Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

Emmanuel Dalmas a company founder and high level executive in the scientific industry from the South West of France, also moonlights as a multi-genre music composer. Dalmas has been steadily building his music catalog since kicking things off in 2016 from his home studio. He produces instrumental and vocal tracks, engaging talented male and female voices to complete his projects, which in turn are made available for both commercial and non-commercial use. Emmanuel Dalmas recently dropped his latest single, “This Is Love That I’m Feeling”, done in collaboration with Kirby Howarth, who added the vocals and lyrics to Dalmas’ music and

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then

MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

Jaron Pearlman aka MVJOR ARCVNA, is an audio engineer, backing musician, and songwriter who grew up in Asheville NC, and is now based in Atlanta GA. Over the years he has toured and recorded with a wide range of artists, including The Indigo Girls, The Shadowboxers, Amor Kismet, Mercury Jackson and more. MVJOR ARCVNA is revered by many critics – and certainly by us – as one of the most quintessential independent producers currently around, standing almost alone in his ability to mix catchy crossover EDM-Pop sounds with complex rock-styled songwriting, and igniting the electronic underground in a truly unprecedented fashion.

DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

Boasting a sound that goes from his favored deep house grooves to hip-hop, DJ Mizzy, born Claudel Larose, is an international DJ and producer raised just outside of New York. Inspired by artists such as Sander van Doorn, DJ Yonny, and Avicii, Mizzy has a strong passion for his work. Throughout his 18 years of DJing, Mizzy has traveled all over the world to perform, using the original Technic SL1200 turntable as his prime tool. His latest endeavor is “Prost”, a German influenced track with a melodic tone, incorporating a subtle Caribbean flair. DJ Mizzy’s melodies are emotionally evocative and

Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

As one half of the production duo Darkroom Productions, Juan Donovan has produced with his partner Jamal Roberts some of today’s hottest artists. That list includes R Kelly, Wale, Young Money, Maino, JellyRoll, 24Hrs (Royce Rizzy), Brick Squad, G-Unit, Bad Boy, and more. The duo also won multiple awards for its phenomenal work on HBO’s classic hit series “The Wire”, which garnered them featured in major publications such as FADER, The New York Times, VIBE, and dozens more. It’s not surprising then that Juan Donovan would want to drop a record that’s as much a personal statement as a collection

American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

d’Z: “Connected” – dazzling musical arrangements and a super-tight rhythm section

Hans-Peter de Zeeuw a.k.a. d’Z is a Dutch drummer and composer in the soul, jazz and funk genres. Born to a conservative family in Rotterdam, the life of d’Z changed at the age of nine when he took his first drum lesson. He knew he was destined to be a drummer. By 19, d’Z attended the largest conservatory for pop, jazz and world music in Europe, being taught by leading musicians of the Netherlands. It wasn’t long before d’Z was a sought-after drummer, but he attended the summer of 2016 before turning his attentions to recording. d’Z handpicked his favorite

SUMMY: “Sus” – ready to reach through the stratosphere for stardom

SUMMY is a US-based pop singer who captured the attention of audiences and the music industry with a viral video. SUMMY’s cover of “Issues” by Julia Michaels landed her a spot on MTV’s Cover of the Month and was watched by over half a million music enthusiasts all over the world. These viewers included award-winning producers, and Lady Gaga, who retweeted the video. After her runaway success, SUMMY focused on producing original work. Her current single “Sus” is available now. A music video and album are in the works, and SUMMY is looking ahead to announcing a tour in the

RealTalk: “The Time Machine” hosted by DJ Infamous – depth and variety to each song

On his brand new mixtape, “The Time Machine” hosted by DJ Infamous, Phoenix, AZ based artist RealTalk, delivers his visceral lifetime narratives over remixes of hits taken from the 70s, 80s and 90s, including samples by Bobby Womack, Rose Royce, Michael Jackson, Prince, Xscape , Aaliyah, Pink Floyd, and more. The mixtape delivers 12 grooving tracks with beats by a handful of skillful producers, from Dj Eric Swain, Rehab Beats, to BigMattBeatz, Kaleem Beats and MCK, as well as By 318tae who has the lion’s share with 4 tracks.

The only feature is The Last Poets on the opening track, “Niggas”. If you are already familiar with RealTalk’s past works, then you know that he delivers in all categories of a recording. There is depth and variety to each song, which is supremely supported by excellent lyrics and production.

This is an artist who is contributing to his genre in a positive way and it shows once again in this album. As soon as you hit play on the opening track, which is, “Niggas” ft. The Last Poets, you hear rhythmic Afro-styled percussion, chanting, singing, and a high energy preacher type sermon – some real artistic, cultural and political vibes come through here.

This isn’t that hip-hop mixtape intro where the artist comes out rapping a mile a minute about his personal prowess. That’s because RealTalk is not trying to prove he’s an amazing rapper, he’s trying to prove he can make an amazing mixtape.

The insistence with authenticity is a familiar pose in hip-hop. For RealTalk, though, life isn’t just a source of borrowed credibility; it’s where this storyteller goes to absorb details that for others might merely be glimpsed from afar. “The Time Machine” is thick with the residue of these immersions. Even when he’s drawing on his own experiences he exercises an observational acuity that suggests how much noticing he’s been doing. Real-life subjects are addressed, providing insight into his worldliness.

All throughout the mixtape, RealTalk did things his way. Rapping over remixes of past hits, might seem like a risk in a market where nobody even remembers last month’s top 40 placings. It is a risk only real artists are capable of taking to express their artistry.

But as soon as you bump into the triumvirate of standout tracks – “Patience” (Prod. by Justwritebeats), “Anymore” (Prod. by Rehab Beats) and “Diana” (Prod. by BigMattBeatz), you realize the indefectible reasoning behind that risk. Whether or not you recognize these songs make no difference to their sublime execution and desired effect on the listener.

If anything, knowing the samples only enhance your listening experience. The heartfelt mellow production on “Down With You” (Prod.By 318tae) only complements the power of the relatable lyrics, as RealTalk digs in with his inspiring flow. It’s tremendous track for its personal details, provided by a true storyteller.

Rapping with an intense demeanor, RealTalk is in his ultimate prime on “Got To Change” (Prod.By 318tae) which is, quite possibly, one of his best tracks lyrically. The production is reminiscent of old school hip-hop and will have heads nodding in agreement as the words propel into the brain.

The hard-knock-powered production mixed with melodic vocals in the background, is captivating on “It Happened” (Prod. by 318tae), which closes the mixtape with yet another standout. “The Time Machine” is RealTalk’s truest, most personal, artistic statement to date, and is easily his best release.

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