Saints Warning is a fresh new alternative band hailing from Los Angeles, California

Saints Warning is a band hailing from Los Angeles, California. Their sound is fresh and modern, with a nod to the energy of indie rock and the timeless vibes of blues and alternative music. In addition to that, their songs are also quite personal and intimate, capturing that unique vibe often associated with the singer-songwriter style. The line-up currently consists of Eduardo Enriquez (vocals), as well as David McClellan on guitar, bass player Andrew Dupras, and last but not least, Bobby Godines sitting behind the drum kit. The group was founded by David earlier in 2019, and ever since they’re

ill-logicz: “Countin'” – pure delivery stylistics

Hailing from Miami, FL, rapper ill-logicz is excited to release his single “Countin’” produced by Ka$h Blak. As a conscious rapper, ill-logicz tends to stick to the storytelling rap and hip-hop songs, but wanted to change it up a bit for this one. His previous single “Gemini” was released in February of this year. It’s always an admirable act when rappers dedicate some part of their music to new experiments. The rapper has always had plenty to say, and he’s also never been shy about saying it. Now his applying that same theory to his music. “Countin’” is a far

Deane Nesbitt Jr. – “Tracking The Soldier” relaxing and inspiring the listener at the same time

Oftentimes music has a way of helping people through the rough periods of their lives by allowing them to still their minds and quiet the tumult that is assaulting them from without. It allows people to turn within and find the strength that lies at the heart of their being so that they can face the next day no matter what circumstances are awaiting them. Deane Nesbitt Jr. seems to have taken has these recommendations and has created the album “Soundtracks in the Sand” as a way to put all of his most powerful music in one place. Well that’s

A&L: “So Sorry” – a hard hitting song that showcases grand all-round musicianship

“So Sorry” is the 10th single release by the two seasoned industry professionals – Anthony Casuccio and Lana Marie, better known as the chart-topping indie outfit A&L.  “After the success of our last single We Are Love, which was a ballad, we wanted to get back to our aggressive roots,” says Casuccio, the Grammy nominated engineer who powers the production behind A&L. The track channels the anger and realization that you are being played by a new lover. The powerhouse performance of the other half of A&L, Lana Marie, is a call to action and a warning to all players

RealTalk the Black Boy King: “True” – a huge step up for the Dallas artist

Originally from California, the Dallas (TX) based artist RealTalk the Black Boy King covers the complexities experienced in areas like Los Angeles, Las Vegas, and Phoenix, while seeks to shed light on the truth of life in America. World travelled and a true descendant of ancient royalty, RealTalk has unleashed his latest, epic 12 song project, entitled “True”. For those familiar with his previous work, ‘CURSES’ and ‘The Time Machine’, the new album, currently available for purchase on all platforms,  is considered a huge step up for the Dallas artist. Though his projects have all been critical successes, his latest

KARMS ANNOUNCE NEW TRACK ‘TELL ME WHEN THIS ONE ENDS’

KARMS first turned heads in 2017 with single, ‘We Always Lose’, an energetic anthem that just never seemed to quit. Not leaving too much time for breathing, the band soon released their EP, ‘River’, a bone crushing selection of songs politely polished off with the silky, tender, ‘Beautiful Magic’. Not one to shy away from a show, KARMS have been lucky enough to take on supports with Fatherson, The Amazons, Arcane Roots and The Strypes. KARMS have headlined sold out shows at Whelan’s, Dublin and played at last year’s Other Voices in Ballina. In 2018, KARMS released their debut album

Lil Xelly: “Rxelly” – crank up the volume and ride!

The 19-year-old rapper Lil Xelly, hails from Rockville, Maryland and began making music as early as 9 years old, writing raps in a journal. While most new rappers do the normal thing and launch themselves into the hip-hop arena with a single release, towards the end of 2017, Xelly dropped a mammoth 105-song mixtape entitled “More Xelly”. Having now laid down his blueprint from which to evolve and expand, Lil Xelly went on to release two projects a month, starting in early 2018, and then surpassing that benchmark as the year went on, continuing into 2019. A couple of weeks

Monster2x: “Deep End” – Treading confidently across both hip-hop and R&B

Monster2x is a hip-hop/rap artist from Vernon, TX. His laidback sound makes for an easy listening experience that new fans will want to put on repeat. “Deep End” is the latest track from this up and coming artist. The track opens with a melodramatic new age sound-bed complete with shimmering instrumentation as Monster2x waxes poetic in a conversational tone. Any rapper can be heard if they’re shouting in your ear, but a skillful emcee will play it chill. The beauty in Monster2x lyrical ability comes in his effortless storytelling and melodic tone.  “Deep End” blends together the essence of soul

INTERVIEW: R&B and Soul singer Brandon James is creating a buzz

The R&B/Soul singer Brandon James is creating a strong buzz with the release of his single “So Emotional.” The track is the first single off the upcoming E.P scheduled for release soon. Brandon states that he started doing music as an outlet for depression early in life. “I wasn’t very popular in school and I was considered a latchkey kid due to my mother’s work schedule and my father’s battles with alcoholism,” says the artist. On a teacher’s suggestion to find extracurricular activities, Brandon joined the choir. He finished the eighth grade with a determination to elevate his understanding of

Violeta: “Jealous” deserves an ovation

Australian singer-songwriter Violeta Bozanic, who was the junior vocalist winner of the prestigious 2018 World Championships of Performing Arts award in the United States, has just released her debut single, “Jealous”. The song was produced by world renowned producer Jeffrey Weber and written by Violeta with Dapo Torimiro (John Legend, Stevie Wonder, and Justin Bieber). The teen songstress launched herself into the music universe at the tender age of eleven when she reached the semi-finals in Australia’s Got Talent, and hasn’t looked back since.  Just to be clear, I love big voices and originality and Violeta has both of them.

YHN Hammertime: “Cash Out” – relatable lines over a sleekly banging beat

YHN Hammertime is a rap/hip-hop artist based in Washington DC. He often collaborates with fellow artists from the DC area. After a string of single releases, he has dropped his first official mixtape “Gang Meets Gang”. From the album comes the highly infectious single “Cash Out” along with its classy visual, now viewable on YouTube. With this album, YHN never seems to be trying to make one track for the thugs, one for the hip hop heads, one for the club, one for the backpackers, and one for the playas, etc. Although you could still attribute those labels to the album’s tracks, it appears to happen naturally, and that’s a novelty in a genre fine-tuned to harken to its audience. YHN’s style isn’t inherently druggy like many of rap’s modern kingpins, but it’s just as mesmerizing as he puts a couple joints for the ladies on there.

One of them being “Cash Out”. Here YHN Hammertime embraces the poetry-fueled cut for the ladies, and let’s be perfectly honest, he does a pretty great job of this crossover style: “I just wanna cash out on a bad bitch, because she ain’t average, disappear like magic.”

Listening to an artist like YHN embrace his emotions for the females is hardly a new thing, but his angle is so refreshing and determined. It’s a perfect glimpse as to what makes YHN so massively captivating; his ability to play on probable real-life scenarios in the driest way.

Many of us have been in a similar situation, at some time or other, but we all know it doesn’t (or it can’t) quite work out like that…at least not most of the time, for lack of resources, or courage  of intent. YHN fully finds his footing with the opposite sex, and the honesty in his rhymes reaches an admirable level of relatability as he shows us how to treat a lady.

His confidence and determination shines through. He is not only being empowered, but being himself, and that’s the most powerful feeling. The track is soulful, poppy and smooth, all at the same time, showcasing YHN Hammertime’s talents.

It’s good to hear YHN chasing his own creative highs, rather than someone else’s. Unlike his contemporaries, he doesn’t spend time mimicking somebody else’s bravado or getting lost in vague styles and sounds. He goes straight for the jugular with “Cash Out”, laying down a series of catchy, relatable lines over a sleekly banging beat.

The soulful snaps and harmonies of “Cash Out” perfectly shade some earworm rhymes, culminating in a gripping record tied up perfectly with a set of passionate choruses from YHN. This is a sonically pleasing, and lyrically endearing listen!

OFFICIAL LINKS: INSTAGRAMSOUNDCLOUDITUNESSPOTIFYYOUTUBE

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.