Lew Houston: “Safe” – a gritty flow that adds to the lyrical poignancy

Lew Houston is a hip-hop artist currently based in San Diego. Originally from Houston, Texas, Lew rose above the violence and poverty in his life by playing sports and creating music. Influenced by Southern rap styles, he began writing his own lyrics at a young age and released his debut album “The Progression” in 2016.  His latest EP “Back to da Money” is available now, and features the single “Safe”. With no forewarning, Lew gives us a sharp and compact four-minute statement on “Safe”. It’s just a quick and efficient declaration of supremacy, a warning for us not to underrate

Rodrigo Rocha gets the lead role in “SSW Of The Border”

Actor Rodrigo Rocha is not slowing down anytime soon. After a slew of roles, he is preparing to lead a feature indie movie, “SSW Of The Border”. Set to start production in the first quarter of 2019, the film is projected to be released early next year. “SSW Of The Border” will be directed by Felipe Bretas and Bruno Vieira. Other casts of the movie include Kayky Brito, Zhubin Rahbar, Eduardo Magalhaes, Dani Antunes, Eben Reinhardt, Joao Gevaerd, Dimi Papas, Kenzie Dodds, Rhaina Rodovalho, and Juliana Amador. “SSW Of The Border” movie will start production in April 2019. An official

Daud Aur Yahudy: “Home Bound” – The sounds are deep-toned

A former professional athlete in the NFL, now turned singer-songwriter, Daud Aur Yahudy has released his EP “Home Bound”, which follows the re-release of his critically acclaimed debut album “Soulful Life Within”. Daud has earned his right to experiment with his sound and release something that tells us who he really is. The eloquently presents his unique version of future soul lined with a touch of love, spirituality and enchantment. His distinct flare allows him to appeal to the masses without becoming a cookie-cutter R&B and soul singer. The silky smooth, 6 song EP features peaceful and melodic vocals that

Marcus Christ is the American prodigy known for his hit hooks, killer songs, and melodic voice.

Marcus Christ continues to move forward in the entertainment industry. He has just recently released two single songs edited for radio play called “It’s Like” and “If I Knew”, for sale on Cdbaby.com. Marcus Christ is the American prodigy known for his hit hooks, killer songs, and melodic voice. Marcus Christ was just recently released from jail after pleading no contest to vandalism charges. As an artist Marcus Christ has had problems in the past “expressing himself”. Marcus Christ expects his double album “Prince of the Universe” to showcase various producers, but especially his own productions. Marcus Christ admits he

AMARU: “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)” is totally on fire!

AMARU – a singer-songwriter and a trained actor, originally from the Republic of Suriname residing in The Netherlands since 1991 – has found critical success with enough Pop, Rock, R&B and Electronic influenced songs that there’s plenty of demand for more, but there’s nothing like hearing the gloriously hard-nosed Dutch artist rap a beat to shreds. This is something he does not often do. Now on his latest release – “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)” – we get to savor just that. The song is rap remix of the title track of his debut album, and is a completely new version,

Hookdiggy: “On My Way” ft. Sunja Dannette – full feel-good potential

2019 sees Atlanta-based Hookdiggy, continuing his growing momentum and his promise to put out well written hip-hop that appeals not only to fans of the genre, but fans of creative and innovative lyrical content. In fact he goes beyond that with his latest track, “On My Way” ft. Sunja Dannette. Utilizing full-bodied smooth instrumentation, Hookdiggy manages to pull off an almost cinematic-like ambiance throughout. The intoxicating mix of jazz, hip-hop, and neo-soul with a dash of dance is maintained at a very high level from beginning to end while the musicianship is top-notch every step of the way. Hookdiggy, together

Tony Marino: “Family and Friends” – a wildly rhythmic demonstration of every crowd-pleasing twist

Tony Marino – the South Philly composer, pianist, and bandleader – has been passionately carrying the torch for his love of Latin Jazz sounds since the release of his debut Cd “Tony Marino & Havana Heat: The Latin Jazz Project” which was dropped in January 1997. The artist who fell in love with the piano at just 7 years of age, has since recorded 10 more albums. Each bringing to the fore his songwriting and performing skills learned over the years, after crossing paths with Bill DelGovenatore, Frank DiBussolo, Al Stauffer, Tom Lawton and Ernest Hopkins – all of whom had an

KC Sisters: “Walk With Me” – sincere, authentic and absolute!

The KC Sisters aren’t old enough to remember when radio programmed pop records next to country, rock, folk, and beyond, but their artistic DNA tells them that’s the way music was meant to be heard. Their sound on the EP, “Walk With Me”, is like a warm embrace from a loved one. It’s sincere, authentic and absolute, taken from a legacy of sound that comes from their fondness for the all-girl groups of the 1960s. The Casey sisters – Deanna, Noelle, Tasha, Elise and Kathleen – highlight their acapella harmonization, as well as their mastery as skilled musicians, playing piano,

GentleBeatz: “Soul City” – the rhythm and flow of free form poetry

Sometimes a recording catches you off guard, rising from nowhere and worming its way into your ears with new sounds and ideas. Such a recording grows on you over time, and eventually can reorient what music and sounds you thought you liked. “Soul City” released on December 31 by artist and producer GentleBeatz, is such an EP. Emotionally rich, musically rich, and technically brilliant, it appeared with little fanfare or publicity to mesmerize our senses. GentleBeatz is an artist and producer currently residing in Mozambique. The eclectic creative crafts his tracks in the lo-fi hip-hop/chill-hop genres. Here he includes flavors

Younk makes the music business transparent and accessible to all!

Success in the music business has always depended on connections. The only way to make it was to know the right people or be lucky enough to play in front of someone with influence. Today, everything has changed. Younk now allows artists to get their music heard by listeners, quickly build a fanbase, and even create professionally produced Tracks and music videos with recording industry experts (when they receive enough support from the community). Younk’s group of show-business experts and world-famous producers make, for the first time, the music business transparent and accessible for all. There’s no red tape to

Close up with Rocker Rick Shaffer

Prolific recording rock artist, Rick Shaffer, is a founding member of the Philadelphia band, The Reds©, whose first self-titled album on A&M records, was produced by David Kershenbaum. It highlighted a blend of Rick Shaffer’s guitar and Bruce Cohen’s keyboards. The album was supported with live appearances with The Police, Joe Jackson, Blondie, The Ramones, The Psychedelic Furs, and Public Image. Shaffer has also done plenty of studio work and features on the Marianne Faithfull album (Island); Hilly Kristal’s, “Mad Mordechai” (Stereo Society); Peter Murphy’s, “Holy Smoke” (Beggars Banquet/BMG); and Marc Almond’s, “Fantastic Star” (Some Bizarre/Mercury); as well as writing, producing and recording, “Looking For Right,” for the film, “Collateral,” directed by Michael Mann. 2017 also marks Rick Shaffer’s eighth solo album, “STOLEN MOMENTS”, which was inspired by the concept that there are no guarantees or promises in life.

  1. Where did the songs on your eighth solo album, “STOLEN MOMENTS” come from, have you been storing them away and waiting for the right moment, or did inspiration suddenly hit you?

Rick Shaffer: All my albums are written in the moment prior or during the current recording. Although the track “Other One” was a lyrical idea kicking around a while. The musical idea of “Other One” was to wrap Neil Young’s “Cortez The Killer” around Television’s “Marquee Moon” guitar atmospherics. The overall song material is written in a stream of consciousness.

  1. You were joined by Teddy Rixon (bass) and Stevie Carlisle (drums) on your new album, how did that affect the writing and recording process, were you in control the whole time, or was it more of a process where everyone left their mark?

Rick Shaffer: The rhythm section rolls with the songs presented, they play what they’re feeling and we take the song and sounds to where the production is realized. Teddy comes from the Bill Wyman / Ronnie Lane school of bass, and Stevie is a Nick Knox / Mo Tucker guy, and both are perfect for this album. We recorded twenty-two tracks and put together the ten that made the most sense continuity wise. Producing the material myself, gives me the freedom to get the tracks just how I imagined them in my head. It’ all about groove, vibes and tones.

  1. Okay, so we’ve discussed how the album was made, but for someone who is sitting on the fence, why should they grab themselves a copy of “STOLEN MOMENTS”?

Rick Shaffer: There’s no sitting on the fence. If you want some raw, aggressive, real rock-n-roll then jump on board. If you’re looking for the over produced, over thought out and, to these ears, boring, corporate projects, I’m not your guy.

  1. We always like to ask which artist and bands influenced you to pick up the electric guitar in the first place and who is inspiring you today?

Rick Shaffer: A bunch of artists, but early Stones, which led to the blues masters like Muddy Waters, Slim Harpo, Fred Mc Dowell and the great Magic Sam. Later the sixties and seventies rockers Bowie / Ronson, Iggy and the Stooges, Free, Lou Reed, and Mitch Ryder. A guy that I’ve been listening to lately is Bo Carter and the Mississippi Sheiks.  I always focus on what I would call the “long game” artists like Link Wray, Van Morrison, Iggy Pop and Muddy Waters, people that continue to keep working on their sound.  The production sound was an interest also, like the Phil Spector Gold Star recordings, Chess Records, Motown and lots of the indie 60’s garage sounds.

  1. Was there a definitive moment when you knew you wanted to be a guitarist?

Rick Shaffer: I think it was more of a cumulative addiction, always tone, hooks and guitar riffs, hearing Keith Richards “Satisfaction,” B.B. King’s “Live at the Regal,” Peter Green’s “English Rose,” and the wonderfully distorted Link Wray’s “Rumble.”

  1. Do you remember your very first guitar and do you still own it?

Rick Shaffer: My first guitar was purchased from the Sears and Roebuck department store and was an acoustic Silvertone for $25 bucks which led to my first electric “Danelectro Longhorn” like Link Wray played. Unfortunately, I do not own them today.

  1. Your first gig: disaster, success, or long forgotten?

Rick Shaffer: I still remember the noise, the beat and crowd. I loved it and thought this is for me. How good the performance was — I don’t remember any negative crowd response, or being hit with anything, and there was a lot of dancing, so it was a success.

  1. What’s your favorite bit of musical gear in your collection, and what’s the latest addition you’ve made, or are wanting to make?

Rick Shaffer: My 1960’s Framus guitars are favorites, along with my 1961 Supro Ozark.  So it comes down to a few to get the colors and character on each song. The Premier Reverberation unit and the Mahoney Cal Tone fuzz pedal are essentials. Two new important additions on this album are a 1971 Framus “Caravelle” and ‘Embargo” pedal designed by Ant Farm Amplification that’s a take on the original Rangemaster. And I’ve been looking for a Hornby Skewes treble booster.

  1. It may seem like an odd question to ask as you’re still very much in the prime of your career, but what do you look back on as your proudest moment so far?

Rick Shaffer: The work my partner Bruce Cohen and I did working with director Michael Mann, and playing live the original line-up of The Reds on tour with Blondie, Police, The Ramones, and Joe Jackson.

  1. To get back to the album, “STOLEN MOMENTS,” when you aimed to recreate The Stooges “Fun House” production style in the studio, was it because you wanted to sound authentic, or were you trying to avoid an ultra-clean modern production sound?

Rick Shaffer: I didn’t aim for the “Fun House” production, as much as using it for inspiration to my own sound. It came through a bit in the recording process, because generally my production has a heavy lean on distortion and is consistently anything but clean. I think recoding live on a Scully 280 gives that early 70’s sound, and on tracks “Time Stays” and “Call My Name” we switched to a Ampex 4-track for that early Stones / Pretty Things sound. For me, the tracks “All I Want,” “Modern Lie,” “Other One,” “One In Five” and “Danger Awaits” really come the closest to The Stooges “Fun House” sound.

  1. In the UK and Europe music magazines and websites they’re incredibly pessimistic. After another year of declining sales of guitar music, everyone seems ready to proclaim the death of rock?

Rick Shaffer: Fuck em, there will always be rockers. What did that old Neil Young say? “Rock and roll can never die.”

  1. As a great guitarist in your own right, and as a former member of a highly successful act how do you respond when you hear commentators talking that way about guitar-based music?

Rick Shaffer: They’re morons that need something to write about and just show their intelligence, or lack there of.

  1. Is there an artist whose music you love that might surprise our readers?

Rick Shaffer: Sixties artist Laura Nyro, because her lyrics, imagery and intensity is a beautiful thing.

Rick Shaffer

  1. Is there a guitar or bit of equipment you remember being excited about buying in the moment, but now look back and just shake your head?

Rick Shaffer:  That would be a sixties Gibson SG Standard that didn’t have enough bite for me.

  1. In your eyes, what makes a great guitarist?

Rick Shaffer: Tone, memorable riffs and songwriting. Jimi Hendrix is one of the few artists that had the whole package.

  1. Time to annoy our guitar obsessed readers: the best guitar in the world is?

Rick Shaffer: The all purpose Fender Stratocaster . God bless Leo Fender.

  1. What is the best piece of advice regarding the music business that you actually followed so far, and what is the advice you didn’t follow, but now know for sure that you should have?

Rick Shaffer: Play it like you feel it, never give up, block out the noise and write your own material. The worst decision ever was A&M Records insisting The Reds use The William Morris agency to book our live dates. Because it meant firing Ian Copeland, a person we really loved, who was our original booking agent.  A bad moral and business mistake I felt at the time, but didn’t follow through on because of the record label agenda.

  1. How would you personally describe your music, in the length of a Tweet, to someone who has never heard your stuff before?   

Rick Shaffer: I don’t tweet, but I am on Facebook (facebook.com/TheRedsMusic).

  1. Do you consider Internet and all the social media websites, as fundamental to your career, and indie music in general, or do you think it has only produced a mass of mediocre “copy-and-paste” artists, who flood the web, making it difficult for real talent to emerge?

Rick Shaffer: Yes, they’re good tools to reach a larger audience, especially to connect with fans. Real talent will emerge in the long run, there has always been “short timers.”

  1. What is the one thing you have never ever been willing, or prepared to do, in your quest to sustain a successful musical career?

Rick Shaffer: Sell out the music for the bucks, or for anybody.

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