pure voices of the current teen-pop crop. But as any well-navigated industry professional will tell you, talent is only half the story; you need many more ingredients to make an impact. Sofia is at her most powerful when she is at her most raw; in fact, she feels most in control when she’s truly

Kaytlyn Cate: “You’re Making My Heart Feel Like” – captivates with perceptive sensitivity and devastating simplicity

Kaytlyn Cate, the singer-songwriter who hails from the Cascade Mountain range of the Pacific Northwest, was called “the alt-rock genre’s best kept secret”, by Pitchfork, on hearing her first single. Since then she has been reinventing herself, and is currently hard at work on her forthcoming EP, “The Blue Hour”, with producer David Samuel. At the same time Kaytlyn is also busy in the West Coast club scene and booking shows for the 2019 season, as her brand new single gains traction. A confident, empowering woman in music always makes for a great listen, and the captivating first impression of

J.Vargas The Investment: “Im So NY (I’m So New York)” ft. L-BLESS is hard to resist

Born and Raised in Brooklyn, NY, J.Vargas The Investment is a cross-genre music producer, songwriter, recording artist and entrepreneur. The Investment has been building up his catalog with single and album releases for some time now, and has gained traction with the song, “Im So NY (I’m So New York)” ft. L-BLESS – a recording artist based out of NYC.  If you’re an artist living in the city that never sleeps, chances are you’ve written about its endless dynamics in some manner. Musicians have attempted to elucidate what makes the city’s allure so transcendental – its expansiveness, its majesty, its

Blake G’s Double Crossover. “Caminar Sin Ti” and “Number One”, Invading The Airwaves

On November 9th, Blake G’s first English single was released. The catchy “Number One”, produced by Big D, channels the good ol’ 50s Rock n’ Roll style, infused with electronic sounds that makes it even more so unique.  The signature 50’s beat, completely modernized, with a great sounding, contagious bass, and today’s sound, compliments Blake G’s vocals on a memorable, superb pop tune that gets easily stuck in your earlobes for good. Blake G, the young up and coming sensation, found his calling in music. He caught the attention of the legendary producer Emilio Estefan Jr, who has been pivotal

A Pastor Releases New Song “Peddlers of Fear”

A Pastor Releases New Song “Peddlers of Fear” – Song written by a pastor and grandfather of three, who he calls “grandpa’s girls”  As he was recently watching them for an afternoon. When he got home he turned on the news. He was struck by the contrast between their joy, live in the moment, innocence and the fear-mongering in our current culture reflected in the news. In time, of course, the pastor knew his grand-daughters would grow and change. But he’s worried how their development might be effected if such a cultural climate of fear persisted. Other questions began to

ROBERT MILLER’S PROJECT GRAND SLAM RELEASES THE SONG “TREE OF LIFE (DEDICATED TO THE VICTIMS)”

New York, NY – A Plea For Peace, Sanity And Gun Control. In Response To The Recent Pittsburgh Synagogue And California Mass Shootings. America is plagued by hatred and wanton, senseless gun violence. Yesterday it was 12 college age people who were gunned down in California. Just two weeks ago it was a mass shooting at the Tree of Life synagogue in Pittsburgh which took 11 lives. And many more such tragedies have occurred over the years.  Something has to be done. Robert Miller, leader of the band Project Grand Slam, decided to do something. He has written and released today

Ross is a Hip Hop, R&B, Pop, Dance, and EDM music producer inspired by old-school beats of previous eras

Born in Detroit and raised in Miami, Ross is known for his hard work, humble attitude, and passionate dedication and commitment to his music. His career to date has spanned over twenty years and includes producing local television shows, co-owning the Prestigious Tempo Entertainment Studios, scoring for films, and collaborating with and producing artists from various genres. As a producer, writer, and sometimes singer on his own tracks, which also include featured artists, Ross’ songs are labeled as ROSS Presents. An artist who creates and performs behind the scenes, Ross’ physical identity remains a mystery. Ross’ recently-released track “Look at

Mike Dekleva: “Psychedelia” immediately grabs your attention

Instrumental rock guitarist Mike Dekleva has released his second four song EP, “Psychedelia”,on Friday, November 9, 2018. This is the follow-up to his critically acclaimed and award-winning 2015 debut instrumental EP, “Synergy.” Recorded at Paragon Recording Studios in Franklin, Tennessee, and in Dekleva’s home recording studio in Albuquerque, New Mexico. “Psychedelia” was co-produced by Dekleva and Nashville session guitarist Robbie Calvo, and features performances by Dekleva (lead, rhythm and acoustic guitars), Robbie Calvo (rhythm guitars), Jason Webb (piano and keyboards), Amanda McCoy (bass guitar) and Grady Saxman (drums and percussion). “Psychedelia” was mixed by Casey Barker at Paragon Recording Studios,

Kaytlyn Cate – The New Single – “Making My Heart Feel Like”

Singer/songwriter Kaytlyn Cate hails from the picturesque Cascade Mountain range of the Pacific Northwest. Upon the release of her first single, Pitchfork called Kaytlyn “the alt-rock genre’s best kept secret”. Writing about the deepest emotional issues that belie youth and innocence, Kaytlyn’s lyrical work addresses the themes of love, hope, fear, hurt, heartache, and haunting insecurity. In addition to writing songs for other artists, Kaytlyn has been hard at work on her forthcoming EP, ‘The Blue Hour’, with producer David Samuel. Kaytlyn has been reinventing herself as an artist since her first debut. She felt Darkside was not representing who she

Illuid Haller: “Magic Theatre” shows a unique flexibility and verve

Illuid Haller aka GwangHyeon shows a unique flexibility and verve, a glowing life that drips, melts, and molds around the original sounds to be found on the album, “Magic Theatre”. He never competes with his contemporaries for attention, but it is always clear that he absolutely could, no matter their standing or legacy. And yet, it seems, as if he had popped up out of nowhere. It’s particularly difficult to imagine Illuid Haller sitting in his basement or bedroom when listening to this recording. Whether working in strands of hip-hop, psychedelic ambient, acid jazz, or whatever might come to his mind, there’s something inherently glowing about his beats. All those genres are jammed together into a single album; he finds joy and fun in them all, so why bother trying to deny any of it?

Throughout these different styles, Illuid Haller’s beaming musical smile acts as a unified presence of his visual approach to music. One moment he’ll work out some jazz fusion as on the title track, “Magic Theatre” with its schizophrenic sax, and then he’ll produce a hip-hop groove for “Under The Water, or an acid jazz soundscape on “Play Bill” and neither suffers in comparison.

Listening to the album, there’s no one genre in which you’ll come away feeling that it’s the one he should be working in, forsaking all others. It helps that he makes all of his tracks sound good, regardless of style, because of his reliance on imagery in sound. Each instrumental tells a story.

Illuid Haller has never sounded as powerful as on the stark and busy piano arrangements of “The Moon”, and “I Love You”, while the over-driven “I Love You Too”, hits one of his better, more eclectic creative flows. The stunning track finds Illuid bouncing through a dirty, crunchy guitar sound, and a jittery bass jam. “Fraud/The Beat” swipes into an experimental-infused bounce without a moment’s notice, while “Adjective” adds a breathy female vocal to the proceedings.

The bigger theme, of course, is that Illuid Haller is much more than just some run-of-the-mill electronic producer. He’s got soul and tons of creativity, and he knows how to use it in a way that doesn’t seem overbearing, yet it is completely left-field, filled with disparate voice samples and diverse rhythms and sounds.

No matter how hard producers may try, there’s something that will always feel completely inhuman about electronically induced music. It’s in the details, which is to say that they’re all perfect. The computer-aided genre is practically a glass-half-full demonstration of science versus human art. What happens when you create art using the meticulously fine-tuned exactness of science? Electronic music, apparently.

Effectively, the concept of creating something real has been usurped by the concept of creating something perfect in the electronic field. However this theory does not hold true for Illuid Haller who tries to buck the trend by striving towards realness as opposed to perfection.

This, in a nutshell, is what makes the South Korean-born producer such an interesting case study: He manipulates electronic music to a place where it seems handmade. It helps that he has been playing jazz piano for about seven years. And nowhere is it clearer than on fleshed-out, organic sounding tracks like “Queen Majesty” and “Night and Day”.

I could go on about the effortless likability of “Magic Theatre”, but the most critical takeaway is how nuanced every single track is, on behalf of Illuid Haller’s unparalleled attention to the manipulation of detail. He capitalizes on what other artists consider superfluous, and he does it with a finesse that seems completely natural. As the pomp of big-blasting EDM subsides, there’s never been a better time to be an innovative talent with an ear for exciting music. Illuid Haller aka GwangHyeon is that talent.

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