JunesFlow – “Challenge” produced by Mark Cooper, and new visual shot by Desmond Travis

Never-mind your car, or drinks at the bar, or how many chains you wear; to settle it once and for all, that’s the only reason we’re here. It’s a …CHALLENGE!” The album “Long Live Jit” is still in a league of its own as it continues to shine light on Detroit’s vast dance history, and its progression. “Challenge” is the joint from JunesFlow, produced by Mark Cooper, and new visual shot by Desmond Travis. Check for the video and witness what happens when the battle is “on sight”!  “To me, ‘Challenge’ is a song that’s strictly here to provoke

Jim Wyly Performs “Wildman of the Thicket” From The Album “The Artisan”

Jim Wyly at J P Hops House, Houston, Texas singing ‘Wildman Of The Thicket’. A Bigfoot Legend from Deep East Texas.  For years as a member of several bands including Movin Target and The Lunar Rollers, Jim Wyly has been widely regarded by his peers as a master of the songwriting craft. At the young age of 71, Wyly stepped away from the sound and life of being in a band and released his solo debut, “The Artisan”. A roots Americana and blues flavored recording, the album includes the track “Wildman of the Thicket”, a song about the Bigfoot

DaKing – “CryptoBoom” is a vibe from start to finish!

“CryptoBoom” is the second single by Moscow artist DaKing who is currently working on album which will feature previously unheard of 3D stereo effects. As can be gaged by the title, the song is inspired by escalation of cryptocurrencies. DaKing falls into the category of nu-wave rappers. You can hear a bit of his flow, hooks, and ad-lib driven rap style in the music of today’s newest up and comers. DaKing verses have a way of feeling like extended hooks. He loves to chant as his ad-libs swirl in the background. Sometimes he even delivers a rapid-fire flow. The project

Fifth – “Cost of Doin’ Business” – a depth you can feel in your chest

Fifth is an artist who has bars and knows how to spit lyrical content…better than most you will find nowadays. If you like artists with substance, then the Pittsburg, CA native is your man. Fifth, whose moniker is the suffix of his full name, has featured on the show “Leah Remini: Scientology and The Aftermath: The Jehovah’s Witnesses”. He is currently riding the wave of his latest single release – “Cost of Doin’ Business”. The whole track is well-produced and engineered. Everything from the instrumental to the vocals, are mastered properly and flow nicely. In addition to putting out a

Haze Daze – “Shadows” is rich and inviting!

Self-awareness is key, and Haze Daze getting in touch with that allows him to separate himself from the pack, reaching territory where only a handful others reside. But of course his latest track, “Shadows” is also the embodiment of the current culture. The song is the unification of the SoundCloud elite sound and the figures who came directly before, it’s an embracement of that short but rich history. Knowing your strengths or limitations is a skill that few have. Haze Daze on “Shadows”, is not only able to avoid any potential limits, but also accentuate his strengths. The track is

Menes Rebazzar Kedar – “Quantum Helix: Fractal Galaxy” – A voyage into the development of ideas and emotions!

The New York-based artist Menes Rebazzar Kedar fuses a potpourri of musical flavors on his new album “Quantum Helix: Fractal Galaxy”. From hip-hop to blues, rock, soul and electronic stylings, the artist crafts 9 eclectic tracks that defy strict categorization. The music on this album isn’t just a critic or fan pleaser but it’s clear that what Kedar wanted most was to make a recording that actually carries some vestige of meaningful depth. A truly excellent work sounds like putting a stethoscope up to the heart and mind of its creator. The album is very ambitious, and provides one of

“ENVY” – Framing Hanley is a great band who are fresh and adventurous

1.5 million downloads, over 150 million digital streams, and in excess of 40 million video views, certifies that Framing Hanley are not your simple garden variety of rock n roll band.  Kenneth Nixon (vocals), Ryan Belcher (guitars), Jonathan Stoye (bass), Shad Teems (drums) and Nic Brooks (guitar) make up the reformed Framing Hanley who release “ENVY” – their first album in 6 years – via Thermal Entertainment on 2-21-20. Believe the hype, this album is extraordinary from start to finish. “ENVY” is the right place to start if you are at all interested in hearing this incredible band. Not one

Foolish Senpai – Loyalty Everlasting (Ft. E-Man) | Official Music Video

Michael Curry, known by fans as Foolish Senpai, is an upcoming Hip-Hop artist who stands out for his creative vision and the undoubtedly alternative taste of his music. Senpai has been consistent, early into 2020 releasing new visuals for his music. He presents “Loyalty Everlasting” with contributions from E-Man this go around. Keep an eye out for Foolish Senpai as he keeps adding to his catalog of videos.  MORE ABOUT: The word “senpai”, is rooted in Japanese culture and relates to the “senpai-kohai system” which underlies nearly all relationships. Senpai (先輩) in most cases means “master” or “teacher”. Michael

Merce Gold – “Gold Standard” – consistently deliver good music, captivating atmospheres, and ponderable rhymes!

Merce Gold is a hip-hop artist from North Carolina. He is an artist/CEO of Family Over Entertainment, an entertainment company started by Merce and his brother Louis.  “Gold Standard”, released on 2/2/20, is Merce Gold’s 3rd project, his previous “1993” was released Feb 18th, 2019 and is also available on all streaming platforms. The key element that makes this latest album’s atmosphere really enjoyable for me is the overall lushness of it. The beats especially are as gritty and smoothly layered, and as colorful as the narratives. Another reason that the album is a really enjoyable piece, is that it

Lyt Lyfe Presents The Official Video for the Single “10-4” by CHANGE

The music is booming and hard-edged “10-4”until it’s suddenly dulcet and sweeping, matching the fury and then tenderness with which Change performs throughout. The shift in tone doesn’t feel jarring, but instead like it was building up to that the entire time, a testament to how dynamic and complex the production is. It creates an anthemic, banging experience that is just as important as the words rapped. Hip-hop music, with its lack of filter and abrasive nature, has always been a vehicle by which men who uphold a veneer of toughness and masculine bravado can share their feelings. Part of

A&L: “So Sorry” – a hard hitting song that showcases grand all-round musicianship

“So Sorry” is the 10th single release by the two seasoned industry professionals – Anthony Casuccio and Lana Marie, better known as the chart-topping indie outfit A&L.  “After the success of our last single We Are Love, which was a ballad, we wanted to get back to our aggressive roots,” says Casuccio, the Grammy nominated engineer who powers the production behind A&L. The track channels the anger and realization that you are being played by a new lover. The powerhouse performance of the other half of A&L, Lana Marie, is a call to action and a warning to all players out there: “You break my heart, you better sleep with one eye open. You screwed with the wrong woman.” Adding to the success of A&L is Rich Smith who has been behind the drum kit since A&L’s 3rd release, Smith is a hard-hitting rock drummer who always puts song writing and band chemistry first. Another element that contributes to the A&L sound, is Matt Sunick, whose bass playing has been influenced by progressive roots. Matt gives A&L the groove and feel that they always strive to achieve.

Though rock music can often times be found stale from an over-saturated market and radio, A&L brings that rough around the edges live take urgency to the sound. “So Sorry” is a hard hitting song that showcases grand all-round musicianship, Anthony Casuccio’s screaming angular guitar work, and extraordinary vocal work by Lana Marie. Her burning and persuasive vocals will leave a haunting echo in listeners’ hearts, as she sings both confrontational and unapologetic lyrics over smashing drums and dirty guitars.

The melody driven groove gets retained in your mind long after listening. The idea that rock and roll is dead obviously isn’t known to A&L, “So Sorry” is proof that rock music with intelligence and emotion is not only plausible, but executable.

Lana is a stand out singer and front runner, offering the perfect blend of classic pop-rock vocals with rough around the edges snarling. She’s confident, driven and a talented artist that only helps to push the pleasantries of the band’s music.

Casuccio makes sure that the production quality is top notch on “So Sorry”. The sound is captured on all vocals and instruments, with great tone and appropriate frequency extension. The mix is artful with all elements being audible and aurally easy to follow.

The recording has tremendous punchiness too. The production achieves overall loudness, while staying within maximum headroom and not subtracting the music of any dynamic expression, by way of overdone compression. There is a vibrancy and honesty to this song – something heartfelt rather than manufactured.

“So Sorry” is an authentic rock track, and is unique to today’s Top 40-centered music scene. And even though there is plenty of rockin’ going on, A&L understand that most great songs rely on having something easily accessible to win people over.

So Lana makes sure the lead melody is highly identifiable, while the guitars are heavier, the bass is thumping, and the drumming is impeccable. Yes, A&L are back again, with even more aptitude and passion than ever before!

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