Broken Testimony: “Holding On To Nothing” – a wall of sonic excellence

Broken Testimony is an alt-rock and metal group founded in the Upstate of South Carolina during 2016 by drummer Bryce Chism and lead guitarist and vocalist, Judge Page – both sixteen at the time. They are now a 4-piece ensemble playing multiple shows with both local and national acts throughout the Southeast after gaining two additional members; Justin King (bassist) and Nic Delvaux (rhythm guitar). Broken Testimony have shared the stage with Trapt, Devour The Day, Sons of Texas, Famous Last Words, Islander, Flaw, To Speak of Wolves, Silvertung, Shallowside, Wayland, October Rage, The Native Howl, and The Funeral Portrait.

Greek Electronic Producer Tasos Petsas Releases His Latest Single – “Untitled”

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BEEA: “Ride Or Die” – Classic soul tropes are juxtaposed with modern pop touches

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Baltimore 80s Tribute Band The New Romance Invited Back To China To Perform Exclusive Business Gala

It has been said that with enough talent and determination that music can take you anywhere. Well, for Baltimore’s highly-acclaimed 80s tribute band The New Romance that means half away the world twice. The group has revealed that they have been invited back to China to perform at the illustrious Starworld Casino in Macau, China as the headlining act for The British Business Association of Macau Annual Ball on June 22 and June 23. The New Romance, who describe themselves as not just a a tribute to the 80s, but an authentic concert experience, specializes in recreating the sounds of

BWH Music Group Releases the Hottest Album of the Summer – ‘That Summer, Vol. 1, by Various Artists’

You don’t have to go the ocean to hear the best songs this summer!  BWH Music Groups June, 2018 release titled That Summer, Vol. 1 by Various Artists is the hottest indie release of the summer and perhaps the entire year. This extraordinary compilation album features 15 songs by internationally acclaimed and award-winning artists in multiple genres.  Featured artists include: Skinny Fresh, Coastal Club, C.K. & The Rising Tide, Frank Migliorelli and The Dirt Nappers, Ed Roman, Jeremy Parsons, Cole, Nina Amelio, Jenny Vinatieri, Erick Blu, 0 hype feat. Chris Chand, AntoineRNB, Natalie Jean & Levi Moore, Luna Keller, and

THE BAND OF THE HAWK: “BOHUP VOL.2” FLEXES ITS LYRICAL PROWESS

When it comes to groups that are uniformly considered to be underground rap royalty, few acts eclipse The Band of the Hawk. Whether its impact, bodies of work, or just pure creativity, few unsigned groups in hip-hop come close. Though they individually continue to release great music, as a group the quality and consistency of their projects has undeniably been coherent and consistent. Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam better also known Band of the Hawk are now back with their latest work – the 2nd installment of

Bad Bullet invites the listener to gain power with their grunge / alt-rock debut album “Use The Energy”

Austrian Newcomers Bad Bullet introducing their brand new Album Use The Energy. Use The Energy is pure energetic Rock for Fans of Nirvana, Foo Fighters, Blink 182, or Nickelback. Released on June 2018 via NRT-Records, Bad Bullet combines Grunge, Alternative Rock and Metal and creates their unique Style. The Band amongst guitarist and songwriter Gernot Neumann, Lead singer & Rhythm Guitarist Manuel Schlogl, Drummer Steven Scheer and Bassist Michael Jursche, show their versatility as musicians and songwriters. Positive Lyrics (Never Give Up, Free or Follow Your Dreams) but also mean themes (Last Chance, Judgement Day, War Never Changes or Poison

Union Five has a groove-centric sound

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The Keymakers: “Burning Me Up” – smooth romantic rhymes dressed in satin

After dropping their critically debut single, “Good For You” during September 2017, the brothers Rome Alexander and Rederic who form the musical project The Keymakers, are back with their third, and brand new project – the single “Burning Me Up”, released on the 6th of June 2018. This track obliterates, all of the commercialized trash that is cluttering the airways and giving listeners ear-infections with tired materialistic and blasé content. The Keymakers dish out smooth romantic rhymes dressed in satin and steel voices that resonate with ear-worming falsetto tones. While R&B dominated the charts through most of the mid-90s, it

Bulat: “Still So Far Away” – Immediately easy on the ears, there’s something quietly intense and absorbing here

Bulat is a singer, songwriter, guitarist, and actor who was born in Russia, raised in England, and is now based in California. His music mixes folk, rock, reggae, and Latin influences with his own unique way of writing both vocal and instrumental songs. He started put learning to play songs by Green Day, Blink 182, and Red Hot Chili Peppers, before going on to study music technology and commercial music production. His most recent release is the 3 track Ep “Still So Far Away”. Whether you’ve been on board with Bulat since his earliest releases and cottoned on to him

oscarLIVE: “oscar’s first mixtape” builds momentum to a bass-rattling boil

If you haven’t aimed your attention toward oscarLIVE by now, take “oscar’s first mixtape” as a wake-up call. The Houston rapper who takes his influences from Nas, Andre 3000, Fat Pat, Big Moe, Z-Ro, Scarface, Swishahouse, Kendrick Lamar, and Eminem among many others loves to represent his city to the fullest. oscarLIVE will indeed built a steady following with his style of eclectic vocals and eccentric soundscapes. For me, while his lyrics may be a little derogative, misogynistic and explicit, there’s an emotive quality to his voice and worlds he creates that are as captivating as they are unique.

oscarLIVE

oscarLIVE

To be true “oscar’s first mixtape” bumps. Take any cut off the mixtape and there is the same immediate bass-rattling, almost melancholic sound. The mood of the mixtape is quickly found in the opening track, “signals (original mix)” where oscarLIVE proclaims: “She keep on telling me, she keep on telling that she just wanna be friends, but she keep on sending these signals, she keep on sending these signals”

Throughout the mixtape, oscarLIVE teases, boasts and growls, never once losing momentum. What makes this record so exciting to listen to is the atmosphere oscarLIVE creates. He blends stories of consuming, fucking and partying to the murky, dark, and brooding production. Take the funky “fk u”, a certified banger for clubs and house parties, yet there’s something sinister about it.

The production also has an advantage because of oscarLIVE’s eclectic tastes. Even if he has a clear interest in making music with a trap flavor, he manages to sprinkle influences of alternative, electronic and funk. Yet at the same time, with “oscar’s first mixtape” he has actually held together the cohesiveness of the record’s production. While ambitious as it is, the recording never feels as it’s trying to accomplish too much. The experimentalism to be found here, has plenty of room to breathe.

With this mixtape, oscarLIVE also brings his ability to sing. Listen to the melody assisted track, “probation”. But it’s when he’s laying down the rolling and wobbly atmospherics on “drank” and “dis dih”, that oscarLIVE is at his best.

In almost each song, no matter how soft it starts there is always that unexpected moment where oscarLIVE somehow builds momentum to a bass-rattling boil. But the most surprising thing about all of this, is despite the explicit surface of the material, the depth each song seems to possess.

The primary enjoyment here is from oscarLIVE himself, and then in the forces that he amasses in the crazy sounds he can produce. Listening to “oscar’s first mixtape” for any kind of conscious lyrical insight is entirely missing the point. oscarLIVE’s strengths on this mixtape comes in the construction of sounds and atmosphere, as well as the explicit visual imagery in his hedonistic narratives. If that’s your thing, then “oscar’s first mixtape” proves why he definitely belongs here.

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