Emmanuel Dalmas & Kirby Howarth: “This Is Love That I’m Feeling” – a song with a country bent

Emmanuel Dalmas a company founder and high level executive in the scientific industry from the South West of France, also moonlights as a multi-genre music composer. Dalmas has been steadily building his music catalog since kicking things off in 2016 from his home studio. He produces instrumental and vocal tracks, engaging talented male and female voices to complete his projects, which in turn are made available for both commercial and non-commercial use. Emmanuel Dalmas recently dropped his latest single, “This Is Love That I’m Feeling”, done in collaboration with Kirby Howarth, who added the vocals and lyrics to Dalmas’ music and

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then

MVJOR ARCVNA: “The Last Word in Love”- a master of layers and sequenced progression

Jaron Pearlman aka MVJOR ARCVNA, is an audio engineer, backing musician, and songwriter who grew up in Asheville NC, and is now based in Atlanta GA. Over the years he has toured and recorded with a wide range of artists, including The Indigo Girls, The Shadowboxers, Amor Kismet, Mercury Jackson and more. MVJOR ARCVNA is revered by many critics – and certainly by us – as one of the most quintessential independent producers currently around, standing almost alone in his ability to mix catchy crossover EDM-Pop sounds with complex rock-styled songwriting, and igniting the electronic underground in a truly unprecedented fashion.

DJ Mizzy: “Prost” – gorgeously phrased synth lines, and subtly floating aural overtones

Boasting a sound that goes from his favored deep house grooves to hip-hop, DJ Mizzy, born Claudel Larose, is an international DJ and producer raised just outside of New York. Inspired by artists such as Sander van Doorn, DJ Yonny, and Avicii, Mizzy has a strong passion for his work. Throughout his 18 years of DJing, Mizzy has traveled all over the world to perform, using the original Technic SL1200 turntable as his prime tool. His latest endeavor is “Prost”, a German influenced track with a melodic tone, incorporating a subtle Caribbean flair. DJ Mizzy’s melodies are emotionally evocative and

Boy Leadfoot: “Turn-Buckle” – wholeheartedly playing to their strengths and sounding great while doing it

Max Gordon with Boy Leadfoot is a three-piece blues-based, alternative soul and rock project, from Vancouver Island, Canada. Their latest release, the EP “Turn-Buckle” is a breath of fresh air compared to the pop dribble permeating the American music scene right now. This is the type of musical project that will carve out a steady cult following and attract a good deal of critical acclaim. All three members are very professional and innovative musicians, and musicians of any sort will gobble up all kinds of licks, tones and spices from this release. The EP resides in the nebulous nexus of

Juan Donovan: “Merlot & Marijuana” – a brilliant compendium of styles and luxurious production

As one half of the production duo Darkroom Productions, Juan Donovan has produced with his partner Jamal Roberts some of today’s hottest artists. That list includes R Kelly, Wale, Young Money, Maino, JellyRoll, 24Hrs (Royce Rizzy), Brick Squad, G-Unit, Bad Boy, and more. The duo also won multiple awards for its phenomenal work on HBO’s classic hit series “The Wire”, which garnered them featured in major publications such as FADER, The New York Times, VIBE, and dozens more. It’s not surprising then that Juan Donovan would want to drop a record that’s as much a personal statement as a collection

American Spirits: “Nowhere Near Perfect” – at their most musically and lyrically ambitious

Since being launched in 2017, Bowling Green, Ohio, Indie Rock band, American Spirits, have also founded The Summit Shack, a local DIY venue that has hosted over 25 bands since its inception in the same year. 2018 saw the four piece band release their album “Nowhere Near Perfect”. This recording will grip you by the neck and slam you into the ground. It’s simply one of the most listenable Emo albums you would have heard in a while. You could play the whole thing through without getting bored, probably every day if you wanted to. The music is catchy. The

Internationally Acclaimed Contemporary Jazz Band Drivetime Drops Elegant New Single “Mysterious Life”

 Song is the Lead Single and Title Track of their Latest Album Single Follows their Billboard Jazz #1 Most Added song “Whispers”  Single Marks Band’s relaunch Via Red Hot New The Sound of Los Angeles (TSOLA) Records  (Los Angeles – The Sound of Los Angeles (TSOLA) Records is proud to announce the release of a new single, “Mysterious Life,” by Jazz Fusion torchbearers Drivetime. This Michael B. Sutton production is enriched with sensual soprano saxophone, spacy synths, pulsating drums and percussion, deep pocket bass and enigmatic electric guitar, “Mysterious Life” – the title track of the band’s eight and latest

d’Z: “Connected” – dazzling musical arrangements and a super-tight rhythm section

Hans-Peter de Zeeuw a.k.a. d’Z is a Dutch drummer and composer in the soul, jazz and funk genres. Born to a conservative family in Rotterdam, the life of d’Z changed at the age of nine when he took his first drum lesson. He knew he was destined to be a drummer. By 19, d’Z attended the largest conservatory for pop, jazz and world music in Europe, being taught by leading musicians of the Netherlands. It wasn’t long before d’Z was a sought-after drummer, but he attended the summer of 2016 before turning his attentions to recording. d’Z handpicked his favorite

SUMMY: “Sus” – ready to reach through the stratosphere for stardom

SUMMY is a US-based pop singer who captured the attention of audiences and the music industry with a viral video. SUMMY’s cover of “Issues” by Julia Michaels landed her a spot on MTV’s Cover of the Month and was watched by over half a million music enthusiasts all over the world. These viewers included award-winning producers, and Lady Gaga, who retweeted the video. After her runaway success, SUMMY focused on producing original work. Her current single “Sus” is available now. A music video and album are in the works, and SUMMY is looking ahead to announcing a tour in the

Somaya: “Stand Up” retains a surprising amount of individuality

The album, “Stand Up” sits waiting like cream inside an éclair. Most tracks are like immaculate shells that are waiting to expose themselves with the magnetism of the right artistic match. The same is true of the best songs on the album, which give North Carolina artist, Somaya, room for interpretation and allow her to balance intimacy, and soaring melodies.  Somaya’s voice spans three and a half octaves, and she glides up and down her register with ease, sounding wispy and ethereal with her high notes and sensual and resonant in her low. A Somaya vocal is easily recognizable, and the songs on “Stand Up” have sonic and lyric lines that get into your head immediately. While that amount of catchiness and familiarity might prompt a listener to download a song immediately, the album never suffers from predictability.

If you want to host a party where the dancing doesn’t stop and you can have one album on, then “Stand Up” would serve you well. But if you like to listen to an entire album as a representation of an artist’s emotional and musical psyche, then you’re probably going to be love “Stand Up” more. Despite the trendy dance beats and pop sounds, “Stand Up” nearly always sounds like a Somaya album because of her distinctive fluttering vocals and sometimes strikingly personal and powerful lyrics. There’s a duality within Somaya at play here.

There’s the stadium-sized choruses and electronic pop sensibility – the side of her that appears to take soaring upbeat anthems in her stride – as on the title track, “Stand Up”, “Open Up” and “Straight Girl”.  Then there’s her darker side; a far cry from the pop glitz it counterbalances, these heavier, temperamental moments provide a perfect milieu for Somaya’s intimacy and empowerment to manifest, whilst making for the more memorable tracks on offer.

Just turn towards standout and introspective songs such as “Dear Future Love”, “Take Me Away” and “As Much As I Love”. The raw emotion these tracks harbor, coupled with their almost-mercurial production make for pop music with soulful bite. When this dichotomy works, it works brilliantly and the record shines.

However, it’s Somaya’s vocal range and lyricism which make the stand out moments come off as nothing short of pop perfection. “Go With The Beat” for instance, is a prime example of her ability to combine instantly relatable emotions with understated yet rousing production. As such, it retains a surprising amount of individuality.

The main difference between “Stand Up” and previous electro-pop offerings this past year, is that there is there is no breathing room. From the moment the opening track hits its stride, the audience is locked in for a roller coaster ride of varying tempos. While most artists would struggle to keep up with this constantly switching pace, Somaya does so with the expertise of a pro.

She has enough on this album that there is something for everyone, and many of the tracks hit the bullseye, allowing Somaya to fully submerge herself in glowing pop goodness. Without forgetting though that her lyrical themes are about empowerment and the ability to stand up to societies cruelties, many of which are currently in the news headlines.

MORE ABOUT SOMAYA: Growing up in Charlotte, North Carolina, Somaya was drawn to music from a young age. She began learning the piano when she was 4 years old and picked up singing while learning the guitar when she was 11. However, when she began experiencing depression in her early teenage years, she turned to songwriting and music as a source of healing. Somaya then decided to pursue music as a recording artist, hoping to help others heal through music as well. She started posting her music on YouTube, performing at small venues, and writing endless songs which led to the release of her debut album.

OFFICIAL LINKS: WEBSITEFACEBOOKTWITTERINSTAGRAMSPOTIFY

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.