Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Italian Singer-songwriter with a Brazilian soul – Bruno Pignatiello

Bruno Pignatiello was born in Rome, and only in recent years he matured the awareness of being born in a city of extraordinary beauty and ordinary chaos. Bruno enjoys listening to all the sounds and languages of the world but he prefers, above all, those coming from Brazil and the Lusitanian areas. A Bachelor of Arts, in the linguistic field, he likes to write the lyrics of his songs in Portuguese, which has now become a kind of adoptive language. At the same time he does not neglect his Italic roots or the English language which is his first cultural passion. In the past, before making some trips abroad (Brazil, Portugal, Canada, Greece, Great Britain), Bruno devoted himself to the divulgation of the music performed by some Brazilian artists belonging to the “geração roqueira”.

  1. I would like to extend my gratitude to you for taking the time to answer a few questions and sharing your insights with us. If you don’t mind can you please introduce yourself for many of our readers who may not be familiar with you yet? Who is Bruno Pignatiello, and where is he from?

Bruno Pignatiello: First of all I would like to say “Hi” to all your readers and listeners as well. Thank you Rick for giving me this opportunity to gain exposure for my music. I’m a Christian, Italian singer and songwriter and I was born in Rome in 1966.

  1. Who were your first and strongest musical influences that you can remember growing up?

Bruno Pignatiello: well….I grew up with the music of some British bands of the seventies such as Pink Floyd, Emerson Lake & Palmer and Genesis; some bands or rockers of the eighties and the nineties as Duran Duran, Bryan Adams…

Also, I really appreciated some Italian artists of the pop scene as Renato Zero, Eugenio Finardi and Alberto Camerini the latter brilliant up to paroxysm.

In more recent years, I have listened to many Brazilian artists as well….We’re talking about very talented musicians such as Gilberto Gil, Caetano Veloso and Cazuza.

  1. Do you still find time to listen to other composers and artists? And if so, which of these do you currently admire?

Bruno Pignatiello: I’m always interested in new music above all the music coming from independent musicians. Nowadays I really love the art of Caleb and Sol and Marisa Frantz, artists who really touch your heart with their singing and poems.

  1. How did your interest in Brazilian and Lusitanian-based culture and music begin?

Bruno Pignatiello: It began at University. In the late eighties and early nineties I was taking Portuguese and I started to appreciate the sounds of Portuguese Fado and of the Brazilian groove…

  1. What do you feel are the key elements people should be getting out of your music?

Bruno Pignatiello: My music is a mixture of genres. I like to deal with social aspects of life, emotions and everything about life….a smile, a tear or simply a story from across the world can catch my creativity…

  1. I know you currently have a song in your catalog that is special to you. Could you tells us more about “The Angel Flight” and its significance to you?

Bruno Pignatiello: I wrote “The Angel flight” as my mother died in September of 2014. Seven months before I lost my father as well. Storms came into my life, but suddenly I felt I had to get out of that sadness so I told myself: “Come on Bruno, stop crying! You’re a Christian artist, just write an ode to daddy and mama with a joyful vision of death!”

Some months later, when Marisa Frantz collaborated with me playing a beautiful violin and ethereal singing along the song, at hearing it she commented “what a catchy and fun song!” and I said to myself: “Jesus, that made my day!”

The song talks about the love between my parents and their love for us children. The Angel Flight means very much to me because it’s the flight of my parents to Heaven.

  1. One of your most appealing songs has to be the “The Elegant Man”, which is inspired by the story of Joseph Merrick, the so called “elephant man”. What drove you to write the song, and why that specific title?

Bruno Pignatiello: As a young boy I was very struck by David Linch’s movie “The elephant man” and in recent years I decided to get back to Joseph’s biography. Reading about Joseph’s biography I discovered a very sensitive person who suffered all his life long because of his own deformities

He asked his friend, doctor Treves to go to live at a hospital for the blind, where he might meet a woman who could not see his deformities and could appreciate him for the beauty he had inside.

I must confess that “Measured by soul” a book about the story of Joseph Merrick was going to influence me in choosing the title of my song: it’s such a beautiful and powerful title, but you know….It wasn’t mine so respect for the others’ work and let’s free our creativity!

Finally, I made up my mind to title the song “The elegant man” to tell the world that Joseph Merrick was a man and not “the elephant man”.

In my song the deformities of Joseph Merrick are the deformities of the world where we live in these days… and if we are created in the image and likeness of God “blaming him is blaming God”. I quoted and paraphrased a sentence by the English poet Isaac Watts, very dear to Joseph Merrick.

  1. Since you started out, a key part of your musical life has been, and still is, collaboration with other creatives. What makes you so passionate about collaborating and sharing your work with others?

Bruno Pignatiello: You know Rick, I’m not a musician in the pure sense of the word: I just write emotions and I shout them to the world. Sometimes it happens that I want to share my musical shouts with the artists I respect…

  1. Let’s talk through some of your collaborations and what made or makes them special for you. For instance, your work with Marisa Frantz?

Bruno Pignatiello: I listened to Marisa Frantz’s music by chance. The beautiful, deep and intense singing of Marisa gave me a lot of courage when I lost my parents; she transmitted to me deep vibrations so – some months later –  I decided it was time to collaborate with this wonderful human being and very talented musician. Our first creation together is The Angel Flight indeed: the song is a precious pearl that the violin and the voice of Marisa relegate to eternity.

  1. Also tells us about your earlier work with Fulvio Previdi?

Bruno Pignatiello: I owe very much to Fulvio. He was the first person to believe in me when all my friends laughed at my work and it would be great to work with him again because we share the same vision of music.

  1. And lastly, tells us something about your current work with Guido Aulisi?

Bruno Pignatiello: I have known Guido for 38 years and you could say he’s the rational soul of the project. He is a very talented musician and a multi-instrumentalist. On my current work, BRASILUSOFONIA, for instance, he played electric and Spanish guitar, piano, bass guitar, keyboards and even some chorus tracks…you could say that Guido is to Bruno as Jim Vallance is to Bryan Adams. LOL! I’m joking around of course: Jim and Bryan are two unattainable giants…

  1. What key ingredient (or ingredients) do you always try to infuse into your songs, over and above style, sounds and genre?

Bruno Pignatiello: In my songs I always try to infuse hope, Christian values or ethical values at least. My motto is “people always have one more try!”

  1. What usually sparks off your creativity for a new song – an actual real life event, or do you just focus on something at will, and then compose for it?

Bruno Pignatiello: : I sing facts that touch my heart…I can’t sing or write anything but life….it enchants me, seduces me and is the most precious gift that God has given us

  1. Apparently fans have been asking you the reason why you say “So here is the seventies” instead of “here ARE the seventies” or better “here COME the seventies”, in your song 1966. Could you enlighten us on this issue?

Bruno Pignatiello:  1966 is a biographical song talking about a kid who was four years old in the beginning of the seventies, so I wanted to provide the portrait of a child who is learning to write and speak correctly but at the same time I wanted to represent the child with his falls and his mistakes. That’s the reason why I used this poetic license….

  1. If you had the opportunity to change one thing about how the music business works right now, what would that be?

Bruno Pignatiello: Tough question Rick! Anyway, I would give more attention to music less to the image!

  1. Do you consider Internet and all the social media as fundamental in building a career in music today, and what is your personal relationship with the new technology at hand?

Bruno Pignatiello: Yes, Internet is fundamental nowadays….think about all the current music sung in Spanish or Portuguese that reaches a big success: would it have been possible before the internet revolution? On the other hand I’m always a little suspicious of overexposure to social media because they take time out of real life and can lead to the brink (and sometimes over the brink as well!) of loneliness and frustration.

  1. What would you consider a successful, proud or high point in your life or career so far?

Bruno Pignatiello:  I am a person centered and grateful to life for what I received: I turn the discomfort into talent.

  1. What, on the other hand, has been the most difficult thing you’ve had to endure in your life or music career so far?

Bruno Pignatiello: The loss of my parents, no question about it… but “I have respect for my laugh but much more for my tears” says the Brazilian artist Caetano Veloso I am aware that inside of me there is a light that guides me!

  1. Tell us something about the workings your latest release, and what your expectations are from this body of work?

Bruno Pignatiello: My latest release is BRASILUSOFONIA which is the second volume of my TRILOGY, a tribute to my Brazilian and Portuguese soul. In this work are reported the same feelings and emotions I sing in the English and in the Italian volumes so you will find the joy, sadness, loneliness, irony, tears and laughs….

In this work I collaborated with Marisa and with some talented Brazilian musicians and singers such as Vivi Goeldi, Wagner Silva and Bruna Martini. My expectations may be high because we started the experiment to make BRASILUSONIA available initially -and exclusively – on my website WWW.SENTOLAVITA.COM where you can also support the project.

  1. What’s the next most important event planned on the Bruno Pignatiello agenda for 2018?

Bruno Pignatiello: The publication of the third and last volume of my Trilogy dedicated to my Italian soul.

OFFICIAL LINKS: WEBSITE – STORE


About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.