Sundance Jump with W. Dire Wolff release the Indie Rock Video “Zodiac Killer”

Zodiac Killer is a wild Indie Rock song with crazy slide guitar laid over a rockabilly beat. The song is about a woman who frequents a night club called Zodiacs by nights, and cruises around town by day. Deep Purple Sage is a CD, Vinyl, and Digital release by Sundance Jump with W. Dire Wolff. The album blends Alternative Rock with Psychedelic Acid Rock. Recorded in Joshua Tree, California at Skylab Studios; the album has an underlying desert theme.  The LP is recorded in the old school style of Acid Rock vintage tube amp guitar sounds, mixed through analog

THE BRKN DEBUT EP ‘NO. 3’ OUT NOW VIA INGROOVES

FRONTMAN JACOB CADE’S ‘ACOUSTIC HANG WITH JACOB FROM THE BRKN’ WILL LIVE STREAM VIA THE BANDS INSTAGRAM AND FACEBOOK THROUGH THE END OF APRIL AT 6PM PST/7PM MST/9PM EST THE BRKN recently released their debut EP No. 3 via Right Brain Music Group/Ingrooves. Their new video for their song “Broke” has garnered over 100 views in just two weeks. Since the band’s spring tours have been cancelled due to the Coronavirus, frontman Jacob Cade will be live streaming acoustic sessions every Tuesday through April via the band’s Facebook and Instagram. Tune in at 6PM PST/7PM MST/9PM EST at https://instagram.com/thebrkn or https://facebook.com/thebrkn and #BeatTheVirusWithTheBRKN. “We’re

D-Witt flexes the pen of a budding cinematic storyteller

I recently heard about an artist called D-Witt from Rockford, IL.  Illinois is the home of some prestigious sons who have left unforgettable marks on hip-hop’s history. I’m expecting an unfiltered rebel who is unafraid to bare his soul and burn down buildings. A fearless heart is a quality that makes fearless art, and I hope that’s exactly what D-Witt has arrived to present us.  So I press play on the first track called “Enemy”. The sound is open and strong-willed. There’s no doubting that D-Witt has something to say. The amount of care that goes into his lyricism stamps

Mortinus – “Star Chariot (Yellow Odyssey)” and “Oceania” – gently beatific music

As the months pass slowly into years, it becomes increasingly plain to all concerned that Danish electronic music producer, Mortinus is taking his craft very seriously. He has been extraordinarily prolific and has maintained an enviable level of quality in his releases. When approaching his two singles “Star Chariot (Yellow Odyssey)” and “Oceania” the question that arises is how will Mortinus sound fare in the altered musical terrain of 2020? Well the two new singles, are fine examples of some of the best ambient, chillout, downtempo and cinematic instrumental music being made today. Mortinus’ sound is alive and well, and his

Stiff Lauren – “Faith In Me” demands the spotlight!

Fearless and uncompromising, Stiff Lauren is back to deliver a triumphant track about having faith in yourself no matter what. Stiff Lauren is a hip-hop artist who is no stranger to speaking what’s on his mind. Since he hit the scene, he’s never been one to hold his tongue or been one to fear throwing the first punch. Whether or not you’ve followed Stiff from the beginning, one thing has been apparent through the highs and the lows: he’s talented and confident – his latest single “Faith In Me” is a perfect example of that. Stiff Lauren once again takes

Phreckle$ is carving out a music presence with “IDFWP”

Phreckle$ is an independent solo artist out of Los Angeles, California. She writes all her own songs, and produces professional quality artistic music videos. A precocious talent, Phreckle$, played trumpet at 9 years old in the school band, by 12 she was performing at the Carnegie Hall, and a year later she started going to punk shows. At 17 she was playing bass in 3 different punk bands. At the age of 22, she was discovered as a model and is now an internationally signed model working with the top photographers and magazines in the industry, which has put her

“No Mas” oozes with Nancy Diaz’s palatable understated sass

Canadian born Latin pop recording artist Nancy Diaz has been navigating her way through the Canadian music scene since 2011 with her pop single “Summer Addiction” along with official music video. Her sexy and sassy fusion of English/Latin music has led to the release of many well received singles, garnering her critical acclaim and audience satisfaction. Apart from firmly establishing herself among her musical contemporaries and peers, Diaz has also made her mark in the modeling world posing for magazines, fashion labels and fashion photographers such as Cliché Magazine, Deniori Couture and Monarch Photography. Directly involved in quite a few

Cyrus R.O. – “Bones” is still a skillfully crafted song

I think I expected this music to be sterile and methodical. However, to my surprise, Cyrus R.O.’s new single “Bones” from his upcoming debut album “Deconvolution” is blazingly irradiated like bundle of energy that expertly marries the organic and synthetic. Underneath it all, a darker lyrical narrative dealing with “a character struggling with their gender identity, and the fear of social turmoil that comes with that.” Everything just grooves so well together; it’s a blend of sounds that I haven’t heard done this well from any progressive, jazz, or electronic artist in quite some time. It’s a masterful melding of electronic machinery with

Temperature Falls Release The Video For Their Latest Single “1-2-3”

The sound and atmosphere of Temperature Falls is built around somewhat gritty, blended organic-electronic sounding tracks that hearken the listener back to earlier times. Their latest track, ‘1-2-3’, is a seductive track that pulls the listener in with an eerie melody, sultry vocals and an ethereal reverberating atmosphere. Mixed beautifully, this is the perfect example of what to expect from this indie trip-hop/alternative rock duo from Oslo, Norway, made up of vocalist/lyricist Camilla, and multi-instrumentalist Ian J. Ward. ‘1-2-3’ is a gorgeous, melancholic song that is heart wrenchingly beautiful. Temperature Falls is one of those bands that are absolutely necessary

Pop Music Artist DAYVID Releases Music Video for “Same Old Feeling”

This song was released last Fall on his self-titled debut EP. DAYVID explains that “Same Old Feeling” was the last song written for this EP. It reflects on an old love that was like no other. “Same Old Feeling” was co-written by DAYVID and Grammy-Nominated producer Morgan Taylor Reid (Marshmello, Jack & Jack, CHROMEO). “Same Old Feeling” is available on all streaming platforms including Spotify and Apple Music: http://dayvid.lnk.to/SameOldFeeling. The production is simple with piano, vocals, and an 8-member gospel choir providing backgrounds. The lyrics and vocal performance make this song meaningful and powerful. All elements support the soaring voice

T.C. Crosser: “The Book of Arius – Act I” – versatility, sensitivity, and humility

After years of composing, playing and producing indie and punk, pianist T.C. Crosser moved towards combining chamber strings and rock/pop to tell narrative stories with instrumental music. The composer has also scored music for commercials (such as Microsoft), television (such as Visionaries: Inside The Creative Mind), and performance art companies (such as Leslie Seiters Dance). His latest release, “The Book of Arius – Act I”, is a four movement narrative for string quartet which explores three distinct points in T.C. Crosser life. The recording was done using a 14 mic array for the string quartet and then processed through a unique recipe of guitar amps, effects pedals, and a custom built plate reverb room. Now before you go off thinking about screaming electric guitars and banging drums, after reading rock and pop, remember this a classical ensemble, to all intents and purposes.

“The Book of Arius – Act I” is a beautiful, haunting, and somewhat melancholic recording, even when the strings swirl and jump. But I suppose that’s just the lugubrious effect violins and cellos have on me, no matter how they’re played. It is usually appropriate for a quartet to expand the harmonies and embellish the melodies of a musical piece, hence what would be dittos in pop music are transformed into quasi sonatas, rondos, chaconnes, and renaissance gigues in classical music. In essence, more robust and flamboyant substance.

Even if you know nothing about T.C. Crosser and the string quartet playing on these movements, after listening to the recording, it is clear that their capital strengths are versatility, sensitivity, and humility. Throughout this release, their inexhaustible flexibility, as well as their clearly attentive and humble collaborative spirit, show that this group of musicians, namely – Maria Im (Violin I), Jannina Norporth (Violin II), Kallie Ciechomski (Viola) and Caleigh Drane (Cello) represent the acme of musical professionalism.

The opening piece, “Movement I (White Sulphur Springs)”, is an enjoyable listen at the surface level, with beautiful moments couched in rich and deep textures, and also provides an engaging emotional journey, if you’re is so inclined.

The second piece, “Movement II (River City)” has moments of contrasting character – at times being deliberate and rhapsodic, and then having punchier contrapuntal textures. As in the first movement, the great delicacy with which the quartet approaches these contrasting pieces shines.

The opening notes in the third movement, “Movement III (Goose Creek)”, showcases the warm yet balanced acoustic environment found throughout this disc.  The listener gets a complementary balance of proximal sounds and warm resonance; this results in a beautiful, non-distracting sound environment that serves primarily to showcase the supreme delicacy and deep preparation of the composition.

“Movement IV (Hell’s Kitchen)” is perhaps where the versatility of the quartet is most obvious. The ease and dexterity with which they execute these dramatically different characters is impressive and delightful.

At any time, throughout this recording, the quartet gives the listener the impression of coherence, which is not least attained by the consistently outstanding arrangements of the songs. The typical string quartet sound is further enhanced by the use of the effects pedals and processing which gives us a tightly hewed consonance that is singularly beautiful and intriguing. And somehow, T.C. Crosser’s work takes on a much larger scale than one expects from four instruments.

OFFICIAL LINKS: SPOTIFYBANDCAMPTWITTERINSTAGRAMSOUNDCLOUD

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.