Metal Band Crimson Guardian Release Album ‘Sands of Time’

Crimson Guardian, A NW Original Hard Rock/Metal Band, have just dropped their their latest album ‘Sands of Time’. The new album offers a classic rock sound but with a modern twist. Crimson Guardian are often compared to legends like Black Sabbath,  style wise but with their own unique sound. This provides rock and metal fans a great opportunity to discover a new ‘metal friendly’ sound, which is sure to appeal. Their classic metal style mixed with new blood of a more modern day edge has created a vibe and a class all to there own. Crimson Guardian stands out from

Voice Season 10 Casting Finals Participant Releases Debut Music Video

HARTLAND, MI – Trey McLaughlin Music (TMM) announced today that Trey Connor will release the official music video for his new single “Hold On” on a date in late August that is yet to be announced. The video parallels the song’s theme about living life in the moment and holding on to things that make you happy.  Images captured during the making of the video will be pushed out on the artist’s social media pages during the next few weeks and the video is planned for promotion by several online locations. Fans are directed to monitor the artist’s social media pages for more

The Gore Boyz release official video for “Kisses For the Road”

“Kisses For the Road” is on FIRE!!! – The Gore Boyz released their official video for “Kisses For the Road” on YouTube in April 2017. Since then, they have almost 145k views on their video, the number 2 slot on The Digital Radio Tracker Indie Chart and, just announced, The Akademia Music Award winner Best Pop Music Video in June 2017. (http://www.theakademia.com/music/wfuDA2RNRL2URfdurU3N.html) ‘The Gore Boyz (TGB) have fascinating talent and performance instincts; commingling to illustrate a jumpin pop track with all of the right elements.’ Check out their Award Winning Video HERE! https://youtu.be/54zsqKKSkp4?list=PLqd6hPCSoUP5SO8FtNx1MBhEmd2aMHcmG About TGB – The Gore Boyz from

Art Tawanghar: “Buddha Lounge” – the essence of versatility and brilliance

In his career Art Tawanghar has accumulated many accolades and awards while touring around the world and performing in front of thousands of people. An official Grammy® voting artist Art has also appeared on the Billboard Charts, staking his claim to the #1 spot for many weeks! He has released his latest album which is entitled “Buddha Lounge” and once again it proves Tawanghar to be a musical mastermind. Little is known about him, other than the fact that he is the essence of versatility and brilliance, but he is very well known for his music in which he combines

Lexisugar: “The Journey” is going to grab your attention

Currently there are many names bigger than Lexisugar when it comes to R&B and Soul mass acclamation. This may be because the Nigerian born record producer, audio engineer, musician, singer, songwriter, music consultant and owner of LexiSugar music group, has been working behind the lines, creating instrumentals and soundtracks for artists, movies and TV shows, as well as mixing and mastering records for various clients. It may be that he has had a better handle on staying out of the news than most of his peers, because he is certainly better at his job than most. However no need to

Green Light Silhouette: “The Mind Suggests Less Knowing” – a smart album!

Green Light Silhouette is a group with influences ranging from Alt/Rock to Folk, Hardcore/Punk and everything in between. Loaded with members coming from other bands they put this project together because they all have the same passion for creating music. Green Light Silhouette currently is Neal Mckenzie (Vocals, Guitar), Nick Yanez (Lead Guitar), Ryan Macauley (Bass, Vocals, Synth) and Joel Heun (Drums). Rock music is the art of feeling weightless. It’s about shaking yourself free of the burden, the obligation, the ball-and-chain boredom of modern life. About how three-chords and a melody can make the bad stuff seem less bad.

TheKunig: “Urban Album” – stretching for a new musical vernacular

Featured many times on BBC Introducing and as well as on BBC Radio 6, TheKunig’s music has also been played regularly on radio stations across the globe. TheKunig skillfully combines jazz, synth sounds, samples, his own vocals and those of talented featured singers into very smooth and groovy compositions that are as alluring to the dancefloor as they are to a set of headphones. Rap music is not generally equated with atmosphere and transcendence, but TheKunig provides a great example of how rap can be just as otherworldly as other genres. He provides the experience on tracks such as “What?” and “From

Vitne: “Jupiter” – a fantastic listening experience!

Vitne, born Joseph Kimbrell in Charleston, SC USA, began playing in punk rock bands at the age of 15, eventually co-founding the band Golden Palace in 2004. With Golden Palace, he honed his guitar playing, began songwriting and upon relocating to Norway in 2010, he polished his vocal skills as a singer in the underground sleaze rock scene of Oslo. During this time he met Julian Angel of the hair metal band Beautiful Beast and the two have been working closely ever since. In 2013 Kimbrell adopted the name Vitne (meaning “witness” in the Norwegian language), starting his solo career

Bathe in the Fire: “I Won’t Give In” – the perfect balance between aggro and melodic

Bathe in the Fire is a worldwide collaborative project featuring artists from all over the globe, including the United States, Amsterdam, Australia and Canada. The songwriters and performers change with each song, while the only fixed constant of this alternative rock project remains the singer, Scott.  BITF released their first EP, ‘Antihero’ in 2014 with the 2016 follow-up ‘The Sky in Front of Me’ ready for distribution during July 2016. The name ‘Bathe in the Fire’ comes from the philosophy of constant reinvention through trials of adversity. “Bathe in the fire and be reborn”.  The collective has just released the single, “I Won’t Give In”, which is

Matt Allen: “Last Time” solidifies his legitimacy as an solo artist

After graduating from WAAPA in 2010 as the Most Outstanding Contemporary Music Student, Australian and precisely Perth-based Pop/ R&B singer-songwriter, Matt Allen, wrote and recorded his debut album, “Over”. The album’s title track received 8th place in the prestigious 2012 Australian Songwriting Awards, whilst the lead off tune, “Stay The Night” was awarded a Runner Up in the 2012 International Song Contest. Allen recently released his follow up EP ‘Last Time’ and we caught up with the single, “Last Time”. Matt Allen’s music succeeds at capturing your attention because it’s groove-based, which is to say, it’s neither pop-based nor logic-based. Those

Jason Miller: “Poundtown” – every single note has a purpose

“Poundtown” is a beautifully composed album that probably marks a defining moment in Jason Miller’s career. He has a sound that has developed far beyond the type of music that is simply suitable for a DJ set. There is much more to this than a simple selection of tracks; there is an undeniable feeling of intent, an intangible sense that Jason has poured himself into every production on the album. With each successive listen it becomes more apparent; every single note has a purpose, every snare hit and synth line was methodically placed and cleverly produced. Miller’s attention to detail is stunningly thorough, every single beat has been toiled over, and re-worked, until what is left is nothing short of perfection.  At first it was hard to define, but then I realized that “Poundtown” has one thing that so many of today’s dance music productions do not — it has a soul.

Many producers have released albums that are nothing more than neatly packaged vehicles to redistribute cloned ideas, but Jason Miller has successfully done what few before him even bother to accomplish. He has crossed over, transcending what it means to be pigeonholed into EDM by developing into a full-fledged artist.

He has asserted himself as more than just another producer in a sea of sonic drivel, and by doing so, has created an album for the latest wave of dance music fans- those with thinking caps and heartstrings.

Setting the tone for the album, “Fly Away”, opens delicately as the sinewy vocals float amidst dreamy piano rolls and the repetitive ticking of the hi-hats. From the moment that the snares kick in it becomes readily apparent that “Poundtown” is not your average electronic music album.

“Candy” is the perfect example of Miller’s development as an artist. Robust and refreshing, the production here is impeccable — pumping pad sections accompany echoing voice flairs, and gritty bass lines. Jason steps out of his comfort zone with an eclectic instrumental on “Hips Of Babylon”, to make sure your attention span isn’t waning, before slipping back into the melodically comforting dance-floor teaser, “Around You”.

Jason Miller has created a narrative rather than a haphazard collection of forgettable tracks. Each composition on “Poundtown” acts as a piece to a much larger puzzle, telling a sonically diverse story that showcases the vast breadth of his musical talents, as he moves from dubstep to house, and future bass soundscapes. So you will bump into tracks as diverse as “Doin It Critical”, “Pistol Nebula” and “Stacks”.

This wide crossover base is a risk seldom taken by producers in our current homogeneous-fueled age of electronic music, the artistically creative album has been vastly overlooked, replaced instead by the easily marketable pop dance singles and radio-friendly remixes.

None of which you’ll find on the second half of this album, where Miller pushes his imagination into electronica’s more exotic realms, leaving the first part of “Poundtown” to hook your attention with the catchier mainstream stuff. To that end, “Poundtown” is a smartly constructed album, the opening tracks lure you into the funfair while the latter part of the album drags you onto the infinite roller-coaster rides!

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