Dutch Dolo sticks to his own creative groove and simply makes great music!

Dutch Dolo is an up and coming artist from Greensboro North Carolina, with a passion for hip Hop. Dolo has been doing music since the age of 8 and has been rapping since the age of 16. Even though he is from the South, he always had an interest in up North music, and his flow reflects that. Dutch Dolo’s favorite artists include, Jay Z, Tupac, Nas, Dmx and Biggie. With Several live performances under his belt Dolo is a seasoned artist ready to take his skills, talent and unique flow to the next level. All of which you can

Tommy Capretto: “Floss” is just state of the art

Tommy Capretto is a house music DJ and Producer from the greater Philadelphia area. After launching his career in 2006, things moved to the next level in 2015 when Capretto accumulated releases via leading record labels, Universal Music, Capitol Records, Carrillo Music, Armada Music, Juicy Music, HoTL Records, and others. A reputation built on being a go-to producer for club hits, Capretto has also totaled a number of official remixes for artists including Beck, Niall Horan, Hailee Steinfeld, MNEK, Dragonette, and FLETCHER among others. Capretto’s music is supported by fellow global DJs Don Diablo, Laidback Luke, Oliver Heldens, Roger Sanchez,

The feature film titled “The Lost End” exhibits the passion and care Zoé Pelloux brings to her craft

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Saints Warning is a fresh new alternative band hailing from Los Angeles, California

Saints Warning is a band hailing from Los Angeles, California. Their sound is fresh and modern, with a nod to the energy of indie rock and the timeless vibes of blues and alternative music. In addition to that, their songs are also quite personal and intimate, capturing that unique vibe often associated with the singer-songwriter style. The line-up currently consists of Eduardo Enriquez (vocals), as well as David McClellan on guitar, bass player Andrew Dupras, and last but not least, Bobby Godines sitting behind the drum kit. The group was founded by David earlier in 2019, and ever since they’re

ill-logicz: “Countin'” – pure delivery stylistics

Hailing from Miami, FL, rapper ill-logicz is excited to release his single “Countin’” produced by Ka$h Blak. As a conscious rapper, ill-logicz tends to stick to the storytelling rap and hip-hop songs, but wanted to change it up a bit for this one. His previous single “Gemini” was released in February of this year. It’s always an admirable act when rappers dedicate some part of their music to new experiments. The rapper has always had plenty to say, and he’s also never been shy about saying it. Now his applying that same theory to his music. “Countin’” is a far

Deane Nesbitt Jr. – “Tracking The Soldier” relaxing and inspiring the listener at the same time

Oftentimes music has a way of helping people through the rough periods of their lives by allowing them to still their minds and quiet the tumult that is assaulting them from without. It allows people to turn within and find the strength that lies at the heart of their being so that they can face the next day no matter what circumstances are awaiting them. Deane Nesbitt Jr. seems to have taken has these recommendations and has created the album “Soundtracks in the Sand” as a way to put all of his most powerful music in one place. Well that’s

A&L: “So Sorry” – a hard hitting song that showcases grand all-round musicianship

“So Sorry” is the 10th single release by the two seasoned industry professionals – Anthony Casuccio and Lana Marie, better known as the chart-topping indie outfit A&L.  “After the success of our last single We Are Love, which was a ballad, we wanted to get back to our aggressive roots,” says Casuccio, the Grammy nominated engineer who powers the production behind A&L. The track channels the anger and realization that you are being played by a new lover. The powerhouse performance of the other half of A&L, Lana Marie, is a call to action and a warning to all players

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Originally from California, the Dallas (TX) based artist RealTalk the Black Boy King covers the complexities experienced in areas like Los Angeles, Las Vegas, and Phoenix, while seeks to shed light on the truth of life in America. World travelled and a true descendant of ancient royalty, RealTalk has unleashed his latest, epic 12 song project, entitled “True”. For those familiar with his previous work, ‘CURSES’ and ‘The Time Machine’, the new album, currently available for purchase on all platforms,  is considered a huge step up for the Dallas artist. Though his projects have all been critical successes, his latest

KARMS ANNOUNCE NEW TRACK ‘TELL ME WHEN THIS ONE ENDS’

KARMS first turned heads in 2017 with single, ‘We Always Lose’, an energetic anthem that just never seemed to quit. Not leaving too much time for breathing, the band soon released their EP, ‘River’, a bone crushing selection of songs politely polished off with the silky, tender, ‘Beautiful Magic’. Not one to shy away from a show, KARMS have been lucky enough to take on supports with Fatherson, The Amazons, Arcane Roots and The Strypes. KARMS have headlined sold out shows at Whelan’s, Dublin and played at last year’s Other Voices in Ballina. In 2018, KARMS released their debut album

Lil Xelly: “Rxelly” – crank up the volume and ride!

The 19-year-old rapper Lil Xelly, hails from Rockville, Maryland and began making music as early as 9 years old, writing raps in a journal. While most new rappers do the normal thing and launch themselves into the hip-hop arena with a single release, towards the end of 2017, Xelly dropped a mammoth 105-song mixtape entitled “More Xelly”. Having now laid down his blueprint from which to evolve and expand, Lil Xelly went on to release two projects a month, starting in early 2018, and then surpassing that benchmark as the year went on, continuing into 2019. A couple of weeks

KIDx: “From Above” – legitimately excellent for someone his age

There’s proof that hip-hop is of great importance to young kids, whether or not they’re good at rapping. Studies have shown how powerful music can be for inspiring underprivileged communities and supporting undeserved students. Learning music at a young age can offer powerful cognitive boosts that could do wonders in closing our current achievement gaps. Not only that, hip-hop’s complex lyricism and wordplay makes it an excellent tool to help increase verbal fluency, broaden vocabularies and teach literary concepts such as metaphor and personification.

Hip-hop can also be a way to show how to be a good person in the world as well as a tool for creative expression. Whether all of the above apply to 13-year-old Fairfield, Ohio-based rapper/producer KIDx is still to be seen, but for sure his rap is legitimately excellent for someone his age.

Signed to the American hip hop label Ballaholic Music in July 2016, KIDx is also a member of the hip hop production duo Ballaholic Boys with HULKx. He very recently dropped his 5 track mixtape entitled, “From Above”.

Fans and haters alike will abound after listening to this recording, as his is the age of angst and insecurity, but at his young age KIDx is positioning himself in a perfect light to spread hip-hop’s inspirational and entertaining aspects. He recognizes his art forms’ ability to communicate, and he’s clearly setting his sights on sending his messages far beyond Ohio.

The odds are stacked fairly firmly against KIDx in almost every regard, despite his impressive drive and clear talent. Hip hop has traditionally been built upon a bedrock of authenticity (or at least the faking thereof), and it is hard to imagine the community being welcoming of a 13-year-old kid off the back of a 5-track mixtape. It would seem that he is being set up for a fairly spectacular fall, whichever way you cut it.

But if KIDx feared such an outcome he would hardly have put himself up to the challenge. Hence tracks such as “Limit” (Prod. By Cxdy), “Hitman” and “The Greatest” serves to showcase both his technical proficiency, and the pop-friendly production of his mixtape.

And his artistic trajectory across these tracks is impressive, to say the least. Forget about the ‘authenticity’ and ‘real’ tags for the moment and concentrate on the kid’s wordplay, flow and all-round technical ability. Those are the things that tell you whether he will last long enough in the game to forge the ‘being real’ nonsense further up the road.

The overall feeling is that if KIDx can keep spitting with the passion, intelligence and verve shown on “From Above”, then one day he might just pull it off. And even if he doesn’t, he will have done something remarkable. He would have proven once again that hip-hop is a vital and essential art, regardless of age…or commercial success.

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