Greek Electronic Producer Tasos Petsas Releases His Latest Single – “Untitled”

Tasos Petsas a Greek creator of electronic music, this week released his new single called “Untitled” via FM Records. For the first time the sound of his music is house with an addictive and nostalgic rhythm that manages to “hypnotize” you from the first minute. As the creator intended, the track brings together the memories of the past, the everyday life of the present, and the expectations of the future. And because he doesn’t have any title for all of these events, he called it “Untitled”. The track has already reached the #1 spot on the Gr-Top 100 and it’s

BEEA: “Ride Or Die” – Classic soul tropes are juxtaposed with modern pop touches

Slick, soulful, and melodic – this stuff is made for the radio. BEEA is a world class singer and performer, and she’s miles beyond some of her pop star peers, currently on the scene. Her brand new track “Ride Or Die” showcases her voice and passionate delivery, which keeping things intense and emotional. Aside from the song’s sonic and stylistic consistency, one notable difference between the material here and BEEA’s peers is the rawness of Brazilian beauty’s vocals. The frayed edges of the singer’s voice, are played as assets here. Her voice feels lived-in and wizened and she turns in

Baltimore 80s Tribute Band The New Romance Invited Back To China To Perform Exclusive Business Gala

It has been said that with enough talent and determination that music can take you anywhere. Well, for Baltimore’s highly-acclaimed 80s tribute band The New Romance that means half away the world twice. The group has revealed that they have been invited back to China to perform at the illustrious Starworld Casino in Macau, China as the headlining act for The British Business Association of Macau Annual Ball on June 22 and June 23. The New Romance, who describe themselves as not just a a tribute to the 80s, but an authentic concert experience, specializes in recreating the sounds of

BWH Music Group Releases the Hottest Album of the Summer – ‘That Summer, Vol. 1, by Various Artists’

You don’t have to go the ocean to hear the best songs this summer!  BWH Music Groups June, 2018 release titled That Summer, Vol. 1 by Various Artists is the hottest indie release of the summer and perhaps the entire year. This extraordinary compilation album features 15 songs by internationally acclaimed and award-winning artists in multiple genres.  Featured artists include: Skinny Fresh, Coastal Club, C.K. & The Rising Tide, Frank Migliorelli and The Dirt Nappers, Ed Roman, Jeremy Parsons, Cole, Nina Amelio, Jenny Vinatieri, Erick Blu, 0 hype feat. Chris Chand, AntoineRNB, Natalie Jean & Levi Moore, Luna Keller, and

THE BAND OF THE HAWK: “BOHUP VOL.2” FLEXES ITS LYRICAL PROWESS

When it comes to groups that are uniformly considered to be underground rap royalty, few acts eclipse The Band of the Hawk. Whether its impact, bodies of work, or just pure creativity, few unsigned groups in hip-hop come close. Though they individually continue to release great music, as a group the quality and consistency of their projects has undeniably been coherent and consistent. Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam better also known Band of the Hawk are now back with their latest work – the 2nd installment of

Bad Bullet invites the listener to gain power with their grunge / alt-rock debut album “Use The Energy”

Austrian Newcomers Bad Bullet introducing their brand new Album Use The Energy. Use The Energy is pure energetic Rock for Fans of Nirvana, Foo Fighters, Blink 182, or Nickelback. Released on June 2018 via NRT-Records, Bad Bullet combines Grunge, Alternative Rock and Metal and creates their unique Style. The Band amongst guitarist and songwriter Gernot Neumann, Lead singer & Rhythm Guitarist Manuel Schlogl, Drummer Steven Scheer and Bassist Michael Jursche, show their versatility as musicians and songwriters. Positive Lyrics (Never Give Up, Free or Follow Your Dreams) but also mean themes (Last Chance, Judgement Day, War Never Changes or Poison

Union Five has a groove-centric sound

Rhythm is as important as melody throughout the amalgamation of tracks on the self-titled album by Union Five. This is evidenced by the alternating emphasis on one aspect or the other – and often the fusion of the two elements, which enlivens the musicians as they play. In turn, this spontaneity commands attention because surprises abound within each track. At a given juncture the band may slow the growing momentum of the music, giving itself and the listener time to ponder what has preceded, in preparation for what is to follow. But this moment is often fleeting, as temperate paces

The Keymakers: “Burning Me Up” – smooth romantic rhymes dressed in satin

After dropping their critically debut single, “Good For You” during September 2017, the brothers Rome Alexander and Rederic who form the musical project The Keymakers, are back with their third, and brand new project – the single “Burning Me Up”, released on the 6th of June 2018. This track obliterates, all of the commercialized trash that is cluttering the airways and giving listeners ear-infections with tired materialistic and blasé content. The Keymakers dish out smooth romantic rhymes dressed in satin and steel voices that resonate with ear-worming falsetto tones. While R&B dominated the charts through most of the mid-90s, it

Bulat: “Still So Far Away” – Immediately easy on the ears, there’s something quietly intense and absorbing here

Bulat is a singer, songwriter, guitarist, and actor who was born in Russia, raised in England, and is now based in California. His music mixes folk, rock, reggae, and Latin influences with his own unique way of writing both vocal and instrumental songs. He started put learning to play songs by Green Day, Blink 182, and Red Hot Chili Peppers, before going on to study music technology and commercial music production. His most recent release is the 3 track Ep “Still So Far Away”. Whether you’ve been on board with Bulat since his earliest releases and cottoned on to him

Marcel Heah: “Travelogue” – beautiful and deceptively simple elements

More like personal sketches for piano than traditional, structured songs, the music of Melbourne-based Australian artist Marcel Heah plays like a poetic soundtrack to the world’s tangible and intangible elements, and nowhere is this more brilliantly enacted than on his album, “Travelogue”. There are wondrous, beautifully understated melodies here, but what’s amazing is Marcel’s intense inspiration that spills from his spirit and flows straight to the keys. He uses simple techniques that are not meant to impress the most intellectual of music critics but are woven to bring any listener with an open heart to emote. Affecting and full of

Marcel Heah: “Travelogue” – beautiful and deceptively simple elements

More like personal sketches for piano than traditional, structured songs, the music of Melbourne-based Australian artist Marcel Heah plays like a poetic soundtrack to the world’s tangible and intangible elements, and nowhere is this more brilliantly enacted than on his album, “Travelogue”. There are wondrous, beautifully understated melodies here, but what’s amazing is Marcel’s intense inspiration that spills from his spirit and flows straight to the keys. He uses simple techniques that are not meant to impress the most intellectual of music critics but are woven to bring any listener with an open heart to emote. Affecting and full of motion, his piano urgently rolls through songs like white willow leaves fluttering in the wind.

From the first sparse, tinkling notes of “Architectures”, Marcel Heah pulls you into his solitary dreamscape and doesn’t let you go until the album’s end. In between you will be enchanted by a few scattered apparitions of strings and what sounds like an accordion, but for the most part, center stage belongs to Marcel’s keyboards. During “Fluorescene” it’s hard not to imagine standing in a dark, expansive night while staring up at stars glittering in a sky.

Another standout, is “Cherry Light” which sounds like an archetypal of Heah pieces. Beginning with deliberate chords, the piece jumps into a chiming complexity that grows until the listener is drenched in streams of melodically dripping, watery notes.

It’s fitting that Marcel Heah named this album “Travelogue”, because the music couldn’t take you to lovelier places. If you want some mood-painting music, then I would certainly recommend “Troubled” which has an escalating and interchangeable arrangement.

There’s a certain simplicity in any art that it takes a master to achieve. It also takes a confident artist to be able to strip down a song, and still have a complex and lingering effect, or to create songs that draw from classical traditions, but also the beautiful and deceptively simple elements of ambient or new age music.

So by the time we reach “Her Waltz” and “Dotted Rain”, we are assured of Marcel Heah’s ‘matured’ artistic and performing qualities. His music sounds distinctly urban, with its smooth sonorities and delicate textures, but it evokes a sense of the rural and the vernacular in its sense of suspended time, of burbling placidity that flows like a brook rather than marching like a fugue.

This is especially true of “Louie the Golliwog”. Marcel’s music sounds so spontaneous, that while listening to a sprawling piano piece such as “Dance of the Shadows”, a question comes to mind: Are his solo-piano pieces mostly composed? Or are they constantly changing improvisations built around a certain recurring set of chords?

Either way, what elevates Marcel Heah music above the level of your average modern pianist and makes it more than just background noise, is the excellent ability he has to create a mood throughout an album. “Travelogue” takes the listener away into an aural landscape of distinctive beauty. That he is able to do this with nothing other than his piano is simply amazing.

And he continues to give proof of his performing ability on “Sun’s Out” and the album closer “An Island, Both Seas Sleep”, with its rollicking keyboard runs. Marcel’s impressions of traveling are full of slow chording and flowing melodic runs on his acoustic piano. He captures the feelings of both its flaring departures and its gradual returns…and everything else in between.

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