INTERVIEW with Alternative Rock Band RAVENSCROFT

Ravenscroft is a seasoned foursome of alternative rock musicians comprising Ralph Buso (Vocals), Pat Magrath (Drums), Brett Octane, (Guitar) and Devin Baker (Bass). The band’s six song EP is set to be released January 2018. In the meantime the powerhouse unit has dropped two lead singles to whet anticipating appetites. Two of the band’s members took the time to answer some curiosities in the following interview. How long has the current line-up of Ravenscroft been together and how did you get together in the first place? Brett Gorke (Guitarist): Approximately three years. Due to personal issues the original guitar player was unable to continue with Ravenscroft. At that

Ann Taylor: “Sober” – an anthem that is so calm and haunting it could put you into a trance

Canadian Record Label Illium Audio signed Ann Taylor in 2017. A singer-songwriter living in Calgary, Ann fell in love with songwriting, propelling her towards the release of her first EP “Roses” in February 2016. She is a versatile artist who has explored genres as diverse as folk, pop and electronic music, and is able to blend them together to form unique and playful new sounds. In addition to her solo work, Ann is a member of musical collective “Plus”. Set to release a full length album in 2018, she is currently working on an EP, and has released the single,

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords

The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

Subreel offer decades of experience in various areas of music

Subreel is a website designed to help aspiring musicians, a music hub with a goal of offering equipment reviews, how-to guides and loads of other musical information. Their writers offer decades of experience in a lot of different areas of music, from live sound to instruments and music technology. Some of the areas Subreel cover include: “Recording and microphones” – Home recording has become something we can all do, and with a real lack of information online, Subreel have taken it upon themselves to provide guides such as how to make your own homemade acoustic panels and microphone reviews, from USB

TheKunig: “Urban Album” – stretching for a new musical vernacular

Featured many times on BBC Introducing and as well as on BBC Radio 6, TheKunig’s music has also been played regularly on radio stations across the globe. TheKunig skillfully combines jazz, synth sounds, samples, his own vocals and those of talented featured singers into very smooth and groovy compositions that are as alluring to the dancefloor as they are to a set of headphones. Rap music is not generally equated with atmosphere and transcendence, but TheKunig provides a great example of how rap can be just as otherworldly as other genres. He provides the experience on tracks such as “What?” and “From Lovers To”.

“Urban Album” is TheKunig’s most accessible album, but it is also his weirdest. The album is 10 + 1 bonus tracks of jazz infused electronics that create a dense and unique atmosphere. The album has many standout songs and provides one of the most unusual listening experiences of the year. TheKunig jumps from style to style within his electronic jazz core sound while creating the most colorfully vibrant chillout-ambient album that I have heard this year. This album can best be described as an experience.

The reason why TheKunig is who and where he is today is because he has never been afraid to do things differently. The fact that albums like this exists at all is testament to TheKunig perseverance, raw talent, and prophetic direction with which he steers his music to the richest musical waters; plucking out those worth bringing along on his musical voyage and creating records greater than the sum of their parts. More than any other recording before it, “Urban Album” feels like a milestone in the music of TheKunig.

The musical polymath who flits so lightly between jazz, electronica, hip-hop and ambient as to render the boundaries indeterminable, has cast his net even wider on this album, as he moves from the urban beat of “Droplets of Faith” to the surreal soul beauty of “Testify” and the retro swing of “Timeless Boundaries”. In between you’ll also find mainstream standouts like “No Glory” and “The Birthday Party” and the funky “Drive Me Crazy”.

There’s always been a sense that TheKunig was stretching for a new musical vernacular, one that would continue the lineage of his free jazz elements into new worlds. This album suggests he might have found it. As each song merges into the next, as one style succeeds another, the sensation is that of being in an urban dream.

To accomplish that transcendence, TheKunig implements the tricks of handfuls of different musical languages. Sometimes it’s the ecstatic energy of hard bop, other times the slow sway of astral ambient, and even others the communal hooks of hip-hop. Sections of the album verge on the mystical while others pulse with the visceral.

This is a TheKunig album, which means the number of musical stones he leaves unturned is negligible and the amount of emotion coursing through the album’s veins is immeasurable. TheKunig doesn’t play well in the grey area, because he understands that to be grey is to compromise. With the “Urban Album” he has composed one of this year’s most likeable albums and blended hip-hop, electronic, and jazz music more skillfully than many before him.

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