New solo artist, Rob Math, releases debut single via Cowboy Records Burbank

Emmy Award winning Production Partners, Inc./Cowboy Records (Burbank) is proud to announce the debut of their recently signed artist, Rob Math. Burbank, CA – Emmy Award winning Production Partners, Inc./Cowboy Records (Burbank) is proud to announce the debut of their recently signed artist, Rob Math. (2018) Rock Godz Hall of Famer, first single, solo artist song, “Burn Out” for digital distribution through CD Baby, coming June 28, 2019. Artist, Rob Math, is most known for his prolific lead electric guitar stylings as a touring member of the ever popular “Peter Beckett’s Player,” (hit song “Baby Come Back”) and heavy metal acclaimed rock

BWH Music Group Presents That Summer, Vol. Two, By Various Artists

You don’t have to go to the beach to hear the best songs this summer.  BWH Music Group’s That Summer, Vol. Two, by Various Artists is the hottest indie release of the year. This extraordinary compilation album features 16 songs by internationally acclaimed and award-winning artists in multiple genres.  The album was digitally released, worldwide, the first day of summer, June 16, 2019. About the Artists: 1. “Locations”-  FSG Rell (feat. Nico DC)  FSG Rell is from a small city-like area called Pottstown, PA located outside Philadelphia. Rell is a rapper, clothing ambassador, and a young entrepreneur.  The 20-year old

Stig Gustu Larsen: “WE” – a combination of exceptional charm

Singer, guitarist and songwriter Stig Gustu Larsen spent the first part of the year as part of the TV show The Voice Norway. After which he found the time to release his latest single “WE”. As usual Stig recorded all the instruments, as well as produced and wrote the song. For the first time he also uses a ukulele as the main instrument. Completed within a few hours, the song was apparently written by accident when Stig tried to entertain his 6 month old daughter with a ukulele. Those who have heard Stig before will know that his voice is

Art Tawanghar: “Buddha Lounge 3 Chill – New Age California” allows for endless open-minded interpretations

Art Tawanghar is a genius when it comes to chill, ambient and New Age influenced music. I have been listening to him for a while, and his music seems to be like eating your favorite gourmet meal, you just can’t get enough. I could easily use his latest album, “Buddha Lounge 3 Chill – New Age California” as a morning meditation, beginning every day with it, to explore the space in my mind that will set a positive tone for the day. Its 7 tracks, contain a story of the promise of the coming age in ethereal, beautiful music that

Harper Starling: “Beso” – the melding of EDM and Latin groove!

Harper Starling is a Los Angeles based singer-songwriter and Billboard recording artist. She has been featured in LA Weekly, Buzzfeed, Billboard Magazine, iHeartRadio, Teen Music Insider, and many other prestigious media outlets. Harper co-wrote her #1 Billboard Dance Club Song hit single “Euphoria”, with Kasia Livingston (Britney Spears, Jessie J, The Pussycat Dolls). The production work was done by The Perry Twins (Rihanna, Beyoncé, Jennifer Lopez). Currently on tour, Harper will be releasing an EP soon which include collaborations with Carlos Battey (Madonna, Justin Bieber, David Guetta) and Steve Daly (Pink, Sia, Charlie Wilson). In the meantime Harper Sterling drops

Tiffani Lewis announces the release of her new single entitled “#Pain”

Tiffani Lewis (The Lady Gaimchng3r) announces the release of her new single entitled #Pain the songstress who is now impacting the music scene and creating a buzz with her beautiful voice and amazing delivery of thought-provoking lyrics. The talented R&B recently announced herself as the acclaimed New Princess of the music world with the release of her new hit single #Pain that has become the toast to the music lovers across the globe. Song Credits: #PAIN Performed by: Tiffani Lewis Written by: Royale Lassai & Patrick Pitts Produced by: Robert Baney & Cary Calvin ISRC#(us8q51800003) OFFICIAL LINKS: WEBSITE – INSTAGRAM

The Unwriters – an anonymous concept ghost band!

The Unwriters is a four piece band from 4 different countries (France, Italy, UK, USA) that launched in 2018. Described as an anonymous concept ghost band, they are made up of Z (Zepop): Songwriter, guitars, lead vocals, Twister (She): Keyboards, piano, vocals, tambourine. Mel: Bass, guitar, vocals and Pat: Drums and percussion. A blues-influenced alternative rock band, The Unwriters work in both analog reel-to-reel tape, and digital systems, often recording together live in the studio. They have released a series of critically acclaimed singles, as well as, two EP’s. Including their own version of “Tomorrow Never Knows” – a Beatles

Pops Jr. – “New Bag” is huge in scope and ambition!

The first clue to the fact that Pops Jr. is unlike your regular street rapper, is when he says:  “I’m more James Brown than Jay-Z”. He states that even though he grew up in the nineties, many of his huge influences comes by way of soul artistes from the 70s. At the age of 5 years old his father “Pop Heavenly” aka POPS put him and his 4 older brothers in a rap group called the Heavenly Boyz. The group traveled coast to coast performing wherever their Pops could get a gig. No matter how much he steered his boys

AMARU: “That’s The Way I Like It (Radio Mix)” – a message however of strength, inspiration and upliftment

Last year around about this time we were celebrating the release of the album “CHAMPAGNE ATTITUDE” by AMARU – a singer-songwriter and a trained actor, originally from the Republic of Suriname (South America), residing in The Netherlands (Europe) since 1991. The album reaped in critical acclaim and fan appeal for the passionate and determined artist. At the beginning of this year, AMARU dropped the single “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)”, to show a rawer side to his usual sophisticated pop and dance vibe. And once again he delighted his fans and baffled his foe with another display of his open-minded and

Nu.Wav: “The Takeover (Deluxe Version)” is infectious and compelling

Flip and Eazy, make up the rap collective Nu.Wav. They have been performing and working towards their dreams as a duo since June 2018, traveling to Oregon, Atlanta, Las Vegas, Seattle, and many more places. Singularly, they have opened for Atlanta group Crime Mob, T.I and Lil Wayne’s Americas Most Wanted Tour and many more. Nu.Wav and their label Mogul Music Entertainment have recently signed a label partnership deal with Vision &Vitality Entertainment. The joining of the labels, has the resulted in the duo releasing their debut album, entitled, “The Takeover”, on June 14th 2019. “The Takeover (Deluxe Version)”, comes

Henry Metal’s roving guitar work grabbing center stage!

If you’ve  been waiting since the late ’70s, listening to hundreds of new groups and recordings during that time, trying to capture that old feeling of sitting down with a rock album that took you on a journey to a higher place where musical genres and boundaries melted away for the greater glory of sheer adrenalin pumping emotion. If rare albums like those were addictive for you, requiring many listens to unravel deeper mysteries and joys. Then you will not be disappointed with the progressive metal album “Henry Metal 8” because, Henry Metal has done it again, and for the tenth time in a row. This album is the modern and heavier version of the creativity we all loved during the progressive rock era. The music flows well and is intelligent from beginning to end.

“Henry Metal 8” is one of very few to succeed fully in the same way and on virtually every level for me. You’ll realize how much you’d missed sitting down for a spell with such engaging music that shines from that captivating higher place. Every element here seems just right, flowing seamlessly, and the world suddenly seems better.

It’s hard to describe the 8 tracks here without sounding a bit unhinged with excitement, but that’s the feeling I got from this effort. Trying to explain exactly why “Henry Metal 8” stuns me would be an overwhelming task. Suffice to say that the masterful balance of composition, musicianship, and production strikes me most of all, with a special nod to the brilliant guitars and vocals throughout.

The insightful and oddball lyrics (think Tenacious D), the extended instrumental excursions (think early King Crimson), the lush harmonies (think early Yes), the constant attention to the swing of emotional highs and lows (think early Genesis), and the crushing riff-rich landscapes (think Metallica and Slayer), as well as the bombastic operatic-like performances (think Meatloaf), are all coming from that great place above. Every note and beat matters here.

Since he started in 2017, Henry Metal has certainly proven himself to be a master composer, arranger, lyricist, performer, producer, engineer, and virtually every other role that applies. While I’ve definitely enjoyed his previous efforts, this one’s special.

“Henry Metal 8” is likely a recording he’ll be remembered for – the moment his many roles and skills merged into something larger and magical. At least that’s my take after some totally addictive listening.

The album opens with “Robes 8”, in an almost offhand way, with building piano and organ keys leading us towards the incumbent pandemonium that awaits us, and from there moves all over the rock n’ roll map. Tracks are both beautiful and extremely aggressive.

And while “Sparta” forges an epic metal backdrop, its “I Got The Fever” that unleashes Henry Metal’s beastly guitar chops – from fiery soloing to unbridled shredding, this upbeat track has got it all. The gritty “Bodhisattiva” unfolds all of Henry’s singing prowess as his voice scales dizzying heights, reminding me of Toto in full vocal swing during their heyday.

If you dig relentless rhythms, and intense energy, doused with a dose of classic rock melody, then “Gotta Get Back To Chicago” is your cut. The bombastic roar of “Propaganda” hides some wickedly clever lyrics, so you should be reminded to hit replay a couple times to catch the gist of the narrative.

“Winberry Lavender” is one of my favorite tracks on the album – vocally, musically and lyrically, it is a stunningly impressive composition. Ironic, melodic, and richly layered in rock’s lushest electrifying instruments, this is a song Meatloaf would beg, steal and borrow, to have in his catalog.

“Raven” is a thrashing five minute rock n’ roll opera, with Henry Metal’s roving guitar work grabbing center stage. It’s a fitting end to a charging and deceptively clever album. An interwoven masterpiece of high octane power, the production and craftsmanship is second to none on “Henry Metal 8”, as after 10 albums, fans of Henry Metal have come to expect.

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