J.Drive – “Untitled” showers the auditory canvas with musical ideas

Hailing from the inner city of Youngstown, Ohio’s Southside, Jessie “J.Drive” grew up in a small apartment in a violent neighborhood without his natural mother or father.  At a very young age he realized that his natural affinity for basketball and Hip-hop music would become the tools necessary to pave his way to a more comfortable lifestyle.  Despite the tragic events that ended his hoop dreams, Jessie’s understanding of what it takes to make the best of his gifts regardless of circumstances is what has brought him thus far. Currently he is pushing his latest single called “Untitled”. In his

“Millions” shows off how talented and self-assured DboySlim is!

“Millions”, the track by DboySlim, has an incendiary takeoff, wasting zero time to underscore the necessary sense of urgency through a compacted sonic boom and a room full of booty. The backdrop is made of a dynamic piano loop, skittering hi-hats, and twisting synths, while the rapper updates his dance-swaying lyricism. DboySlim is impressive to say the least, while the track absolutely bumps. He creates an intense atmosphere that makes you want to jump around and groove. “Millions” shows off how talented and self-assured DboySlim is, and how he can probably live up to any hype you want to put

Andree Cassielll – “Alimento” – a universality that makes him a perfect fit for the modern era!

The Mexico City native, Andree Cassielll, possesses a down-to-earth humility in his vocal tone that makes his storytelling raps feel like they’re always coming from a place of truth over fiction. Considering the producer and artist, predominantly sings and raps in Spanish, which I cannot understand, that’s an impressive feat. The trap-inspired beats flicker in and out as Andree becomes more invested in his storytelling, and it truly feels like you’re on the phone with a rambling friend. He’s a poet, capable of transporting you somewhere otherworldly with his sound. His music has a genuine fluidity, and if he continues

EH – “Mirrors” lets it fly with the fret-board work to thoroughly rock you!

Baltimore rock guitar ace EH reaffirms his top-of-the-heap status on his new 7 track album “Mirrors”. It’s a superlative set of new music full of tightly-written, engaging instrumentals that don’t need a singer up front to rock hard and hold your attention. This type of writing is EH’s trademark, and is one of the main reasons he will develop a audience. While many other technically-proficient rock guitarists mainly play for other guitar players, EH seems to play for the people. He relies less on continuous shredding and more, on dynamically impacting riffs. EH gets us going with his opening track, “Pounding

Boonie Mayfield – “While Black (Red Light, Blue Light, E’s and R’s)” – sentiments nurtured by a history of prejudice

Solomon Vaughn aka Boonie Mayfield has always traded dazzlingly intricate verses, intellectual thoughts and propulsive rhymes, over inventive, nonlinear productions, and his latest release “While Black (Red Light, Blue Light, E’s and R’s)” re-proposes that peerless aesthetic, while adding an ulterior dose of consciousness, and reinforcing his hard-won authenticity. “This song is a 2-part storyteller based on some of my personal experiences with racism; from getting racially profiled by police, dealing with stereotypes while dating and the ugly side of interacting on social media,” explained Boonie. “I was inspired to display some of the scenarios I’ve gone through on a

Sassy Vee – “In My Dreams” has a fantastic chill dance rhythm running its course

Longing, hope, and a need to believe in reality, pour out of “In My Dreams”, the new singer by singer-songwriter Sassy Vee. It’s a clear, accomplished cry from the heart, exorcising its illusions by declaring them bluntly. “In my dreams we’re together. Holding hands and making plans forever. I wish it were true, but I cannot be with you. You have another.” The song introduces Sassy’s strengths: a voice with sultry intensity, songwriting that goes directly to the point and a production that is well aware of both EDM and Pop. The song’s arrangement is lucid and uncluttered, placing all

Adrian Davis Releases Brand New Single: ‘We Can Do It’

July 2020 – This year has not been the easiest by a long shot, with lock-down rules keeping people indoor and breaking havoc on our lifestyles. In addition to that, we are all experiencing social and political tension, casting even more uncertainty on these hard times. Having said that, there is still hope: We Can Do It! Such is the positive message behind Adrian Davis’ brand new single release, and its inspiring title. His music is a great example of what happens when there is a special synergy in a production. Everything feels absolutely balanced, with a stark attention to

Max M continues to expand his musical catalog with his new track ‘Imaginary Problems’

The emerging legacy of artist, deejay, and producer Max M has captured the attention of music lovers from around the world. Max M’s passion for DJing and music production began during his teen years. He would later begin a successful career in Computer Science and gain renown as an IT expert before returning to the music world a few months ago. Max M’s heralded return was marked by the release of two singles Under Water and Never Wanna Leave, which were ranked first and fifth on the American DJ site Digital DJ Pool. Max M continues to expand his musical

Shari Rowe Releases Inspiring New Single, “The Heavy”

Country artist Shari Rowe delivers a message of conviction in her newest single, “The Heavy,” a song of awakening meant to encourage listeners to be a helping hand to those who need it most. “We wrote ‘The Heavy’ to inspire,” says Shari Rowe. “We can all relate. Getting that news, feeling that pain, losing sleep over the things we see in the world, grieving the loss of loved ones. ’The Heavy’ comes into our lives in many ways, and we have the power to lighten the load for each other. We all have opportunities, big or small, to be the

Maki – “Atlas Hacked” is as substantial as it metaphysical, in its approach

It’s sometimes hard to find the words that accurately bring justice to avant-garde electronic works. With an artist like Maki you almost only have to mention his name for fans of the underground independent scene, to understand the potential for a great album of music. Maki should be an instantly recognizable global name within the mainstream electronic world of sound. His latest release, “Atlas Hacked”, is a classic album in the making. And I do not say this lightly. There is a growing body of research that has examined the impact on adolescents and adults of internet and social media

Trae Morris: “The Door” maintains a build-up with veteran techniques

Born in Mississippi and raised in Fayetteville, North Carolina Trae Morris is an independent R&B artist who launched his career in 2014 when he signed with vHIZions Management for artist development; shortly thereafter, he would co-write and release his debut single “Deeper.” After relocating to Atlanta in 2015, Morris aligned with the JP Agency. This would connect Morris with the trio known as Those Guys Music, comprised of singer/songwriters Amore Jones, Steven Ashley, and Grammy Award winning producer and engineer Jeremiah Adkins. In the fall of 2016, Those Guys Music produced the summertime track “End the Night”, written by Dee Perrine. Immediately, after the release of the single and music video, Trae Morris got back in the studio with Those Guys Music. After a year of dedicated effort, creating the perfect sound, Morris released his first single in almost two years “The Door,” which is the first single from his upcoming debut EP, “Subconscious,” which is set to release late summer ’18.

This young brother is an oasis in the desert of what masquerades as contemporary Black music. Trae has a way of singing that makes you feel like he’s been on a long journey and has finally made it back home. And he takes you right along with him on the back of each and every note.

His voice is undeniably and unabashedly thick with Southern rasp and charm, passion overflowing every bar he sings. From the outside looking in, it might seem like he’s been blessed with a voice too soulful for popular music, and too serious a talent for the Top40.

Without feeling as though Trae Morris is squeezing himself into the box of contemporary R&B. “The Door,” is an unadulterated, stripped-down heartfelt lament spread across an organic, well-tended, clean and resonating guitar-driven soundscape.

It’s as angelic as it’s raw, with a burning passion that radiates from the back and forth of the vocals, the chemistry between the voice and the guitar is incredibly striking. Anyone who is complaining about the state of urban music today simply hasn’t heard the bounty of Trae’s voice.

His vocal approach in this song is worthy of applause. Trae masterfully conquers this ballad, and maintains a build-up with veteran techniques. He lets his voice tell the story, and the accompaniment of the skilled guitar gives this a soothing, soul stirring contribution.

Hence we can convincingly confirm that what gives “The Door,” its momentum, is Trae Morris’ vocal prowess, which succeeds in brushing away any artificiality in order to strike a natural pose.

The raw emotion of Trae’s performance seeps out of every artistic nook, cranny and crack. It demands that the listener feels what Morris is feeling, which is what any artist in this genre strives for. Every now and then an artist comes out of nowhere to impress you with a music release that is far beyond expectations. Trae Morris’ “The Door,” is a perfect example of this.

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