New solo artist, Rob Math, releases debut single via Cowboy Records Burbank

Emmy Award winning Production Partners, Inc./Cowboy Records (Burbank) is proud to announce the debut of their recently signed artist, Rob Math. Burbank, CA – Emmy Award winning Production Partners, Inc./Cowboy Records (Burbank) is proud to announce the debut of their recently signed artist, Rob Math. (2018) Rock Godz Hall of Famer, first single, solo artist song, “Burn Out” for digital distribution through CD Baby, coming June 28, 2019. Artist, Rob Math, is most known for his prolific lead electric guitar stylings as a touring member of the ever popular “Peter Beckett’s Player,” (hit song “Baby Come Back”) and heavy metal acclaimed rock

BWH Music Group Presents That Summer, Vol. Two, By Various Artists

You don’t have to go to the beach to hear the best songs this summer.  BWH Music Group’s That Summer, Vol. Two, by Various Artists is the hottest indie release of the year. This extraordinary compilation album features 16 songs by internationally acclaimed and award-winning artists in multiple genres.  The album was digitally released, worldwide, the first day of summer, June 16, 2019. About the Artists: 1. “Locations”-  FSG Rell (feat. Nico DC)  FSG Rell is from a small city-like area called Pottstown, PA located outside Philadelphia. Rell is a rapper, clothing ambassador, and a young entrepreneur.  The 20-year old

Stig Gustu Larsen: “WE” – a combination of exceptional charm

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Harper Starling: “Beso” – the melding of EDM and Latin groove!

Harper Starling is a Los Angeles based singer-songwriter and Billboard recording artist. She has been featured in LA Weekly, Buzzfeed, Billboard Magazine, iHeartRadio, Teen Music Insider, and many other prestigious media outlets. Harper co-wrote her #1 Billboard Dance Club Song hit single “Euphoria”, with Kasia Livingston (Britney Spears, Jessie J, The Pussycat Dolls). The production work was done by The Perry Twins (Rihanna, Beyoncé, Jennifer Lopez). Currently on tour, Harper will be releasing an EP soon which include collaborations with Carlos Battey (Madonna, Justin Bieber, David Guetta) and Steve Daly (Pink, Sia, Charlie Wilson). In the meantime Harper Sterling drops

Tiffani Lewis announces the release of her new single entitled “#Pain”

Tiffani Lewis (The Lady Gaimchng3r) announces the release of her new single entitled #Pain the songstress who is now impacting the music scene and creating a buzz with her beautiful voice and amazing delivery of thought-provoking lyrics. The talented R&B recently announced herself as the acclaimed New Princess of the music world with the release of her new hit single #Pain that has become the toast to the music lovers across the globe. Song Credits: #PAIN Performed by: Tiffani Lewis Written by: Royale Lassai & Patrick Pitts Produced by: Robert Baney & Cary Calvin ISRC#(us8q51800003) OFFICIAL LINKS: WEBSITE – INSTAGRAM

The Unwriters – an anonymous concept ghost band!

The Unwriters is a four piece band from 4 different countries (France, Italy, UK, USA) that launched in 2018. Described as an anonymous concept ghost band, they are made up of Z (Zepop): Songwriter, guitars, lead vocals, Twister (She): Keyboards, piano, vocals, tambourine. Mel: Bass, guitar, vocals and Pat: Drums and percussion. A blues-influenced alternative rock band, The Unwriters work in both analog reel-to-reel tape, and digital systems, often recording together live in the studio. They have released a series of critically acclaimed singles, as well as, two EP’s. Including their own version of “Tomorrow Never Knows” – a Beatles

Pops Jr. – “New Bag” is huge in scope and ambition!

The first clue to the fact that Pops Jr. is unlike your regular street rapper, is when he says:  “I’m more James Brown than Jay-Z”. He states that even though he grew up in the nineties, many of his huge influences comes by way of soul artistes from the 70s. At the age of 5 years old his father “Pop Heavenly” aka POPS put him and his 4 older brothers in a rap group called the Heavenly Boyz. The group traveled coast to coast performing wherever their Pops could get a gig. No matter how much he steered his boys

AMARU: “That’s The Way I Like It (Radio Mix)” – a message however of strength, inspiration and upliftment

Last year around about this time we were celebrating the release of the album “CHAMPAGNE ATTITUDE” by AMARU – a singer-songwriter and a trained actor, originally from the Republic of Suriname (South America), residing in The Netherlands (Europe) since 1991. The album reaped in critical acclaim and fan appeal for the passionate and determined artist. At the beginning of this year, AMARU dropped the single “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)”, to show a rawer side to his usual sophisticated pop and dance vibe. And once again he delighted his fans and baffled his foe with another display of his open-minded and

Nu.Wav: “The Takeover (Deluxe Version)” is infectious and compelling

Flip and Eazy, make up the rap collective Nu.Wav. They have been performing and working towards their dreams as a duo since June 2018, traveling to Oregon, Atlanta, Las Vegas, Seattle, and many more places. Singularly, they have opened for Atlanta group Crime Mob, T.I and Lil Wayne’s Americas Most Wanted Tour and many more. Nu.Wav and their label Mogul Music Entertainment have recently signed a label partnership deal with Vision &Vitality Entertainment. The joining of the labels, has the resulted in the duo releasing their debut album, entitled, “The Takeover”, on June 14th 2019. “The Takeover (Deluxe Version)”, comes

J-Carter: “Take Hip-Hop Back” – genuinely in it for the art and the craft

J-Carter is an independent artist with big dreams. Any artist who releases an album with 38 tracks cannot be thought of, as anything less than ambitious. “This time around the people will have no choice but to hear me,” says the New Jersey rapper himself. It’s also hard to deny liking his moments of lyrical and sonic intimacy on his third album release, aptly titled, “Take Hip-Hop Back”.  More to the point than just likability is the trove of wonderful sounds and smooth flows on this recording. It’s one that that makes the rapper worthy of not just admiration but respect and consideration as a serious contender for rap accolades in front of and behind the microphone. A mixtape, this is not. This is a full-fledged statement.

Beyond just being loved and respected, though, J-Carter is the rare rapper who seems like he’s genuinely in it for the art and the craft, and not necessarily fame or money. The rapper’s almost conceptual leanings and semi-cinematic introductions, shows that he knows that behind his music is something bigger than hip hop. This is a collection of songs that range from somber to energetic. By proving to have an eclectic ear for tones and textures, he asserts himself as a serious performer who’s taken his praise for his previous album with the utmost seriousness.

In listening to tracks like “Fake Cats Fall Back”, “Go Hard At Em”, “Im On That Final” you get the sense that he’s actually expressing himself as opposed to merely regurgitating tired metaphors and clichéd premises. Good hip-hop needs self-analysis.

The garish self-aggrandizing that plagues most radio rap leaves little room for those willing to put themselves, their faith, and their lives under a microscope, which is what makes emcees like J-Carter so intriguing. He shares a conscious and spiritual sense of authorship, where he is willing to wear his heart on his sleeve. His passion is palpable on tracks like “Look What You Done”, “Nothing But The Best” and “Only God Can Love U”.

Over and above the lyrics, J-Carter’s flow, or the multiple guest appearances that add tons of spice to the proceedings, the thing that also does it for me in this album is the consistently catchy, soulful beats. And I’m talking about tracks like “Hoping For Better Dayz”, “It Keeps Raining” and “The One For Me”, but there are countless others with outstanding production.

J-Carter knows how to produce an album, he proves that here; but the beats aren’t the only thing that make this album great. J-Carter is a talented lyricist with an impressive flow, and most importantly he has a unique style. J-Carter is, in many ways, a humble rapper. And that’s an exclusive luxury in modern day hip-hop.

Unlike most rappers, he gives off an innocent vibe. Even in songs where he’s talking about banging bitches like “Stop The Flow”, he says it in a way that doesn’t make him sound like a complete tool.

Throughout this recording, it’s clear that J-Carter has created an album that strategically balances the complexity of 90s hip-hop while simultaneously adding the fun and simplicity of early 00s bangers. The title track, “Take Hip-Hop Back”, is a perfect example of J-Carter taking us back in time, with a slick jam he has created with a reminiscing 90s flow.

J-Carter is on a mission to grab the rap game from this strange period of ambient and electronic experimentation and pull it back to the glory era of the early 00s. Listen as he rolls out “Stop Comparing Me”, “The Society’s Dying” and “We Gotta Change It”. The album is true and real. And that is why I’m calling it a classic.

“Take Hip-Hop Back” is a soundly executed, enjoyable album. Pulling off 38 tracks and keeping the album intriguing from front to back can be an arduous task.  The New Jersey rapper passes with flying colors, dropping some marvelous songs along the way.

The insight, the contrasts, and the thoughtfulness is awesome, all the way through. Despite this album’s length it never drags, feeling like an epic coming-of-age blockbuster. It’s huge, ambitious, and easily one of the best rap albums of this proportion. Pick up this album and immerse yourself not only in its impressive breadth, but also its almost unparalleled depth.

Lookout for the official release around about April 19!

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