Cymbalik – “A New Positive”- the alchemical combination of quality, creativity, and alluring empathy

There are a lot of new producers that are coming to the scene this years, and some that have been in the game for a while, but few are as exciting has Cymbalik AKA Jose Serpas who hails out of Denver, CO. If you’re a part of the people who don’t know who Cymbalik is just yet, then expect him to be all over your music queue in the next couple of years. With his crazy beats and smooth melodies it’s expected that he makes some big jumps in the industry very soon. Cymbalik works with modern day techniques while

Best friends in New York City make dope a hip-hop song during quarantine and are donating ALL proceeds to charity

The producer Christos “XOS” Angelidis created the instrumental for the record “ICE COLD” while recovering from the sever virus COVID-19 in his Queens, New York home. His close friend and colleague, Laquan “REVL TVLK” Priester, from Brooklyn, New York, now living in Los Angeles, wrote the lyrics and rapped over the song. “ICE COLD” is a result of the inspiration being based from the cold winter months of New York City. Furthermore, the duo – being from New York City, the U.S. epicenter of the outbreak – has experienced firsthand the devastation of the virus. XOS lost four coworkers as

Steve Sperandeo – “Contagious Emotions” – intimate storytelling that inebriates the senses

Like all works of music, there are always going to be some you absolutely love and some you only like. “Contagious Emotions” by Steve Sperandeo one is going on the absolute love list. Steve has added some jazzy, bluesy touches in this album, while maintaining a soft organic-rock style made of elegant guitar work and graceful melody. It’s a masterful blend by a thoughtful musician. But be forewarned, Steve’s music needs more than a single playing to fully savor its nuances. So grab a drink of your choice, sit back and enjoy the storytelling as Steve Sperandeo delivers 11 unhurried

Heistheartist – “Boom” (Love Version) – transposes crystal-clear artistry through spiritual glistening

Heistheartist is an American Christian singer-songwriter from Central Islip, NY. Formerly a secular neo-soul singer signed to Bentley Records under his biological name LeeMann Bassey, Heistheartist discovered that his true calling was with the Lord, after hearing an inspiring sermon by TD Jakes online one day. That day he was inspired to teach the world about the Lord like TD Jakes did with his Sermon, but through music. The song “Boom” – a song that mixes sensuality with religion – is actually based on a dream that Heistheartist had one night, in which he had relations with an angel. “Boom”

Bobby Royale – “Live Jazz at Staarsound” – There is an artistic quality in the music that cannot be overlooked

Some see hip-hop and jazz as an unholy alliance, maybe even the vulgarization of jazz. But other musicians see the genre-melding as a positive development. Every so often, in some corner of the globe in fact, you’ll find a handful of jazz musicians experimenting with jazz and hip-hop hybrids. In some ways the musical connection would seem inevitable. After all, early gospel, blues and jazz employed call-and-response cadences dealing with the same themes prevalent in hip-hop today. For some, though, the similarities end there. Straight ahead jazz musicians who have had their music sampled appreciate their work being exposed to

J.Drive – “Untitled” showers the auditory canvas with musical ideas

Hailing from the inner city of Youngstown, Ohio’s Southside, Jessie “J.Drive” grew up in a small apartment in a violent neighborhood without his natural mother or father.  At a very young age he realized that his natural affinity for basketball and Hip-hop music would become the tools necessary to pave his way to a more comfortable lifestyle.  Despite the tragic events that ended his hoop dreams, Jessie’s understanding of what it takes to make the best of his gifts regardless of circumstances is what has brought him thus far. Currently he is pushing his latest single called “Untitled”. In his

“Millions” shows off how talented and self-assured DboySlim is!

“Millions”, the track by DboySlim, has an incendiary takeoff, wasting zero time to underscore the necessary sense of urgency through a compacted sonic boom and a room full of booty. The backdrop is made of a dynamic piano loop, skittering hi-hats, and twisting synths, while the rapper updates his dance-swaying lyricism. DboySlim is impressive to say the least, while the track absolutely bumps. He creates an intense atmosphere that makes you want to jump around and groove. “Millions” shows off how talented and self-assured DboySlim is, and how he can probably live up to any hype you want to put

Andree Cassielll – “Alimento” – a universality that makes him a perfect fit for the modern era!

The Mexico City native, Andree Cassielll, possesses a down-to-earth humility in his vocal tone that makes his storytelling raps feel like they’re always coming from a place of truth over fiction. Considering the producer and artist, predominantly sings and raps in Spanish, which I cannot understand, that’s an impressive feat. The trap-inspired beats flicker in and out as Andree becomes more invested in his storytelling, and it truly feels like you’re on the phone with a rambling friend. He’s a poet, capable of transporting you somewhere otherworldly with his sound. His music has a genuine fluidity, and if he continues

EH – “Mirrors” lets it fly with the fret-board work to thoroughly rock you!

Baltimore rock guitar ace EH reaffirms his top-of-the-heap status on his new 7 track album “Mirrors”. It’s a superlative set of new music full of tightly-written, engaging instrumentals that don’t need a singer up front to rock hard and hold your attention. This type of writing is EH’s trademark, and is one of the main reasons he will develop a audience. While many other technically-proficient rock guitarists mainly play for other guitar players, EH seems to play for the people. He relies less on continuous shredding and more, on dynamically impacting riffs. EH gets us going with his opening track, “Pounding

Boonie Mayfield – “While Black (Red Light, Blue Light, E’s and R’s)” – sentiments nurtured by a history of prejudice

Solomon Vaughn aka Boonie Mayfield has always traded dazzlingly intricate verses, intellectual thoughts and propulsive rhymes, over inventive, nonlinear productions, and his latest release “While Black (Red Light, Blue Light, E’s and R’s)” re-proposes that peerless aesthetic, while adding an ulterior dose of consciousness, and reinforcing his hard-won authenticity. “This song is a 2-part storyteller based on some of my personal experiences with racism; from getting racially profiled by police, dealing with stereotypes while dating and the ugly side of interacting on social media,” explained Boonie. “I was inspired to display some of the scenarios I’ve gone through on a

Close up with Rocker Rick Shaffer

Prolific recording rock artist, Rick Shaffer, is a founding member of the Philadelphia band, The Reds©, whose first self-titled album on A&M records, was produced by David Kershenbaum. It highlighted a blend of Rick Shaffer’s guitar and Bruce Cohen’s keyboards. The album was supported with live appearances with The Police, Joe Jackson, Blondie, The Ramones, The Psychedelic Furs, and Public Image. Shaffer has also done plenty of studio work and features on the Marianne Faithfull album (Island); Hilly Kristal’s, “Mad Mordechai” (Stereo Society); Peter Murphy’s, “Holy Smoke” (Beggars Banquet/BMG); and Marc Almond’s, “Fantastic Star” (Some Bizarre/Mercury); as well as writing, producing and recording, “Looking For Right,” for the film, “Collateral,” directed by Michael Mann. 2017 also marks Rick Shaffer’s eighth solo album, “STOLEN MOMENTS”, which was inspired by the concept that there are no guarantees or promises in life.

  1. Where did the songs on your eighth solo album, “STOLEN MOMENTS” come from, have you been storing them away and waiting for the right moment, or did inspiration suddenly hit you?

Rick Shaffer: All my albums are written in the moment prior or during the current recording. Although the track “Other One” was a lyrical idea kicking around a while. The musical idea of “Other One” was to wrap Neil Young’s “Cortez The Killer” around Television’s “Marquee Moon” guitar atmospherics. The overall song material is written in a stream of consciousness.

  1. You were joined by Teddy Rixon (bass) and Stevie Carlisle (drums) on your new album, how did that affect the writing and recording process, were you in control the whole time, or was it more of a process where everyone left their mark?

Rick Shaffer: The rhythm section rolls with the songs presented, they play what they’re feeling and we take the song and sounds to where the production is realized. Teddy comes from the Bill Wyman / Ronnie Lane school of bass, and Stevie is a Nick Knox / Mo Tucker guy, and both are perfect for this album. We recorded twenty-two tracks and put together the ten that made the most sense continuity wise. Producing the material myself, gives me the freedom to get the tracks just how I imagined them in my head. It’ all about groove, vibes and tones.

  1. Okay, so we’ve discussed how the album was made, but for someone who is sitting on the fence, why should they grab themselves a copy of “STOLEN MOMENTS”?

Rick Shaffer: There’s no sitting on the fence. If you want some raw, aggressive, real rock-n-roll then jump on board. If you’re looking for the over produced, over thought out and, to these ears, boring, corporate projects, I’m not your guy.

  1. We always like to ask which artist and bands influenced you to pick up the electric guitar in the first place and who is inspiring you today?

Rick Shaffer: A bunch of artists, but early Stones, which led to the blues masters like Muddy Waters, Slim Harpo, Fred Mc Dowell and the great Magic Sam. Later the sixties and seventies rockers Bowie / Ronson, Iggy and the Stooges, Free, Lou Reed, and Mitch Ryder. A guy that I’ve been listening to lately is Bo Carter and the Mississippi Sheiks.  I always focus on what I would call the “long game” artists like Link Wray, Van Morrison, Iggy Pop and Muddy Waters, people that continue to keep working on their sound.  The production sound was an interest also, like the Phil Spector Gold Star recordings, Chess Records, Motown and lots of the indie 60’s garage sounds.

  1. Was there a definitive moment when you knew you wanted to be a guitarist?

Rick Shaffer: I think it was more of a cumulative addiction, always tone, hooks and guitar riffs, hearing Keith Richards “Satisfaction,” B.B. King’s “Live at the Regal,” Peter Green’s “English Rose,” and the wonderfully distorted Link Wray’s “Rumble.”

  1. Do you remember your very first guitar and do you still own it?

Rick Shaffer: My first guitar was purchased from the Sears and Roebuck department store and was an acoustic Silvertone for $25 bucks which led to my first electric “Danelectro Longhorn” like Link Wray played. Unfortunately, I do not own them today.

  1. Your first gig: disaster, success, or long forgotten?

Rick Shaffer: I still remember the noise, the beat and crowd. I loved it and thought this is for me. How good the performance was — I don’t remember any negative crowd response, or being hit with anything, and there was a lot of dancing, so it was a success.

  1. What’s your favorite bit of musical gear in your collection, and what’s the latest addition you’ve made, or are wanting to make?

Rick Shaffer: My 1960’s Framus guitars are favorites, along with my 1961 Supro Ozark.  So it comes down to a few to get the colors and character on each song. The Premier Reverberation unit and the Mahoney Cal Tone fuzz pedal are essentials. Two new important additions on this album are a 1971 Framus “Caravelle” and ‘Embargo” pedal designed by Ant Farm Amplification that’s a take on the original Rangemaster. And I’ve been looking for a Hornby Skewes treble booster.

  1. It may seem like an odd question to ask as you’re still very much in the prime of your career, but what do you look back on as your proudest moment so far?

Rick Shaffer: The work my partner Bruce Cohen and I did working with director Michael Mann, and playing live the original line-up of The Reds on tour with Blondie, Police, The Ramones, and Joe Jackson.

  1. To get back to the album, “STOLEN MOMENTS,” when you aimed to recreate The Stooges “Fun House” production style in the studio, was it because you wanted to sound authentic, or were you trying to avoid an ultra-clean modern production sound?

Rick Shaffer: I didn’t aim for the “Fun House” production, as much as using it for inspiration to my own sound. It came through a bit in the recording process, because generally my production has a heavy lean on distortion and is consistently anything but clean. I think recoding live on a Scully 280 gives that early 70’s sound, and on tracks “Time Stays” and “Call My Name” we switched to a Ampex 4-track for that early Stones / Pretty Things sound. For me, the tracks “All I Want,” “Modern Lie,” “Other One,” “One In Five” and “Danger Awaits” really come the closest to The Stooges “Fun House” sound.

  1. In the UK and Europe music magazines and websites they’re incredibly pessimistic. After another year of declining sales of guitar music, everyone seems ready to proclaim the death of rock?

Rick Shaffer: Fuck em, there will always be rockers. What did that old Neil Young say? “Rock and roll can never die.”

  1. As a great guitarist in your own right, and as a former member of a highly successful act how do you respond when you hear commentators talking that way about guitar-based music?

Rick Shaffer: They’re morons that need something to write about and just show their intelligence, or lack there of.

  1. Is there an artist whose music you love that might surprise our readers?

Rick Shaffer: Sixties artist Laura Nyro, because her lyrics, imagery and intensity is a beautiful thing.

Rick Shaffer

  1. Is there a guitar or bit of equipment you remember being excited about buying in the moment, but now look back and just shake your head?

Rick Shaffer:  That would be a sixties Gibson SG Standard that didn’t have enough bite for me.

  1. In your eyes, what makes a great guitarist?

Rick Shaffer: Tone, memorable riffs and songwriting. Jimi Hendrix is one of the few artists that had the whole package.

  1. Time to annoy our guitar obsessed readers: the best guitar in the world is?

Rick Shaffer: The all purpose Fender Stratocaster . God bless Leo Fender.

  1. What is the best piece of advice regarding the music business that you actually followed so far, and what is the advice you didn’t follow, but now know for sure that you should have?

Rick Shaffer: Play it like you feel it, never give up, block out the noise and write your own material. The worst decision ever was A&M Records insisting The Reds use The William Morris agency to book our live dates. Because it meant firing Ian Copeland, a person we really loved, who was our original booking agent.  A bad moral and business mistake I felt at the time, but didn’t follow through on because of the record label agenda.

  1. How would you personally describe your music, in the length of a Tweet, to someone who has never heard your stuff before?   

Rick Shaffer: I don’t tweet, but I am on Facebook (facebook.com/TheRedsMusic).

  1. Do you consider Internet and all the social media websites, as fundamental to your career, and indie music in general, or do you think it has only produced a mass of mediocre “copy-and-paste” artists, who flood the web, making it difficult for real talent to emerge?

Rick Shaffer: Yes, they’re good tools to reach a larger audience, especially to connect with fans. Real talent will emerge in the long run, there has always been “short timers.”

  1. What is the one thing you have never ever been willing, or prepared to do, in your quest to sustain a successful musical career?

Rick Shaffer: Sell out the music for the bucks, or for anybody.

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