Onicks – “High” is a deep slow-burn

With its enigmatic beauty, intoxicating depth and intense emotion, the follow-up to “High” is one of the most intriguing records of the year so far. The lyrics are elliptical and fragmented, touching on addiction, identity and eroticism. The track’s mood is druggy, dislocated and tortured – there are frequent metaphoric references to substances and psychedelics – the shape-shifting structure of “High” will capture your attention from top to bottom. Snapshots of elusive love and fleeting lust are scattered throughout – for whom, or for what, is where you need to read between the lines. Born and raised in the San

Midwest Hiphop duo Strangers Of Necessity drop their new single “Abundance”

Strangers Of Necessity are an American hip-hop duo, based in the Midwest, consisting of prolific producer, CoryaYo and veteran lyricist, Fooch the MC. They linked via Twitter and quickly became friends, sparking an immediate chemistry and need to make quality music together; hence the name Strangers Of Necessity. They instantly began recording music and doing shows locally, generating a nice buzz in the area. Their sound is best described as a fresh take on that golden era of hip-hop, blending tasteful jazz and soul samples, crisp snares, boomy kicks on wonky patterns with a soulful delivery, dense schemes and potent

Kilo M.O.E. – ‘Fly G’z and Palm Treez’ – serves as the perfect canvas for the rapper’s elite lyricism

The Baltimore-based producer, songwriter, rapper, Kilo M.O.E.’s evolution over his past three albums has been inspiring to see. I’ll always admire artists who push themselves creatively, and that’s exactly what, Kilo M.O.E. has done on his fourth studio album, ‘Fly G’z and Palm Treez’, and it pays off in leaps and bounds. Each instrumental is rich and developed, serving as the perfect canvas for the rapper’s elite lyricism. Something that this recording and Kilo M.O.E.’s recent albums have done well is allow him the freedom to rap for the sake of his craft within the confines of the album’s larger

Jim Wyly – “You Took Me” – It’s rhythmically tight, warm and edgy

Texas singer songwriter Jim Wyly is back with another soul-stirring track from his “The Artisan” album. Over 40 years deep into his craft, the Austin troubadour sounds like a home-cooked meal. He deals out comfort food for the head, heart, and soul. All of this serves his finely drawn guitar lines, bourbon-stained-like vocals, and funky acoustic-driven grooves as thick as molasses. A subtle blend of blues, country, folk and southern rock runs right down the middle of “You Took Me”. “Musicians’ musician” is an overused term. Why wouldn’t anyone with two good ears appreciate Jim Wyly? As Jim doesn’t cater

Hanen Release Brand New Video For The Song “Breathe”

It’s never been easier for artists to stay independent. Of course you can get good music producers, good visual directors for videos, good rappers and good singers to feature on your track without a great budget, but you have to search the world over to find deals you can afford, or convince creatives to work with you. Texas born artist, now living in the LA area, Hanen, somehow got it all together on his latest track called “Breathe”. He sings soulfully and raps with an urban edge all by himself, backed by an atmospheric slow-burning, and ear-warming beat made by

Angry B – “Hey Corona! (Nice to Meet Ya)” – reflects the realities with a good dose of wit

On his latest single, “Hey Corona! (Nice to Meet Ya)”, underground music hobbyist Angry B pinned his rap skills and dark wit, to the sounds of mainstream pop and a funky EDM template. He blurs the lines between genres with the top of the charts — and only the top — in his sights. As can be deciphered from the song title, Angry B pulls his aspirations from the dramatic Covid-19 disease hitting mankind across the globe. “It’s one of the most critical situations we’ve had and there will be a lot of sad stories connected with it,” says Angry

Izzie’s Caravan – “Leo’s Guitar EP” – an understated guitar virtuoso

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‘Mind Blown’ – The Video and Brand New Single by EyeKonic

EyeKonik is an artist with a focus on creating punchy and appealing pop music with a personal twist. Recently, he released a brand new single called ‘Mind Blown’. What really makes this track stands out is definitely the fact that it’s so well produced, and the performance value is excellent as well. EyeKonik sings with passion and intensity, and the artist’s vocals soar through the atmospheric melodies and punchy tones of this mix. Fans of artists as diverse as Mac Miller, Michael Jackson, Prince, and Eminem are definitely going to enjoy this amazing single. Check out the newly released music

Sundance Jump with W. Dire Wolff release the Indie Rock Video “Zodiac Killer”

Zodiac Killer is a wild Indie Rock song with crazy slide guitar laid over a rockabilly beat. The song is about a woman who frequents a night club called Zodiacs by nights, and cruises around town by day. Deep Purple Sage is a CD, Vinyl, and Digital release by Sundance Jump with W. Dire Wolff. The album blends Alternative Rock with Psychedelic Acid Rock. Recorded in Joshua Tree, California at Skylab Studios; the album has an underlying desert theme.  The LP is recorded in the old school style of Acid Rock vintage tube amp guitar sounds, mixed through analog

THE BRKN DEBUT EP ‘NO. 3’ OUT NOW VIA INGROOVES

FRONTMAN JACOB CADE’S ‘ACOUSTIC HANG WITH JACOB FROM THE BRKN’ WILL LIVE STREAM VIA THE BANDS INSTAGRAM AND FACEBOOK THROUGH THE END OF APRIL AT 6PM PST/7PM MST/9PM EST THE BRKN recently released their debut EP No. 3 via Right Brain Music Group/Ingrooves. Their new video for their song “Broke” has garnered over 100 views in just two weeks. Since the band’s spring tours have been cancelled due to the Coronavirus, frontman Jacob Cade will be live streaming acoustic sessions every Tuesday through April via the band’s Facebook and Instagram. Tune in at 6PM PST/7PM MST/9PM EST at https://instagram.com/thebrkn or https://facebook.com/thebrkn and #BeatTheVirusWithTheBRKN. “We’re

Collaborateurs: “Interstellar Colors” blurs the lines between earnestness and bravado

“Interstellar Colors” is the third album released under the Collaborateurs name, but Curtis Hubbard, Glenn Hubbard, Roger Brandon, and Jeremy Cayton have worked together in other acts for a long time. Most recently, Hubbard, Brandon, and Cayton released three albums under the name Rog & Glenn. Brothers Curtis and Glenn Hubbard have also recorded together for many years, first as Four Day Weekend, and more recently The Hubbard Concept. The Collaborateurs have a formula that works for them. Every album has more than a handful of tracks that are the greatest thing you’ve ever heard, a perfect arrangements of chords and guitar licks, vocals and magic that sets off all the right vibrations in your brain, pillowed by tunes that eventually grow on you over time and the rest are added as melodrama to keep your emotional senses pricked up in between. The Collaborateurs is the perfect album band.

That may be a difficult statement for the iTunes generation to understand, but way before digital platforms made the album downloadable in ridiculous fractions of an atom, it was one body of work that made a profound statement about its creators, performers and producers.

Of course the word ‘producer’ also had a different meaning prior to the digital age, but that’s a whole new story, which we don’t have time to explore here. The fact of the matter remains that the Collaborateurs is an album band. Meaning they can hold your attention span, and intrigue your musical curiosity over 16 full tracks, in one sitting.

The beauty of the Collaborateurs is that you can start at any point. Each album is as good as the last and those that came after it. To that end, “Interstellar Colors” works as a perfect introduction or a delightful continuation.

The band have always worn their hearts on their sleeves. They take their right to be “professionals who decided music is more fun as a hobby” seriously, and they specialize in songs that blur the line between earnestness and bravado.

There are no deep secrets to their songs, because it’s all right there on the glistening surface: a sweeping vision of rock-based virtues by way of pulsing, lusciously layered songs writ large, in flashing neon letters. The band’s music has a glamour that reflects their technical craftiness, while they write songs pumped up with unrelenting seriousness and arena-filling atmospherics.

Glistening guitars, shimmering keyboards, funky basslines, high powered drum beats, and passages of full brass arrangements can be found scattered all over the tracks. You can go from the Pink Floyd-ish lavishness of the mid-tempo “Dimension”, to the King Crimson-styled progressive rock of “LadyBug”.

You can sink into the quagmire of the slow burning funk fusion on “Curmudgeon”, or slide into the silky smooth, and eclectic, after-dinner jazz inflections, on “Two Active Snakes”. But that’s only part of the story, as “Interstellar Colors” offers so many different shades of music it’s hard to keep up with the changes from track to track. Yet the music remains cohesive all the way through.

“Interstellar Colors” is musically beyond spectacular. I closed my eyes and listened to the whole thing…and was stunned by the end; probably the most stripped down of arrangements in this collection, the piano-driven “The Last Time”, is a quiet two-and-a-half-minute ballad of heart-thumping awesomeness which gave me the measure of the greatness of this body of work.

Despite each track bringing different influences, styles and sounds, they all relate to the main idea with clarity and consciousness – which is exquisite arrangements, intelligent lyrics and superb musicianship. Without musical exploration, this album wouldn’t be from the Collaborateurs, and each track here reinforces this theory.

The band offers us an invigorating and insightful work of art for their new studio album, trading in older sentiments for a pulsing display of musicianship and originality that will keep old listeners incredibly faithful and hopefully attract many new ones.

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