New solo artist, Rob Math, releases debut single via Cowboy Records Burbank

Emmy Award winning Production Partners, Inc./Cowboy Records (Burbank) is proud to announce the debut of their recently signed artist, Rob Math. Burbank, CA – Emmy Award winning Production Partners, Inc./Cowboy Records (Burbank) is proud to announce the debut of their recently signed artist, Rob Math. (2018) Rock Godz Hall of Famer, first single, solo artist song, “Burn Out” for digital distribution through CD Baby, coming June 28, 2019. Artist, Rob Math, is most known for his prolific lead electric guitar stylings as a touring member of the ever popular “Peter Beckett’s Player,” (hit song “Baby Come Back”) and heavy metal acclaimed rock

BWH Music Group Presents That Summer, Vol. Two, By Various Artists

You don’t have to go to the beach to hear the best songs this summer.  BWH Music Group’s That Summer, Vol. Two, by Various Artists is the hottest indie release of the year. This extraordinary compilation album features 16 songs by internationally acclaimed and award-winning artists in multiple genres.  The album was digitally released, worldwide, the first day of summer, June 16, 2019. About the Artists: 1. “Locations”-  FSG Rell (feat. Nico DC)  FSG Rell is from a small city-like area called Pottstown, PA located outside Philadelphia. Rell is a rapper, clothing ambassador, and a young entrepreneur.  The 20-year old

Stig Gustu Larsen: “WE” – a combination of exceptional charm

Singer, guitarist and songwriter Stig Gustu Larsen spent the first part of the year as part of the TV show The Voice Norway. After which he found the time to release his latest single “WE”. As usual Stig recorded all the instruments, as well as produced and wrote the song. For the first time he also uses a ukulele as the main instrument. Completed within a few hours, the song was apparently written by accident when Stig tried to entertain his 6 month old daughter with a ukulele. Those who have heard Stig before will know that his voice is

Art Tawanghar: “Buddha Lounge 3 Chill – New Age California” allows for endless open-minded interpretations

Art Tawanghar is a genius when it comes to chill, ambient and New Age influenced music. I have been listening to him for a while, and his music seems to be like eating your favorite gourmet meal, you just can’t get enough. I could easily use his latest album, “Buddha Lounge 3 Chill – New Age California” as a morning meditation, beginning every day with it, to explore the space in my mind that will set a positive tone for the day. Its 7 tracks, contain a story of the promise of the coming age in ethereal, beautiful music that

Harper Starling: “Beso” – the melding of EDM and Latin groove!

Harper Starling is a Los Angeles based singer-songwriter and Billboard recording artist. She has been featured in LA Weekly, Buzzfeed, Billboard Magazine, iHeartRadio, Teen Music Insider, and many other prestigious media outlets. Harper co-wrote her #1 Billboard Dance Club Song hit single “Euphoria”, with Kasia Livingston (Britney Spears, Jessie J, The Pussycat Dolls). The production work was done by The Perry Twins (Rihanna, Beyoncé, Jennifer Lopez). Currently on tour, Harper will be releasing an EP soon which include collaborations with Carlos Battey (Madonna, Justin Bieber, David Guetta) and Steve Daly (Pink, Sia, Charlie Wilson). In the meantime Harper Sterling drops

Tiffani Lewis announces the release of her new single entitled “#Pain”

Tiffani Lewis (The Lady Gaimchng3r) announces the release of her new single entitled #Pain the songstress who is now impacting the music scene and creating a buzz with her beautiful voice and amazing delivery of thought-provoking lyrics. The talented R&B recently announced herself as the acclaimed New Princess of the music world with the release of her new hit single #Pain that has become the toast to the music lovers across the globe. Song Credits: #PAIN Performed by: Tiffani Lewis Written by: Royale Lassai & Patrick Pitts Produced by: Robert Baney & Cary Calvin ISRC#(us8q51800003) OFFICIAL LINKS: WEBSITE – INSTAGRAM

The Unwriters – an anonymous concept ghost band!

The Unwriters is a four piece band from 4 different countries (France, Italy, UK, USA) that launched in 2018. Described as an anonymous concept ghost band, they are made up of Z (Zepop): Songwriter, guitars, lead vocals, Twister (She): Keyboards, piano, vocals, tambourine. Mel: Bass, guitar, vocals and Pat: Drums and percussion. A blues-influenced alternative rock band, The Unwriters work in both analog reel-to-reel tape, and digital systems, often recording together live in the studio. They have released a series of critically acclaimed singles, as well as, two EP’s. Including their own version of “Tomorrow Never Knows” – a Beatles

Pops Jr. – “New Bag” is huge in scope and ambition!

The first clue to the fact that Pops Jr. is unlike your regular street rapper, is when he says:  “I’m more James Brown than Jay-Z”. He states that even though he grew up in the nineties, many of his huge influences comes by way of soul artistes from the 70s. At the age of 5 years old his father “Pop Heavenly” aka POPS put him and his 4 older brothers in a rap group called the Heavenly Boyz. The group traveled coast to coast performing wherever their Pops could get a gig. No matter how much he steered his boys

AMARU: “That’s The Way I Like It (Radio Mix)” – a message however of strength, inspiration and upliftment

Last year around about this time we were celebrating the release of the album “CHAMPAGNE ATTITUDE” by AMARU – a singer-songwriter and a trained actor, originally from the Republic of Suriname (South America), residing in The Netherlands (Europe) since 1991. The album reaped in critical acclaim and fan appeal for the passionate and determined artist. At the beginning of this year, AMARU dropped the single “CHAMPAGNE ATTITUDE (RAP-TITUDE MIX)”, to show a rawer side to his usual sophisticated pop and dance vibe. And once again he delighted his fans and baffled his foe with another display of his open-minded and

Nu.Wav: “The Takeover (Deluxe Version)” is infectious and compelling

Flip and Eazy, make up the rap collective Nu.Wav. They have been performing and working towards their dreams as a duo since June 2018, traveling to Oregon, Atlanta, Las Vegas, Seattle, and many more places. Singularly, they have opened for Atlanta group Crime Mob, T.I and Lil Wayne’s Americas Most Wanted Tour and many more. Nu.Wav and their label Mogul Music Entertainment have recently signed a label partnership deal with Vision &Vitality Entertainment. The joining of the labels, has the resulted in the duo releasing their debut album, entitled, “The Takeover”, on June 14th 2019. “The Takeover (Deluxe Version)”, comes

The Jon Johns: “Road Trip Mixtape” – an adventurous attitude!

The Jon Johns are a duo of musicians/producers who have been making music together since 2018. Their music binds the past and the present together into a harmonious sound with musical influences from the 60’s to now. One-hundred-percent independent, the Jon Johns do everything from writing, playing, recording, producing, mixing and releasing their own music. They currently have their 9 track “Road Trip Mixtape” out now. Within minutes of the mixtape kicking into life, this supremely confident recording suggests a band at the peak of their powers, occupying their own orbit.

It starts with “Make My Day”, a vast, expansive song that shifts its shape multiple times. Initially, its drifting vocals, languidly rumbling drums and twisting bass guitar conjure up something of a bluesy ambience. The drum pattern tightens up, the bassline comes to the fore and it sounds unexpectedly like something off an alternative rock album – a much lusher version of the White Stripes, which during the course of the mixtape, the duo blend with flavors of The Black Keys and Chromeo, among others.

By the time you hit the second track, “Smile” with its rich harmonies and smooth reverbed melody, The Jon Johns sound suspiciously like a band with a hugely beguiling sense of well-placed confidence. It’s like they’re on their 20th anniversary release.

“Stories” only confirm their versatility, and their ability to not be boxed into any one genre. Americana and folk-rock roots abound on this track, as one singular trait powerfully threads its way through all of The Jon Johns songs – a confirmed knack for writing catchy, singalong melodies.

“Fleetwood” again sees the duo switch their style and mood, introducing plenty of warm keyboards into the sonic equation. The vocals too, switch register and tone here, becoming beautifully smooth and conversational.

Intense and funky, “Teenage Love” steps up the momentum and could easily persuade you to take to the dance floor. For all its musical diversity, the “Road Trip Mixtape” never sounds incoherent.

The songs are retro embellished, and however radio-friendly the choruses or the instrumental dynamics, the tight-knit relationship between the vocals and the break-beat percussive rhythms is always at their center. The ability to sound polished and commercially viable, without seeming artistically tentative or compromised, is an impressive stunt to pull off.

The absolute diversity of the moody, bass, drum and guitar driven “I Know”, and the ominous synth waves of the expansive “Stallion” perfectly encapsulates The Jon Johns boldly contrasting approach to their music. The sense of evolving song structures, dynamics, and textures is what makes this band so entirely captivating.

“Na Na Song” is a microcosm of the kind of diversity that pervades the “Road Trip Mixtape”. A track with a bass pulse as impellent and hypnotic as anything else you’re about to hear this year. “Play The Game” closes the recording with a multiplied kaleidoscope urgency to that which opened it.

For a two-man unit like The Jon Johns, studio wizardry is helpful in both widening the mixtape’s general scope, and highlighting songs one at a time. But, ultimately, it’s their adventurous attitude that will bring excitement to the airwaves. With that in mind, we have no idea what their next album will sound like, but it’s impossible to not be excited to hear what comes next.

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