Grayson Word Releases his Debut EP “Different Kind of Free”

Grayson Word’s debut EP, “Different Kind of Free”, is a fantastic surprise for any music fan. The soulful vocals and the hint of 70’s funk give it a vibe much older than his 18 years. The album, from this American artist, starts with the haunting vocals on ‘Lost’, shares the heartbreak of a lost love in ‘Can’t Get Over You’ and takes us on a beautiful ride through the song ‘Slow’. Some of his influences include Al Green, Michael McDonald and Earth, Wind & Fire to name a few. Grayson says realizing his passion for music at a very early

Ann Paul: “STAY” – elegant pop structures with choruses that will remain stuck in your head

It’s not easy to find really excellent singer-songwriters anymore, but in Ann Paul the talent has been found as she’s an amazing artist. Her arrangements are kept fairly simple and the words flow smoothly. Sometimes she’ll remind you of a straight acoustic folk singer voice… and then at other times there’s a shot of rhythm mixed into the arrangements which just lures the listener into her mellow groove. Ann is an artist from New York who currently resides on the North Fork of Long Island. She was drawn to music at an early age and taught herself the basics before

The Silver Bayonets: “BRAVEFACE” – fantastic Adrenalin pacing of the album

Listening to the brand new album “BRAVEFACE”– which is set to release the 13th of April 2018 – by The Silver Bayonets is like climbing up and own a series of steep hills. The flow, the trip, the atmosphere, the anticipation, gives the album a fantastic undulating mood all its own. The music is more than badass guitar riffs and pounding drums; it has a feel and life unique to itself. And that is what makes the album spectacular. Like most of the band’s music, “BRAVEFACE” isn’t just something to listen to; it’s something to experience. Hype aside, this album

Music Legend Plunky Releases – “Only You” 4-Song Smooth Groove/Afro-Mellow EP

The storied history of Afro-jazz funk legends Plunky & Oneness continues with a new album, Eclecticism, to be released June 13 of this year.  As a prelude to the new album, Plunky is releasing Only You, a four-song maxi-single of Afro-mellow smooth grooves on March 13.  While his maxi-single focuses on mellow vibes, the four tracks still showcase the variety and versatility Plunky and his group have shown for more than 40 years and 25 albums.  Newness and innovation are on full display on this EP as Plunky and his son, J. Fire Branch, have produced a collection of personal

Meelow’s voice is perfect for what she’s trying to achieve sonically

Teen songwriter, actress and musician, Lily Garret, better known by her stage name Meelow, draws inspiration from a wide range of artists, such as Queen and Heart, as well as Christina Aguilera, Halsey, and Adele. She’s performed at several festivals and charity events including The Chisholm Trail Art Walk, and the United Way Follies where she was chosen as fan favorite, and she also performed the National Anthem at the PRCA Rodeo in Duncan, Oklahoma. Something she will be repeating for the OKC Dodgers soon. Meelow has been doing covers and releasing original music via Soundcloud, Reverbnation and YouTube for some

Billy Swayze will blow you away

Passion for music and entertainment runs deep in Billy’s veins. The legacy of music and entertainment runs deep in Billy Swayze’s family. His cousin Roderick Falconer/Rod Taylor was a prolific rock singer/songwriter on Geffen Records who produced seven albums before launching his film career. Billy’s father was the pro wrestler Beautiful Bruce Swayze, his distant cousin actor Patrick Swayze, and his mother lyricist Bonnie Swayze. Intent on carrying on the family tradition, Nashville’s songwriter and performing artist Billy Swayze, is crafting and releasing his own blend soul, electro and rock with elements of ambient, trip-hop and psychedelia. If rock and


Although it may still be winter, there’s still plenty of warmth to be found in the music of ESP EVOLUTION. The duo consists of music producer and guitarist Overdose and singer and songwriter The Lady Capri. Together the two “have joined hands to create a whole new different form of the musical genre which promises to break all barriers of how music is composed and what audience is going to experience. The partnership which started in 2010 is going strong and delivering a series of hits. ESP Evolution proclaims to challenge your musical cravings and leverage your taste buds, making

Lyrikha: “Give Me All Your Love” – a synth infested electronic power play !

Lyrikha has been writing since 2008 and her original song catalog contains Pop, R & B and club songs, which she releases through her label Erica Leonard Entertainment. But the lady actually started out singing in her church choir as a young child and has desired performing ever since. In elementary school she was introduced to drama, and has since formally studied acting for television and film. A member of the Recording Academy of Arts and Science, as well as ASCAP, Lyrikha also finds passion in reworking disco classics. Something she has confidently done with the Crown Heights Affair track

Nitish Pires: “Am I Evil” – focusing on the melodic and accessible aspect of his musical work

Nitish Pires began his musical journey in 1999 with the formation of the Rock band Nakshatra, releasing one album – “Gulfam” – entirely penned by Pires, and released on Universal Music. In 2007 he ventured into a solo career writing two albums – “Sarhadein” and “Chauraha” – as well composing music for TV adverts for companies like Vodafone, Nokia and Fila. He also put together an entire movie score for the feature file Soch Lo. Though having his hometown in Goa, Pires has travelled extensively promoting his work. After a 4 year world backpacking adventure that started in 2014, he

Nicky Ash: “Beautiful” – a masterful job of balancing the modern and the classic in her sound

South African born singer-songwriter and recording artist, Nicky Ash, has been performing since she was four years old back in 2001. She has gone on to win awards as well as receive critical acclaim for her works and performances. A qualified make-up artist, currently studying Cosmetology, 20 year old Nicky has linked up with accomplished music producer Dante Lattanzi of Caelum Music Production who is managing her as well as producing her upcoming EP, to be released in the first quarter of 2018. They have now dropped the single “Beautiful”, written by Nicky for her mother – “A strong, independent

Close up with Rocker Rick Shaffer

Prolific recording rock artist, Rick Shaffer, is a founding member of the Philadelphia band, The Reds©, whose first self-titled album on A&M records, was produced by David Kershenbaum. It highlighted a blend of Rick Shaffer’s guitar and Bruce Cohen’s keyboards. The album was supported with live appearances with The Police, Joe Jackson, Blondie, The Ramones, The Psychedelic Furs, and Public Image. Shaffer has also done plenty of studio work and features on the Marianne Faithfull album (Island); Hilly Kristal’s, “Mad Mordechai” (Stereo Society); Peter Murphy’s, “Holy Smoke” (Beggars Banquet/BMG); and Marc Almond’s, “Fantastic Star” (Some Bizarre/Mercury); as well as writing, producing and recording, “Looking For Right,” for the film, “Collateral,” directed by Michael Mann. 2017 also marks Rick Shaffer’s eighth solo album, “STOLEN MOMENTS”, which was inspired by the concept that there are no guarantees or promises in life.

  1. Where did the songs on your eighth solo album, “STOLEN MOMENTS” come from, have you been storing them away and waiting for the right moment, or did inspiration suddenly hit you?

Rick Shaffer: All my albums are written in the moment prior or during the current recording. Although the track “Other One” was a lyrical idea kicking around a while. The musical idea of “Other One” was to wrap Neil Young’s “Cortez The Killer” around Television’s “Marquee Moon” guitar atmospherics. The overall song material is written in a stream of consciousness.

  1. You were joined by Teddy Rixon (bass) and Stevie Carlisle (drums) on your new album, how did that affect the writing and recording process, were you in control the whole time, or was it more of a process where everyone left their mark?

Rick Shaffer: The rhythm section rolls with the songs presented, they play what they’re feeling and we take the song and sounds to where the production is realized. Teddy comes from the Bill Wyman / Ronnie Lane school of bass, and Stevie is a Nick Knox / Mo Tucker guy, and both are perfect for this album. We recorded twenty-two tracks and put together the ten that made the most sense continuity wise. Producing the material myself, gives me the freedom to get the tracks just how I imagined them in my head. It’ all about groove, vibes and tones.

  1. Okay, so we’ve discussed how the album was made, but for someone who is sitting on the fence, why should they grab themselves a copy of “STOLEN MOMENTS”?

Rick Shaffer: There’s no sitting on the fence. If you want some raw, aggressive, real rock-n-roll then jump on board. If you’re looking for the over produced, over thought out and, to these ears, boring, corporate projects, I’m not your guy.

  1. We always like to ask which artist and bands influenced you to pick up the electric guitar in the first place and who is inspiring you today?

Rick Shaffer: A bunch of artists, but early Stones, which led to the blues masters like Muddy Waters, Slim Harpo, Fred Mc Dowell and the great Magic Sam. Later the sixties and seventies rockers Bowie / Ronson, Iggy and the Stooges, Free, Lou Reed, and Mitch Ryder. A guy that I’ve been listening to lately is Bo Carter and the Mississippi Sheiks.  I always focus on what I would call the “long game” artists like Link Wray, Van Morrison, Iggy Pop and Muddy Waters, people that continue to keep working on their sound.  The production sound was an interest also, like the Phil Spector Gold Star recordings, Chess Records, Motown and lots of the indie 60’s garage sounds.

  1. Was there a definitive moment when you knew you wanted to be a guitarist?

Rick Shaffer: I think it was more of a cumulative addiction, always tone, hooks and guitar riffs, hearing Keith Richards “Satisfaction,” B.B. King’s “Live at the Regal,” Peter Green’s “English Rose,” and the wonderfully distorted Link Wray’s “Rumble.”

  1. Do you remember your very first guitar and do you still own it?

Rick Shaffer: My first guitar was purchased from the Sears and Roebuck department store and was an acoustic Silvertone for $25 bucks which led to my first electric “Danelectro Longhorn” like Link Wray played. Unfortunately, I do not own them today.

  1. Your first gig: disaster, success, or long forgotten?

Rick Shaffer: I still remember the noise, the beat and crowd. I loved it and thought this is for me. How good the performance was — I don’t remember any negative crowd response, or being hit with anything, and there was a lot of dancing, so it was a success.

  1. What’s your favorite bit of musical gear in your collection, and what’s the latest addition you’ve made, or are wanting to make?

Rick Shaffer: My 1960’s Framus guitars are favorites, along with my 1961 Supro Ozark.  So it comes down to a few to get the colors and character on each song. The Premier Reverberation unit and the Mahoney Cal Tone fuzz pedal are essentials. Two new important additions on this album are a 1971 Framus “Caravelle” and ‘Embargo” pedal designed by Ant Farm Amplification that’s a take on the original Rangemaster. And I’ve been looking for a Hornby Skewes treble booster.

  1. It may seem like an odd question to ask as you’re still very much in the prime of your career, but what do you look back on as your proudest moment so far?

Rick Shaffer: The work my partner Bruce Cohen and I did working with director Michael Mann, and playing live the original line-up of The Reds on tour with Blondie, Police, The Ramones, and Joe Jackson.

  1. To get back to the album, “STOLEN MOMENTS,” when you aimed to recreate The Stooges “Fun House” production style in the studio, was it because you wanted to sound authentic, or were you trying to avoid an ultra-clean modern production sound?

Rick Shaffer: I didn’t aim for the “Fun House” production, as much as using it for inspiration to my own sound. It came through a bit in the recording process, because generally my production has a heavy lean on distortion and is consistently anything but clean. I think recoding live on a Scully 280 gives that early 70’s sound, and on tracks “Time Stays” and “Call My Name” we switched to a Ampex 4-track for that early Stones / Pretty Things sound. For me, the tracks “All I Want,” “Modern Lie,” “Other One,” “One In Five” and “Danger Awaits” really come the closest to The Stooges “Fun House” sound.

  1. In the UK and Europe music magazines and websites they’re incredibly pessimistic. After another year of declining sales of guitar music, everyone seems ready to proclaim the death of rock?

Rick Shaffer: Fuck em, there will always be rockers. What did that old Neil Young say? “Rock and roll can never die.”

  1. As a great guitarist in your own right, and as a former member of a highly successful act how do you respond when you hear commentators talking that way about guitar-based music?

Rick Shaffer: They’re morons that need something to write about and just show their intelligence, or lack there of.

  1. Is there an artist whose music you love that might surprise our readers?

Rick Shaffer: Sixties artist Laura Nyro, because her lyrics, imagery and intensity is a beautiful thing.

Rick Shaffer

  1. Is there a guitar or bit of equipment you remember being excited about buying in the moment, but now look back and just shake your head?

Rick Shaffer:  That would be a sixties Gibson SG Standard that didn’t have enough bite for me.

  1. In your eyes, what makes a great guitarist?

Rick Shaffer: Tone, memorable riffs and songwriting. Jimi Hendrix is one of the few artists that had the whole package.

  1. Time to annoy our guitar obsessed readers: the best guitar in the world is?

Rick Shaffer: The all purpose Fender Stratocaster . God bless Leo Fender.

  1. What is the best piece of advice regarding the music business that you actually followed so far, and what is the advice you didn’t follow, but now know for sure that you should have?

Rick Shaffer: Play it like you feel it, never give up, block out the noise and write your own material. The worst decision ever was A&M Records insisting The Reds use The William Morris agency to book our live dates. Because it meant firing Ian Copeland, a person we really loved, who was our original booking agent.  A bad moral and business mistake I felt at the time, but didn’t follow through on because of the record label agenda.

  1. How would you personally describe your music, in the length of a Tweet, to someone who has never heard your stuff before?   

Rick Shaffer: I don’t tweet, but I am on Facebook (

  1. Do you consider Internet and all the social media websites, as fundamental to your career, and indie music in general, or do you think it has only produced a mass of mediocre “copy-and-paste” artists, who flood the web, making it difficult for real talent to emerge?

Rick Shaffer: Yes, they’re good tools to reach a larger audience, especially to connect with fans. Real talent will emerge in the long run, there has always been “short timers.”

  1. What is the one thing you have never ever been willing, or prepared to do, in your quest to sustain a successful musical career?

Rick Shaffer: Sell out the music for the bucks, or for anybody.



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