Quinn Soular: “Ovah & Ovah” ft. Ziggi Recado – both impressionistic and insightful

Quinn Soular has released his 3rd official single “Ovah & Ovah” which is a summer banger featuring guest vocals from Dutch-Caribbean Reggae superstar Ziggi Recado. Born on the Island of St. Maarten, Quincy Adolphin aka Quinn Soular is a Pop and R&B singer-songwriter who has his own music production company, QP (The Quinn Productions). If you’re a fan or just a longtime R&B historian in general, you probably know that some of the game’s most renowned voices were cultivated in choir stands and churchyards. Sure, R&B’s secular content often clashes with the gospel’s divine intent but the similarities are unmistakable.

Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

Emmanuel Dalmas a company founder and high level executive in the scientific industry from the South West of France, also moonlights as a multi-genre music composer. Dalmas has been steadily building his music catalog since kicking things off in 2016 from his home studio. He produces instrumental and vocal tracks, engaging talented male and female voices to complete his projects, which in turn are made available for both commercial and non-commercial use. Emmanuel Dalmas recently dropped his latest single, “This Is Love That I’m Feeling”, done in collaboration with Kirby Howarth, who added the vocals and lyrics to Dalmas’ music and

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then

MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

Jaron Pearlman aka MVJOR ARCVNA, is an audio engineer, backing musician, and songwriter who grew up in Asheville NC, and is now based in Atlanta GA. Over the years he has toured and recorded with a wide range of artists, including The Indigo Girls, The Shadowboxers, Amor Kismet, Mercury Jackson and more. MVJOR ARCVNA is revered by many critics – and certainly by us – as one of the most quintessential independent producers currently around, standing almost alone in his ability to mix catchy crossover EDM-Pop sounds with complex rock-styled songwriting, and igniting the electronic underground in a truly unprecedented fashion.

DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

Boasting a sound that goes from his favored deep house grooves to hip-hop, DJ Mizzy, born Claudel Larose, is an international DJ and producer raised just outside of New York. Inspired by artists such as Sander van Doorn, DJ Yonny, and Avicii, Mizzy has a strong passion for his work. Throughout his 18 years of DJing, Mizzy has traveled all over the world to perform, using the original Technic SL1200 turntable as his prime tool. His latest endeavor is “Prost”, a German influenced track with a melodic tone, incorporating a subtle Caribbean flair. DJ Mizzy’s melodies are emotionally evocative and

Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

As one half of the production duo Darkroom Productions, Juan Donovan has produced with his partner Jamal Roberts some of today’s hottest artists. That list includes R Kelly, Wale, Young Money, Maino, JellyRoll, 24Hrs (Royce Rizzy), Brick Squad, G-Unit, Bad Boy, and more. The duo also won multiple awards for its phenomenal work on HBO’s classic hit series “The Wire”, which garnered them featured in major publications such as FADER, The New York Times, VIBE, and dozens more. It’s not surprising then that Juan Donovan would want to drop a record that’s as much a personal statement as a collection

American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

d’Z: “Connected” – dazzling musical arrangements and a super-tight rhythm section

Hans-Peter de Zeeuw a.k.a. d’Z is a Dutch drummer and composer in the soul, jazz and funk genres. Born to a conservative family in Rotterdam, the life of d’Z changed at the age of nine when he took his first drum lesson. He knew he was destined to be a drummer. By 19, d’Z attended the largest conservatory for pop, jazz and world music in Europe, being taught by leading musicians of the Netherlands. It wasn’t long before d’Z was a sought-after drummer, but he attended the summer of 2016 before turning his attentions to recording. d’Z handpicked his favorite

Levi Moore: “Who Are We” – An insatiable craving for honest, true to life narratives

Levi Moore is an up and coming singer-songwriter and performer, who is based out of Savannah, GA. Levi grew up ranching and training horses, he earned a football scholarship and graduated from Missouri State University with an B.S. in Animal Science, and after graduation worked on a ranch for a year before moved to Arkansas and working in an oilfield for 3 years. Levi packed up and moved to back to Savannah to pursue music full time in December of 2015. Sitting somewhere between the Country, Folk and Americana genres, Levi says of his music: “Rather than drinking songs or party anthems, most of my material tries to address some part of the human condition.”

And “address the human condition”, is precisely what Levi Moore does, in his song, “Who Are We” which takes a stance in the aftermath of the Charlottesville tragedy. An event that ignited violent clashes at a white nationalist rally in Charlottesville, Va., leaving three dead and more than a dozen injured. The rally, called “Unite the Right,” was initiated by members of white nationalist, Ku Klux Klan and neo-Nazi groups to protest the removal of a statue of Confederate General Robert E. Lee.

Rep. Tom Garrett, a Republican representing the Virginia’s 5th Congressional District said: “It’s beyond my ability to comprehend that in 2017 in a place like Charlottesville, Va., people can’t understand that Dr. Martin Luther King Jr. was spot-on when he said we should judge one another by the content of our character and not the color of our skin – it is tragic.” Garrett added that 90% of the people from the fascist rally were not even from the state.

Hence Levi’s articulation in “Who Are We” becomes extremely pertinent: “In every man there’s a devil waiting for a tiny crack at the door / Let him see the light of day / You can feed the wolf / What you will / But he is there, and hungry still / Won’t be long, kept at bay.”

If America has been working since 1776 to erase horrible flaws like slavery and second-class citizenship and finds itself in this state of regression in 2017, then once again Levi’s query: “Who are we, when the light shows our flaws / When we answer midnight’s call / and the monster shows its teeth / Who are we when the truth bares it all / and the mighty take a fall / We must ask who….are we?”, defines an alarming condition of social and cultural ambiguity.

Radio often gets chided these days for it’s narrow-minded playlists built around parties, dirt roads and moonlight, but truth be told, for many of the core country audience, that is simply reality. But over the past few months, a shift has begun. An insatiable craving for honest, true to life narratives have bubbled up, and Levi Moore is one of its underground precursors. Levi bares his soul throughout much of “Who Are We”, as he laces together honesty, passion and a sense of moving on into being a propulsive trigger for change.

Levi Moore’s voice is the vehicle through which he focuses his creative lens, backed by his trusted guitar, and with which the singer zaps every ounce of emotion he could possibly muster in only three minutes. In today’s day and age, this singer-songwriter is somewhat of a neo-traditionalist, as he veers away from bro-country excursions and drinking songs, in exchange for meaningful material.

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