Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Wild Horse: “Songs About Last Night” – embody everything before, current, and probably hereafter!

Wild Horse are a young vibrant original British Rock Band, from Burwash, East Sussex, formed by two brothers – Henry Baldwin (Vocals, Guitar & Harmonica) and Jack Baldwin (Vocals & Guitar) – with school friend Ed Barnes (Drums), 6 years ago, when they were around 12 years old. They have since released two albums and three EP’s, while building up a solid following in the South East. Their latest record out is the 10 track album, “Songs About Last Night”. Wild Horse have served up an entertaining, tightly produced album here. It’s very cool to hear a band playing stripped

Phoenix O’Neill: “Out Of The Ashes” remains accessible while never sacrificing its emotional heart

Phoenix O’Neill grew up in Watford, North London and attended school in St. Albans. She was born into a musical household – her mother sang and played guitar, her dad was a drummer, and her step-father a singer-songwriter. Phoenix started writing stories and poems at age eight, songs at nine, and by thirteen, she had built a considerable portfolio. Her first live performance occurred when she was fourteen, at her mum’s friend’s wedding in France. Now at age twenty-three, Phoenix O’Neill has been giving heartfelt, memorable performances in and around the Hertfordshire area, and recently gained the attention of world famous producer James Sanger, best known for his work with Dido, Keane, Siobhan Donaghy, and Brian Eno.  James immediately paired up with Paul Inder-Kilmister (Lemmy from Motorhead’s son) to create Sangmister Music, where Phoenix worked with both luminaries on her debut EP in Joshua Tree, California. The EP, entitled “Out Of The Ashes” is set to officially release on April 30th, 2018.

Across the EP’s four tracks, the centerpiece of each song that sticks its finger right out of the speakers and into your face is Phoenix O’Neill’s vocals. Sure, there’s some pretty easy Birdy, Lorde and Amy Winehouse comparisons to be made to Phoenix’s sting-in-the-tail pipes, but really we should be paying closer attention to this woman’s own personal rasp, howl and under-breath murmur, emphasized through crystal-clear production, and we will discover a voice with confidence, sassiness and the utmost of class. All the while, the EP toes that fine and difficult musical line, remaining accessible while never sacrificing its emotional heart.

Whether she’s leading the charge in toe-tapping numbers such as the twirling “Cruel” and ferociously groovy single “I Need You”; or soulfully, emotionally crooning through smooth, intensity-switching balladry like the gorgeous “Alien”, and the sprawling mood-inducing “I Feel It”, Phoenix is pulling vocal moves like a professional veteran.

The liquid pronunciations and seamless transitions between her empowered husk and her seductive purr are worth any price of purchase alone. Phoenix lets her ability to convey emotional depth do much of the talking on these tracks. Her innate vocal intuition is truly the star of the show, and should be something celebrated by more and more people.

To say that everything else is a bonus would be to undermine the music and production – something no reviewer should be caught doing, regardless. On “Out Of The Ashes”, the music is tight as ever, creating vivacious and well-structured backdrops to Phoenix’s voice; bold and adventurous in its ambitious genre-envelopment.

Various guises of pop and urban soul make up the musical centerpiece, but subtle elements of alternative rock and electronics push the cutting edges of this recording. It’s all delivered with real enthusiasm and the production makes it sound huge, and profoundly captivating.

Phoenix O’Neill is the complete package, a fantastically unique voice that demands attention with beautiful song composition and a glowing physical presence. Phoenix does such a good job of making every song infectious. Every cut comes across as though you somehow already know it and with which you want to sing along.

The very familiarity of her warm voice paradoxically is what makes her different. Her vocals are simply impeccable, with which Phoenix O’Neill gives exquisite, rare and soulful performances. “Out Of The Ashes” is stunningly haunting and graceful.

*** Phoenix was recently awarded the international showcase fund support from the PRS Foundation to help towards costs, allowing the band to be able to perform at MUSEXPO which they are very appreciative for. Phoenix O’Neill is supported by PRS Foundation international Showcase Fund, which is run by PRS Foundation in partnership with Department of International Trade (DIT), British Underground, Arts Council England, The Musicians’ Union (MU), PPL, Creative Satland, Wales Afts lnternational and Wales Afts lnternational in association with Pledge Music.***

OFFICIAL LINKS: WEBSITESOUNDCLOUDFACEBOOKSANGMISTER MUSICSHOWCASE MUSEEXPO

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