Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Katiah One: “Tail Spin” – an evolving, audacious artist

Soon releasing debut first EP “A Whole Lotta Water Works”, Katiah One is an artist raised on the Upper West Side of New York City. His mission is changing the common perception of the average rapper. Katiah draws inspiration from many genres including R&B and Rock, while his favorite artists include Freddy Mercury, Sam Cooke and Issac Brock.  On his latest single “Tail Spin”, taken off the aforementioned EP, Katiah deals with the deep issues of existentialism, or simply put, the meaning of a human being’s existence. Sure his talking ‘black’ talk, but you can’t go there without understanding the

Alisa Chirco: “Give Me More” – bench marked with confidence!

Alisa Chirco sure isn’t shy about revealing what’s on her mind, on her brand new single “Give Me More”, the follow up to her almost gothic-like pop ballad “Box”. Alisa sounds passionate, wanting and determined, in a driven rock song that is an anthem for empowered women. Her music here is very strong, has meaning, and is legit. The track shows that she is learning to emote in a more visceral and arguably more demonstrative way. Alisa has now escalated to being a rock chic with an attitude and bold open-confessional lyrics. A sensible direction for any reinvention is maturity, and

Roger Cole & Paul Barrere: “Old Folks Boogie Redeux” – true to their sound!

“Ya know that you’re over the hill, when your mind makes a promise that your body can’t fill!”, this is the line that inspired Paul Barrere to write the original version of the “Old Folks Boogie”, which would subsequently feature on the 1977 Little Feat record “Time Loves a Hero”. The citation came from a line Paul’s dad – an actor at the time – picked up at a vaudeville theater. He would often sing it around the house, so eventually Paul got hooked turned it into a song. For some time, Paul’s partner over at Better Daze Records, Roger

Glorious: “Move” – throbs with club energy

Pop singer, Livetronica drummer, producer and songwriter, Glorious, is a graduate of Berklee College of Music, who has been making music since she started playing drums at the age of three. Named after her grandmother Glorious Cooper, Glorious recently unveiled her single “Move”. In an increasingly crowded field of urban pop artists, you may be wondering what makes Glorious worth your time. To be sure, she boasts a lot of the qualities that her peers also bring to the table. Her song is outlined with an exquisite beat, her vocals are mesmerizing, and her persona appears spectacularly captivating. Without close

Ferentz and The Felons: “Hudson County” – an engaging and gripping performance

During his childhood, Zak Ferentz experienced both his parents suffering with drug addiction which eventually claimed the life of this mother. A life on the streets selling drugs and getting in trouble with the police, found Zak headed down his own dark path. However he soon discovered that creating music could help him heal. Furthermore it gave him a purpose in life and also a way to explore his creativity and bring it to tangible fruition. He subsequently teamed up with drummer Matt Waz, bass player Rob Dudziak and lead guitarist Rich Catalano to give birth to the band, Ferentz

Italian Singer-songwriter with a Brazilian soul – Bruno Pignatiello

Bruno Pignatiello was born in Rome, and only in recent years he matured the awareness of being born in a city of extraordinary beauty and ordinary chaos. Bruno enjoys listening to all the sounds and languages of the world but he prefers, above all, those coming from Brazil and the Lusitanian areas. A Bachelor of Arts, in the linguistic field, he likes to write the lyrics of his songs in Portuguese, which has now become a kind of adoptive language. At the same time he does not neglect his Italic roots or the English language which is his first cultural passion. In the past, before making some trips abroad (Brazil, Portugal, Canada, Greece, Great Britain), Bruno devoted himself to the divulgation of the music performed by some Brazilian artists belonging to the “geração roqueira”.

  1. I would like to extend my gratitude to you for taking the time to answer a few questions and sharing your insights with us. If you don’t mind can you please introduce yourself for many of our readers who may not be familiar with you yet? Who is Bruno Pignatiello, and where is he from?

Bruno Pignatiello: First of all I would like to say “Hi” to all your readers and listeners as well. Thank you Rick for giving me this opportunity to gain exposure for my music. I’m a Christian, Italian singer and songwriter and I was born in Rome in 1966.

  1. Who were your first and strongest musical influences that you can remember growing up?

Bruno Pignatiello: well….I grew up with the music of some British bands of the seventies such as Pink Floyd, Emerson Lake & Palmer and Genesis; some bands or rockers of the eighties and the nineties as Duran Duran, Bryan Adams…

Also, I really appreciated some Italian artists of the pop scene as Renato Zero, Eugenio Finardi and Alberto Camerini the latter brilliant up to paroxysm.

In more recent years, I have listened to many Brazilian artists as well….We’re talking about very talented musicians such as Gilberto Gil, Caetano Veloso and Cazuza.

  1. Do you still find time to listen to other composers and artists? And if so, which of these do you currently admire?

Bruno Pignatiello: I’m always interested in new music above all the music coming from independent musicians. Nowadays I really love the art of Caleb and Sol and Marisa Frantz, artists who really touch your heart with their singing and poems.

  1. How did your interest in Brazilian and Lusitanian-based culture and music begin?

Bruno Pignatiello: It began at University. In the late eighties and early nineties I was taking Portuguese and I started to appreciate the sounds of Portuguese Fado and of the Brazilian groove…

  1. What do you feel are the key elements people should be getting out of your music?

Bruno Pignatiello: My music is a mixture of genres. I like to deal with social aspects of life, emotions and everything about life….a smile, a tear or simply a story from across the world can catch my creativity…

  1. I know you currently have a song in your catalog that is special to you. Could you tells us more about “The Angel Flight” and its significance to you?

Bruno Pignatiello: I wrote “The Angel flight” as my mother died in September of 2014. Seven months before I lost my father as well. Storms came into my life, but suddenly I felt I had to get out of that sadness so I told myself: “Come on Bruno, stop crying! You’re a Christian artist, just write an ode to daddy and mama with a joyful vision of death!”

Some months later, when Marisa Frantz collaborated with me playing a beautiful violin and ethereal singing along the song, at hearing it she commented “what a catchy and fun song!” and I said to myself: “Jesus, that made my day!”

The song talks about the love between my parents and their love for us children. The Angel Flight means very much to me because it’s the flight of my parents to Heaven.

  1. One of your most appealing songs has to be the “The Elegant Man”, which is inspired by the story of Joseph Merrick, the so called “elephant man”. What drove you to write the song, and why that specific title?

Bruno Pignatiello: As a young boy I was very struck by David Linch’s movie “The elephant man” and in recent years I decided to get back to Joseph’s biography. Reading about Joseph’s biography I discovered a very sensitive person who suffered all his life long because of his own deformities

He asked his friend, doctor Treves to go to live at a hospital for the blind, where he might meet a woman who could not see his deformities and could appreciate him for the beauty he had inside.

I must confess that “Measured by soul” a book about the story of Joseph Merrick was going to influence me in choosing the title of my song: it’s such a beautiful and powerful title, but you know….It wasn’t mine so respect for the others’ work and let’s free our creativity!

Finally, I made up my mind to title the song “The elegant man” to tell the world that Joseph Merrick was a man and not “the elephant man”.

In my song the deformities of Joseph Merrick are the deformities of the world where we live in these days… and if we are created in the image and likeness of God “blaming him is blaming God”. I quoted and paraphrased a sentence by the English poet Isaac Watts, very dear to Joseph Merrick.

  1. Since you started out, a key part of your musical life has been, and still is, collaboration with other creatives. What makes you so passionate about collaborating and sharing your work with others?

Bruno Pignatiello: You know Rick, I’m not a musician in the pure sense of the word: I just write emotions and I shout them to the world. Sometimes it happens that I want to share my musical shouts with the artists I respect…

  1. Let’s talk through some of your collaborations and what made or makes them special for you. For instance, your work with Marisa Frantz?

Bruno Pignatiello: I listened to Marisa Frantz’s music by chance. The beautiful, deep and intense singing of Marisa gave me a lot of courage when I lost my parents; she transmitted to me deep vibrations so – some months later –  I decided it was time to collaborate with this wonderful human being and very talented musician. Our first creation together is The Angel Flight indeed: the song is a precious pearl that the violin and the voice of Marisa relegate to eternity.

  1. Also tells us about your earlier work with Fulvio Previdi?

Bruno Pignatiello: I owe very much to Fulvio. He was the first person to believe in me when all my friends laughed at my work and it would be great to work with him again because we share the same vision of music.

  1. And lastly, tells us something about your current work with Guido Aulisi?

Bruno Pignatiello: I have known Guido for 38 years and you could say he’s the rational soul of the project. He is a very talented musician and a multi-instrumentalist. On my current work, BRASILUSOFONIA, for instance, he played electric and Spanish guitar, piano, bass guitar, keyboards and even some chorus tracks…you could say that Guido is to Bruno as Jim Vallance is to Bryan Adams. LOL! I’m joking around of course: Jim and Bryan are two unattainable giants…

  1. What key ingredient (or ingredients) do you always try to infuse into your songs, over and above style, sounds and genre?

Bruno Pignatiello: In my songs I always try to infuse hope, Christian values or ethical values at least. My motto is “people always have one more try!”

  1. What usually sparks off your creativity for a new song – an actual real life event, or do you just focus on something at will, and then compose for it?

Bruno Pignatiello: : I sing facts that touch my heart…I can’t sing or write anything but life….it enchants me, seduces me and is the most precious gift that God has given us

  1. Apparently fans have been asking you the reason why you say “So here is the seventies” instead of “here ARE the seventies” or better “here COME the seventies”, in your song 1966. Could you enlighten us on this issue?

Bruno Pignatiello:  1966 is a biographical song talking about a kid who was four years old in the beginning of the seventies, so I wanted to provide the portrait of a child who is learning to write and speak correctly but at the same time I wanted to represent the child with his falls and his mistakes. That’s the reason why I used this poetic license….

  1. If you had the opportunity to change one thing about how the music business works right now, what would that be?

Bruno Pignatiello: Tough question Rick! Anyway, I would give more attention to music less to the image!

  1. Do you consider Internet and all the social media as fundamental in building a career in music today, and what is your personal relationship with the new technology at hand?

Bruno Pignatiello: Yes, Internet is fundamental nowadays….think about all the current music sung in Spanish or Portuguese that reaches a big success: would it have been possible before the internet revolution? On the other hand I’m always a little suspicious of overexposure to social media because they take time out of real life and can lead to the brink (and sometimes over the brink as well!) of loneliness and frustration.

  1. What would you consider a successful, proud or high point in your life or career so far?

Bruno Pignatiello:  I am a person centered and grateful to life for what I received: I turn the discomfort into talent.

  1. What, on the other hand, has been the most difficult thing you’ve had to endure in your life or music career so far?

Bruno Pignatiello: The loss of my parents, no question about it… but “I have respect for my laugh but much more for my tears” says the Brazilian artist Caetano Veloso I am aware that inside of me there is a light that guides me!

  1. Tell us something about the workings your latest release, and what your expectations are from this body of work?

Bruno Pignatiello: My latest release is BRASILUSOFONIA which is the second volume of my TRILOGY, a tribute to my Brazilian and Portuguese soul. In this work are reported the same feelings and emotions I sing in the English and in the Italian volumes so you will find the joy, sadness, loneliness, irony, tears and laughs….

In this work I collaborated with Marisa and with some talented Brazilian musicians and singers such as Vivi Goeldi, Wagner Silva and Bruna Martini. My expectations may be high because we started the experiment to make BRASILUSONIA available initially -and exclusively – on my website WWW.SENTOLAVITA.COM where you can also support the project.

  1. What’s the next most important event planned on the Bruno Pignatiello agenda for 2018?

Bruno Pignatiello: The publication of the third and last volume of my Trilogy dedicated to my Italian soul.

OFFICIAL LINKS: WEBSITE – STORE


About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.