Karen Salicath Jamali Set to Take the Carnegie Hall Stage Saturday for Her Debut Concert

Karen Salicath Jamali – Two Performances Set For December 15, 2018 New York City, New York – Karen Salicath Jamali is an award-winning pianist who earned a chance to play not once, but twice at Carnegie Hall on Saturday, December 15, 2018. Winning second place in the American Protégé Music Talent Competition and an honorable mention winner at the American Protégé International Competition of Romantic Music this fall has given Karen Salicath Jamali the chance to play twice in one day on the world famous Carnegie Hall stage. Locals can check out her performances of her original piano composition, Rainbow

True Media Independence (TMI): Building a Music career with Khady Thiam Gueye

The ability to market your music is an essential skill. Without properly promoting yourself or your music, no one would know you even make music. Regardless of status or stature, administration is a great equalizer of all businesses. If you want exposure, you have to put in the time for marketing - that or hire it out. Independent artists have more opportunities than ever before to launch their own career without the backing of the major labels. Hiring a professional PR executive to handle your campaign is generally the best way to get great coverage. You might prefer the DIY approach

Kill the Reflection: “Forever & Always” keeps itself tight and consistent throughout

Kill the Reflection is group from Oklahoma City, OK, consisting of Morgan Routt (Vocals/Guitar), Mark Martinez (Bass) and Starr Raven (Drums). Their new album, “Forever & Always” is currently available for pre-sale and will release on Dec 27th 2018 on digital and physical CD format with Vinyl to follow in 2019. On the album, Kill the Reflection presents an interesting musical mélange of alternative rock with excellent musicianship and vocals, as well as exceptionally strong lyrics. The instrumental work on the album is worth listening to repeatedly, and the songs are intelligent, though generally dark. “We have adopted the moniker

Son of Andy: “Looking Up” – creating lyrical atmospheres!

Detroit area native, Son of Andy got his start in 2011 and has been producing music and beats since then. His first album, “Wendigo”, was released in 2017, and his second album “Looking Up” is available for Pre-Order right now. Son of Andy takes it to another level with his latest album. He’s on top of his game and easily out does his past couple of releases. Newcomers can appreciate this just as well as previous fans. Likewise, you don’t even have to be a fan of hip hop to appreciate what’s bought to the table here. For those not familiar,

Fitzsimon & Brogan: “Big Blue World” – a full, punchy pop sound!

Fitzsimon & Brogan is a musical project based in London, whose creators therefore logically are songwriter Neil Fitzsimon, and vocalist Bee Brogan. The two setup their songwriting and production to produce, what they describe as “pure pop for now people.” Both were previously in a band called Pretty Blue Gun who featured guests musicians such as members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams, who played guitar on the Walker Brothers’ track, ‘No Regrets’.  The two critically acclaimed albums were produced by Pat Collier, who produced Katrina and the

Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Trae Morris: “The Door” maintains a build-up with veteran techniques

Born in Mississippi and raised in Fayetteville, North Carolina Trae Morris is an independent R&B artist who launched his career in 2014 when he signed with vHIZions Management for artist development; shortly thereafter, he would co-write and release his debut single “Deeper.” After relocating to Atlanta in 2015, Morris aligned with the JP Agency. This would connect Morris with the trio known as Those Guys Music, comprised of singer/songwriters Amore Jones, Steven Ashley, and Grammy Award winning producer and engineer Jeremiah Adkins. In the fall of 2016, Those Guys Music produced the summertime track “End the Night”, written by Dee Perrine. Immediately, after the release of the single and music video, Trae Morris got back in the studio with Those Guys Music. After a year of dedicated effort, creating the perfect sound, Morris released his first single in almost two years “The Door,” which is the first single from his upcoming debut EP, “Subconscious,” which is set to release late summer ’18.

This young brother is an oasis in the desert of what masquerades as contemporary Black music. Trae has a way of singing that makes you feel like he’s been on a long journey and has finally made it back home. And he takes you right along with him on the back of each and every note.

His voice is undeniably and unabashedly thick with Southern rasp and charm, passion overflowing every bar he sings. From the outside looking in, it might seem like he’s been blessed with a voice too soulful for popular music, and too serious a talent for the Top40.

Without feeling as though Trae Morris is squeezing himself into the box of contemporary R&B. “The Door,” is an unadulterated, stripped-down heartfelt lament spread across an organic, well-tended, clean and resonating guitar-driven soundscape.

It’s as angelic as it’s raw, with a burning passion that radiates from the back and forth of the vocals, the chemistry between the voice and the guitar is incredibly striking. Anyone who is complaining about the state of urban music today simply hasn’t heard the bounty of Trae’s voice.

His vocal approach in this song is worthy of applause. Trae masterfully conquers this ballad, and maintains a build-up with veteran techniques. He lets his voice tell the story, and the accompaniment of the skilled guitar gives this a soothing, soul stirring contribution.

Hence we can convincingly confirm that what gives “The Door,” its momentum, is Trae Morris’ vocal prowess, which succeeds in brushing away any artificiality in order to strike a natural pose.

The raw emotion of Trae’s performance seeps out of every artistic nook, cranny and crack. It demands that the listener feels what Morris is feeling, which is what any artist in this genre strives for. Every now and then an artist comes out of nowhere to impress you with a music release that is far beyond expectations. Trae Morris’ “The Door,” is a perfect example of this.

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