“Millions” shows off how talented and self-assured DboySlim is!

“Millions”, the track by DboySlim, has an incendiary takeoff, wasting zero time to underscore the necessary sense of urgency through a compacted sonic boom and a room full of booty. The backdrop is made of a dynamic piano loop, skittering hi-hats, and twisting synths, while the rapper updates his dance-swaying lyricism. DboySlim is impressive to say the least, while the track absolutely bumps. He creates an intense atmosphere that makes you want to jump around and groove. “Millions” shows off how talented and self-assured DboySlim is, and how he can probably live up to any hype you want to put

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EH – “Mirrors” lets it fly with the fret-board work to thoroughly rock you!

Baltimore rock guitar ace EH reaffirms his top-of-the-heap status on his new 7 track album “Mirrors”. It’s a superlative set of new music full of tightly-written, engaging instrumentals that don’t need a singer up front to rock hard and hold your attention. This type of writing is EH’s trademark, and is one of the main reasons he will develop a audience. While many other technically-proficient rock guitarists mainly play for other guitar players, EH seems to play for the people. He relies less on continuous shredding and more, on dynamically impacting riffs. EH gets us going with his opening track, “Pounding

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July 2020 – This year has not been the easiest by a long shot, with lock-down rules keeping people indoor and breaking havoc on our lifestyles. In addition to that, we are all experiencing social and political tension, casting even more uncertainty on these hard times. Having said that, there is still hope: We Can Do It! Such is the positive message behind Adrian Davis’ brand new single release, and its inspiring title. His music is a great example of what happens when there is a special synergy in a production. Everything feels absolutely balanced, with a stark attention to

Max M continues to expand his musical catalog with his new track ‘Imaginary Problems’

The emerging legacy of artist, deejay, and producer Max M has captured the attention of music lovers from around the world. Max M’s passion for DJing and music production began during his teen years. He would later begin a successful career in Computer Science and gain renown as an IT expert before returning to the music world a few months ago. Max M’s heralded return was marked by the release of two singles Under Water and Never Wanna Leave, which were ranked first and fifth on the American DJ site Digital DJ Pool. Max M continues to expand his musical

Shari Rowe Releases Inspiring New Single, “The Heavy”

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Maki – “Atlas Hacked” is as substantial as it metaphysical, in its approach

It’s sometimes hard to find the words that accurately bring justice to avant-garde electronic works. With an artist like Maki you almost only have to mention his name for fans of the underground independent scene, to understand the potential for a great album of music. Maki should be an instantly recognizable global name within the mainstream electronic world of sound. His latest release, “Atlas Hacked”, is a classic album in the making. And I do not say this lightly. There is a growing body of research that has examined the impact on adolescents and adults of internet and social media

KERRIA Takes Powerful Stand to Encourage People to Speak Up with “No More”

Gibraltarian singer-songwriter KERRIA is saying “No More” in the most powerful way possible. Her new single is an emotive masterpiece and presented with such intensity, it is impossible to ignore. The lyrics were inspired from the singer’s previous abusive relationship and takes us deep into her soul. It is rare that a performer will share such deep honesty with the world and KERRIA has not only held nothing back, she’s gone a step further. The accompanying video for this amazing track features 90 TikTok Influencers assuring it will reach their combined fanbases of more than four million people around the

Rose Coyote: “Clever Girl” tell peculiar stories and paint quaint moods

Rose Coyote is a bass driven semi-electronic project made up Lydia Rose (Vocals) and Dave Hagan (Beats, Vocals, Engineering). “Clever Girl” is their 4th album in a year, and their first original recording. It is one of those few albums that is almost genre-less, so thematically and musically universal that it would be impossible to pin a certain time and place on it. The duo’s post-punk quasi-space-pop and indie experimental sound, is quite unlike any other. This awesome record transcends the boundaries imposed by genres to generate something unique and utterly engrossing. There are firm melodies and stabs at structured songs, but each is interspersed with transistor-radio-styled vocals, slow-burning instrumental meltdowns, and bass-bumping claustrophobic production. The wry and explicit lyricism that punctuates “Clever Girl” appear as slight, ghostly whispers in between flashes of improvisatory genius and squeezed-out bursts of combustible energy. You can feel these intricate parts, like small grams of magnetic dust moving toward each other.

From a technical standpoint, the appeal is immediately recognizable. The various studio wizardries that Hagan employ here – ranging from an abundance of metallic keys, deep basslines and subtle electronic music influences, to a multitude of beats and other cutting and pasting of effects – makes it rather difficult at first to really pinpoint any one significant essence of Rose Coyote’s music. They simply have too many.

This duo slowly reveals its uncanny ability to get under the listener’s skin with each consecutive listen. Appropriately, the album can be set stuck in an infinite loop through the tracks that bookend it.

The hypnotic repetition these tracks possess really lets you submerge yourself into the band’s dark, spacey universe that’s bound to hold you captivated, if you’re willing to let it. Together with the mysterious and at times downright spine-tingling background instrumentation, the ideas Rose Coyote spout make Rose and Hagan’s state of mind almost tangible.

This makes listening to “Clever Girl” a mentally demanding, but ultimately very rewarding experience. Rose Coyote prove themselves to be rather essential listening for lovers of music that trades the unexpected paths for adventures in unexplored areas of sound.

Although each piece on this album sounds spontaneous, it’s the kind of work developed when a musical partnership becomes so synchronized with each other that they do not even need the familiarity of melody or time signature to have a sense for how the piece should sound as a whole.

Right from the opening track, “My Story”, the mood, the softly sung lyrical embellishments, the respective verses and choruses, as well as the course through the subdued melodies, turns into a catalyst of emotional sustain-release. “1/2lb Nugg”, promises something grittier, more propulsive bubbling just under the surface.

But things get groovier as the album progresses. “A California Song” which features a perfect combination of vocals between the singers, delivers an intense ride where “Rose Coyote” leans into the sheer rhythmic force of their music. “Badass Id Trip” shows an affinity for quaint sounds melding into one perfect, precise piece of music, within a distillation of futuristic experimentation and stoner purity.

The more haunting and intriguing songs, form me, come at the end of the recording, with “Split Personality” and “Drop The Bomb”. A total of six minutes of comforting wall-of-sound basslines which the vocals follow into a confident, haze-drenched wallop of a bliss.

Rose Coyote exhibit boldness in the construction and execution of their music, in a short, precise album which is equal parts inventive and masterful. It’s interesting, it certainly creates a mood, and the vocals float over the top in a way that’s hypnotically soothing. Rose Coyote tell peculiar stories and paint quaint moods. They remind you of something you’ve never heard before. Now go and figure that one out!

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