The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

Subreel offer decades of experience in various areas of music

Subreel is a website designed to help aspiring musicians, a music hub with a goal of offering equipment reviews, how-to guides and loads of other musical information. Their writers offer decades of experience in a lot of different areas of music, from live sound to instruments and music technology. Some of the areas Subreel cover include: “Recording and microphones” – Home recording has become something we can all do, and with a real lack of information online, Subreel have taken it upon themselves to provide guides such as how to make your own homemade acoustic panels and microphone reviews, from USB

Jaief & Asong: “Don’t Need To” – an understated showcase of minimalistic rap and pop

The two friends Jaief & Asong live in separate cities in the south of Germany but plan and execute their musical projects with producer KasAkustix in Berlin. In 2014, with a baggage of musical tastes that stretch across genres like Hip-hop, Country, Jazz, Soul, Rock, Pop, Electronic, and Afro-pop, among others, Jaief & Asong formed a musical duo that released its debut project, “EARWORMS”, in the fall of that same year. The recording amassed over 1 million streams; over 200,000 downloads and several sync licenses, were totaled exclusively on the Jamendo music platform. 2017 sees the duo working on new

The Book Of Harmony album is a spectacular achievement

Kind readers, if you know nothing of Book Of Harmony, start here. Book Of Harmony is a 7-piece NYC based Progressive Rock band who recently released their 14 track self-titled album. As is usually obligatory with this genre, the band displays outstanding technical musicianship, a flawless grasp of form, a captivating depth of lyricism, great vocals and complex harmonies. Members Leah Martin (Vocals), Jon Perkins (Guitars), Phil Duke (Bass), Anupam Shobhakar (Guitars and Composer), Michael Sutton (Drums), Takahiro Izumikawa (Keyboards) and Kensuke Shoji (Violin), also add warm ambience, an almost “live” feel, and lots of little progressive motifs…however they are

Earl Adamant Allen: “Can’t Get Enough” – cleverly structured storytelling and positive, open thinking

Listen to the latest track “Can’t Get Enough” by Earl Adamant Allen while you’re reading this. Do you hear that? It’s innovation in hip-hop. Adamant is a mic controller if there ever was one. His songs are the kind of laid back that makes the listener feel like they just woke up on a sunny Sunday morning, lying next to a beautiful woman after the deepest most romantic night they’ve had in weeks. Yeah, it is that good. Earl Adamant Allen is most definitely an inventor when it comes to the world of hip-hop. Not because he mixes R&B into

Etop: “Masterworks” is ground-breaking and innovative

Etop is not your typical electronic artist. If someone says to you that Etop plays electronic music do not go thinking that he plays heavy beats and dance songs. Well he does, but not quite the way you’re thinking. Etop is everywhere. He can go to a bubblegum electronic pop tune, to a groovy dance song, all the way over to a depressing ballad. And then he can do something better than just about anyone else…go back in time. No, this is not another installment of Return To The Future. He really goes back to the past, and out of the crate drags a ton of retro flavors and grooves. Often Etop returns to the kitsch 70’s and infuses it with the most exotic tones and melancholy moods. But here he does more…

On his latest album, “Masterworks”, Etop slides back a decade from his usual itinerary and takes us through some vintage rock and blues, as well as rhythm and soul textures, ranging from the 60’ through to the 80’s. Although he does this, the album flows together very well and even though there are a lot of different styles and moods here, Etop still keeps this album accessible. He throws in so many different grooves, moods, and rhythms so that no two songs sound the same.

Masterworks” is unlike any other electronic album out there, Etop is constantly keeping things fun, interesting, and above all, authentic. There are two main influences that this album has, there are the softer, beautiful melancholy tracks, and the more rhythmically driven tracks. Of course there’s also the added fascination of tracks such as “Manami In Twilight” ft. Juri ify Love and “Tomoko and the Star Dust” which seem to have decided bent towards Japanese J-pop anime music. And then there’s the reggae influenced “Control Tower” to throw a spanner in the works. Etop also explains that the album’s opening track, “Blue Collar”, is intended to pay homage to vintage blues-rock artists, such as Booker T and Canned Heat. And it does so in splendid style.

Booker T was totally groundbreaking in his time. His band comprised of two black members and two white members, and that was long before Martin Luther King, Jr. lead the March on Washington. In his music you can hear those amazing rhythms that black drummer Al Jackson and white bassist Lewie Steinberg concoct together. Then Booker T. on keys, and lead guitarist Steve Cropper, played off of each other in the most amazing ways. Etop recreates that same vibe and style on this track with aplomb.

From start to finish, on this album, we receive an intense ride full of groove ridden beats, warm old school keys, the occasional vocal interlude, and a wash of soulful guitars. “Orangutan” acts as a slow burning showpiece that successfully blends the blues and that somber mood which is so hard to create electronically. You couldn’t really ask for a more beautiful song on this record. Until you come to “The Guggenheim Job” of course, which is another exercise in beauty and restraint.

One of my favorite songs on this album has to be “Live Love Repeat”. It’s no secret that Etop is a real guru when it comes to the slower tunes, and here he infuses this track with emotionally stirring layers of beautiful horns, reeds, piano and guitar. It’s definitely a contender, alongside the bluesy electric-guitar driven “M.I.T. Instrumental” and the organically atmospheric “Orangutan” as the most outstanding track on the album.

Etop has gone out of his way to make an electronic album that is ground-breaking and innovative with “Masterworks”, and at the same time he has pieced together a record that boasts 13 stunning, inspiring and emotive tracks that sit confidently within the genre’s expansive repertoire, but spills over its boundaries too. His skills lend well to any style but he is especially proficient on slower emotional grooves, and those skills play a prominent role within the soulful and engaging framework of “Masterworks”.

MORE ABOUT: Etop’s family immigrated to the United States during 1986, from South America and West Africa, settling in Brooklyn. Etop would find joy and entertainment in hearing songs on records during his youth. Later on in life, Etop received an associate degree in architecture, while studying at New York City’s Technical College. This allowed Etop to receive his Bachelor of Arts in architecture at the Pratt Institute of Arts and Design. Even though Etop was on the path to architectural design, music production has always been his calling.

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