Kill the Reflection: “Forever & Always” keeps itself tight and consistent throughout

Kill the Reflection is group from Oklahoma City, OK, consisting of Morgan Routt (Vocals/Guitar), Mark Martinez (Bass) and Starr Raven (Drums). Their new album, “Forever & Always” is currently available for pre-sale and will release on Dec 27th 2018 on digital and physical CD format with Vinyl to follow in 2019. On the album, Kill the Reflection presents an interesting musical mélange of alternative rock with excellent musicianship and vocals, as well as exceptionally strong lyrics. The instrumental work on the album is worth listening to repeatedly, and the songs are intelligent, though generally dark. “We have adopted the moniker

Son of Andy: “Looking Up” – creating lyrical atmospheres!

Detroit area native, Son of Andy got his start in 2011 and has been producing music and beats since then. His first album, “Wendigo”, was released in 2017, and his second album “Looking Up” is available for Pre-Order right now. Son of Andy takes it to another level with his latest album. He’s on top of his game and easily out does his past couple of releases. Newcomers can appreciate this just as well as previous fans. Likewise, you don’t even have to be a fan of hip hop to appreciate what’s bought to the table here. For those not familiar,

Fitzsimon & Brogan: “Big Blue World” – a full, punchy pop sound!

Fitzsimon & Brogan is a musical project based in London, whose creators therefore logically are songwriter Neil Fitzsimon, and vocalist Bee Brogan. The two setup their songwriting and production to produce, what they describe as “pure pop for now people.” Both were previously in a band called Pretty Blue Gun who featured guests musicians such as members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams, who played guitar on the Walker Brothers’ track, ‘No Regrets’.  The two critically acclaimed albums were produced by Pat Collier, who produced Katrina and the

Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Katiah One: “Tail Spin” – an evolving, audacious artist

Soon releasing debut first EP “A Whole Lotta Water Works”, Katiah One is an artist raised on the Upper West Side of New York City. His mission is changing the common perception of the average rapper. Katiah draws inspiration from many genres including R&B and Rock, while his favorite artists include Freddy Mercury, Sam Cooke and Issac Brock.  On his latest single “Tail Spin”, taken off the aforementioned EP, Katiah deals with the deep issues of existentialism, or simply put, the meaning of a human being’s existence. Sure his talking ‘black’ talk, but you can’t go there without understanding the

Alisa Chirco: “Give Me More” – bench marked with confidence!

Alisa Chirco sure isn’t shy about revealing what’s on her mind, on her brand new single “Give Me More”, the follow up to her almost gothic-like pop ballad “Box”. Alisa sounds passionate, wanting and determined, in a driven rock song that is an anthem for empowered women. Her music here is very strong, has meaning, and is legit. The track shows that she is learning to emote in a more visceral and arguably more demonstrative way. Alisa has now escalated to being a rock chic with an attitude and bold open-confessional lyrics. A sensible direction for any reinvention is maturity, and

Harmless Habit: “FRONTERROR” – a marvel of rock hard timelessness

Harmless Habit sound as confident as a band that have already paid their dues, and established a sound that is just as good or better than the bands that inspired them, and now give us a two way mirror into the rawness of their creative process with their 6-track album, “FRONTERROR” which feels heavy, hypnotic, emo(tional) and transformative. The best three words to describe this recording would simply be…TURN THIS UP!  The album kicks off full force and doesn’t really take the pedal off the metal until very late in the album, and only for a few seconds. So if driving, riff-heavy alternative rock is your thing, then put in “FRONTERROR”, turn your player up and make sure that all the fragile items in your vicinity are anchored down. Every song on this album sounds like a single. Joey Vece (Vocals), Jon Suh (Guitar), Cooper Bourne (Guitar), Rinn Rucker (Drums) and Nick Fratianne (Bass) play a string of potential hit after hit after hit of crushing hard rock.

The pacing of the album is also flawless, no song feels out of place and there isn’t a second wasted on this. But what really makes “FRONTERROR” a marvel is its timelessness. That’s the one thing about rock that a genre like pop has a hard time trying to emulate.

This is the kind of the album you can rock out to as a young adult, and then when you grow up and come back to it, it will probably retain that same sense of awe. Getting the ball rolling is the title track, “Fronterror”, a headphone listen for sure if for no other reason than the initial guitar lines that eventually power into both sides of your speakers.

The track is a grungy, uneasy fast-paced rocker with Joey Vece’s somewhat muffled vocal intro leading the way and it’s worth it to stick to the end, where the guitar and vocals take the song out on a high note.

If you crave the heavy and emotional landscapes of hard rock, and the soaring angsty choruses of emo, there really aren’t many tracks in the last few years quite like “Freakshow”. This is close to being the best of bunch. The band’s chemistry is undeniable, and every member has place to shine, thanks to the tight production too. Nowhere are they as devastatingly dynamic as on “Damage Control”.

Harmless Habit have enough little signature touches – Joey Vece’s soar and scream, the massive low-end punch from bassist Nick Fratianne, the inevitably bouncy-yet-banging drums from  Rinn Rucker; Jon Suh and Cooper Bourne’s complex and angular riffs, and the high-flying singalong choruses  – that it’s easy to identify a Harmless Habit song even if you’re never heard it before. All these elements are beautifully compacted into “My Distraction”, and even more than perfectly so, into “Tight”, which also features a fiery guitar solo as a bonus.

In an age where bands seem to come and go, there is something refreshing about a band like Harmless Habit. Perhaps it is how they have a well-defined formula without sounding formulaic. Maybe it is that song after song, you are guaranteed to hear the band churn out instantly recognizable, hard hitting tracks.

Or maybe it is that they have outlasted and eclipsed many of their contemporaries in terms of artistic integrity, accessibility and musicianship. I think the answer ultimately lies in the closing track “Not Afraid To Die”, which includes all of the last-mentioned components.

The secret to Harmless Habit’s eargasmic sound lies in how well they combine strong vocal melodies, start-stop rhythms and choruses filled with hooks large enough to bait a whale. The band’s ability to straddle the lines between melodic and heavy, nostalgic and edgy, are Harmless Habit’s strongest weapons.

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