Infectious Rhythm: “Silhouette” – a steady impacting beat, retro analogue sounding synths

I’ve always loved Infectious Rhythm since I first him about a year back with “Daydreams”. To be quite honest, I think the good thing about this independent electronic music producer is that he is consistent. He doesn’t have songs that repeat or sound the same, or at least, I don’t think so. I think what he does is adhere to a certain theme in each release, with a great level of creativity that becomes apparent the more you listen to it. I like it because it shows me that this artist knows who he is are and he knows the

Knowshun: “Dedicated (Remix)” – imaginative rhymes in a mix of street and fantasy!

Knowshun is a lyricist and producer from Chicago, IL. The rap/hip-hop artist’s latest project, a music video for his single “Dedicated (Remix)” was based on a nightmare the artist had the night before the video shoot. The cinematic music video explores dark themes of purgatory, a spirit in limbo and battling against dark forces. Gripping imagery of shadowy figures permeate the video. “Dedicated (Remix)” is featured on the mixtape “Lyrical Fire Episode Two: Liquid Napalm” written and performed by Knowshun, produced by Credit Ninja B. The original track was by MF Doom & MF Grimm. The music video was shot,

Keys And Vices: “Chronic Nostalgia” can rock the socks off of any audience!

Keys And Vices are something of a Trojan horse. Hidden within the confines of a band with a cryptic name and fronted by a deceptively talented lady is a power-trio that can rock the socks off of any audience and probably any band they share a bill with. Stacked with massive riffs and sweet hooks, their “Chronic Nostalgia” is a monumental step in their recording career. With beefy production that highlights the tight dynamic between front-lady Jennifer Valdez (Vocals, Guitar, Piano, Lyrics), bassist Kevin McCarty and drummer Kris Ayala, the band’s first full-length offering packs enough punch to dominate modern

Brady Novotny: “Passions Collide” is a skilled expression of his dazzling compositions

During the early to mid-seventies is when the guitar maestros were coming out. John McLaughlin and Al Dimeola, were at the top in my book of guitarists. The mixed both electric and acoustic guitar virtuosity with equal ease. Rock, Jazz, Fusion and Flamenco abounded flavors abounded on their releases showcasing a 360° vision of the guitar as a lead instrument. Brady Novotny who started playing the guitar at the age of 10, is pretty much cut of the same cloth, and on his latest album, “Passions Collide”, he even includes a vocal track featuring his wife, Jennifer. Inspired by Randy

Tohi: “Out The Box” – emotional music you can chill or groove to!

Tohi is a rap artist currently based in Los Angeles, CA. He started his musical career as the first Persian rapper at the age of 13. He was forced to perform illegally in his native Tehran, where rap has been banned. In order to chase his dreams, Tohi located to Dubai for two years where he was able to create music openly, followed by a move to London. As he continued to build his career Tohi performed at major venues such as Barclaycard Arena Hamburg and The Global Arena Stockholm and HMV Forum London O2 and won awards, including Best

Bearzerk – An executive music team with a proven track record

Music management teams really are the industry’s Swiss Army knife. They can really transform careers. Where there’s a special artist, chances are there’s a special collective behind them, plotting moves behind the scenes. The best of the bunch tend to connect dots swiftly, think outside the box without losing sight of the little things, and, above all else, maintain a degree of close affinity and proximity to the artist and the music business itself. Music management companies exist to protect and nurture the business and creative interests of those they work with. It takes one set of skills to help

Exit 22 Music: “Just As You Are” has cracked the code for the modern music world

Barely a few months after the release of their previous single, Exit 22 Music and Chris Calamera are back with the new record “Just As You Are”. And it seems like the only rule of the New York City-based project is: there are no rules. They are mixing genres and experimenting with different styles and the result is the unique sound of Exit 22. Whenever the Calamera project drops a new release my expectations are extremely high. The song starts off slow and soulfully, and then loads itself with energy. The female vocals, as always, has never sounded so strong.

Michael Peloso and Natalie Jean: “Lost & Found” – absolutely compelling!

Michael Peloso and Natalie Jean have released their latest collaboration single, “Lost & Found”. The two are no strangers to each other, having worked together on the multi-nominated, and award-winning track, “The Letting Go” with Levi Moore. Michael and Natalie also joined forces on Josie Award nominated track “Please Don’t”, as well as the 2017 single “Alive”. Michael Peloso is a New Jersey-based lyricist/songwriter who writes undeniably touching, honest lyrics with a sense of simplicity that are uniquely all his own. Natalie Jean is has achieved recognition across the most diverse of musical genres and quite comfortable performs in English,

Deane Nesbitt Jr. – “Soundtracks in the Sand” – The meticulous sculpting of soundscapes

Although Deane Nesbitt Jr. has composed music for years, he does not read music. His unique background consists of practicing law for 16 years, co-founding an investment management company and writing an illustrated history of a 1912 investment bank. Deane’s music has been aired on more than 300 radio stations across America and Canada. His recent CD, “Music in Search of a Movie”, won the Philby Award in the United States for being one of the top 100 music CDs of 2015 and the Best Dramatic Music of the year. The album ranked on five CMJ charts for New World

ROSABEL: “The Album” – Compositions of the highest quality

ROSABEL the DJ duo consisting of Ralphi Rosario and Abel Aguilera met in 1989 during the Winter Music Conference in Miami. For the better part of 25 years the two have been generating dance hits, and more recently, tag-team DJing for the masses around the globe. They dropped their first creation in 1994, with “La Puta” released via Groovilious, a part of Strictly Rhythm records out of New York. The continued dropping independent releases and filling floors each summer on Tommy Boy Records/NYC, and have since, officially remixed such artists as Lady Gaga, Beyoncé, Rihanna, Madonna, Katy Perry, Cher, Gloria

Vessel Decimal: “CONVERSION: Level Two” sounds like the band’s finest hour yet

Those of us who are fans of the Cleveland founded band, Vessel Decimal, might occasionally wonder why they aren’t more popular. Well, the answer is simple, and it says a lot about the culture in which we live. Vessel Decimal’s music requires one to think. Not just about the lyrics, or not about some indefinable concept, or whatever. No, you actually have to listen to their music in order to get it. That means that, in order to really appreciate Vessel Decimal you have to take the time to focus, to actually concentrate on the music. Sadly, the majority of people these days either aren’t inclined, or aren’t capable of such sustained listening. Which is why the radio air-waves are filled with garbage; that foul-sounding stuff that recording-label marketers think we want to hear, or believe we are just barely intelligent enough to comprehend.

“CONVERSION: Level Two” is an album that will require all of your attention – this is not background music. If you want to get the most out of this powerful collection of songs, you need to set aside some time and focus. Otherwise, this may sound like chaotic noise.

There’s a lot going on here, and if your mind wanders, or you get distracted, you are going to miss something important. No question. When looking at the 13 songs that make up this album, the first thing you need to focus on is the band’s overall songwriting. The quality of melodies, rhythm structures, and direction of the songs are fantastic.

For all the appreciation the band get for their ability to craft monstrous riffs, they also understand two key components that other proponents of this genre forget about: melody and songwriting. “CONVERSION: Level Two” is the band’s best album yet because their genuine sense of sonic joy filters through just about every note, but also because Vessel Decimal pay careful attention to their songwriting and lyrical abilities.

I don’t have any difficulty in saying this album sounds like the band’s finest hour yet. From the moment they open with the introductory “Inner Circle” the band starts working its way towards climactic crescendos.

The songs are packed with all the things you’d expect from the band at this point: flawlessly executed metal grooves, crushing guitar riffs, cinematic synth interludes, and ravaging vocals, all held together by rampant percussion and impacting lyricism.

The technical nature, highly skilled musicianship and sheer harshness that Vessel Decimal display over the crushing “Denominator” and “Neighborhood Watch”, will help open the minds of young music fans in an extraordinary new way. Setting the bar at a new level, on “Half a Million”, the band set out to wow audiences, raising expectations of what to expect.

While mostly bold, Vessel Decimal also crosses boundaries with a sound that is not only pleasing to metal heads, but teetering on the epic cinematic realm in “A Learning Process”. Ripping in with crashing drums and a mixture of screams and growls on “All Emotions”, frustration and anger flow through the instrumental and vocals while a guitar solo steps in as a pinnacle of the two emotions.

Leading with no pause, “New Stimuli” comes next with a tempo that morphs into a steadier beat.  Mixing it up some, “No Suppression” is up next with a diverse sonic range and Darkwave style vocals. The vocals float in and out of the beat, and extends its darker electronic theme.

“The Tomb of Santa Claus” takes Vessel Decimal back to the chugging, grinding rhythm followed by an ominous post-rock attitude. Vessel Decimal keep the audience guessing during the opening bars of “Upcycling” before shifting the energy into overdrive and plying on the lyrical pressure: “Smells like the snakes have made peace with the rats. They twist and turn in the woodpile. They keep it growing – the stockpile.”

“Organic Program” again falls back into the darkwave and industrial slumber as it crawls hauntingly in the shadows. “Spontaneous Harmony” features three distinct vocal styles that blend and weave their way through the arrangement in succession. This brings us to the final piano driven track – “Admit It” which rides out on a set of clean vocals in a melding of shadowy echoes and eerie tones.

Overall, “CONVERSION: Level Two” is very diverse within each track, while keeping a similar theme throughout the album. The tracks shift gears often, but smoothly, allowing all of the different aspects to be appreciated. It leads into arguably Vessel Decimal’s most immaculate recording yet. The vocals are mostly harsh-sounding and full of power, working in tandem with the crushing guitars and magnificent orchestration to create climactic crescendos of epic proportions.  What more could you want from a band like this?

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