Brady Novotny: “Passions Collide” is a skilled expression of his dazzling compositions

During the early to mid-seventies is when the guitar maestros were coming out. John McLaughlin and Al Dimeola, were at the top in my book of guitarists. The mixed both electric and acoustic guitar virtuosity with equal ease. Rock, Jazz, Fusion and Flamenco abounded flavors abounded on their releases showcasing a 360° vision of the guitar as a lead instrument. Brady Novotny who started playing the guitar at the age of 10, is pretty much cut of the same cloth, and on his latest album, “Passions Collide”, he even includes a vocal track featuring his wife, Jennifer. Inspired by Randy

Tohi: “Out The Box” – emotional music you can chill or groove to!

Tohi is a rap artist currently based in Los Angeles, CA. He started his musical career as the first Persian rapper at the age of 13. He was forced to perform illegally in his native Tehran, where rap has been banned. In order to chase his dreams, Tohi located to Dubai for two years where he was able to create music openly, followed by a move to London. As he continued to build his career Tohi performed at major venues such as Barclaycard Arena Hamburg and The Global Arena Stockholm and HMV Forum London O2 and won awards, including Best

Bearzerk – An executive music team with a proven track record

Music management teams really are the industry’s Swiss Army knife. They can really transform careers. Where there’s a special artist, chances are there’s a special collective behind them, plotting moves behind the scenes. The best of the bunch tend to connect dots swiftly, think outside the box without losing sight of the little things, and, above all else, maintain a degree of close affinity and proximity to the artist and the music business itself. Music management companies exist to protect and nurture the business and creative interests of those they work with. It takes one set of skills to help

Exit 22 Music: “Just As You Are” has cracked the code for the modern music world

Barely a few months after the release of their previous single, Exit 22 Music and Chris Calamera are back with the new record “Just As You Are”. And it seems like the only rule of the New York City-based project is: there are no rules. They are mixing genres and experimenting with different styles and the result is the unique sound of Exit 22. Whenever the Calamera project drops a new release my expectations are extremely high. The song starts off slow and soulfully, and then loads itself with energy. The female vocals, as always, has never sounded so strong.

Michael Peloso and Natalie Jean: “Lost & Found” – absolutely compelling!

Michael Peloso and Natalie Jean have released their latest collaboration single, “Lost & Found”. The two are no strangers to each other, having worked together on the multi-nominated, and award-winning track, “The Letting Go” with Levi Moore. Michael and Natalie also joined forces on Josie Award nominated track “Please Don’t”, as well as the 2017 single “Alive”. Michael Peloso is a New Jersey-based lyricist/songwriter who writes undeniably touching, honest lyrics with a sense of simplicity that are uniquely all his own. Natalie Jean is has achieved recognition across the most diverse of musical genres and quite comfortable performs in English,

Deane Nesbitt Jr. – “Soundtracks in the Sand” – The meticulous sculpting of soundscapes

Although Deane Nesbitt Jr. has composed music for years, he does not read music. His unique background consists of practicing law for 16 years, co-founding an investment management company and writing an illustrated history of a 1912 investment bank. Deane’s music has been aired on more than 300 radio stations across America and Canada. His recent CD, “Music in Search of a Movie”, won the Philby Award in the United States for being one of the top 100 music CDs of 2015 and the Best Dramatic Music of the year. The album ranked on five CMJ charts for New World

ROSABEL: “The Album” – Compositions of the highest quality

ROSABEL the DJ duo consisting of Ralphi Rosario and Abel Aguilera met in 1989 during the Winter Music Conference in Miami. For the better part of 25 years the two have been generating dance hits, and more recently, tag-team DJing for the masses around the globe. They dropped their first creation in 1994, with “La Puta” released via Groovilious, a part of Strictly Rhythm records out of New York. The continued dropping independent releases and filling floors each summer on Tommy Boy Records/NYC, and have since, officially remixed such artists as Lady Gaga, Beyoncé, Rihanna, Madonna, Katy Perry, Cher, Gloria

elconEstharoe – Experimental electronica from a Greek master of the Theremin

Experimental electronica from a Greek master of the Theremin, no loops or presets are used in the creation of the elconEstharoe sonic environment. The album has already picked up a favorable review in the highly regarded Electronic Sound Magazine Theremin Master and Synthesist Lambro Papazois is a Greek sound designer and the man behind elconEstharoe. The Hyper-real Soundscapes of elconEstharoe are at the vanguard of experimental electronica. Through his work with elconEstharoe, Lambro is acutely aware of his acoustic environment and in particular the natural resources around him, utilizing the biophony, anthropophony and the sacred power of sound. From within

Sabotaj: “The 5 Elements” – The forgotten roots of Hip Hop

Leonard Fischer artistically known as Sabotaj, had his introduction to the world of hip hop during 1979, the same year Sugarhill Gang released its groundbreaking track “Rapper’s Delight”. Throughout the rough years of his upbringing in South Central Los Angeles, the rapper – whose parents divorced when he was just 3 – was brought up alongside his younger brother by his mom and grandmother. Despite any hardships and struggles, he always managed to find solace in hip-hop, especially via the radio station, KDAY and the radio deejay Greg Mack. Here Sabotaj discovered Eric B. & Rakim, KRS-One, Public Enemy, The

How To Change The World? Watch Black Camaileon’s “One Nation” Music Video Here!

Hailing from New York, multi-talented artist Black Camaileon wants to make a huge positive impact on the world. You just have to pay attention to the lyrics of his new single “One Nation”, which calls for unity and peace. Sadly, division in any form is affecting people’s life, especially so in the USA. What’s more, there’s no better way to use music, the universal language of the world, to send positive vibes in every corner of the planet. “One Nation” comes in the form of a Hip-Hop/Rap song with a vintage feel to it. One way or another, its instrumentation

Faceless Orphans: An ability to swing through different styles with ease

Faceless Orphans is a Canadian alternative rock band from Rouyn-Noranda in northern Quebec. Formed in 2016 by Jean Landry (vocals) and Francis Camirand (guitar), the group’s line-up includes drummer Marco Lamarche, guitarist Carle Marcotte, and bassist Michaël Gervais. Spectacular musicianship aside, the heart and soul of the band’s self-titled debut album lays in its riffs and Landry’s passionate delivery. Camirand and Marcotte truly shine throughout the entirety of the album. With the help of everyone else giving it their all, Lamarche and Gervais drive the songs with their groovy and tasty rhythm work. In addition to his exemplary work here, Landry belts out every lyric with an in your face kind of style that proves to be nothing short of engaging.

Faceless Orphans manage to show off their incredibly charismatic musicianship on this album in a raw, accessible light which will obviously pave the way for any well-deserved acclaim that is inevitably to come. This is a great modern rock album. There are heavy moments, lighter moments, then heavy again – all totally cerebral, and totally beautiful.

This album shows what a band can do with the right focus. The playing here is intuitive and totally indicative of musicians who have worked together for a long period of time that it is hard to believe the brevity of their experiences together.

Bridging the gap between sharp focus and complexity, the guitarists avoid going off on needlessly discursive passages, while the drums and bass provide sturdy skeletons for the tracks. That’s why their combination of the crushingly heavy, the complex and the melodious is in a class by itself right from the opening track, “Sorry”.

On top of that the production, expertly balances the punch with clarity. What shines through the album most, though, is the quintet’s uncanny knack for vocal hooks and their ability to swing through different styles with ease, delivering each piece with confidence and power, as on the swampy, blues infected “Sacred Song”.

Faceless Orphans are equally commendable when they reveal their pop sensibilities on such cuts as “Tears of Glue” and “I Guess”, but there are also moments of controlled technical madness on “Legion of Battle Plan” that’s built around cascading poly-rhythmic riffs. “Swallowed Hole” and “Child Wolf” balance the technicality with melodicism even better, interestingly climaxing in glam rock passages featuring hooky chanting.

Meanwhile, “So Much Real” brilliantly showcases the act’s most contemplative incarnation taking its sweet time to build up to an explosive chorus, while “Falling Down the Grave” is a sonic equivalent of a fun roller-coaster ride, finely contrasting a killer groove-laden main riff with resonating vocals and a multifaceted guitar solo interludes.

Sometimes it’s hard being both a musician and a listener. To turn off your musical brain and enjoy something doesn’t always come easy. You’re often dissecting and over-analyzing songs to their microscopic elements, to their fundamental concepts, and it takes away from the experience.

With current trends in rock music being firmly focused on playing at whirlwind speed and with the utmost complexity this doesn’t help. Faceless Orphans however, make it easy for you to get lost in the experience of their album, maturely pursuing songwriting, in lieu of the aforementioned trends.

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