Tisabel: “GENRE HOPPING” bristles with energy and artistic audacity

Longtime Musical director and vocalist Tony Isabel aka Tisabel boasts an unprecedented skill set. He writes, arranges, sings, plays, and performs. He busts taboos, flashes unstoppable ambition, blends genres together like paint. Soulful ballads and funky grooves, ambient new age soundscapes, Hip-hop fantasy, and divine EDM devotion. For these qualities alone, he deserves respect. However, as you know, respect is also kind of a bullshit concept. Your favorite songs may not grace anyone else’s mixes; your favorite artists may not have ever left town. A century of recorded music has given us a galaxy of worthy tunes. But the gravitational

Lee Lee Lanea: “Basswhipped” resonates gloriously

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Nothing But You, Nicky has released her latest single on Phoenix Records

American singer Nicky has released her latest single on Phoenix Records. Her much anticipated single entitled, “ON MY OWN,” is available via all digital channels as of now. The single was composed by Multi-award winning composer Emine Sari, produced by Cihat Atlig, with vocal production and engineering by Multi-platinum winning engineer Joel Evenden. “ON MY OWN” showcases Nicky’s strength, both vocally and emotionally, as she performs her bold, unapologetic lyrics. She uses her music to tell stories and to capture the true emotion behind the music. Inspired by artists such as Ella Fitzgerald and Whitney Houston, Nicky also draws influences

DownTown Mystic: “On E STREET” is filled with exceptional music!

Sha-La Music, Inc. announces the release of On E Street, a 4 song EP by US Rocker DownTown Mystic on UK Label Nub Music. The EP’s release date is December 1 and will be digitally distributed via ADA/Warner Music. The EP features rare studio performances by the Rock’n’Roll Hall of Fame rhythm section from Bruce Springsteen’s legendary E Street Band – drummer “Mighty” Max Weinberg & bassist Garry Tallent. Despite having played with Springsteen for over 40 years and studio work for various artists, Max & Garry have only played together on the same session for only a few artists. This puts DownTown Mystic in some very exclusive company. DownTown Mystic started as the alter ego of

Mobb Boss: “Lil Lady” – the depth, perspective and hunger of a performer

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Rock band Chile Colorado’s debut album’s success at Rock Radio was a headline on the Newswire Jumbotron in Times Square, Manhattan, New York, across the street from the Hard Rock Cafe this month. The Chile Colorado band is next scheduled to release the digital single “Getting Restless” to Active Rock and Mainstream Rock Radio from the new self-titled album after having achieved 100 College Radio stations “Adding” the set for airplay. The ‘Chile Colorado’ album features Ron Wright, songwriter, lead guitar, and vocalist, with Paul Goss on bass & background vocals, and John Ferraro on drums. All three are veteran

Pastor Peter Unger Releases New Single “The Memories of God”

NASHVILLE, TENNESSEE, USA — Peter wrote this song for the older people, who he had the honor and privilege of ministering to over many years. Pete explained that many had a humble, kind, and appreciative dignity; qualities born of a long life shaped by faith and wisdom. Most were to experience the debilitating effects of age, including mental decline and dementia. During visits he struggled and prayed with them through the inevitable spiritual and emotional valleys of such a decline. He further explained that those, for whom faith and a personal relationship with God most defined what it meant to

King Draper: “1992” – simplistic in its premise but unquestionably real in its execution

You can’t write about underground or independent hip-hop and not write about King Draper. Or at least I seemingly can’t. For the past couple years the man’s been a nearly constant presence in my journalistic exploits. And now, I’m sitting down again to review his latest 11 track project, “1992”.  The King hits me with dope music and I write about it, and I’m more than happy with the arrangement. If you’ve peeped any of King Draper’s projects before, what you get from this project won’t surprise you. Draper with his soulful, jazzy, production and his smart anecdotes detailing tales

Edgler Vess: “Violet” – essential to your hip-hop collection

Every album that Edgler Vess releases, breathes with a distinct personality, each a shape-shifting assemblage of personage and programming that sounds more like a kind of miraculous hyperlinked sound collage than rap. His lyrical feats go unmatched for sheer idiosyncrasy and insight; beyond rap enthusiasts, many of his strongest supporters are probably writers and music heads. A master of the microphone and the beats, Vess has constantly swapped out his tools and themes, avoiding revision and instead choosing innovation. When Edgler Vess does what he does, he’s impossible to ignore. He’s profound, he’s impressive, and he’s damn entertaining. In short,

J-Hamz: “I Stack Up Remixes” – breaking free from the formulaic!

A medical doctor by day, J-Hamz is a classically trained pianist who produces electronic by night. J-Hamz has been featured in various music magazines and radio stations. His “I Stack Up” track was a Beatport Staff Pick as well as charting in the top ten electro house and big room charts. The EP “I’d Do Anything” also charted on Beatport and has received airplay on over a 100 college FM radio stations. J-Hamz together with Jaculator also received a nomination for the 2017 Edmonton Music Awards’ as DJ/Electronic Recording of the Year for the aforementioned EP. In his 6th release,

Announcing the 2017 Inductees into the Album Cover Hall of Fame

Latest class of honorees in the 6 major categories – as voted on by a world-wide panel of music, art and marketing experts in the area of album cover art & packaging – represents the “who’s who” of creative and production talent, with many recognized names from the fine art and design world.

Chicago, IL – based organization selects the designers, illustrators, photographers, art directors and patrons whose works were released between the years 1960 – Present.

Since officially launching the site in 2012, we’ve inducted five classes of Inductees based on the results from the group’s yearly surveys (the initial three classes focused on nominees who began their careers as album cover artists between the years 1960 – 1975, 1976 – 1990 and from 1991 – present, while the last two years’ voting looked at all producers active any time since 1960). Hundreds of additional biographies were added for consideration by the esteemed panel of writers, curators of galleries (retail and online) that focus on album cover imagery, art/design museum curators and music marketing experts.

As mentioned previously, this year’s Class allowed for the consideration of any talent not previously inducted into the ACHOF. The people under consideration this year are people who BEGAN their careers in the field at any time during the period the ACHOF focuses its attention on (1960 – present). As you can figure, this was a very long list, but after a research, nominating and voting process that began in September and ended in mid-November with our final vote, the ACHOF Voting Panel has selected a list of individuals and companies that very clearly represent the best examples of a large number of talented men, women and teams who’ve cumulatively created and published a huge portfolio of memorable album cover images and record packages.

Album Cover Hall of Fame Curator/Editor Mike Goldstein had this to say about this year’s efforts – “Through the ongoing efforts of those who support of this Hall of Fame, our goal continues to be to recognize the contributions of those who have had a significant impact in the ongoing development and advancement of rock and roll album cover-related art direction, illustration, photography and package design, as well as the record labels and musical acts who’ve supported great work in the field. Based on each inductee’s body of work in the field, we feel that their talents have exemplified the best possible efforts made to package and promote their clients’ recorded music, and so we’re privileged to have been able to include them in this year’s poll and, ultimately, our lists of honorees.”

Album Cover Hall of Fame – Class of 2017 Press Announcement, cont’d

Goldstein also noted that this year’s voting was rather unique in that two individuals – Art Director/Designer Craig Butler and Art Director/Illustrator Geoff Halpin – were inducted in two categories (how multi-talented of them!). Also, we had a tie in the “Musical Acts with a long-standing commitment to great Album Cover imagery” category, with Earth, Wind & Fire and R.E.M. both getting the same number of votes, so we’re pleased to add both to our list of inductees this year.

We’ve divided the Inductees into their respective categories so that our readers can get to know each winner individually and within their group of peers. Below, you’ll find a summary of the winners in each category. A more-detailed document that includes samples of each Inductees album cover credits, along with links to their respective web sites, can be found on the ACHOF site at

https://albumcoverhalloffame.wordpress.com/achof-nominee-inductee-menu-page/achof-class-of-2017-inductee-intro-page/

Qualified individuals become eligible for induction 5 years after the publication of their first record album, CD, DVD or digital album cover image.Please note that some names will be seen in more than one category, as it is that certain individuals serve in more than one role in a project. Inductees are listed alphabetically:

Album Cover Photographer Inductees 

Ø Richard E. Aaron, George DuBose, Ross Halfin, Don Hunstein, and Trevor Key

Album Cover Illustrators (inc. those specializing in logos and typography)

Ø  Geoff Halpin, David Juniper, Victor Moscoso, Shusei Nagoka and John Pasche 

Album Cover Designer Inductees

Ø Craig Butler, David Costa, Hugh Gilmour, Carl Glover and Geoff Halpin 

Album Cover Art Director Inductees

Ø Gary Burden, Craig Butler, Art Chantry, Gail Marowitz and Tony Wright

Inducted Record Labels 

In as much as “pop” music in the early days of the Pop/Rock era included musical acts that easily crossed-over from jazz, R&B, country, folk and Rock & Roll to deliver music in many styles to a public hungry for their records, record companies were not eager to be classified and chose to make sure that their cover designs would appeal to a fairly broad audience.

However, many musical artists sought to team with like-minded art directors to create packaging for music that would best-represent their own feelings about how they’d like the buying public to perceive them and their music. Once shown to be effective marketing tools, trend-setting album cover design was embraced by certain record labels, who then – as a prelude to the big-budget video productions of the 1980s and 90s – put significant resources behind these promotional packages. It is the labels that showed this type of forethought that we look to honor in this category.

Ø Merge, Polydor/Polygram and Stax/Volt

Album Cover Hall of Fame – Class of 2017 Press Announcement, cont’d

Inducted Musical Acts with a long-standing commitment to great Album Cover imagery

Of course, without the patronage of musical acts and their record labels, there would be no great album cover art, but there were some acts that “got it” better than others and used their cover imagery to both help set the mood for the music packaged inside and build a deeper bond with their fans and potential fans. At times, a great album cover image could be a powerful enticement to shoppers browsing the racks at their favorite record store, whereas some fans of a band viewed them as “rewards” given to those who’d waited patiently for an act’s next release.

With the strong connection evident between the visual and aural arts, it only seems natural that musicians would find kindred spirits in the men and women tasked to produce the images for their recorded music.

Ø The Clash, Earth Wind & Fire (Tie), Genesis and R.E.M. (Tie)

Going forward, the Nominating Panel – currently consisting of over 75 experts in the fields of packaging design, illustration, photography and music product marketing – will continue the process each year (beginning again in Summer 2018 to nominate the sixth class of Inductees representing those whose works were published any time during the period of 1960 – present) by selecting nominees in each of the featured categories for consideration by both that voting body and those nominees that receive the most total votes in their respective categories will be inducted. Panel members discussed the possibility of opening some aspect of next year’s voting to the public – we’ll notify fans and the press once any decisions have been made regarding this effort.

To see a list of all of the current inductees to the Album Cover Hall of Fame, please visit – https://albumcoverhalloffame.wordpress.com/achof-nominee-inductee-menu-page/achof-inductee-list-main-page/

Please contact Mike Goldstein, Curator, AlbumCoverHallofFame.com with any questions or comments. He can be reached via email at mailto:curator@albumcoverhalloffame.com or via phone at 971-645-8958.

A comprehensive summary of news stories about album cover art and artists is added monthly (typically, on the first of the month) on our site (see the site index for our most-recent article postings) and also on the site’s Facebook page found at https://www.facebook.com/AlbumCoverHallOfFame

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