Sir Ivan – New Release ‘Get Together’ recaptures the iconic sounds & vibe of the 60’s

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Vermin & the Beachrat New Single is Set to Strengthen the Legacy of Folk

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The persisting career of musician, singer, and songwriter Warren Bruce Cuccurullo, has reached incredible and indelible highs. He worked with the late, legendary Frank Zappa in the ’70s, founded Missing Persons in the ’80s, and became a long-term member of new wave legends Duran Duran in ’86, notably contributing to the band’s regained worldwide success on the 1993 chart-busting “Wedding Album”. Not one to rest on his laurels, the talented Brooklyn born guitarist however, has always continued his solo and collaborative work, and has just unleashed his 12 track album “Missing Person”. Described as “a deeply personal and conceptual record”,

Zero The Kidd: “Waves” – a willingness to carve out his own lane

Zero The Kidd is an upcoming artist in Boynton Beach Florida, racking up a total of 10 million plays in his first year of making music, while appearing in magazines and various media sources. He discovered music from a very young age. His dad and uncle were both rappers. Zero The Kidd learned how to play the violin in 2nd grade and the piano in 3rd grade. By proving to have an eclectic ear for tones and textures on his track, “Waves”, he asserts himself as a serious performer who’s taken his recent praise with the utmost seriousness. Zero The

Grand Rezerva: “Nowhere Bound” pumps adrenaline into the unsuspecting listener

The talented Swedish band Grand Rezerva – comprised of Michael C. Svensson – Vocals, Andreas Lundberg – Guitar, Mattias “Tiz” Nilsson – Guitar, Thomas Helgesson – Drums and Zoak – Bass – succinctly deliver bare-knuckled, catchy hard rock that’s captured with crystal clear production. The band wastes little time in making its intentions clear on the latest single, “Nowhere Bound”. Grand Rezerva’s simmering movement around the verses facilitates a sense of building momentum through the bridge that reaches a point of release at the chorus. The band has creatively shoehorned itself into 2019’s contemporary active rock radio ballgame, with a classic

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Heavy AmericA: “Motor Honey (Peace)” – It’s rock. Pure and simple.

A couple of years ago, the bands to emulate in modern rock were those that flooded the radios with wickedly catchy upbeat power pop tunes. Then came the neo-metal-driven climate, where even the tame end of the spectrum became heavier. On their new single, “Motor Honey (Peace)”, Boston based three piece rock group Heavy AmericA, proves themselves among the best in the alternative rock genre with a track loaded with hooks for mainstream appeal, but with an energy and drive that keeps them from sounding like mere imitators. The new release which has all the potential to climb the rock

Scotty Seed: One of the more original and thoroughly enjoyable alternative listens of the year!

Proud of his Italian heritage and his role in the LGTBQ community as a queer artist, Scotty Seed is a musician based in the East Village of New York City. Obsessed with art, including fashion and music, Scotty, originally a Jersey boy, started taking songwriting and production seriously in his twenties. Influenced by elements of industrial, pop, grunge, PC music, electronic, and screamo music, he counts artists like Crystal Castles, Marilyn Manson, Hole, David Bowie, Madonna, and Depeche Mode among his inspirations. Fighting an ongoing battle with bipolar disorder, making music provides him with an escape from his mental health

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Suburbs is an indie rock band from Scheveningen, Netherland launched in 1995. The band that has its roots in the eighties and nineties achieved national exposure when they won the national contest “De Grote Prijs van Nederland” (The Grand Prize of the Netherlands), the largest and longest-running music competition in the country.  As of the summer of 2013 Suburbs has started a new chapter. Lead singer Arie Spaans and 2 early band members set to work to bring their old sound back. The following year they started dropping singles and video clips leasing to their mini EP “Masters” in 2016.

Armonite: “And The Stars Above” – complex, vibrant sonic landscapes

May 2018 saw the release of the new album, “And The Stars Above”, by Italian progressive rock band, Armonite, featuring violinist Jacopo Bigi and keyboardist Paolo Fosso. The album also includes a guest appearance by Porcupine Tree’s bassist, Colin Edwin. Composer Fosso and violinist Bigi are classical musicians who through their teenage years, joined local bands, playing a variety of genres and artists, from the Beatles to Dream Theater. At the end of the ’90s, while still in college, they would play in a band called Armonite. They released an album in 1999, performed a few dates live, and then split up. In 2015, they formed a new band while borrowing the name of their old one. Hence the revival of Armonite. There are artists who choose to make music because it’s their calling. It comes from their core and they have the burning desire to create something that will ignite your imagination and make your dreams of complex, vibrant sonic landscapes become almost tangible, easily accessible realities. Armonite explore their artistry in progressive electronic and organic sound design textures.

“And The Stars Above” sees Armonite pushing musical boundaries and taking the listener on a mystical and reflective journey. The opening song “The March Of The Stars”, after an airy choral start, develops into a hypnotic rhythm and builds up with intense drums and dramatically dynamic instrumentation, it’s an emotional introduction and promises much to come on this album.

“Next Ride” experiments with rolling basslines, pumping percussion and over-driven electric violin riffs with Jacopo Bigi’s melodies weaving its way through the arrangement. “District Red” brings the strings entirely to the fore in a dashing orchestration which is as luscious as it is vigorously compelling.

“Plaza De España” brings moment of respite, all wrapped up in the organic splendor of rich and resonating pianos, crunchy distorted strings and playful percussion. “Clouds Collide” focuses on the angelic and airy female vocals that dominates the melody complemented by sophisticated instrumentation.

“Blue Curaçao” gets back to the gritty progressive grind, with a heavier rock sound, where once again the strings and bass lines shine brightly, turning it into a complex psychedelic haze and fusion-like composition. By the time Armonite hit on “By Heart”, it is clear that they are in overdrive. The rhythms and musicality flows simply and majestically throughout each composition.

The music composed by Paolo Fosso is spellbinding, and at times even deeply moving, just like you would expect from any enthralling progressive rock band, except that the parts normally played  by a virtuoso guitar player, is occupied by the masterful nuances of Jacopo Bigi’s electric violin.

Right up alongside Bigi, are bassists Colin Edwin and Alberto Fiorani, along with drummers, Corrado Bertonazzi, Emiliano Cava, and Jasper Barendregt. Together this ensemble is simply sublime, moving from complex and jarring progressive rock rhythms, through to epic cinematic-like soundscapes, without losing a note or beat along the way.

An enchanting melody, and uncharacteristic instrumentation, on “Freaks”, continue to capture the essence of what makes this work so distinguishing. “By The Waters Of Babylon” exactly encapsulates the cinematic element previously discussed, as this second part of the album regularly combines Paolo Fosso’s sprawling piano sounds with the mood-inducing strings.

“The Usual Drink” takes this combination to its highest level of poignancy, before Armonite switch the tempo and intensity on “What’s The Rush?” – Another showcase for the project’s arranging and performance skills. Essentially, the closing track, “Ghosts”, is decorated with varying violin interludes, dynamic percussion, and welcoming interlocking bass passages, resulting in a sort of captivating introspection.

The album however does not finish there, as Armonite include two bonus tracks – “A Playful Day (For String Quartet)” and “The Fire Dancer (For Piano Solo)”. Consequently, they expand the meaning and scope of the album while also providing a cumulative overview of violinist Jacopo Bigi and keyboardist Paolo Fosso’s performing talents.

No matter how you view it, “And The Stars Above” is an essential emotional journey and a testament to the magic of uncompromising artistic vision. This is a record that LA-based indie label Cleopatra Records, will be proud of distributing.

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