Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Athmossmusic: “Music Box – The Tragic Story Of Arabella Jones” – downright explosive!

Imre Meszaros “Athmoss” (vocals, keyboards, mixing), Antal “Slinky” Bosnyak (guitar & bass), and Sandor Meszaros “Alexandrex” (drums & percussion) make up the power rock band Athmossmusic that was founded in June 2015. The band’s early singles forged a classic rock which can be heard on tracks such as, ‘Melt the ice’, ‘U R the 1’, ‘Hit it hard’. In 2017, Athmossmusic showed a change in style with the release the progressive rock single ‘Constant Change’. Now, in 2018, they have fully immersed themselves within this idiom on their most ambitious recording to date – the 8 track concept album, entitled “Music Box – The Tragic Story Of Arabella Jones“. The album’s narrative is described as being about a young woman who has lost her beloved man on their wedding day in a car crash, in an attempt to kill herself in the same way, due to her grief, she causes a fatal car accident that kills a little girl and her parents, leaving her to survive. Thereafter, Arabella thinks that she sees the ghost of the little girl killed in that car crash, every time she hears the music of her old music box. This album is about her journey through remorse and grief, and living on the edge of insanity.

Music Box – The Tragic Story Of Arabella Jones” is such an immersive and satisfying listen, because it avoids most of the pitfalls that many modern progressive bands suffer from. The overly compressed production often found within the genre is nowhere to be found. Both sonically and in the songwriting department, the album is dynamic and organic, making listening through the entire album a particularly pleasant experience.

There are never any solos that get in the way of the songs. If anything, they add to the music. Most modern prog-rock bands fall short in finding the balance in their attempts to be emotional, melodic and technical, especially in within the context of a concept album as dark as this one.

Music Box – The Tragic Story Of Arabella Jones” offers the near-perfect mix of melodic beauty, sweeping emotions and mind-bending technical finesse. Each of these elements help to validate the existence of the other across these tracks. Furthermore, the album’s perfect sense of flow brings each one of the songs to another level.

A large part of this strong structure and foundation has the album’s concept to thank for it. The implications on psychology and spirituality the story-line offers, deserves its own elaboration. Suffice to say, the intensely disturbing concept behind the album, breathes a lot of thought-provoking depth into already stunning music.

The idea of looking into Arabella Jones’ life, as the events of her tragic past come to bear on her current incarnation is something that really gets under your skin. Athmossmusic weave their instrumentation and vocal deliveries around the story tightly, bringing to the fore the melodrama of each and every emotional mutation sustained by the leading character.

 Notwithstanding the profundity of the theme, this is one of the very few concept records I’ve heard that manages to be incredibly in-depth and complex while still being easy-to-follow as a listener. While it’s possible to choose standouts, “Music Box – The Tragic Story Of Arabella Jones” demands being heard from start to finish.

Athmossmusic are able to deliver a steady and methodical sound, such as on the beautifully orchestrated and piano driven ‘Voices From The Other Side’ and ‘Turn Back The Time’. But they can also get downright explosive on tracks such as the bone-crushing ‘Drifting Away’, and fast and furious ‘Lost Love’.

If any song can get the listener to drop their guard, it would be both, ‘The Little Music Box’ and ‘Nothing Left To Lose’, which constantly move between varying musical atmospheres. So you have sweet melodic turns followed by killer guitar riffs. Add in the sound effects and epic music orchestrations, and you have spine-tingling music.

It is already quite difficult to write a good song and pull it off, but to write a whole album and succeed is insanely tough, and to combine both into a record that has to flow, be coherent and lyrically solid, blending the nuances of one primal theme is just incredible if you can make it work.

However, it has been done in the past. Queensryche (‘Operation: Mindcrime’), Pink Floyd (‘The Wall’), Rush (‘2112’) and Dream Theater (‘Metropolis Pt. 2: Scenes from a Memory’), have all pulled it of successfully. Now sitting on the shelf next to them, we have Athmossmusic (‘Music Box – The Tragic Story Of Arabella Jones’).

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