DEEPSYSTEM – “Anda Linda” – a zesty groove and a humid atmosphere!

DEEPSYSTEM, Europe’s underground ambassador of reggaeton and Latin trap — has remade the future of Spanish-language hip-hop in his image. If there is a revolution to be had in the new crossover market, this artist has done so by sticking to his guns, and mining reggaeton’s sonic riches for dancefloor gold. Rather than offer audiences lyrical signposts to what he’s thinking, DEEPSYSTEM makes you come to him, with a shared sense of explosive, downright sensual musicality and a hypnotically propulsive rhythm. Few others could do as much, in the European region. Furthermore, the man is consistent, putting out track after

Neave Zaria’s ‘Never The Same’ Is Evocative Of The Golden Era Of Jazz & Blues

Neave Zaria’s latest track ‘Never The Same’ is a soft yet impassioned exploration of our deepest infatuations and frustrations. The composition is steady but energetic, and the jazz spirit comes in hot from the get-go. Zaria’s voice bears a strong resemblance to that of the greatest blues singers of all time: Etta James and Aretha Franklin. The most modern comparisons would be to Adele and Norah Jones, but even then there’s a striking vulnerability in Zaria’s vocals that makes her stand apart. It helps that the English singer is just nineteen, but she demonstrates a superb ability at striking the

Sam and Sounds Guaranteed to Make You Smile with New Single “Cloud 9”

UK indie artist Sam and Sounds has just released a brand-new single that will have you both grinning and grooving. The singer songwriter has just dropped “Cloud 9,” offering endless feel-good vibes and some much-needed positivity in today’s world. With his debut EP due to land in October this year, this track is the second teaser to what we can expect. It follows his first single release which came out in April, “Do It All Again,” that soon became an instant smash hit. Sam and Sounds has already netted an impressive 41,000 Spotify streams, with 23,000 monthly listeners and a

Cymbalik – “A New Positive”- the alchemical combination of quality, creativity, and alluring empathy

There are a lot of new producers that are coming to the scene this years, and some that have been in the game for a while, but few are as exciting has Cymbalik AKA Jose Serpas who hails out of Denver, CO. If you’re a part of the people who don’t know who Cymbalik is just yet, then expect him to be all over your music queue in the next couple of years. With his crazy beats and smooth melodies it’s expected that he makes some big jumps in the industry very soon. Cymbalik works with modern day techniques while

Best friends in New York City make dope a hip-hop song during quarantine and are donating ALL proceeds to charity

The producer Christos “XOS” Angelidis created the instrumental for the record “ICE COLD” while recovering from the sever virus COVID-19 in his Queens, New York home. His close friend and colleague, Laquan “REVL TVLK” Priester, from Brooklyn, New York, now living in Los Angeles, wrote the lyrics and rapped over the song. “ICE COLD” is a result of the inspiration being based from the cold winter months of New York City. Furthermore, the duo – being from New York City, the U.S. epicenter of the outbreak – has experienced firsthand the devastation of the virus. XOS lost four coworkers as

Steve Sperandeo – “Contagious Emotions” – intimate storytelling that inebriates the senses

Like all works of music, there are always going to be some you absolutely love and some you only like. “Contagious Emotions” by Steve Sperandeo one is going on the absolute love list. Steve has added some jazzy, bluesy touches in this album, while maintaining a soft organic-rock style made of elegant guitar work and graceful melody. It’s a masterful blend by a thoughtful musician. But be forewarned, Steve’s music needs more than a single playing to fully savor its nuances. So grab a drink of your choice, sit back and enjoy the storytelling as Steve Sperandeo delivers 11 unhurried

Heistheartist – “Boom” (Love Version) – transposes crystal-clear artistry through spiritual glistening

Heistheartist is an American Christian singer-songwriter from Central Islip, NY. Formerly a secular neo-soul singer signed to Bentley Records under his biological name LeeMann Bassey, Heistheartist discovered that his true calling was with the Lord, after hearing an inspiring sermon by TD Jakes online one day. That day he was inspired to teach the world about the Lord like TD Jakes did with his Sermon, but through music. The song “Boom” – a song that mixes sensuality with religion – is actually based on a dream that Heistheartist had one night, in which he had relations with an angel. “Boom”

Bobby Royale – “Live Jazz at Staarsound” – There is an artistic quality in the music that cannot be overlooked

Some see hip-hop and jazz as an unholy alliance, maybe even the vulgarization of jazz. But other musicians see the genre-melding as a positive development. Every so often, in some corner of the globe in fact, you’ll find a handful of jazz musicians experimenting with jazz and hip-hop hybrids. In some ways the musical connection would seem inevitable. After all, early gospel, blues and jazz employed call-and-response cadences dealing with the same themes prevalent in hip-hop today. For some, though, the similarities end there. Straight ahead jazz musicians who have had their music sampled appreciate their work being exposed to

J.Drive – “Untitled” showers the auditory canvas with musical ideas

Hailing from the inner city of Youngstown, Ohio’s Southside, Jessie “J.Drive” grew up in a small apartment in a violent neighborhood without his natural mother or father.  At a very young age he realized that his natural affinity for basketball and Hip-hop music would become the tools necessary to pave his way to a more comfortable lifestyle.  Despite the tragic events that ended his hoop dreams, Jessie’s understanding of what it takes to make the best of his gifts regardless of circumstances is what has brought him thus far. Currently he is pushing his latest single called “Untitled”. In his

“Millions” shows off how talented and self-assured DboySlim is!

“Millions”, the track by DboySlim, has an incendiary takeoff, wasting zero time to underscore the necessary sense of urgency through a compacted sonic boom and a room full of booty. The backdrop is made of a dynamic piano loop, skittering hi-hats, and twisting synths, while the rapper updates his dance-swaying lyricism. DboySlim is impressive to say the least, while the track absolutely bumps. He creates an intense atmosphere that makes you want to jump around and groove. “Millions” shows off how talented and self-assured DboySlim is, and how he can probably live up to any hype you want to put

Jason Miller: “Poundtown” – every single note has a purpose

“Poundtown” is a beautifully composed album that probably marks a defining moment in Jason Miller’s career. He has a sound that has developed far beyond the type of music that is simply suitable for a DJ set. There is much more to this than a simple selection of tracks; there is an undeniable feeling of intent, an intangible sense that Jason has poured himself into every production on the album. With each successive listen it becomes more apparent; every single note has a purpose, every snare hit and synth line was methodically placed and cleverly produced. Miller’s attention to detail is stunningly thorough, every single beat has been toiled over, and re-worked, until what is left is nothing short of perfection.  At first it was hard to define, but then I realized that “Poundtown” has one thing that so many of today’s dance music productions do not — it has a soul.

Many producers have released albums that are nothing more than neatly packaged vehicles to redistribute cloned ideas, but Jason Miller has successfully done what few before him even bother to accomplish. He has crossed over, transcending what it means to be pigeonholed into EDM by developing into a full-fledged artist.

He has asserted himself as more than just another producer in a sea of sonic drivel, and by doing so, has created an album for the latest wave of dance music fans- those with thinking caps and heartstrings.

Setting the tone for the album, “Fly Away”, opens delicately as the sinewy vocals float amidst dreamy piano rolls and the repetitive ticking of the hi-hats. From the moment that the snares kick in it becomes readily apparent that “Poundtown” is not your average electronic music album.

“Candy” is the perfect example of Miller’s development as an artist. Robust and refreshing, the production here is impeccable — pumping pad sections accompany echoing voice flairs, and gritty bass lines. Jason steps out of his comfort zone with an eclectic instrumental on “Hips Of Babylon”, to make sure your attention span isn’t waning, before slipping back into the melodically comforting dance-floor teaser, “Around You”.

Jason Miller has created a narrative rather than a haphazard collection of forgettable tracks. Each composition on “Poundtown” acts as a piece to a much larger puzzle, telling a sonically diverse story that showcases the vast breadth of his musical talents, as he moves from dubstep to house, and future bass soundscapes. So you will bump into tracks as diverse as “Doin It Critical”, “Pistol Nebula” and “Stacks”.

This wide crossover base is a risk seldom taken by producers in our current homogeneous-fueled age of electronic music, the artistically creative album has been vastly overlooked, replaced instead by the easily marketable pop dance singles and radio-friendly remixes.

None of which you’ll find on the second half of this album, where Miller pushes his imagination into electronica’s more exotic realms, leaving the first part of “Poundtown” to hook your attention with the catchier mainstream stuff. To that end, “Poundtown” is a smartly constructed album, the opening tracks lure you into the funfair while the latter part of the album drags you onto the infinite roller-coaster rides!

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