Digital Gringo: “Project Mayhem” cannot be described as anything less than brilliant!

Right of the cuff, two things caught my attention about Modesto, California creative, Digital Gringo. Firstly, his biography reads: “Digital Gringo is a rapper that raps”. And secondly, how many rappers do you know that rhyme perfectly to the funky beat foundation of Earth Wind & Fire’s “Let’s Groove”? But my enchantment with this atypical rapper didn’t stop there, while listening to his aptly named 12 track album – “Project Mayhem”. In fact, as a description, ‘mayhem’ may actually be an understatement once you’ve run through the entirety of this recording. The tones and moods on this album run from

Omar Bowing: “Women” – the expansive arrangement gives it a progressive bent

Omar Bowing is an independent musician and songwriter located in Austin, Tx. Omar who plays the guitar and guitarviol works with a revolving group of musicians to bring his songs to life. In particular he often collaborates with Tyson Yen, who has lent his voice to almost all of Bowing’s tracks. Omar Bowing’s latest musical creation is simply entitled “Women”. Though mirroring the endeavors of history-making females, the track intends to be a respectful tribute to women in general – from mothers to wives, and sisters to nieces, daughters, friends and co-workers, etc. And in fact the track releases on

Glocck Vee: “IDGF ABOUT YO HITTAS” delivers sharp, telescopic views

Glocck Vee, is an American rap artist from Albuquerque, NM. He has overcome adversity in his childhood and now makes music about his experiences.  His latest single “IDGF ABOUT YO HITTAS” features Mike Beezy Bad Azz, a recording artist, and engineer. Glocck Vee currently works with Juelz Santana, Big Trill, And Maino, and has also collaborated with Mr.Pookie from Dallas TX, Stoney Crook Records. This is a track driven by reactionary outbursts of authenticity and real hip-hop. It’s a robust and dynamic project. Glocck Vee is pure, and, arguably, blunt. His latest single loads several compelling rounds of rage. And

The Jon Johns: “Road Trip Mixtape” – an adventurous attitude!

The Jon Johns are a duo of musicians/producers who have been making music together since 2018. Their music binds the past and the present together into a harmonious sound with musical influences from the 60’s to now. One-hundred-percent independent, the Jon Johns do everything from writing, playing, recording, producing, mixing and releasing their own music. They currently have their 9 track “Road Trip Mixtape” out now. Within minutes of the mixtape kicking into life, this supremely confident recording suggests a band at the peak of their powers, occupying their own orbit. It starts with “Make My Day”, a vast, expansive

Marcela Iglesias: “Human Doll” (feat. Eric ‘Well Written’ McCoy) – fun, bouncy and all around enjoyable

Love it or hate it, you cannot deny that Plastics of Hollywood are gaining traction and making serious waves in the entertainment industry. Spearheaded by Los Angeles, California, Talent manager and producer Marcela Iglesias, the community of plastic surgery enthusiasts are spreading their reach into the film, TV and music spheres. From Ken dolls to Jessica Rabbit and Britney Spears lookalikes Plastics of Hollywood have spent millions of dollars on surgery and aesthetic procedures altering and adapting their looks. Their aim is to simply feel happy and fulfilled in bodies they adore. By the very nature of its scope Plastics

Interview with Californian band City Kings

City Kings is an alternative rock band from Chino, California. Though mainly known for playing heavier hard rock sounding tunes, the band has a very versatile array of musical knowledge. They perform acoustic and softer renditions of their songs on streets of the Inland Empire, or original versions of songs on stages in local venues. The three-piece collective is made up of Chris, Adrian and Ruben. How and when did the City Kings project start and who are the collaborators involved? Christian Blankenship (City Kings): City Kings was basically started on Craigslist! I met our singer and guitarist Adrian after

Midas Well: “3am”- moments of pure body-high pleasure

Midas Well is a singer, songwriter, and multi-instrumentalist currently residing in Austin, Texas. His album “Golden Rule” is coming soon to all streaming platforms via Jurnt Entertainment, along with his single “3am”. Midas raises the stakes in this stunning narrative. In lesser hands, all this creative weight could feel leaden. But Midas proves himself to be a craftsman, and gets the job done. Midas Well is a great musical artist and his new single shows that in a beautiful showcase of music.  “Golden Rule” is an album with a generous helping of highlights, not least because of Midas’ enviable vocal

DJ Raw B & Luke Sick: “Head Chucka” – a panoply of mic and beat making skills

DJ Raw B & Luke Sick are a hip-hop duo from the Bay Area. Their friendship grew into a partnership that led to collaborations on past tracks and projects. An album had been a goal for the duo, and that dream has finally been realized with “Born Illness”, an eight track LP that’s currently available on all music platforms. The album was produced via a digital collaboration between DJ Raw B and Luke that spanned the course of a year. This release shows a rapper and a beat maker who prove that they are not going anywhere soon. Both unwrap

Sevy Campos: “Thirsty” ft. Samuel Wallace – a Pop-EDM crossover flavor

Born in Arles, Southern France, Sevy Campos began to sing and play guitar at a very early age with the desire to follow in the footsteps of the famous Gipsy Kings, who are from his hometown. During his teen years Sevy across all of Europe, and lived in the UK for 5 years He then returned to France before going to Germany. His song “Thirsty” ft. Samuel Wallace, has been aired on MTV, and is currently play-listed on more than 160 radio and TV channels around the globe. Currently preparing his upcoming album, Sevy Campos is also planning to announce

OfficialVybe: “Anubis” – authentic, unaffected and uninfluenced

Two years after being a coma for 47 days due to open heart surgery, North Liberty, Iowa rapper Vybe aka OfficialVybe, is back with a brand new 18 track album, entitled “Anubis”. The rapper who initiated his craft under the guidance of Russell Barbary has since been produced by Grammy Award winner Matty Trump, on his single “Activist”, and has his songs available on over 600 stores in more than 120 countries. This album is chock full of more cast iron monster tunes than any mainstream rap album this year. In the world of casual rap fans, there are three

Arash Behzadi: “The Last Sigh” – a wonderful sense of dynamics and timing

As a Canadian Iranian whose musical evolution has its beginnings in traditional Persian folk music, Arash Behzadi’s vibrant piano compositions explore the gamut of human emotions. “The piano mirrors existence in all its complexities from moments of profound sadness and loss to exhilaration and new beginnings,” he says. Arash’s soulful searchings have evolved in the last few years, spurred by a dedication to yoga along with explorations into a variety of art forms and fresh interpretations of New Age music. He is a creative collaborator working with renowned choreographers, artists, and musicians. Arash’s audience is a global one. He has performed at concerts and events in Bali, most notably the Bali Spirit Festival, as well as in Geneva, New York, the World Trade Centre Club in Dubai, the Tirgan Festival in Toronto and at the 2015 Pan Am Games in Toronto.

Arash Behzadi’s best music emerges from those spaces where the melody finds its own refractions, unimpeded by pointless ornamentation and overblown classical flourishes that tarnish so many modern-day pianists work. On “The Last Sigh”, Arash goes deep, extending his ringing, open-air, melodic sound, while embracing minimalist influences.

Strangely the opening melodic sequence from is instantly recognizable, even if one hasn’t heard it before, using none other than dark note themes to form a somber cascade of rhythmic quality, which hovers below a myriad of resonant bittersweet melodies.

Arash’s particular arrangement of this piece is stunning for its use of wonderful dynamic range between understated explorations, to determined higher registering notes. However, more wonderful is the moment when one sees through the tune playing in ostinato.

Backed by an insistent string accompaniment, and one realizes the complexity of the syncopated rhythms forming an elaborate backdrop of notes that amazingly never topples over the main theme. Arash’s usage of contrast is evident everywhere.

His pianissimo in the opening bars become an emotional entity, while at other times his sudden accentuations are refreshing reminders that dynamic music is being played as a celebration to life itself, rather than just an ode to melancholy uniformity. There is an uplifting quality to the melodies that evolve through various sections of the track.

Arash Behzadi has a wonderful sense of dynamics and timing, knowing exactly when to pause for dramatic effect. I was also aware of how, in certain sections, his left hand provided a solid anchor, while the right hand danced lightly over the melody.

Arash is a supremely gifted pianist and composer with a flair for writing daring melodies and performing them with great style and emotion. There is also a distinct musical identity that is present in his playing. “The Last Sigh” is an unconfutable beauty in modern piano repertoire, and if given the chance is a thoroughly satisfying example of emotional representation through music.

What sets Arash Behzadi apart from other contemporary pianists is his strong sense of melody and the way he develops his themes musically. His pieces range from those conveying sheer delight in tone to quieter, more somber executions. “The Last Sigh” embraces both with equal performance dexterity.

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